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Fitness in Post
Fitness in Post: Using Community to Make Post Healthy

Fitness in Post: Using Community to Make Post Healthy

"Fitness in Post" sounds like an oxymoron, but actually it's a fast-growing movement led by film and television editor Zack Arnold, helping the community of editors, visual effects artists and other post-production professionals to help each other become physically and mentally healthy.

Editorial, Feature, People / Interview
Kylee Wall
NAB Show
The Introvert's Guide to NAB

The Introvert's Guide to NAB

If you’re like most people in video production, you’re a bit of an introvert, and that makes trade shows a complicated matter. Creative COW Contributing Editor Kylee Wall offers suggestions to help you fight shyness and balance your social meter to have the best NAB Show you possibly can.

Editorial, Feature, People / Interview
Kylee Wall
Art of the Edit
Transform Your Edit Suite Into a Gym

Transform Your Edit Suite Into a Gym

Between editing a television show 60+ hours a week and raising two young kids, there's no way that editor Zack Arnold (Empire, Burn Notice) was getting to the gym. Yet he's been able to lose weight and build strength by combining his two passions -- editing and fitness -- into one space. You won't be able to jump into all of Zack's suggestions at once, but he didn't either. But if you're looking for practical, real-life steps for looking and feeling better under an editor's workload, here's the starting line.

Editorial, Feature, People / Interview
Zack Arnold
TV & Movie Appreciation
FotoKem Restores The 1965 Classic, The Sound of Music

FotoKem Restores The 1965 Classic, The Sound of Music

Restoring a beloved classic requires even more finesse than usual. Fortunately, today's tools offer more power than ever, along with more finesse, to enable the film experts at FotoKem to create a truly celebratory release of 1965's The Sound of Music.

Editorial, Feature, People / Interview
Tim Wilson
Apple Motion
Apple Motion 5: Volumetric Lighting

Apple Motion 5: Volumetric Lighting

Volumetric lighting creates a dramatic look of real light in a 3D space, and works especially well for title animation, even with 2D text. It's a nifty magic trick, created with a finesse that some people don't associate with Apple Motion. You of course know better, and Simon Ubsdell is here to help you create the magic.

Tutorial
Simon Ubsdell
NAB Show
Tips from an NAB Veteran: Make the Best Use of Your Time

Tips from an NAB Veteran: Make the Best Use of Your Time

"The snow is finally starting to melt," says Creative COW Contributing Editor (and member with nearly 25,000 posts) Walter Biscardi, "so that means it’s time for the annual National Association of Broadcasters convention. I've gone so many times it’s more like a family reunion than a trade show anymore. Here’s my 2015 edition of “Tips From An NAB Veteran To Make The Best Use Of Your Time.”

Editorial, Feature, People / Interview
Walter Biscardi
NAB Show
Open Letter to Companies Exhibiting at the NAB Show

Open Letter to Companies Exhibiting at the NAB Show

"Trade show exhibitors are all competing to be the loudest, shiniest and sexiest," says Creative COW Contributing Editor Kylee Wall. "I'm writing to ask you to consider how your conduct can help make the exhibit hall a more inviting and inclusive experience for everyone."

Editorial, Feature, People / Interview
Kylee Wall
TV & Movie Appreciation
Method Studios builds a giant world for JUPITER ASCENDING

Method Studios builds a giant world for JUPITER ASCENDING

Jupiter Ascending is the latest sci-fi epic from Lana and Andy Wachowski, the visionaries whose hallmark is creating compelling worlds that span vast reaches of time and space. We spoke to Simon Carr, the VFX supervisor for Method, about creating many of the key components in Jupiter Ascending's world, and what their experience has taught them about building their own future.

Editorial, Feature, People / Interview
Tim Wilson
Crowdfunding
Kickstarter Success? Fall In Love With Your Idea!​

Kickstarter Success? Fall In Love With Your Idea!​

You may know the highly regarded CTRL+Console app that enables your iPad to work as a control surface for Adobe Premiere Pro, Apple Final Cut Pro 7 and X, and others. Developer Jeff Chow isn't a software guy, but a creative professional who found he could build a gestural interface more quickly than he could master an NLE. Equally impressive: the funding for turning his idea into a product came from a Kickstarter campaign that exceeded its goals. Here, Jeff offers powerful, proven tips for crowdfunding success that will help you in your own campaigns.

Editorial, Feature, People / Interview
Jeff Chow
Fitness in Post
Fitness in Post: From Couch to Star Wars 10K

Fitness in Post: From Couch to Star Wars 10K

"My name is Adam Bedford, I’m a tv editor, and I just ran my first ever 10k." Adam tell us that it was hard to even get started training, having sprained his ankle running from zombies at Comic-Con. And yet...

Editorial, Feature, People / Interview
Adam Bedford
Apple Motion
Apple Motion 5: Shockwave

Apple Motion 5: Shockwave

An explosive shockwave. Think you've seen it all before? Not until Simon Ubsdell has shown you how to take advantage of unique tools in Apple Motion 5 to make your own. Simon's experience has been built over 25 years in motion graphics, sound design and mixing, music composition, visual effects and compositing, as well as writing, directing and producing. Follow him as he takes you deep inside keyframes, caustics, camera behaviors, and customizations, as well as sharing real-world tips for finding your way around Motion.

Tutorial
Simon Ubsdell
Fitness in Post
Fitness in Post Revisits Sexism in Post

Fitness in Post Revisits Sexism in Post

"Sexism in Post" by Kylee Wall, one of our most-talked about recent stories, will lead to an NAB 2015 panel, and here, a podcast interview by Zack Arnold for Fitness in Post.

Editorial, Feature, People / Interview
Zack Arnold
Adobe Premiere Pro
Misery Loves Comedy: Comedian Kevin Pollak Cuts His Docu

Misery Loves Comedy: Comedian Kevin Pollak Cuts His Docu

Comedian and actor Kevin Pollak talks about directing and editing his documentary "Misery Loves Comedy", a film that explores the darker side of comedians. After three software lessons from editor (and renowned VFX supervisor) Rob Legato and ten months at the console, Pollak has some new insight about the cross-over between stand-up comedy and editing.

Editorial, Feature, People / Interview
Kylee Wall
Cinematography
Cinematographer-in-Residence: Mandy Walker ASC at UCLA

Cinematographer-in-Residence: Mandy Walker ASC at UCLA

Cinematographer Mandy Walker joins UCLA School of Theater, Film and Television as a Kodak Cinematographer in Residence, teaching the next generation of film students what it means to be a successful director of photography.

Editorial, Feature, People / Interview
Kylee Wall
DaVinci Resolve
Exodus: Gods and Kings -- Grading Ridley Scott's 3D Epic

Exodus: Gods and Kings -- Grading Ridley Scott's 3D Epic

Director Ridley Scott's latest epic 'Exodus: Gods and Kings' takes a gritty approach to a biblical story, and colorist Stephen Nakamura helped expand the realistic look by working closely with Scott and DP Dariusz Wolski ASC, and by grading the film in DaVinci Resolve 11 using new tools to help push the 3D grade while preserving highlights.

Editorial, Feature, People / Interview
Kylee Wall
AVID
The Art of Being Industrious: Dody Dorn ACE on Cutting Fury

The Art of Being Industrious: Dody Dorn ACE on Cutting Fury

Oscar-nominated film editor Dody Dorn is best known for her work on films like 'Memento' and 'End of Watch', with her latest film 'Fury' involving 16 Avids across two continents. Working her way up from switchboard operator, Dody brings decades of experience to the edit, with a personal advocacy for taking career risks and accepting any opportunity.

Editorial, Feature, People / Interview
Kylee Wall
Windows Hardware & Software
HP Brings Tiny Desktops and Bold Displays to CES 2015

HP Brings Tiny Desktops and Bold Displays to CES 2015

HP announced major updates at CES 2015, including thin and light mobile workstations, new mini desktops for any room in the house, and enhance displays featuring curved, 4K and 5K panels and virtual reality capabilities.

Editorial, Feature
Kylee Wall
Boris FX
Walter Soyka On Boris Continuum Complete 9 NLE & AE Plug-ins

Walter Soyka On Boris Continuum Complete 9 NLE & AE Plug-ins

Creative COW's Walter Soyka has been using the Boris Continuum Complete plug-ins for years, and now takes a look at BCC 9. His conclusion: it's exactly what a plug-in set should be, adding power and creative options, saving time, and a strong value. Available for every major NLE, After Effects, and Resolve, you'll want to take a look at Walter's experience yourself.

Review, Feature
Walter Soyka
Apple Motion
Apple Motion 5 Title Tutorial: Weld

Apple Motion 5 Title Tutorial: Weld

In the first of what will be an ongoing series, "Title Animation: WELD" uses the particle system in Apple Motion, as well as support for EPS outlines, to create the photo-real impression of a title burned onto the screen with a blowtorch, complete with sparks and smoke. Part 1 covers the set-up ,including a stop in Adobe Illustrator, and Part 2 features the compositing, lighting, and filtering finesse to really make it pop.

Tutorial
Simon Ubsdell
Art of the Edit
Unbroken: Editing Angelina Jolie's War Drama

Unbroken: Editing Angelina Jolie's War Drama

Editors William Goldenberg and Tim Squyres discuss the process of co-editing Unbroken, the Angelina Jolie directed war drama, including constructing challenging sequences, working with an actor-director, and knowing when a scene feels right.


Kylee Wall
Art of the Edit
Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri's shift from editing corporate training videos and independent films to crafting TV movies for SyFy and Lifetime was no accident: hard work and a positive attitude were everything as he found himself cutting films and designing workflows for major networks.

Editorial, Feature, People / Interview
Kylee Wall
Adobe Dreamweaver
Bridging Web Design and Development with Adobe Extract

Bridging Web Design and Development with Adobe Extract

Adobe Extract, released in August 2014, is a feature in Photoshop 2014 CC, Dreamweaver 2014 CC and Creative Cloud that has the potential to transform the way web designers and developers work together. If the designer does have a Creative Cloud membership, it opens up a new possibility: uploading a PSD file (one received via email, for instance) to Creative Cloud and getting the assets and CSS information out to to your project.

Editorial, Feature
Michael Hurwicz
Boris FX
Boris FX Acquires Imagineer, Building VFX Development Dynamo

Boris FX Acquires Imagineer, Building VFX Development Dynamo

Boris FX, makers of VFX plug-ins and integrated workflow solutions including Boris Continuum Complete, have signed an agreement to acquire Imagineer Systems, makers of mocha Pro. The two will combine for a tremendous reach in the editing, motion graphics, and VFX communities, and have already begun work on joint projects and technologies.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
Editor William Goldenberg on Crafting The Imitation Game

Editor William Goldenberg on Crafting The Imitation Game

Oscar-winning film editor William Goldenberg has cut his fair share of tension, including Zero Dark Thirty and Argo. On The Imitation Game, he crafts the story of Alan Turing's race to crack the Engima code, sharing his creative approach to constructing a scene and working with high-level directors.

Editorial, Feature, People / Interview
Kylee Wall
Art of the Edit
Arson Dogs: Editing a Web Series

Arson Dogs: Editing a Web Series

One of the most complicated projects yet undertaken by Creative COW Contributing Editor Kylee Wall: an unscripted web series called Arson Dogs, which featured massive multi-clips, 8 dog handlers, 3 trainers, and a whole lot of very enthusiastic dogs. Adding to the complexity: because it was for the web, Kylee had to come up with her own structure and pacing for the show itself, as well as the individual episodes, and still turn it around in a very tight timeframe.

Editorial, Feature, People / Interview
Kylee Wall
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