LIBRARY: Tutorials Reviews Interviews Editorials Features Business Authors RSS Feed

Klip Collective Pushes Film Into New Spaces At Sundance

COW Library : Adobe After Effects : Adobe : Klip Collective Pushes Film Into New Spaces At Sundance
CreativeCOW presents Klip Collective Pushes Film Into New Spaces At Sundance -- Adobe After Effects Editorial

It almost had to happen. Tom Wait's spooky spoken word song "What's He Building in There," is so evocative, so visual that it's like film that plays in your mind. The challenge, though, is how to actually make a film that does justice to the genius of the original piece.

Ricardo Rivera, visual artist, filmmaker, and founder of Klip Collective, began exploring video projections when he worked as a club VJ in Philadelphia. "In 1998 I was playing around with Photoshop and discovered how to map images to surfaces," recalls Rivera. "When After Effects added the ability to preview work through a mini DV connection, I discovered that I could easily play content through a digital projector." Rivera pointed the projector at a wall in his kitchen and used it to canvas the surfaces. "Then I masked all of the elements in the kitchen using Photoshop and created what was, in effect, a multi-channel projection feed through one projector and one feed."





Once Rivera had figured out the workflow, the possibilities were endless. Today Klip Collective holds two patents on projection mapping, a technique whereby video content is projected onto non-traditional display surfaces such as the sides of buildings, often as site-specific art. Different physical surfaces come to life in unexpected ways in a dance of shapes, color, and imagery, melding the permanence of architecture with the transience of light. These are the kinds of new frontiers for art that digital tools make possible.

"We map with After Effects, tap into a projector with a laptop as a second or third display to get the 1:1 ratio, and then map the resolution," explains Rivera. "The key is to maintain the 1:1 pixel ratio so that the final result remains visually coherent across the various surfaces and angels. It has to be accurate down to the millimeter for everything to work. It's a very intense process."

In addition to working with Photoshop CC and After Effects CC, the team recently switched to Adobe Premiere Pro CC.  "We initially used Final Cut Pro but moving to Premiere Pro makes our workflow so much faster," says Rivera." The integration between the Adobe products is fantastic."

And they've had commercial success with the approach as well: the company works with ad agencies or directly with a diverse list of clients, including organizations such as Central Park Conservancy, the New York Public Library, and Temple University to brands like Gillette, NBC Sports, New Balance Nike/Jordan, Target, Urban Outfitters, and more. Visual installations by Klip Collective have been featured in commercials, music videos, and films, as well as a whole range of different corporate, sporting, and social events.





And that's where Tom Waits comes back into the story. Last year Klip Collective created a brilliant 15-minute projection-mapped installation of What's He Building in There? as part of the New Frontier exhibit at the 2013 Sundance Film Festival. Projecting onto a suitably scary-looking building, the imagery took the viewer through the walls revealing strange goings-on in different parts of the structure. Then the walls seem to slide down into the ground, exposing the entire interior of the building. A remarkable piece in it's own right, it also solves the problem of how to bring Tom Waits' song to the "big screen" without losing it's strangeness, or diluting the drama of the original piece with conventional storytelling techniques.

This year, Klip Collective is back at Sundance with a clever pre-roll trailer honoring past festival favorites, which is being shown at all film screenings, making it the only film this year that every Sundance attendee will see. The piece is a narrative, incorporating live action panels and 3D animation projected onto the front of the Egyptian Theater in Park City. A 10-minute story plays out and then loops back into abstract geometric forms against the complex façade of the building. The Egyptian Theater projections themselves will also be included in the Sundance New Frontier exhibit as part of a short called What's He Projecting In There?





"We used Photoshop for compositing and to create the setting," says Rivera. "Then we brought that into After Effects and composited everything together to build the base map." The team filmed all of the live action on green screen. "There are four zones and the characters moved between them." The Klip crew used Premiere Pro for editing and then moved to After Effects for the final compositing and timing. They used two HD projectors side by side to project the video onto the theater.





"I love how Dynamic Link lets me do a little bit of editing in Premiere Pro, easily go into After Effects for the mapping, and then finish in Premiere Pro, utilizing the alpha channel masks for the piece," enthuses Rivera. "It's so much more efficient than if we had to render content every time we wanted to move between our tools."





And Klip Collective is already developing ideas for new projects that open up the interiors of buildings to tell their stories. "We have a new project in the works called Vacant America," says Rivera. "I'll tour America with my team and do site-specific installations on vacant buildings. For example, we may film a Campbell's soup can factory and tell a story about that location through the use of projection mapping and the experiences of people who worked there. We're currently bringing partners on board and there's a lot of interest in this project."



Sundance: "What's He Building In There?" Teaser








Related Articles / Tutorials:
Adobe After Effects
Imagineer mocha Pro 5 Plug-In for Adobe: An In Depth Review

Imagineer mocha Pro 5 Plug-In for Adobe: An In Depth Review

Imagineer mocha Pro 5 Plug-in for Adobe brings all the amazing features of the professional version of the mocha Planar Tracker directly into After Effects and Premiere Pro in the form of a plugin. In this in-depth review, After Effects tutorial guru Tobias Gleissenberger of Surfaced Studio will show you what you can do with this new plug-in, and discuss what he likes and doesn't like about the new update.

Tutorial
Tobias Gleissenberger
Adobe After Effects
After Effects 2015.3 - My Favorite Features

After Effects 2015.3 - My Favorite Features

Learn why you should upgrade to After Effects CC 2015.3 - 13.8.1 - a close and detailed look at the latest release of After Effects (August 2016). Roei Tzoref will be focusing on his favorite features that set this release apart from previous versions: Performance, Queue in AME, Lumetri Color new features, and more.

Tutorial
Roei Tzoref
Adobe After Effects
Advanced Masking in Adobe After Effects

Advanced Masking in Adobe After Effects

Some of the coolest stuff you can do inside of Adobe After Effects is only possible once you unlock the power of masks. Join After Effects whiz Tobias Gleissenberger of Surfaced Studio to learn about mask animation and interpolation, using the variable width feathering tool, managing mask modes and ordering, and more.

Tutorial
Tobias Gleissenberger
Adobe After Effects
Fixing Common After Effects Problems and Mistakes

Fixing Common After Effects Problems and Mistakes

Got problems using Adobe After Effects? Exported files too large, Expressions not working, mixing shapes and makes, modes/switches, selecting previews for layers vs. comps - Surfaced Studio's Tobias Gleissenberger shows you fast fixes for these and more!

Tutorial
Tobias Gleissenberger
Adobe After Effects
mocha AE Planar Tracker for Absolute Beginners

mocha AE Planar Tracker for Absolute Beginners

Want to learn how to create advanced visual effects? Learn how to use mocha AE to track your shot and add advanced visual effects to live action footage inside Adobe After Effects. mocha can help you track shots that would be hard to track using traditional 2D point or feature trackers because it is a PLANAR TRACKER. A planar tracker uses planes and textures to track as opposed to points or groups of pixels. This allows the tracker to stay on track even if your shot contains motion blur or a very shallow depth of field. mocha AE comes included with Adobe After Effects and is available since CS3 and there is no reason for you not to use this awesome tool to make it easier for you to track your shot, replace screens or rotoscope!

Tutorial
Tobias Gleissenberger
Adobe After Effects
How to Make After Effects Faster with Proxies

How to Make After Effects Faster with Proxies

Learn how to make Adobe After Effects faster by using PROXIES! A proxy is a placeholder that stands in place for a very large video file or image sequence in your project. You can easily create proxies for the large source files that you are using and After Effects will automatically link them to the item in your project panel.

Tutorial
Tobias Gleissenberger
Adobe After Effects
Stabilize & Smooth: mocha 5 Plug-in for Adobe & Avid

Stabilize & Smooth: mocha 5 Plug-in for Adobe & Avid

Imagineer Systems and Boris FX product specialist Mary Poplin shows you how to stabilize with the new mocha Pro 5 plug-in inside of Avid Media Composer, Adobe Premiere Pro and After Effects. This tutorial covers artistic stabilization, such as smoothing out camera movements or stabilizing around moving objects, completely locking down shots, and automatically replacing edge fill on planar backgrounds.

Tutorial
Mary Poplin
Adobe After Effects
Adobe After Effects Puppet Tool

Adobe After Effects Puppet Tool

Become a puppet master by learning how to use the Puppet Tool in Adobe After Effects! This intermediate-level tutorial from After Effects guru Tobias will show you how the Puppet Tool allows you to add joints and animations to bring life to any static image!

Tutorial
Tobias Gleissenberger
Adobe After Effects
How to Spawn A Clone in Adobe After Effects

How to Spawn A Clone in Adobe After Effects

Want to learn how to create a cool clone spawn effect in Adobe After Effects? Follow along with After Effects whiz Tobias from Surfaced Studio in this exciting new visual effects tutorial that combines green screen using Keylight, CC Vector Blur, the Liquefy Effect, CC Particle World, and much more, delivered in Tobias' inimitable style!

Tutorial
Tobias Gleissenberger
Adobe After Effects
Creating A Flame on Your Finger with After Effects

Creating A Flame on Your Finger with After Effects

It is easy to do some motion tracking and attach a basic stock footage element of fire onto your hands, but there is a little bit of work involved if you actually want to make it look good. In this intermediate tutorial by After Effects expert Tobias, you'll see how to use a fire stock footage element to set your thumb on fire! There are lots of useful tricks for null objects, expressions, and more in this tutorial that will help you create all sorts of other cool visual effects -- or set even more things on fire!

Tutorial
Tobias Gleissenberger
MORE
© 2016 CreativeCOW.net All Rights Reserved
[TOP]