The Fastest Ever Promo - iMovie
I know iMovie is not the sharpest tool in the box but sometimes we need to use a quick way of making a little promo on a budget and with Apple computer shipping with iMovie 11, it's becoming used more and more. Here is a quick tutorial outlining how to create a promo using the built-in templates.
|Related Articles / Tutorials:|
COACM: The Application is Dead. Long Live the App!
While tablets might seem like a bit of a gratuitous topic for media producers, the fact is that the smartphone and tablet markets have created an entirely new reality for software publishers and users, and it seems like the value proposition for application software is forever changed. What does this spell for the future of software development?
Confessions of a Creative Maniac: Pixel Pushing with Analog Digits
The primary author of the very first book ever written about Photoshop appropriately chooses a Photoshop-related subject to hone in on for his very first column for his new editorial home - and on a platform that many COW fans might feel is little more than a media consumption device, the iPad. Take a moment to consume these thoughts, as David serves up fresh opinion about the Photoshop Touch app.
|Recent Articles / Tutorials:|
Art of the Edit
Living The American Dream: Editing Sharknado 5
Ana Florit is your typical Los Angeles-based film editor: among other things, she grew up in the French Alps, moved to Paris, directed a one-hour movie, moved to Hollywood, and has served as the lead editor on the 2nd, 3rd, and now, the latest in the pop-culture phenomenon Sharknado franchise, Sharknado 5: Global Swarming. You know, your usual run-the-the-mill American Dream story. In Ana’s case, the journey also includes a stint at Video Symphony, a Saturn Award nomination, and playing a major role in moving independent production powerhouse The Asylum fully from FCP7 to Premiere Pro. Here, Ana talks with Creative COW Associate Editor Kylee Peña about workflow, VFX, and some of the secrets of Sharknado's success. (Spoiler alert: they're not comedies.)
Adobe Creative Cloud
Motion Graphics Templates in Adobe Stock! Everybody Sing!
The recent addition of Motion Graphics templates to Adobe Stock in the Creative Cloud offers immediate access to over 1000 templates for title screens, lower thirds, and transitions, with more to follow, created by some of the world’s leading motion graphics artists and mograph pioneers Digital Juice. Motion Graphics templates inside Adobe Stock also offer a new avenue for Creative Cloud artists to monetize their work, by offering their own motion graphics templates for sale. This is a multi-faceted story that dives deep into multiple parts of a rapidly expanding Creative Cloud ecosystem that doesn’t handily lend itself to brief soundbites. It does, however, lend itself to song. Everybody sing along!
Blackmagic Design Fusion
Blackmagic Fusion 9's Most Powerful Tool: The Custom Tool
Meet The Custom Tool, the most powerful and versatile tool in Blackmagic Fusion's entire toolbox ??" which ironically appears to do nothing when you first apply it. That’s because it’s a tool designed for building your own tools from scratch. That may sound daunting, but under the guiding hand of longtime VFX artist, editor, and business owner Simon Ubsdell, it’s engaging, empowering, and just plain fun. If you are new to Fusion and to compositing you'll find plenty of useful information here, including how to work with channels to create complex effects surprisingly simply. Bonus tips on expressions and keying, too!
Blackmagic Fusion 9 Advanced Keying: Fixing Problem Edges
In this advanced keying tutorial for Blackmagic Fusion, longtime VFX artist Simon Ubsdell addresses a common problem: edges too brightly lit, along with light wrap that makes compositing a challenge. Learn how to build custom keyers using Fusion's node-based compositing that solve the problem more quickly and more completely than traditional layer-based approaches.
Art of the Edit
A Newbie Looks at EditFest LA
Thanks to the Blue Collar Post Collective's Professional Development Accessibility Program, Indiana shortform editor Hillary Lewis was able to attend the American Cinema Editor's EditFest LA. Rather than the lion's den she feared, Hillary found unexpected support among people who were more like her than she'd imagined. This rare opportunity provided unique insights into what Hollywood editing is really all about, and what it takes to succeed wherever you are.
Adobe After Effects
Adobe After Effects Energy Ball
In his latest high-energy Adobe After Effects tutorial, VFX guru Tobias Gleissenberger of Surfaced Studio combines a variety of effects to create the pulsating energy ball, composited with motion tracking, optical flares, and more.