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, cinematographer for Spider-Man: Far From Home
, takes us behind the scenes of the film and shares techniques for lighting and shooting massive visual effects scenes.
Matthew and Go Creative Show host, Ben Consoli
, discuss working in Marvel’s Cinematic Universe, using pre-vis to prep for shots with VFX, creating Spider-Man’s holographic world, plus Matt’s camera and lens choice, his experience with commercial and fashion filmmaking, audience questions and so much more!
What you will learn in this episode:
- Working on a film in the Marvel Cinematic Universe
- Matt’s involvement during location scouting for SPIDER-MAN: FAR FROM HOME
- The value of Pre-Vis for VFX scenes
- Creating the holographic world
- The camera and lenses used on SPIDER-MAN: FAR FROM HOME
- Creating the look for SPIDER-MAN: FAR FROM HOME
- Why every VFX shot has at least one practical element
- Filming the swinging Spider-man shots
- Matt’s commercial and fashion cinematography
- Tips on how to become a cinematographer
- Go Creative Show audience questions
You can also download the MP3 file here.
About The Go Creative Show
The Go Creative Show has become one of the most listened-to podcasts of its kind. It continues to grow filled with shared experiences and gear talk, as it informs, entertains, and inspires its audience. Shows have included interesting guests like Jeff Cronenweth
(Director of Photography : Gone Girl, Social Network, Fight Club), Stefan Czapsky
(Director of Photography : Max, Edward Scissorhands, Ed Wood), Michael Slovis
(Director of Photography: Breaking Bad, CSI), Igor Martinovic
(Director of Photography: House of Cards), Tim Webber
(Visual Effects Supervisor: Gravity, Avatar), David Burr
(DP Second Unit: Mad Max: Fury Road), David Franco
(Director of Photography: Boardwalk Empire), Tim Ives
(Director of Photography: Stranger Things), Salvatore Totino
(Director of Photography: Everest), Zach Zamboni
(Cinematographer: Anthony Bourdain’s Parts Unknown).
Ben Consoli on Instagram
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