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Andrew Devis : Premiere Pro: Matching Cameras & Composit Elements in AE
In this colour correction tutorial, Andrew Devis shows how to use the tools in After Effects both to get excellent colour matching result in After Effects and also to provide information that can be copied into Premiere Pro to more quickly and intuitively achieve better colour matching in Premiere Pro than can easily be achieved with the present set of tool in Premiere Pro (recorded with CS5.5).
Andrew shows how to use both the right tool and specific colour channel views to visually match the channels to achieve the best results quickly and effectively. Use this to match footage from different cameras as well as matching elements to be composited into your composition so that they look as if they really belong together. |
This is a follow on tutorial to Premiere Pro: Matching Cameras and shows how to use the After Effects information and copy that into Premiere Pro.
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Adobe Premiere Pro
Premiere Pro: Matching Cameras
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In this tutorial, Andrew Devis shows one approach to matching footage from different cameras. Sometimes, as editors, we receive footage from our clients that is from different cameras which may not have been set up in the same way. This can lead to a jarring effect when viewing the footage back as you switch between cameras which can distract your audience - a very big foe-par! But, matching cameras can be a difficult and frustrating process.
While the solution Andrew demonstrates isn't instantaneous and will require time to master, once mastered, it will enable you to quickly and effectively solve problems to (at the very least) ensure your audience isn't distracted when you switch cameras.
Tutorial, Video Tutorial
Andrew Devis |
Adobe Premiere Pro
Adobe Premiere Pro: Edit Faster with Overlay Editing
Editor, VFX artist, post-house owner, and plug-in developer Simon Ubsdell shows you how to edit faster and more easily using the very useful but not often known-about Overlay edit function in Premiere Pro. This Quick Tip tutorial also offers tips on grouping.
Tutorial
Simon Ubsdell |
Adobe Premiere Pro
Advanced Color Correction in Adobe Premiere Pro
Color correction is essential to making every video look its best, and Adobe Premiere Pro has a lot of great tools built in that are both powerful and easy to use. Most important, they can help bridge the gap between color displayed on the monitor you're using, and the devices your viewers will be using. Video editing and VFX whiz Tobias Gleissenberger of Surfaced Studios will walk you through the waveform monitor, the RGB parade, and vectorscopes built into Premiere Pro, as well as helping you understand how they work together.
Tobias Gleissenber |
Adobe Premiere Pro
Working with Audio in Adobe Premiere Pro
Want to learn how to add music and sound effects to your videos using Adobe Premiere Pro? Tobias Gleissenberger of Surfaced Studio will teach you all you need to know about adding music and sound effects to your projects, creating and using submixes, working with audio keyframes, and much more.
Tutorial
Tobias Gleissenberger |
Adobe Premiere Pro
PluralEyes: Fast & Easy Connections for Video & Audio Clips
With the popularity of HD-DSLRs, many shooters are recording sound separately because of the camera’s limitations with audio -- but putting audio and video together in post can be a chore. Longtime spots ace Bill O'Neil has been dealing with this over the past several years , and has found PluralEyes from Red Giant to be fast, easy, and effective. Take a look to see if PluralEyes will help you, too.
Review, Editorial, Feature
Bill O'Neil |
Adobe Premiere Pro
Misery Loves Comedy: Comedian Kevin Pollak Cuts His Docu
Comedian and actor Kevin Pollak talks about directing and editing his documentary "Misery Loves Comedy", a film that explores the darker side of comedians. After three software lessons from editor (and renowned VFX supervisor) Rob Legato and ten months at the console, Pollak has some new insight about the cross-over between stand-up comedy and editing.
Editorial, Feature, People / Interview
Kylee Peña |
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