|
Learn Media Composer Lesson 76: Motion Tracking
 In this lesson, Kevin P McAuliffe shows you the basics of tracking a background plate, and applying that information to a title you create in your timeline. Then he shows you, with the power of the fantastic Animatte effect, how to create a realistic effect of a car driving in front of a title. Advanced looking end product, but very easy to create. |
| Related Articles / Tutorials: |
AVID
Learn Media Composer Lesson 70: The Ken Burns Effect
Play Video
In this lesson, Kevin P McAuliffe shows you how to create the Ken Burns effect, known more commonly as a "Pan & Zoom" effect. This effect, which people will normally create in a compositing application, can be easily created right from within your MC/Symphony timeline with no 3rd party plug-ins needed.
Tutorial, Video Tutorial
Kevin P McAuliffe |
AVID
Learn Media Composer Lesson 71: Creating a Sports Scorecard
Play Video
In this lesson, Kevin P McAuliffe answers a viewer's question about creating a tennis scoreboard, like you would see in a professional tennis broadcast. Most people immediately think they need Photoshop or a compositing application to create this element, but the easiest way to build is with the tools you have right at your fingertips.
Tutorial, Video Tutorial
Kevin P McAuliffe |
AVID
Learn Media Composer Lesson 72: The Schindler's List Effect
Play Video
In this lesson, Kevin P McAuliffe shows you how simple it is to create the effect made famous by film's like Schindler's List and Pleasantville, but he doesn't do the effect as a color correction effect. Instead, he gives you a great introduction to an included Rotoscoping effect called Animatte. Once you see how versatile this effect is, you find yourself going less and less to third party compositing applications to do your Roto work.
Tutorial, Video Tutorial
Kevin P McAuliffe |
AVID
Learn Media Composer Lesson 74: Import, QC and Export
Play Video
In this lesson, Kevin P McAuliffe answers another viewer e-mail from someone who's having quality issues when importing into Media Composer. Kevin goes over some importing tips, and shows you how to make sure you're monitoring the highest possible quality in the NLE application, and then he discusses a common exporting problem, and takes about how, with a little bit of forethought, you can get those excellent looking exports that your clients are asking for.
Tutorial, Video Tutorial
Kevin P McAuliffe |
AVID
3 Columns for Flawless Conform. Every File. Every Time.
Avid editor and workflow consultant Scott Freeman sometimes has to conform thousands of clips in a single project. Get one of them wrong, and the whole thing falls apart. Follow along as he shows you the three metadata fields to keep an eye on for flawless Avid-Resolve roundtripping. Every file. Every time.
Tutorial
Scott Freeman |
AVID
Avid: Third Party Integration and Collaboration
Avid announced updates to its line of products that focus on third party integration and collaboration, including a new Interplay MAM, ISIS 1000 shared storage and Avid Artist I/O device with third party support, and a free version of Media Composer.
Editorial, Feature
Kylee Peña |
Avid Media Composer
The Art of Being Industrious: Dody Dorn ACE on Cutting Fury
Oscar-nominated film editor Dody Dorn is best known for her work on films like 'Memento' and 'End of Watch', with her latest film 'Fury' involving 16 Avids across two continents. Working her way up from switchboard operator, Dody brings decades of experience to the edit, with a personal advocacy for taking career risks and accepting any opportunity.
Editorial, Feature, People / Interview
Kylee Peña |
AVID
Avid Video Mixdowns as DaVinci Resolve Sources
People have been asking advice from television online editor and frequent Creative COW contributor Scott Freeman on what to do when an Avid video mixdown is going to be used as a source for DaVinci Resolve.Here are his thoughts on how to get in on the fun of linking metadata to essence.
Editorial, Feature, People / Interview
Scott Freeman |
| | MORE |
| |
