|
New Audio Mixing Features in Media 100 Version 13
COW Library : Media 100 Tutorials : Floh Peters : New Audio Mixing Features in Media 100 Version 13
 In this Media 100 video tutorial, Floh Peters of Magic Eye (Germany) takes a look at Media 100 Version 13's new multi-channel audio output capabilities. With Version 13, you can assign multiple audio tracks to virtual buses and process each bus separately in the timeline. Each bus can separately master to one or more output hardware channels. |
| Related Articles / Tutorials: |
Media 100 | Media 100 HD
Media 100 Steps Out with Suite 1.5
Nick Griffin gives COW members a passionate 4.5 Cow review of Media 100's Suite 1.5. From a relevant history lesson to the latest version of the super-speed Media 100, Nick urges readers to wake from their 'Rip Van Winkle' sleep and see what Media 100 can do now.
Review
Nick Griffin |
Media 100
VoiceOver Recording in Media 100 Suite
Play Video
In this video tutorial, Floh Peters takes a look at Media 100 Suite's new VoiceOver Tool. The VoiceOver Tool allows direct-to-timeline audio recording while playing back timeline audio and video. Primarily designed for recording narration, the VoiceOver Tool leverages Media 100 Suite's new MultiClip architecture to allow for multiple takes nested inside a single audio clip in the timeline.
Tutorial, Video Tutorial
Floh Peters |
Media 100
MultiClip Editing in Media 100 Suite
Play Video
In this new video tutorial, Floh Peters of Magic Eye takes a look at Media 100 Suite's new MultiClip Editing feature. Ideal for music videos, studio and on-location television, concerts, and live events, MultiClip Editing facilitates real-time editing of multiple video and audio sources in a familiar, easy-to-use interface. A camera can be added to an existing MultiClip as its source media becomes available, allowing you to begin cutting a multicam shoot faster than ever before. Cameras can be synced via timecode, sync marks, or in-points. When syncing via timecode, additional footage can even be assigned to an existing camera - extremely helpful in situations where a camera has been stopped to change tapes or batteries.
Tutorial, Video Tutorial
Floh Peters |
Media 100
Making the Transitions to HD with Media 100
Everyone was talking HD to Creative COW's Nick Griffin. Everyone that is except his clients... until the latter part of last year. Making the transition from a Standard to a High Definition shop was far simpler than he'd ever imagined. In this article, Nick describes the transition.
Feature
Nick Griffin |
Media 100 | Media 100 HD | Media 100 breaks out of its shell at last
Have a bunch of Media 100 projects archived that you'd like to have access to, again? Media 100 breaks out of its shell at long last, releasing new versions of their editing system that are software-only, or that can run on cards like the AJA Kona.
Review, Editorial
Cowdog |
 | Media 100: Walking the Razor's Edge
Reg Harris, longtime contributor and co-founder of the WWUG, explores the future of Media 100 and compares it to the stories told by other businesses -- both successes and failures. He looks at some of the principles involved in the struggle Media 100 faces and explores some of the delimmas faced by all businesses who work to redefine themselves in the face of changing markets. If you are wondering whether or not you want to but that next upgrade, he has some things for you to consider as you make your own decision...
Editorial
Reg Harris |
Media 100 | Media 100 HD
Back-To-Back Graphics in Media 100
In this article, broadcast editor Dave LaRonde looks at ways to use back to back graphics in Media 100 and explores ways to save valuable project disk space while using them. He quotes the oft quoted Law of Digital Media, which says: You can never have too much storage. It should also have a corollary: If you don't have lots of storage, anything you can do to save it is a good thing.
Tutorial
Dave LaRonde |
Media 100 | Media 100 HD
Media 100's 'Lossless' Compression: What Does It Mean?
With Media 100's recent announcement and unveiling of its 'lossless' compression protocol, many users have expressed a lot of dismay and frustration at the news. Some have expressed support. What are the facts and why is this a good thing for some and a frustrating bit of news for others? Who is right and what lies at the heart of this latest bit of news from Marlboro, Massachusetts? In this article, Ron Lindeboom digs through the aftermath of the NAB news and with help from Philip Hodgetts and other noted industry leaders, gives this summery for those interested...
Editorial, Feature
Ron Lindeboom |
| | Recent Articles / Tutorials: | |
NAB Show
Pure Mission: NAB 2018 Highlights for Video Creatives
Everyone who attended NAB this year was on a mission. A mission to create the best content, a mission to deliver content to the right audience, a mission to produce great films for device and theatre viewing. We'll start by discussing some of the best solutions for some of the creative people we know - shooters, production/post folks. And there was plenty of new products, new services, new features announced at the show to get a filmmakers motor running this year. And again SuperMeet was fun, insane and informative. Shoot it, produce it, store it. Then? Sell it. It's all good and getting better!
Andy Marken |
NAB Show
NAB 2018: Journey, Connections, and Life-Changing Takeaways
Many people say that the best thing about the NAB Show is the people, but then their NAB conversations are mostly about products. Thanks to a grant from the Blue Collar Post Collective, longtime Creative COW member, editor, licensed drone operator, podcaster and videographer Hannah Byars-Walker set out to build an NAB experience not around this year's gear, but around the people she'd meet who could change the course of her career, if not her life. This is her inspiring story of what happened next.
Hannah Byars-Walker |
| | MORE |
| |
Reply
Like
