LIBRARY: Tutorials Reviews Interviews Editorials Features Business Authors RSS Feed

The Women in Post PR List: No More #AllMalePanels

COW Library : Art of the Edit : Kylee Peña : The Women in Post PR List: No More #AllMalePanels
CreativeCOW presents The Women in Post PR List: No More #AllMalePanels -- Art of the Edit Editorial


CreativeCOW.net. All rights reserved.


Did you know the #allmalepanel is such a common phenomenon that a UN organization is urging its employees (and 8,500 member organizations like Coca-Cola and Cisco) to stop participating in them? “There is no shortage of qualified women," says executive director Lise Kingo.

The post production industry is no exception to the all male panel phenomenon. From SMPTE to NAB to ACE, our community is vibrant, filled with podcasts, articles, meet-ups and classes. Trade shows feature product demonstrations and broad concept discussion panels of all sorts. Enrichment is important to us. The most frequent recurring advice we give to young people is “never stop learning” and “meet lots of people,” which we accomplish through these extracurriculars.

But our events and podcasts and demos are not diverse, not even kind of diverse. While the post production industry as a whole is lacking in women for reasons I’ve written about in the past, the people that are chosen to speak, teach, and represent us to ourselves are even less diverse.

There is no shortage of qualified women for post either -- I would like to introduce you to a few dozen women (and counting) you can add to your contacts next time you need a demo artist, podcast guest, or beta tester with our Women in Post PR List, available as a regularly updated PDF with a version you can download now.

I’ve recently begun asking people in the post industry why their events only feature male experts.

“I don’t know any women who are interested.” “I booked a woman, but she had to cancel.” “All the women I know are working!”

There is a disconnect between the largely male pool of people in charge of these various stages and women who are experts in their part of the industry. This is true of all industries where men dominate the selection of “experts” to the public.

In the media, one journalist discovered that men are more often interviewed as experts in news articles, and men cite themselves more often than women.

In academia, women who co-author academic papers with men are less likely to get tenure than the men.

And on the site allmalepanels.tumblr.com, you can see examples of all male panels from hundreds of other trade shows and events across the world.


From allmalepanels.tumblr.com -- Royal Television Society’s Special Camera’s talk - all men including chair

It shouldn’t be difficult to find women who can speak on behalf of their work, but many men say it is. So alright, you tell me you don’t know any women who are interested or available or panels or workshops or classroom talks. Your follow up question should be: “how can I help change this?

In partnership with London-based editor Siân Fever, I’ve put together a simple document and form for creating a database of women who are experts in different topics in the post production community. Women can fill out the form and add themselves to the list. Once a month, Siân and I will update and distribute a nicely formatted PDF containing the information of all women who have added themselves to this list.


At NAB 2015 -- Working Together to Close the Gender Gap with Me and Siân, and Megan McGough Christian, Ellen Wixted and Amy DeLouise

It’s still a work in progress, and we’re still figuring out the best way to handle the flow of names and updates (and accepting feedback and assistance to make it bigger and better.) But it’s a start. And it’s hardly a new concept — Binders Full of Women has been doing the same thing in journalism since Mitt Romney uttered the phrase in 2012, and Ms in the Biz has a database for female filmmakers from all kinds of jobs. We’re focused on post production only: engineers, editors, vice-presidents, assistants, coordinators, CTOs, supervisors, sound editors, everything post.

Here’s what everyone needs to do right now:

Women: add yourselves to this page, even if you’ve never thought of yourself as someone that should be speaking as an expert. Your voice is important in this industry. Women are less likely to declare themselves an expert and seek opportunities to be on a stage in their career field. There are a lot of reasons for this, but I think a big one is because being the only woman in a room full of men makes it feel like more is at stake -- if people don't perceive you well, you're doing a disservice to your gender.

The Confidence Gap is a real thing, and I've struggled with it too. It's difficult to walk the tight rope of being assertive but not "bossy", to feel self-assured but not egotistical. We're brought up to play by the rules, and we think that if we work hard we'll be plucked from the masses to be on a stage or discussion panel instead of doing what many men do -- trouncing ahead and declaring ourselves the experts we are already. The more women we have on stage, the less likely gender bias will push them away.

Men: strongly consider not taking part in panels or events that make no attempt at gender parity. Make it your pledge to not sit on an all male panel this year. Your absence makes a difference to changing the visibility of women.

People in charge of events, groups, podcasts, and public relations in general: download this PDF each month and reach out to women. Encourage other women to add themselves to this list. Make your user stories more diverse. Seek gender parity in your beta teams. Look for fresh voices for your panels and podcasts.

On the eve of this year’s NAB Show, consider asking vendors and programmers why their panels or demo artists are mostly men, and share this document with them.

When we think of experts in post production, women should not be invisible or limited to a list of token individuals that can be counted off from memory. By making gender parity a priority for our extracurriculars, we’ll all help reinforce that women ARE experts — and that kind of influence will make an impact on the subconcious gender bias that keeps women from thriving in post. Our most public individuals should represent the working community we're striving to create.

There is no shortage of female experts in post -- let's put them on stage so they can impact the next generation of post professionals.

[If you would like to receive an updated version of this PDF on a regular basis, email womeninpostpr@gmail.com to be added to the distro list.]



Related Articles / Tutorials:
Art of the Edit
What It Takes to Edit Big TV Shows: This Guy Edits

What It Takes to Edit Big TV Shows: This Guy Edits

Sven Pape of "This Guy Edits" joins TV editor Josh Beal (House of Cards, Bloodline) for a close-up look at editing Season 2 of Counterpart, the Starz series starring JK Simmons in a dual role -- which is only the start of the challenges presented by this high-energy sci-fi thriller. Josh dives deep into storytelling techniques, workflow, teamwork, organization, and even offers some insights for people wondering how to get started as TV editors themselves.

Tutorial
Sven Pape
Art of the Edit
Writer-Director Vidhya Iyer: Parents, Children, & Brown Love

Writer-Director Vidhya Iyer: Parents, Children, & Brown Love

Writer-director Vidhya Iyer is an Indian-Nigerian-American filmmaker, improv comic, AFI graduate, and CAPE (Coalition of Asian Pacifics in Entertainment) New Writers Fellow. Work on award-winning shorts has led to a comedy pilot called "PG 30" about authenticity, adult children learning to become honest with their parents, and the unique "brown love" between immigrant parents and their children. Creative COW Contributing Editor Clarence Deng explores all this and more, including the empowering community that grows up among filmmakers who are helping each other tell their truest stories.

Feature, People / Interview
Clarence Deng
Art of the Edit
The Top 5 Most Common Problems with Student Films

The Top 5 Most Common Problems with Student Films

What are the biggest mistakes of most student films? This "Science of Editing" episode may just have the answer. Join "This Guy Edits" Sven Pape and Macquarie University lecturer Dr. Karen Pearlman, author of "Cutting Rhythms: Intuitive Film Editing" and former President of the Australian Screen Editors Guild for a look at specific things to avoid to make your films your best.

Tutorial
Sven Pape
Art of the Edit
Editing Marvel's Black Panther: Debbie Berman ACE

Editing Marvel's Black Panther: Debbie Berman ACE

This is an epic tale spanning two decades, three countries, 12,000 miles -- and that's just the story of Debbie Berman, ACE, starting in reality TV and indie film in South Africa, making her way to Canada and then the US to edit Marvel's Spider-man: Homecoming and, most recently, Black Panther, already one of the most popular films of all time. In this exclusive interview with Creative COW Managing Editor Kylee Peña, Debbie talks about struggling toward US citizenship, a serendipitous meeting with an ambitious young director, helping to bring representation to the big screen and pride to her home country.

People / Interview
Kylee Peña
Art of the Edit
What Picasso Can Teach Us About Filmmaking

What Picasso Can Teach Us About Filmmaking

Feature film editor Sven Pape takes a unique, entertaining look at Pablo Picasso's approach to art, and offers specific examples from a variety of movies, as well as Picasso's own advice. As Sven puts it, success requires action. Make a film. Fail. Then fail harder. Of course, Picasso and Sven have great advice for succeeding too! You'll get a kick out of this one.

Tutorial, Feature
Sven Pape
Art of the Edit
Searching: Creating Cinematic Drama From Small Screen Trauma

Searching: Creating Cinematic Drama From Small Screen Trauma

The thriller "Searching" takes place on computer screens, but no screen captures were made. Instead, the team built the individual elements in Adobe Illustrator, animated in Adobe After Effects, and edited those elements together with live action footage in Adobe Premiere Pro. Creative COW Managing Editor Kylee Peña spoke to editors Nick Johnson and Will Merrick about the extraordinary lengths they went to to create this exceptionally compelling big screen drama from the family crisis being played out on small screens before us.


Kylee Peña
Art of the Edit
Cate Haight ACE on Editing The Sundance Hit Indie, Puzzle

Cate Haight ACE on Editing The Sundance Hit Indie, Puzzle

Cate Haight, ACE, has edited some of the most memorable films and television shows in the last few years. Her latest indie feature Puzzle -- which tells the story of a suburban mom who discovers a passion for competitive jigsaw puzzling -- debuted at Sundance Film Festival this year. Creative COW Contributing Editor Alee Caldwell sat down with Cate to talk about going to the fest, advocating for change, and putting together the pieces of Puzzle.

People / Interview
Alee Caldwell
Art of the Edit
Always Be Editing: Sculptors & Bricklayers Revisited

Always Be Editing: Sculptors & Bricklayers Revisited

Do you edit like a sculptor, or like a bricklayer? It seems a simple enough question, but as longtime editor, post house owner, and VFX software developer Simon Ubsdell shows, the implications for how this affects the way you edit can be profound. His advice, regardless of where you land on the spectrum? Always be editing.


Simon Ubsdell
Art of the Edit
TV Workflow Supervisor Kylee Peña: The Benefits of Pressure

TV Workflow Supervisor Kylee Peña: The Benefits of Pressure

TV workflow supervisor Kylee Peña (Jane the Virgin, Colony) visits Adobe's "Make It" talk show to chat with host Jason Levine about the evolution of motion picture workflows, from the days of film and tape to our modern digital world of crazy-high shooting ratios and constantly evolving technology. She also expounds on the upside to creative constraints and tight deadlines. And don’t miss the lightning round!!!

Feature, People / Interview
Cow News
Art of the Edit
The Science of Editing: Look Closer -- The Mind of a Film

The Science of Editing: Look Closer -- The Mind of a Film

When you ask an editor what they DO in the edit suite, the answer is often something like, "Well, it's intuitive." To become better editors, though, we need to be more specific. Editor, author, and professor Dr. Karen Pearlman breaks down the process into five specific steps that editors must take in order to turn a mass of material into something coherent. You can learn to hone the specific skills of observation and self-awareness that distinguish editors from other observers, and make unexpected connections that move stories in compelling new directions. Sven Pape of "This Guy Edits" presents his conversation with Karen in the form of a powerful video essay that you will find illuminating and inspiring, and will be able to start using right away.

Tutorial, Feature, People / Interview
Sven Pape
MORE
© 2018 CreativeCOW.net All Rights Reserved
[TOP]