LIBRARY: Tutorials Reviews Interviews Editorials Features Business Authors RSS Feed

Autodesk Mudbox 2010 Dry Brush

Autodesk Mudbox 2010 Dry Brush
A CreativeCOW Autodesk Mudbox Video Tutorial


CreativeCOW presents Autodesk Mudbox 2010 Dry Brush--Video Training by Michael Hurwicz

Michael Hurwicz Michael Hurwicz
Eastsound, Washington USA

©2010 Michael Hurwicz and Creativecow.net. All rights reserved.

Article Focus:
In this Autodesk Mudbox 2010 tutorial, Michael Hurwicz looks at the new "Dry Brush", which allows you to paint only on the raised portions of an object, or alternatively only on the recessed portions. In addition to showing the basics of using the dry brush, the tutorial demonstrates how a larger brush reaches deeper areas of the geometry.













Comments

Re: Autodesk Mudbox 2010 Dry Brush
by Santosh Nirankari
Nice video. But i would have liked it on vimeo or something.


Related Articles / Tutorials:
Autodesk Mudbox
Autodesk Mudbox 2010 Photoshop Export and Import

Autodesk Mudbox 2010 Photoshop Export and Import
  Play Video
In this Autodesk Mudbox 2010 tutorial, Michael Hurwicz looks at a new feature that allows you to export a paint layer to Photoshop, modify the layer in Photoshop, and then re-import it into Mudbox 2010. The tutorial demonstrates a workflow which allows you to keep both Photoshop and Mudbox open at the same time and conveniently work back and forth between the two programs.

Tutorial, Video Tutorial
Michael Hurwicz
Autodesk Mudbox
Autodesk Maya 2010 to Mudbox 2010 FBX Export and Import

Autodesk Maya 2010 to Mudbox 2010 FBX Export and Import
  Play Video
In this tutorial, Michael Hurwicz takes advantage of new support for the FBX file format in Mudbox 2010 to export geometry from Maya 2010 and import it into Mudbox 2010. A problem with painting in Mudbox is solved by scaling UVs down slightly in Maya before exporting the FBX file.

Tutorial, Video Tutorial
Michael Hurwicz
Recent Articles / Tutorials:
AJA Video Systems
AJA Video Systems Celebrates 25 Years of Professional Video Systems

AJA Video Systems Celebrates 25 Years of Professional Video Systems

John Abt started AJA Video Systems with his wife Darlene in 1993 to develop simple digital parallel to serial and serial to parallel converters. Many of AJA’s products at their core continue to bridge connectivity and simplify pro video workflows through video up, down, cross format conversion. A great read that you will find at Film and Digital Times.

Editorial, Feature, People / Interview, Business
Film and Digital Times
TV & Movie Appreciation
VFX Legion Completes Effects for SUPERFLY Remake

VFX Legion Completes Effects for SUPERFLY Remake

Producer Joel Silver and Director X called on VFX Legion to tackle 100+ shots designed to amp up the impact of the raw violence in Sony’s reboot of the iconic ‘70’s film. The reboot of ‘Superfly’ puts a modern, stylish spin on the original 1972 film about a Harlem drug dealer trying to score one last deal before getting out of ‘the game.’ Set in present-day Atlanta, the Mecca of today’s popping music scene, the action is driven by a hip-hop soundtrack curated by Future. The city’s distinctive style is the backdrop for a new generation of affluent, extravagant drug kingpins that takes violence to the extreme.

Editorial, Feature, Project
VFX Legion
VR Filmwork: Immersive Begins to Emerge ... Slowly

VR Filmwork: Immersive Begins to Emerge ... Slowly

Want to see a storage person's heart skip a beat ... or two? Flutter even? Just mention VR and BAM!, they get real excited. Some people think we like 360/VR just because it devours so much storage capacity. Ok that's a good reason but still the good VR stuff is really really good. Not just scare your pants off good but good to experience, enjoy, be immersively entertained, informed.

Editorial, Feature
Andy Marken
Christina Rzewucki: Thor: Ragnarok, Tomb Raider & more

Christina Rzewucki: Thor: Ragnarok, Tomb Raider & more

Christina Rzewucki is a Texture and Look Development Artist at Rising Sun Pictures. A 2016 graduate of the Academy of Interactive Entertainment in Adelaide, she began her career with the game company Monkeystack. Since joining RSP in 2017, she has applied her diverse technical and creative skills to projects including the blockbusters Thor: Ragnarok and Tomb Raider. Next month, she will be teaching the texturing component of ‘Look Development and Lighting,’ a new second year elective course associated with UniSA’s Media Arts degree.

Editorial, Feature, People / Interview
Risingsun Pictures
Cinematography
RBG's DP: Claudia Raschke, Ruth Ginsburg & Canon C300 Mk II

RBG's DP: Claudia Raschke, Ruth Ginsburg & Canon C300 Mk II

In his conversation with Claudia Raschke, the cinematographer of the acclaimed documentary "RBG" featuring Supreme Court Justice and folk hero Ruth Bader Ginsburg, DP Jimmy Matlosz speaks to her about the Canon C300, the challenges of shooting such a high-profile subject, and the influence of dance on her approach to documentary filmmaking. A truly remarkable conversation about multiple remarkable subjects.

Feature, People / Interview
Jimmy Matlosz
Business & Marketing
Media after Millennials: A Teen’s Research on Viewing Habits

Media after Millennials: A Teen’s Research on Viewing Habits

As a fifteen year old high school sophomore, Helen Ludé has her priorities in order: varsity soccer, Snapchat and Instagram, and presenting research on Post-Millennial Media and Cinema Consumption Habits at SMPTE’s Future of Cinema Conference. Spurred on by a dinner conversation with her family (including her father, RealD’s Peter Ludé), Helen conducted a survey of her peers to uncover the viewing habits of her generation, otherwise known as Gen Z. You're going to be surprised by what she found, and deeply impressed (and a little intimidated) by this enterprising young woman.

Feature, People / Interview
Kylee Peña
TV & Movie Appreciation
Star Wars: How Much Is Too Much?

Star Wars: How Much Is Too Much?

When Disney announced that they would be making a new Star Wars movie every year for at least 10 years I was both excited and a bit skeptical. In 2012 when Lucas sold his company to Disney for $4billion, he included his outlines of Episodes VII, VIII and IX. But Disney and Co. decided to discard these stories and start over, also discarding the extended universe of comics and books that millions of SW fans had grown to love. Adding JJ Abrams to the mix was icing on the cake for SW fans who have become critical of SW. But Lawrence Kasdan was the saving grace, who wrote a script for VII that the original actors could get behind. So, how much Star Wars is too much?

Review, Editorial, Feature
Mike Cohen
Art of the Edit
Editing Marvel's Black Panther: Debbie Berman ACE

Editing Marvel's Black Panther: Debbie Berman ACE

This is an epic tale spanning two decades, three countries, 12,000 miles -- and that's just the story of Debbie Berman, ACE, starting in reality TV and indie film in South Africa, making her way to Canada and then the US to edit Marvel's Spider-man: Homecoming and, most recently, Black Panther, already one of the most popular films of all time. In this exclusive interview with Creative COW Managing Editor Kylee Peña, Debbie talks about struggling toward US citizenship, a serendipitous meeting with an ambitious young director, helping to bring representation to the big screen and pride to her home country.

People / Interview
Kylee Peña
MORE
© 2018 CreativeCOW.net All Rights Reserved
[TOP]