Now that Shatter is included in the filter set of After Effects 5.5, many users are asking how to use this effect. In this tutorial, Ben Unguren demonstrates a very simple technique to help get you started with Shatter.
A key to making Shatter work the way you want is to use a gradient layer, or a separate layer that tells the Shattter effect how to behave (this will make more sense later on). You can make your gradient layer in Photoshop, Illustrator, or another graphic program, then import the file into After Effects. You can also make the layer in After Effects itself, which it what we will do:
Open After Effects
Make a new Composition (Composition New Composition...)
Name your new comp ramp, choose the Medium, 320x240 preset, and set your duration to about 10 seconds:
In your new ramp composition, create a new Solid (Layer New Solid...)
Name your Solid ramp and click Make Comp Size. Click OK.
Apply the Ramp filter to your Solid (Effect Render Ramp)
For now, leave all the effects settings as they are. Your gradient is complete:
MAKE YOUR LAYER TO BE SHATTERED
The Shatter effect, well, shatters a layer. Therefore, we are going to make something for it to shatter. For this tutorial (as the above movie shows) we are going to shatter text. We will make this in After Effects again, though again you can make this layer in another graphics program like Photoshop or Illustrator.
Make another new Composition (Composition New Composition...)
Name it text, choose the Medium 320x240 preset again, and click OK.
In your text composition, create a new Solid. (Layer New Solid...)
Name your Solid text and click Make Comp Size, just as before. Click OK
To your text Solid, apply the Basic Text effect (Effect Text Basic Text)
In the window that appears, type in a nice message and click OK:
Adjust the Basic Text Settings as desired (try to fill as much of the screen as possible for this exercise):
The April 2017 release of Adobe After Effects (version 14.2) is packed with new features, and Tobias Gleissenberger of Surfaced Studio is here to show you the latest and greatest. Highlights include the Essential Graphics panel and Motion Graphics templates (with Adobe Premiere Pro integration), the addition of Lumetri Scopes and Color Correction effects, new effects organization, the Camera Shake Deblur filter and more.
Learn how to create complex title animations in Adobe After Effects! In my last tutorial I covered how to create, customise and animate simple titles in Adobe Premiere Pro: https://www.youtube.com/watch?v=6xQtq...
In this tutorial we will take things one step further and create titles that are too complex to create with Premiere alone. We will be working with and customising presets, creating character by character animations and we will look at the power of custom Text Animators.
Want to learn more about how to animate text? Check out the Adobe help page:
Imagineer mocha Pro 5 Plug-in for Adobe brings all the amazing features of the professional version of the mocha Planar Tracker directly into After Effects and Premiere Pro in the form of a plugin. In this in-depth review, After Effects tutorial guru Tobias Gleissenberger of Surfaced Studio will show you what you can do with this new plug-in, and discuss what he likes and doesn't like about the new update.
Learn why you should upgrade to After Effects CC 2015.3 - 13.8.1 - a close and detailed look at the latest release of After Effects (August 2016). Roei Tzoref will be focusing on his favorite features that set this release apart from previous versions: Performance, Queue in AME, Lumetri Color new features, and more.
Some of the coolest stuff you can do inside of Adobe After Effects is only possible once you unlock the power of masks. Join After Effects whiz Tobias Gleissenberger of Surfaced Studio to learn about mask animation and interpolation, using the variable width feathering tool, managing mask modes and ordering, and more.
Got problems using Adobe After Effects? Exported files too large, Expressions not working, mixing shapes and makes, modes/switches, selecting previews for layers vs. comps - Surfaced Studio's Tobias Gleissenberger shows you fast fixes for these and more!
Want to learn how to create advanced visual effects? Learn how to use mocha AE to track your shot and add advanced visual effects to live action footage inside Adobe After Effects. mocha can help you track shots that would be hard to track using traditional 2D point or feature trackers because it is a PLANAR TRACKER. A planar tracker uses planes and textures to track as opposed to points or groups of pixels. This allows the tracker to stay on track even if your shot contains motion blur or a very shallow depth of field. mocha AE comes included with Adobe After Effects and is available since CS3 and there is no reason for you not to use this awesome tool to make it easier for you to track your shot, replace screens or rotoscope!
Learn how to make Adobe After Effects faster by using PROXIES! A proxy is a placeholder that stands in place for a very large video file or image sequence in your project. You can easily create proxies for the large source files that you are using and After Effects will automatically link them to the item in your project panel.
Imagineer Systems and Boris FX product specialist Mary Poplin shows you how to stabilize with the new mocha Pro 5 plug-in inside of Avid Media Composer, Adobe Premiere Pro and After Effects. This tutorial covers artistic stabilization, such as smoothing out camera movements or stabilizing around moving objects, completely locking down shots, and automatically replacing edge fill on planar backgrounds.
Become a puppet master by learning how to use the Puppet Tool in Adobe After Effects! This intermediate-level tutorial from After Effects guru Tobias will show you how the Puppet Tool allows you to add joints and animations to bring life to any static image!