FilmLight Baselight for FCP. It's a serious color tool.
: NAB Show
: Walter Biscardi
: FilmLight Baselight for FCP. It's a serious color tool.
Wednesday at the NAB Show I had the opportunity for a 1 on 1 demo of the full Baselight color correction system and it's "little cousin", the plug-in tool for Final Cut Pro (and other hosts).
First off, Baselight is just the most intuitive color correction tool I've seen. I sat through the session with fellow Apple Color Forum host Joseph Owens and as the artist was walking through the various features and functions of the tool, it all made sense. It's a very efficient and infinitely adjustable tool for working both in video and film. The $80,000 price tag is definitely what puts it out of range of most Final Cut Pro users.
Enter the Baselight plug-in. Well actually plug-in is not the right description quite honestly since it's really a fully featured mini-app that operates independently of Final Cut Pro. Here's how FilmLight describes it in their press release:
Baselight for Final Cut Pro is not merely a port that uses the Final Cut Pro interface. Rather, it provides editors with access to Baselight functionality directly within the application. Editors can grade projects and then either render within the host application, or export the grade as an XML list—with all metadata preserved—to a full Baselight system for final adjustments and rendering. Similarly, grades prepared in a Baselight suite can be exported seamlessly to Final Cut Pro for conform and final editing.
After first seeing the full Baselight system run, I can tell you that the plug-in had many of the same features as the big brother. Baselight operates in what are called layers. Each layer is an adjustment. So Layer 1 might be your primary adjustment, Layer 2 a secondary, Layer 3 a mask, Layer 4 another secondary, Layer 5 an effect and so on. So each shot is comprised of a series of layers to make your color correction. This is precisely how it operates in the plug-in. You will have infinite Layers per shot. So you can essentially do a Baselight color grade session inside of Final Cut Pro.
No, the plug-in does not have EVERY feature of the big brother, for $79,000 cheaper it can't. But it does have a lot. And did you catch that part at the end of the press release? If you do color grading with the plug-in, you can then send that information to a colorist on a full featured Baselight system. OR, a colorist on a full featured Baselight system can send the grades TO YOU on your Final Cut Pro edit system. You will be able to open and render with any grade created on a full Baselight. Regardless of the features the colorist used, it WILL show up in your Baselight plug-in. If it's a feature not included in the plug-in you will not be able to modify it, but it will show up and you will be able to render with it.
So the plug-in allows you to bring a ridiculously powerful color correction system directly inside of Final Cut Pro. Or you can do an XML round trip between FCP and Baselight just like you do today with Color and Davinci Resolve.
The plug-in will be available in the fall of 2011 and pricing is expected to be below $1,000. But let me tell you, if it was in my budget to pick up the big brother today, I wouldn't even think twice. It's just crazy good.
|Related Articles / Tutorials:|
Chyron is in the Cloud
Thousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you some of their reports. In this entry, Debra Kaufman finds Chyron to be another NAB stalwart with NAB showing just how far the company has traveled since the days of analog and hardware by supporting Cloud technology and also showcasing enhancements to its HyperX3, LEX3, and MicroX on-air graphics systems.
Blackmagic Design releases free version of DaVinci Resolve
Thousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you some of their reports. In this entry, Debra Kaufman swoons over Blackmagic Design's slew of technology and news from NAB, including the release of UltraStudio 3D with Thunderbolt Technology, a new range of ATEM Production Switchers, ATEM Television Studio, and DaVinci Resolve upgrades.
Avid, Adobe, Blackmagic: Talking With Titans at NAB 2018
As much as each year's NAB Show is about what's completely new, it's about hearing what's new from the industry's most enduring companies. Creative COW Contributing Editor Hillary Lewis sat down with representatives from three of the biggest titan companies in production and post -- Avid's David Colantuoni, Adobe's Laura Williams Argilla, and Blackmagic Design's Dan May -- to discuss the thought process behind their releases, what people might overlook, and their outlooks on the future of the industry.
Pure Mission: NAB 2018 Highlights for Video Creatives
Everyone who attended NAB this year was on a mission. A mission to create the best content, a mission to deliver content to the right audience, a mission to produce great films for device and theatre viewing. We'll start by discussing some of the best solutions for some of the creative people we know - shooters, production/post folks. And there was plenty of new products, new services, new features announced at the show to get a filmmakers motor running this year. And again SuperMeet was fun, insane and informative. Shoot it, produce it, store it. Then? Sell it. It's all good and getting better!
NAB 2018: Journey, Connections, and Life-Changing Takeaways
Many people say that the best thing about the NAB Show is the people, but then their NAB conversations are mostly about products. Thanks to a grant from the Blue Collar Post Collective, longtime Creative COW member, editor, licensed drone operator, podcaster and videographer Hannah Byars-Walker set out to build an NAB experience not around this year's gear, but around the people she'd meet who could change the course of her career, if not her life. This is her inspiring story of what happened next.
The Introvert's Guide to the NAB Show, by Kylee Peña
If you're like most people in video production, you're a bit of an introvert, which can make trade shows a challenge. Shyness is real, and social anxiety is its own thing to be managed carefully, but are you selling yourself short before you give yourself a chance to achieve your goals? Creative COW Managing Editor Kylee Peña offers practical steps to help even the shyest creatives make the most of NAB.
Editorial, Feature, People / Interview
Bob Zelin's NAB Show, Take 2017
Longtime broadcast engineer, facilities designer, and workflow consultant Bob Zelin has been attending the NAB Show for years, and his legendary write-ups have gone to unparalleled lengths to bring you hidden gems from every corner of the floor. Bob is taking a slightly different approach this time, as he views the specifics through the lens of trends that have been emerging for quite some time, now bearing fruit in 2017. Sit back and enjoy another real-world, hype-free, anything-but-objective ride through the industry's biggest week of the year.
NAB Show Guide to Thriving (instead of just surviving)
Creative COW Contributing Editor Kylee Peña is here to take you beyond comfy shoes and protein bars, as she reveals the secrets of not just getting through a brutal week, but actually thriving in what might just be a pivotal experience for your career, and maybe even some friendships.
NAB Show New York 2016: Growing, Yet Still Intimate
Calling April's NAB Show "overwhelming" is an understatement. The expo that fills the rapidly expanding Las Vegas Convention Center every April topped 103,000 attendees and 1700+ exhibitors in 2 million square feet of exhibit space. The Big Apple's edition of the NAB Show is more bite sized: taking place this week at the Javitz Convention Center, 7000 visitors will be able to engage with 300 exhibitors, along with a variety of new opportunities for in-depth workshops on cutting-edge technologies. Here's a preview of the week's festivities.
NAB NLEs 2016: The Revolution? No Revolutions!
While the emphasis on "revolutionary" product releases at the annual NAB Show makes for splashy demos, they can sometimes get in the way of what customers really want: improvements to the product that they already have, just making them work better. Lo and behold, that's what we got in 2016! Rock-solid releases long on increased performance, stability, and interoperability. Useful releases? THAT's revolutionary! Join Creative COW's Tim Wilson for a closer look at NLE software in particular, and the ways in which developers are delivering on the promise of truly meaningful releases.