LaCie d2 Big Disk Extreme
LaCie d2 Big Disk Extreme
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NAB 2012: Vinten
Vinten introduced its lightweight Vision blue5 pan and tilt head and tripod system, the latest member of its Vinten Vision blue family. Vision blue5 has a carrying capacity range of 12.1-lb to 26.5 lb (5.5kg to 12 kg) and offers a range of other professional features.
NAB 2012: OConnor
Fluid head pioneer OConnor, part of Vitec Videocom, a Vitec Group company, unveiled a 30L carbon fiber tripod, O-Focus Dual Mini follow focus unit, and Universal Camera Baseplate at NAB 2012. Attendees also had the chance to experience hands-on the Ultimate 1030D and Ultimate 1030Ds fluid heads.
Driving Toward Success
No matter how unexpected and varied the routes, the roads to success are often marked by customer service, attention to detail, and the imagination to see that success is even possible.
Feature, People / Interview
In this review from The Creative COW Magazine, Charles Papert, SOC, sets his Steadicam free with wireless, uncompressed HD using the IDX CAM~WAVE.
HDCAM, XDCAM & DVCPRO HD: Some Questions Answered
Responding to questions in the Creative Cow "HD High End" forum, Cow leader and contributing editor Tim Kolb lays out key differences between Sony's XDCAM and HDCAM, as well as cameras using Panasonicâ€™s DVCPRO HD. This look at some of the industry's hottest forums will help anyone looking to explore the world of HD production.
Shane Ross Reports: IBC 2007
Creative COW leader Shane Ross saved you a trip to Amsterdam -- further for some Cows than others, but pretty far for most. As always, you can count on Shane to tell you exactly what he thinks about what he saw: AJA, Sony XDCAM EX, Edit Share, and That Other Camera.
Laird Telemedia LTM
Walter Biscardi is a leader in both our Final Cut Pro and Pinnacle CinÃ©Wave forum communities where Cow members have long appreciated his friendly and insightful input. In this article, Walter gives us a quick irst look field review of Laird Telemedias new LTM-LCAM series of cameras. He says, These things ROCK! at a major cost savings. I love this thing and will be getting a second one shortly! Read the review to see what else he says about it.
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Art of the Edit
Unearthing Apollo 11 in Large Format: An Interview with Director Todd Douglas Miller
Director-Editor Todd Douglas Miller creates more than just another space documentary with his film Apollo 11. He has helped expand the horizons of what we thought we knew about one of humankind's signature achievements by unearthing nearly 300 reels of previously unseen large-format film, up to 65 and 70mm, digitized with a first-of-its-kind 8K scanner, along with 11,000 hours of previously unheard audio recordings to provide previously only-imagined perspectives on our first mission to the moon. Creative COW's Courtney Lewis reveals how he put it all together with NASA, the National Archives, post house Final Frame, and tools from Adobe.
Apple Motion 5: EPIC Title Tutorial by Simon Ubsdell
Join longtime VFX artist, editor, software developer, and business owner Simon Ubsdell for some really useful and interesting techniques for creating a fake 3D title treatment with dramatic depth, texture, reflections, staining and other details that goes way beyond what you can achieve with the 3D Title Tool. Not only that, these techniques work well with any graphic object, for maximum motion graphics flexibility.