: Ben Consoli
: The Invisible Man Cinematography, with Stefan Duscio, ACS: Go Creative Show
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Cinematographer Stefan Duscio, ACS and Go Creative Show host Ben Consoli discuss the technical issues behind filming an invisible character in Leigh Whannell's The Invisible Man, using a robotic camera for VFX shots and the value of unmotivated camera movement. They also discuss why Stefan still uses a light meter, filming with the Alexa Mini LF and how he prepared for an IMAX release.
What you will learn in this episode:
• The original 1933 version of THE INVISIBLE MAN (02:01)
• Stefan's pre-production process (05:15)
• Pitching ideas and treatments to directors (14:55)
• The technical approach to filming an invisible character (21:08)
• Filming the kitchen fight scene in THE INVISIBLE MAN (27:12)
• Stefan’s approach to lighting (32:48)
• Using a robotic camera to create unmotivated camera movement (35:52)
• Filming as much in-camera as possible (38:57)
• The camera and lens package on THE INVISIBLE MAN (48:42)
• What it’s like having a film released in IMAX (56:33)
• Stefan’s filmmaking philosophy (59:02)
• Stefan’s use of natural light (01:02:22)
• Why Stefan still uses a light meter (01:07:47)
The Invisible Man trailer
Click to play below, or download an MP3 file of this episode here
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