Toby Oliver is the award winning cinematographer behind the lens of Jordan Peel's debut film Get Out. Get Out has received high praise from critics (99% Fresh rating at Rotten Tomatoes) and moviegoers around the world for its story, acting, and cinematography. Toby shares all his lighting and lensing techniques that gave Get Out its uniquely horrifying look. We discuss the blending of horror and comedy, why he choose to shoot with zoom lenses, the challenges of a limited budget, and so much more.
About The Go Creative Show
The Go Creative Show has become one of the most listened-to podcasts of its kind. It continues to grow filled with shared experiences and gear talk, as it informs, entertains, and inspires its audience. Shows have included interesting guests like Jeff Cronenweth (Director of Photography : Gone Girl, Social Network, Fight Club), Stefan Czapsky (Director of Photography : Max, Edward Scissorhands, Ed Wood), Michael Slovis (Director of Photography: Breaking Bad, CSI), Igor Martinovic (Director of Photography: House of Cards), Tim Webber (Visual Effects Supervisor: Gravity, Avatar), David Burr (DP Second Unit: Mad Max: Fury Road), David Franco (Director of Photography: Boardwalk Empire), Tim Ives (Director of Photography: Stranger Things), Salvatore Totino (Director of Photography: Everest), Zach Zamboni (Cinematographer: Anthony Bourdain’s Parts Unknown).
What do you do when your company folds and there's no local work? Whatever you have to. For Katie Toomey, that meant emptying her savings and heading 2000 miles west to Los Angeles, with no job in hand. The only options were make it or break it. The journey itself was difficult, but the hardest part may have been the only thing that made it all possible: asking for help. This is a truly inspiring story with tons of real-world examples of how to accomplish what feels impossible at the time.
Immersive media is not new. Emerging technologies, such as VR and AR as we currently know them, are simply part of an evolutionary path making media more immersive. Many commentators and industry professionals became cynical after the short life-cycle of Stereoscopic 3D, and are hesitant to embrace VR, calling it another fad. International award-winning engineer, editor, colorist, VFX artist, stereoscopic 3D artist, and Head of Operations at Auckland's Department of Post, Katie Hinsen sees it differently. These technologies are simply steps within a much wider ecosystem, says Katie, where it's the combination of failures and successes that lead us towards what immersive media is to become.
Panasonic’s booth at NAB is going to packed with the range of goodness that showgoers have come to expect, including the Cinema VariCam Experience, a look at the control room of the future, cloud-based news production, transparent and AR displays, and much more that we’ll be reporting throughout the week. Just before the show officially opened, Panasonic offered a preview of some of what’s in store for their customers, at the show and beyond, starting with a new camera system for live broadcast of 360-degree uncompressed 4K/30.
DJI, the world’s leader in creative camera technology, today introduced Ronin 2, the three-axis camera stabilizer redesigned to give filmmakers the freedom to capture any scene they can imagine. Based on DJI’s transformative gimbal technology, Ronin 2 has more power and torque to carry larger cameras, is more versatile to be used in every situation, and has more intelligent features to allow for unprecedented camera moves that help realize every creative vision.
Today at NAB, HP Inc. announced true Cinema 4K displays, arming color professionals with new features, like color-critical accuracy and automatic calibration, to produce the films and animations of tomorrow: the new HP DreamColor Z31x Studio and HP D
Blackmagic Design today announced DaVinci Resolve 14, the biggest release in the history of the product, and an update. New features include up to 10 times performance improvement, a whole new audio post production suite with Fairlight audio built into DaVinci Resolve, and multi user collaboration tools that let multiple people edit, color and mix audio from multiple systems, all in the same project at the same time. What this means is that DaVinci Resolve 14 is like 3 high end applications in one. Customers get professional editing, color correction and the new Fairlight audio tools, with a new reduced price of $299.
AJA Ki Pro Ultra Plus is a Multi-Channel Apple ProRes recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode a 4K/UltraHD/2K/HD Apple ProRes® or Avid DNxHD® MXF recorder and player supporting the latest connectivity including 3G-SDI, Fiber and HDMI 2.0, as well as large raster high frame rate workflows, including 4K 60p.
When little girls think of what they’d like to be when they grow up, they can add “renowned composer” to the list, thanks in part to the work, both musical and influential, of BMI composer Laura Karpman. Musically, the four-time Emmy and GRAMMY
While many productions chase tax credits and use them to help underwrite production costs, Netflix has decided that in some cases the savings do not outweigh the costs and so it will be moving as much of its production as possible, back to California.
The COW was just introduced to one of the coolest new creative tools we've seen in a long time, PLOTAGRAPH PRO, which powerfully animates still images. Imagine animating your still images to become full high resolution video, all the way up to 4K. In this video tutorial, Blake Rudis is your guide.