Toby Oliver is the award winning cinematographer behind the lens of Jordan Peel's debut film Get Out. Get Out has received high praise from critics (99% Fresh rating at Rotten Tomatoes) and moviegoers around the world for its story, acting, and cinematography. Toby shares all his lighting and lensing techniques that gave Get Out its uniquely horrifying look. We discuss the blending of horror and comedy, why he choose to shoot with zoom lenses, the challenges of a limited budget, and so much more.
About The Go Creative Show
The Go Creative Show has become one of the most listened-to podcasts of its kind. It continues to grow filled with shared experiences and gear talk, as it informs, entertains, and inspires its audience. Shows have included interesting guests like Jeff Cronenweth (Director of Photography : Gone Girl, Social Network, Fight Club), Stefan Czapsky (Director of Photography : Max, Edward Scissorhands, Ed Wood), Michael Slovis (Director of Photography: Breaking Bad, CSI), Igor Martinovic (Director of Photography: House of Cards), Tim Webber (Visual Effects Supervisor: Gravity, Avatar), David Burr (DP Second Unit: Mad Max: Fury Road), David Franco (Director of Photography: Boardwalk Empire), Tim Ives (Director of Photography: Stranger Things), Salvatore Totino (Director of Photography: Everest), Zach Zamboni (Cinematographer: Anthony Bourdain’s Parts Unknown).
Engagement is my favorite metric to track, as it represents the overall performance and health of your video. Unlike vanity metrics such as Views (which simply shows the reach of your video), metrics like Audience Retention tell you the percentage of the video the audience watched (engaged with) and exactly what parts were watched. Analyzing this metric will help guide you on what your audience really wants to see so you can do more of it in the future.
Reverb is an issue we all have encountered. Sometimes you just can’t help recording in an enclosed area. You may not have dealt with the issue because it seemed difficult to fix, but life is now easier with the DeVerberate 2 plugin from Acon Digital
Keith Shaw of Keep Me Posted (a FotoKem company) has been the colorist for Showtime's Emmy-winning drama Homeland since its pilot episode in 2011. The show's eighth and final season brings the most extreme looks yet to a show shot in locations around the world, and where a scene that takes days to shoot unfolds in only minutes on screen. The challenge to create unified, consistent looks has never been steeper, but a rock-solid workflow from a global team is bringing the popular series home to a strong finish.
As if this wasn't already the hottest summer on record, Blackmagic Design's Grant Petty rolled out some blazing news across a wide range of the company's product lines in cameras, production hardware, and software.
Here's a great new Adobe After Effects tutorial series from Creative COW leader Graham Quince that takes advantage of the free Orb plug-in from our friend Andrew Kramer at Video Copilot. Graham supplies project files, tips and tricks, and good humor on this tour through building every planet in the solar system, with customization options galore!
Blackmagic once again delivers a jaw-dropping lineup of advanced hardware -- ATEM Constellation 8K with built-in Fairlight mixing in the industry's largest live production audio mixer, plus 16 hardware keyers, 24 8K outputs, and more; the New Teranex Mini SDI to HDMI 8K with dual on screen scope overlays, HDR, 33 point 3D LUTs and monitor calibration; HyperDeck Extreme 8K broadcast deck with advanced H.265 recording, touch screen interface, internal cache, built in scopes, HDR, and traditional deck control; and the URSA Mini Pro G2 camera featuring new electronics, Super 35 4.6K HDR image sensor, 15 stops of dynamic range, 300 fps high frame rate shooting, and Blackmagic RAW -- for prices even lower than how low your jaw just dropped reading them.
"The Seven Worlds" is the latest advertising epic short directed by Ridley Scott, a marvelous odyssey spanning surreal scenes inspired by the seven tasting notes of Hennessy premium X.O. cognacac. Realizing Scott's unparalleled vision required a masterful team and state-of-the-art technology to assist, that's where London's The Mocap Studio team came in. The mobile motion capture specialists lent their expertise to the project, using Xsens MVN inertial technology to help capture a human performer on-location in the heart of a Czech forest.
The city of Nottingham perpetually exists in two states: the metropolitan center that it is today, and the fictional home of one of the world’s most famous outlaws. So when the filmmakers behind 2018’s Robin Hood looked to recreate the fictional Nottingham, it needed to build it from scratch with help from London’s Cinesite Studio.
There's huge development going on for professional audio on iPad, whether for recording, hardware control for digital audio workstations, or music creation. Longtime audio engineer Keith Alexander looks at some specific options that audio pros will find indispensible.