LIBRARY: Tutorials Reviews Interviews Editorials Features Business Authors RSS Feed

Homeland: Behind the Scenes with Canon Glass/David Klein ASC

COW Library : Canon Cameras : Stefani Rice : Homeland: Behind the Scenes with Canon Glass/David Klein ASC
CreativeCOW presents Homeland: Behind the Scenes with Canon Glass/David Klein ASC -- Canon Cameras Editorial

Stefani RiceStefani Rice
CreativeCOW.net. All rights reserved.


Homeland's camera department has shared with us a behind-the-scenes look at how they capture the heart-racing action of the award-winning Showtime thriller.

David Klein, ASC, recently nominated for a 2014 Best Cinematography Emmy® Award for his work on the show, first AC Dominik Mainl, and B camera operator Bob Newcomb break down what's in their tool kit: an ARRI Alexa mounted with Canon Cinema Zoom Lenses, a RED Epic, a Canon Cinema EOS 1D C, and a Canon EOS 5D Mark III.

Homeland: Behind the Scenes from Canon Pro on Vimeo.



We couldn't pass up this opportunity to look in on Director Lesli Linka Glatter as she works on Homeland.



Director Lesli Linka Glatter's tweet from the set of Homeland, Season 4, here. And be sure to read our interview with Lesli following her Director's Guild of America Award for Outstanding Directorial Achievement in Dramatic Series on Mad Men.


David Klein noting his new set of Canon Cinema Prime lenses modified by Duclos Lenses to include a PL-mount.
David Klein noting his new set of Canon Cinema Prime lenses modified by Duclos Lenses to include a PL-mount, here.


You'll definitely want to check out our interview with Klein last season. Here's an excerpt...

How did you start your career in cinematography?

David Klein, ASC: My dad and my grandfather shot a lot of film, so by the time I was in middle school I'd pried a Canon AE-1 from my dad's hands and a Bolex from my grandfather's. They taught me these cameras and, although they were not professional cameramen, they were no slouches. I cut my teeth shipping daylight spools of 16mm film to various labs around the country and camping-out in my high school darkroom, developing roll after roll of Kodak TMAX. It was my first learning experience in cinematography and it was largely an exercise in the necessity for self-education.

Not long after I graduated from high school, I put the cameras down and followed a girl to college. I'll spare you the "heartbreaking" details, but I dropped out of college and stormed off to the Vancouver Film School. That course of action was instrumental because, had my application been received two days later, I'd have ended in another class instead of the one I met Kevin Smith in. So thanks are in order, really.

I was fortunate enough to meet not only Kevin but Scott Mosier there, too, and shortly afterwards we began our careers with the films Clerks, Mallrats and Chasing Amy. And shortly after that, I was forced out by a studio system that thought Kevin would be better off with a more experienced cinematographer. They were probably right, so I had to learn how to fight through the system.

I shot anything I could get my hands on: Indie features, music videos, television. It was absolutely the most important time in my career because I had to look at myself and ask why a studio wouldn't want me shooting features for one of my best friends. The answer was experience and how much of it I lacked at the time. I'm a firm believer in Malcolm Gladwell's "10,000- Hour Rule," but when it comes to something as complex as light, that's probably not nearly enough time. Right out of film school, things happened faster for me than I had earned, but I spent the next decade learning to deserve every frame I shot.



Behind the Lens: Homeland's David Klein, ASC

To read more, have a look as Creative COW goes...
Behind the Lens: Homeland's David Klein, ASC


Showtime also just released the trailer for Season 4 of Homeland, which premieres Sunday, October 5th. All the footage in the teaser was shot exclusively on Canon Cinema glass. David added a full set of Canon Cinema Prime lenses -- modified by Duclos Lenses to feature a PL-mount -- to his kit, which are worked alongside his Canon PL Cinema Zooms on his ARRI Alexa, RED, and Canon EOS 1D C.



Homeland Season 4: First Look





Related Articles / Tutorials:
Canon Cameras
Canon Gets Compact and Versatile with XF205/200 & CINE-SERVO

Canon Gets Compact and Versatile with XF205/200 & CINE-SERVO

Versatile optics and compact cameras are among Canon's spring updates for shooters.

Editorial, Feature, People / Interview
Kylee Peña
Canon Cameras
Canon's 4K Display Monitor

Canon's 4K Display Monitor

Canon has just entered the monitor with the DP-V3010 4K Reference Monitor, intended for use in high-resolution color grading and other, similar environments. In this article, Canon executives describe the attributes of this new product in the company's line of 4K products.

Editorial, Feature, People / Interview
Debra Kaufman
Canon Cameras
Inside Canon Japan 2013

Inside Canon Japan 2013

In November, I was part of a small group of journalists who visited Canon headquarters in Tokyo, touring the optics factory, meeting with and interviewing executives and learning about strategies and plans for the future. Here's a recap of what we learned.

Editorial, Feature, People / Interview
Debra Kaufman
Canon Cameras
NAB 2013: Canon Demonstrates 4K Workflow, Intros New Cameras

NAB 2013: Canon Demonstrates 4K Workflow, Intros New Cameras

Canon highlighted an end-to-end 4K workflow at NAB 2013, showing a digital intermediate suite and a live 4K broadcast with "Ultra-Zoom" applications. The company also debuted two new, entry-level professionals video cameras, the XA25 and XA20. The cameras feature Canon's first-ever Organic LED (OLED) touch panels, weigh 2.6 pounds and are priced at under $3,000. Canon also announced that it's begun development on a new 35mm prime lens for large-format single-sensor cameras employing Super 35mm, full-frame 35mm, and APS-C size imagers.

Editorial, Feature
Debra Kaufman
Canon Cameras
Canon's New EOS 1 DX

Canon's New EOS 1 DX

The Canon EOS 1 DX is their new flagship DSLR aimed at current Mark III/Mark IV users. It features a completely new 61-point autofocus, fast shooting up to 12 fps, 18-megapixel full-frame CMOS Sensor, full HD video recording and much more.

Feature
Debra Kaufman
Canon Cameras
Film-Style Shooting with the Canon XL H1

Film-Style Shooting with the Canon XL H1

Interchangeable lenses and powerful, accessible controls make the Canon XL H1 the choice at Fantastic Plastic. In this Creative COW Magazine prosumer hd digital video camera review, Todd Terry discusses the real world pros and cons of the Canon XL H1.

Review, Feature
Todd Terry
Recent Articles / Tutorials:
Apple Motion
Apple Motion 5: Slot Machine Text Generator

Apple Motion 5: Slot Machine Text Generator

A recent thread in Creative COW's Apple Motion forum led longtime VFX artist, editor, software developer, and business owner Simon Ubsdell down his own path of discovery on how to tackle this, providing a reminder in this first of a series that there's more than one fruitful route to creativity using Motion's extensive toolset for generating media, animation, customization, rigging, and much more. As usual with Simon's tutorials, you'll find tips that you can apply to every project you undertake in Motion after this, too.


Simon Ubsdell
Film Festivals
A Documentary Love Letter To Nashville's Bluebird Cafe

A Documentary Love Letter To Nashville's Bluebird Cafe

Creative COW’s Hillary Lewis sits down with Erika Wollam Nichols, waitress turned general manager and president of The Bluebird Cafe, now producer of her debut documentary, Bluebird, which premiered at South by Southwest before moving to the Newport Beach Film Festival.


Hillary Lewis
Adobe After Effects
VFX in Adobe After Effects: An Artists Panel (NAB)

VFX in Adobe After Effects: An Artists Panel (NAB)

Join panelists Andrew Kramer of Video Copilot, Jayse Hansen, and Mary Poplin of Boris FX, along with moderator, Victoria Nece of Adobe, as they discuss the world of visual effects from an artist’s perspective.


Adobe Creative Cloud
Scars, Tattoos & Digital Makeup: After Effects & Mocha Pro

Scars, Tattoos & Digital Makeup: After Effects & Mocha Pro

How do you add SCARS, TATTOOS or DIGITAL MAKEUP to a person's face? Learn how to use Mocha Pro's planar tracker and the Mesh Warp tool to insert a flat image/video on a (non flat) human face! Join VFX guru Tobias G from Surfaced Studio for a closer look!


Creative COW
MORE
© 2019 CreativeCOW.net All Rights Reserved
[TOP]