Adobe Premiere Pro
Color Correction 1: Brightness & Contrast
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The temptation is always to choose the easiest tool in the box when sometimes another tool will do an much better job! In this Premiere Pro tutorial Andrew Devis will show you how to avoid using the dreaded brightness & contrast tool and damaging your shot in the process! Andrew will show you the correct tool to choose so that the full dynamic range is preserved and your shot looks great when you need to brighten it or change the contrast.
Tutorial, Video Tutorial
Andrew Devis |
Adobe Premiere Pro
Color Correction 2: Primary Colour Correction
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The fast color corrector is one of the main (and fastest to render) color correction tools in Premiere Pro's arsenal of color tools and an essential tool for all video editors to master. In this tutorial Andrew Devis will show you how to remove a color cast from a video clip manually and with automated tool. Andrew will then show you how to use the automated levels controls to get the right contrast balance for your clip.
Tutorial, Video Tutorial
Andrew Devis |
Adobe Premiere Pro
Color Correction 4: Secondary Colour Correction
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In this Premiere Pro video tutorial, Andrew Devis will show you how to apply color correction to a much more specific area. Starting with an explanation of the three-way color corrector, Andrew will then go on to show how to use the secondary colour correction function to specify a color range and reduce the saturation of that specific range rather than the whole shot. Whilst being a more advanced technique, secondary color correction can make all the difference to a shot when something just doesn't look right or stands out much more than it should
Tutorial, Video Tutorial
Andrew Devis |
Adobe Premiere Pro
Advanced Color Correction in Adobe Premiere Pro
Color correction is essential to making every video look its best, and Adobe Premiere Pro has a lot of great tools built in that are both powerful and easy to use. Most important, they can help bridge the gap between color displayed on the monitor you're using, and the devices your viewers will be using. Video editing and VFX whiz Tobias Gleissenberger of Surfaced Studios will walk you through the waveform monitor, the RGB parade, and vectorscopes built into Premiere Pro, as well as helping you understand how they work together.
Tobias Gleissenber |
Adobe Premiere Pro
Working with Audio in Adobe Premiere Pro
Want to learn how to add music and sound effects to your videos using Adobe Premiere Pro? Tobias Gleissenberger of Surfaced Studio will teach you all you need to know about adding music and sound effects to your projects, creating and using submixes, working with audio keyframes, and much more.
Tutorial
Tobias Gleissenberger |
Adobe Premiere Pro
PluralEyes: Fast & Easy Connections for Video & Audio Clips
With the popularity of HD-DSLRs, many shooters are recording sound separately because of the camera’s limitations with audio -- but putting audio and video together in post can be a chore. Longtime spots ace Bill O'Neil has been dealing with this over the past several years , and has found PluralEyes from Red Giant to be fast, easy, and effective. Take a look to see if PluralEyes will help you, too.
Review, Editorial, Feature
Bill O'Neil |
Adobe Premiere Pro
Misery Loves Comedy: Comedian Kevin Pollak Cuts His Docu
Comedian and actor Kevin Pollak talks about directing and editing his documentary "Misery Loves Comedy", a film that explores the darker side of comedians. After three software lessons from editor (and renowned VFX supervisor) Rob Legato and ten months at the console, Pollak has some new insight about the cross-over between stand-up comedy and editing.
Editorial, Feature, People / Interview
Kylee Peña |
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