Creative COWSIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US :: FAQ
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
LIBRARY:TutorialsVideo TutorialsReviewsInterviewsEditorialsFeaturesBusinessAuthorsRSS Feed
Creative COW RSS Feed

Creative COW Editorials

COW Library : Editorials
DaVinci Resolve
Day Two: Editing on DaVinci Resolve 12.5

Day Two: Editing on DaVinci Resolve 12.5

Somebody asked Walter Biscardi, "why does editing in Resolve interest you?" Well, he states, it is my color grading tool of choice. It's completely free, and by the way, I'm cutting this project using the free version of Resolve. My Studio version sits on another machine. And having all of that extra real estate on the second monitor is a huge bonus.

Editorial, Feature
Walter Biscardi
TV & Movie Appreciation
VFX Legion | Hardcore Henry breakdown reel

VFX Legion | Hardcore Henry breakdown reel

Remote post-production and visual effects studio VFX Legion has released its breakdown reel for the incendiary Hardcore Henry. The reel reveals the work that went into the first-person perspective action film, from augmenting violence to stitching shots together into one continuous sequence.

Editorial, Feature
COW News
Art of the Edit
FuseFX Applies Military Muscle to FX's Tyrant

FuseFX Applies Military Muscle to FX's Tyrant

VFX Supervisor Ted Rae and team are applying their artistry to a jihadist war drama.

Editorial, Feature
COW News
Art of the Edit
The Women in Post PR List: No More #AllMalePanels

The Women in Post PR List: No More #AllMalePanels

Did you know the #allmalepanel is such a common phenomenon that a UN organization is urging its employees (and 8,500 member organizations like Coca-Cola and Cisco) to stop participating in them? As we enter NAB 2016, Kylee Peña is looking at balancing the scales with more women on the panels.

Editorial, Feature
Kylee Peña
Business & Marketing
Creative COW Turns 15! A Celebration of Being Uncool

Creative COW Turns 15! A Celebration of Being Uncool

15 years is a long time on the internet! Travel back with us to the days before YouTube, social media, digital cinema, smartphones, iPods and all the rest, back to the founding of Creative COW by Ronald & Kathlyn Lindeboom in April 2001. Join us for an insider's look at the earliest days of the professional digital video revolution, all the way through the events that have shaped the world's largest community of media professionals, right here at Creative COW.

Editorial, Feature
Tim Wilson
SAN - Storage Area Networks
Navigating the Land Mine of Centralized Media Storage

Navigating the Land Mine of Centralized Media Storage

Storage and media asset management are probably the biggest category you will find on the NAB floor in the South Hall of the Las Vegas Convention Centre. Dennis Kutchera guides you with past experience how to Navigate the Land Mine of Centralized Media Storage in the Post-Production Storage Wars.

Editorial, Feature
Dennis Kutchera
Drones/UAV
Drone Rules Suck...and Why You Want Them

Drone Rules Suck...and Why You Want Them

Rules! Why do we need so many rules for drones? Pilot, skydiver, and drone operator Douglas Spotted Eagle agrees, “Some of the UAV/drone rules and laws are not only unreasonable but downright ineffective,” but when you look more closely from a pilot’s eye view, they start to make much more sense. Starting with this principle: common sense isn’t all that common!

Editorial, Feature
Douglas Spotted Eagle
Stereoscopic 3D
Renaissance Masters Go 3D with Nuke

Renaissance Masters Go 3D with Nuke

VFX legend Steve Wright helped Italy's Sky 3D tackle an epic project, as Italian all-3D television station set out to present the city of Florence and the masterpieces of Renaissance art housed in the Uffizi Gallery in a spectacular stereoscopic 3D movie shown in 60 countries around the world. While the majority of the film was shot stereoscopically, Steve's challenge was to use Nuke to present some of the world's most precious artworks fully dimensionalized. Here's how he pulled it off.

Editorial, Feature
Steve Wright
Boris FX
Boris Continuum Complete 10: A Winner For Every Creative

Boris Continuum Complete 10: A Winner For Every Creative

Walter Biscardi has been a Boris FX customer since 1995, and he calls Continuum Complete 10 a winner that belongs in every post creative's toolbox. With filters that nobody else has, customizable presets galore, multiple host support for one price, the watershed Title Studio, and the integrated power of mocha's Academy Award-winning tracking built into every filter, forget the cliche of Continuum Complete being a Swiss army knife, says Walter. Now, it's more like a cannon! Join Walter for some of the details on why you need this amazing package yourself.

Review, Editorial
Walter Biscardi
Apple FCPX or Not: The Debate
Apple FCPX and the Making Of Whiskey Tango Foxtrot

Apple FCPX and the Making Of Whiskey Tango Foxtrot

Rather than a story about editing software, this is a story about Apple Final Cut Pro X from a filmmaker’s perspective: specifically, how keeping as much VFX and audio temp work as possible inside FCPX during production helped allow Glenn Ficarra and John Requa to open up new options and saved weeks of production time in the making of Whiskey Tango Foxtrot, the new wartime comedy starring Tina Fey.

Editorial, Feature
Tim Wilson
Cinematography
School, Teachers, Italian Neorealism & a Few Soviet Films

School, Teachers, Italian Neorealism & a Few Soviet Films

In this exclusive interview, generously granted to Creative COW by the Gamma and Density Journal, during his lifetime, Vilmos Zsigmond, ASC, sat down with Yuri Neyman, ASC to talk about his life as a cinematographer. We remember the genius.

Editorial, Feature, People / Interview
Yuri Neyman
Blackmagic Design
Blackmagic Design Teranex Mini: 4K Monitoring & So Much More

Blackmagic Design Teranex Mini: 4K Monitoring & So Much More

When Blackmagic asked broadcast engineer, systems designer, and all-around straight shooter Bob Zelin to take a look at the new Teranex Mini line, he told them no. Converter stories are too boring. Just one problem, though: his clients couldn't see pictures out of their SDI gear going into HDMI inputs of consumer 4K TVs. BMD promised that one of the Minis would do the trick, and it did -- but Bob was pleasantly surprised to find even more than he was looking for! Find out why he calls the Teranex Mini lineup a no-brainer, and what it might be able to do for you. Read more...

Editorial, Feature
Bob Zelin
TV & Movie Appreciation
The Sisterhood of the X-Files Fandom

The Sisterhood of the X-Files Fandom

As the first show to create a rabid, real-time internet fandom, devotion to "The X-Files" has been growing in intensity with each year since the original series finale, with a fanbase that is clever, thoughtful, and largely female. Not that there's any shortage of male X-Philes, but there's a generation of women who was inspired to technical careers by the Gillian Anderson's Dana Scully. Kylee Peña is among them, and additionally very specifically inspired by the production values of "The X-Files" to build a career in the technology of TV storytelling in particular. Here's Kylee's look at what it has meant to be a female fan of the art, technology, and empowerment of "The X-Files" in the 21st century.

Editorial, Feature
Kylee Peña
Art of the Edit
Checksums, Speed, and Acceptable Risk

Checksums, Speed, and Acceptable Risk

Do you hang out under a tree during a lightning storm? Do you perform a checksum every time you copy important files from one place to another? If you don't have an equally strong opinion about both these questions, it's time to learn about checksums: how they work, how much you can trust them, and how this technical task can save a creative person from certain doom.

Editorial, Feature
Kylee Peña
TV & Movie Appreciation
Vilmos Zsigmond, ASC, 1930 - 2016 - Remembering the Genius

Vilmos Zsigmond, ASC, 1930 - 2016 - Remembering the Genius

Winner of an Academy Award for Best Cinematography for his work on Close Encounters of the Third Kind, the long list of official accolades for Vilmos Zsigmond, ASC doesn't begin to illustrate the impact his work has had on generations of artists around the world. Friend, colleague, and Global Cinematography Institute co-founder Yuri Neyman, ASC shares some of his memories with us.

Editorial, Feature, People / Interview
Yuri Neyman, ASC
Art of the Edit
Editing Star Wars: The Force Awakens

Editing Star Wars: The Force Awakens

On Star Wars: The Force Awakens brings the latest collaboration of Mary Jo Markey, ACE and Maryann Brandon, ACE​ once again collaborated with J.J. Abrams, following their previous successes with him on pictures including Star Trek and Star Trek Into Darkness, Mission Impossible III, Super 8, and the TV series Alias. Here, they tell us about putting together this new instant classic.

Editorial, Feature, People / Interview
Tim Wilson
Apple FCPX Techniques
Using Apple FCPX for A DocumenTree

Using Apple FCPX for A DocumenTree

After 25 years of working on other people's documentaries, commercials, feature films, filmmaker Michael Angelo's first original project is the inspirational story of the Treeman of Venice Beach, a singular creation of a singular man whose combination of costume, body paint, live foliage, and 10-foot stilts is gently beguiling and deeply inspirational. With over 1000 hours of footage in a crazy number of formats over a period of years, collaboration among a far-flung team of volunteers with varying degrees of expertise (including none at all), A DocumenTree seemed like the ideal project for Michael to jump into Final Cut Pro X. Michael's longtime experience in a variety of disciplines has nevertheless allowed him to come at the issues of media management, metadata, offline-online workflows, and a variety of complex technical issues in some unusual, and, dare we say it, organic ways.

Editorial, Feature, People / Interview
Michael Angelo
Art of the Edit
A Tale of Two Mockingjays: The Hunger Games Epic Finale(s)

A Tale of Two Mockingjays: The Hunger Games Epic Finale(s)

Deciding to adapt the Hunger Games finale, Mockingjay, as 2 films opened up remarkable storytelling possibilities for director Francis Lawrence, and editors Alan Bell ACE and Mark Yoshikawa ACE. We spoke with the editors about the technologies, workflows, and collaborative processes that enabled them to so richly explore the nuances of power, pain, and the lifelong toll that war takes even on the victors.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
Introducing Ultron: Trixter Builds The Avengers' Biggest Bad

Introducing Ultron: Trixter Builds The Avengers' Biggest Bad

At the heart of Marvel's biggest Avengers movie yet lies their greatest threat yet: Ultron, a self-constructing robot intelligence bent on destroying all of humanity. Munich's boutique-scale Trixter Film was given the critical task of introducing this epic-scale character, which they undertook from concept art through design, mocap, animation, compositing, and output.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
The Walk: Largest Use of Cloud Computing in Film History

The Walk: Largest Use of Cloud Computing in Film History

Award-winning VFX Company Joins UPP and Rodeo FX to Recapture the Legendary Walk Between the World Trade Center Towers. Lead VFX vendor Atomic Fiction needed a more efficient way to do the compute-intensive, and traditionally very expensive, processes of rendering. The company used their cloud-based software Conductor, which allows artists to offload the processing from their own computers and send it to the cloud. By the end of the project, Atomic Fiction had completed 9.1 million hours of processing in the cloud, which equates to over a millennium of processing time!

Editorial, Feature
Shaina Ostroff
SAN - Storage Area Networks
Affordable, Easy LTO Archiving

Affordable, Easy LTO Archiving

It's a simple idea: your stuff is precious, but there's too much of it to easily store. The world of LTO seems expensive and confusing, and straight talk is hard to come by. Well, it happens that Creative COW's Bob Zelin is the master of straight talk, and has had to learn a lot about archiving to help his clients meet their needs. Here's what Bob has found as he looks at the latest and greatest technology and projects for affordable, easy LTO archiving.

Editorial, Feature
Bob Zelin
Art of the Edit
Positivity: Editor Jesse Averna on Evolving Your Career

Positivity: Editor Jesse Averna on Evolving Your Career

Five-time Emmy-award winning editor Jesse Averna has been a lifelong fan of filmmaking, a love reflected in his ambition to move into directing. Jesse shares insight about evolving his career, including the importance of being a positive force in your post community.

Editorial, Feature, People / Interview
Kylee Peña
Social Media
How Are You? No, really. Creativity & Mental Health

How Are You? No, really. Creativity & Mental Health

In an industry where mental health is hard to come by, Creative COW Associate Editor Kylee Peña reminds us how important it is to ask ourselves, and our peers, "How are you? No, really. How ARE you?" Kylee also offers some suggestions for helping ourselves be honest with the answers, as we also move toward a future that allows us to be more creative, more productive, AND more sane.

Editorial, Feature
Kylee Peña
TV & Movie Appreciation
Milk's Epic VFX For Jonathan Strange & Mr Norrell

Milk's Epic VFX For Jonathan Strange & Mr Norrell

Jonathan Strange & Mr Norrell, the acclaimed bestselling epic novel of magical realism set 200 years ago, was adapted by the BBC to a 7-episode miniseries that was itself quite epic, with over 1000 effects shots handled by London's Milk VFX. Creative COW's Tim Wilson spoke with Milk CEO Will Cohen about his team's work on the series, starting with his own enthusiasm as a fan of the novel. To use that word once more, it's an epic conversation about adapting novels, carefully managing budgeted creativity, and collaboration. Books, televised cinematic storytelling, VFX, good conversation, and magic: if any of those is your cup of tea, you won't want to miss this.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
FuseFX & Emmy-Nominated Work for American Horror Story

FuseFX & Emmy-Nominated Work for American Horror Story

Burbank-based effects house’s freaky work for hit FX series continues to draw accolades.

Editorial, Feature, People / Interview
FuseFX
Authors

Michael Angelo (1)
Walter Biscardi (2)
FuseFX (4)
Dennis Kutchera (1)
Yuri Neyman, ASC (2)
Douglas Spotted Eagle (1)
Kylee Peña (5)
Tim Wilson (6)
Steve Wright (1)
Bob Zelin (2)


Other Tutorials

Letters to the COW Team (47)
Creative COW Magazine feedback (11)
Creative COW podcasts (10)
NEWS: People in the News (15)
Adobe After Effects (769)
Adobe After Effects basics (496)
Adobe After Effects Expressions (91)
Adobe After Effects Techniques (213)
Adobe Audition, Soundbooth (46)
Adobe Creative Cloud (50)
Adobe Creative Cloud: The Debate (25)
Adobe Director (25)
Adobe Dreamweaver (41)
Adobe Encore DVD (46)
Adobe Flash (89)
Adobe Illustrator (52)
Adobe InDesign (31)
Adobe Media Encoder (28)
Adobe OnLocation (33)
Adobe Photoshop (251)
Adobe Photoshop basics (78)
Adobe Premiere Pro (379)
Adobe Premiere Pro basics (255)
Adobe SpeedGrade (26)
Adobe ULTRA (28)
AJA io (24)
AJA Ki Pro (22)
AJA Kona - Mac (34)
AJA Kona - PC (24)
Apple - Windows on Mac (14)
Apple Color (33)
Apple DVD Studio Pro (25)
Apple FCPX or Not: The Debate (121)
Apple FCPX Techniques (62)
Apple Final Cut Pro (236)
Apple Final Cut Pro basics (69)
Apple Final Cut Server (16)
Apple Garage Band (13)
Apple iPad (21)
Apple iPhone (21)
Apple iPod (16)
Apple LiveType (12)
Apple Logic (11)
Apple MobileMe (11)
Apple Motion (59)
Apple OS X (23)
Apple Shake (23)
Apple Soundtrack (20)
Apple Xsan (15)
Archiving and Back-Up (30)
ARRI (76)
Art of the Edit (238)
Assimilate Scratch (19)
Audio Professionals (51)
Aurora Video Systems (14)
Autodesk 3ds Max (80)
Autodesk Combustion (50)
Autodesk Smoke (34)
Autodesk Smoke 2013 (17)
Autodesk Toxik (11)
AVID Editing basics (9)
Avid Media Composer / Symphony (264)
Blackmagic Cinema Camera (27)
Blackmagic Design (89)
Blender (16)
Boris FX (76)
Broadcast Design (12)
Broadcasting (174)
Business & Marketing (129)
Canon Cameras (41)
Canon EOS DSLR (31)
Cinema 4D (71)
Cinematography (330)
Compression techniques (22)
CoreMelt Plug-ins (17)
Corporate Video (47)
DaVinci Basics & Configuration (13)
DaVinci Resolve (47)
Digital Delivery (19)
Digital Photography (16)
DSLR Video (77)
DVD Authoring (20)
Event Videographers (65)
Field Production (26)
Freeform Pro (8)
Genarts Sapphire (9)
HD High-End (127)
HDV Format (42)
IBC Expo (35)
Indie Film & Documentary (225)
JVC cameras/decks (12)
Leitch dpsVelocity (12)
Lighting Design Pros (22)
Lightwave (10)
Live & Stage Events (48)
Magic Bullet Suite (8)
Matrox Video Systems (17)
MAYA (71)
Media 100 (40)
Media 100 844/X (11)
NAB Show (145)
Nuke (11)
Panasonic GH Cameras (23)
Panasonic HVX - HPX (P2) (56)
Panasonic VariCam (31)
particle Illusion (17)
Podcasting (12)
RE:Vision Effects (54)
RED Camera (61)
Red Giant plug-ins (8)
SAN - Storage Area Networks (23)
Sony DV (14)
Sony NXCAM (24)
Sony SRW Decks (15)
Sony Vegas (125)
Sony Vegas basics (101)
Sony XDCAM - EX & Related (31)
Sony XDCAM Optical Disc & Related (18)
Stereoscopic 3D (83)
Trapcode (25)
TV & Movie Appreciation (219)
WalterBiscardi.com (8)
Web Design (25)
Web Streaming - Audio|Video (12)
What Computer Should I Buy? (27)
Windows Hardware & Software (44)
Zaxwerks (22)
Next 25 Editorials >


FORUMSTUTORIALSFEATURESPODCASTSEVENTSSERVICESJOBSNEWSLETTERNEWSBLOGS

Creative COW LinkedIn GroupCreative COW Facebook PageCreative COW on Twitter
© 2016 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]