Color correction and color grading are essential if you want your video to look professional. Since your video will likely be watched on many different devices with many different screens, chances are it will look slightly different to everyone.
To optimize the quality of the image for everyone, you can use some of the tools built into Premiere Pro to analyse the color in your video and adjust them accordingly. This also avoids making incorrect decisions that can arise from your own monitor not representing the colour accurately.
In this tutorial we will cover:
The Waveform Monitor - Shows you the luma (brightness) distribution in your image. Ideal for analysing and correcting the exposure of your image.
The RGB Parade - Like the waveform monitor, but with 3 different displays, one for each colour channel. Great for adjusting white balance and identifying incorrect colour tints and hues in the image.
The Vectorscope - Shows the colour distribution in your image. Great for adjusting for colour shifts and, using the skin tone line, the best tool to ensure that your skin colours are represented accurately.
Tobias Gleissenberger from Melbourne, Australia got hooked onto film making and visual effects with the rise of YouTube. After watching way too many videos from Freddie Wong, Final Cut King and Video Copilot, he realised that creating impressive VFX was now well within the reach of the indie filmmaker.
Unable to find videos that were both educational AND entertaining, he started to create his own style of 'edutainment' tutorials online. He enjoys sharing his enthusiasm and passion for filmmaking and visual effects with anyone who is willing to put up with his 'special' type of humour.
To an editor/creator, there is nothing more frustrating than a timeline that won’t respond quickly when scrubbing or one that won’t play in real time. Join Adobe's Dave Helmly for an inside look at how their UI designers came up with color and badge indicators on the Timeline to give you that “over the shoulder” view of how Premiere Pro is reading the formats and what kind of performance you should expect.
Editing video is a creative task, observes Adobe Senior Product Marketing Manager Eric Philpott. Yet most tutorials skew toward the practical functions of the software, with less emphasis on the art of storytelling itself. Read on to learn how you can raise your creative editing game in five daily challenges hosted online at Adobe Live, happening the week of August 17-21. Hosted by Adobe's Jason Levine, you'll download free assets to help learn the specifics of multicam editing, color grading, repurposing your work for social sharing, and much more, followed by sharing your results online and talking about the process with other editors.
"What’s the best system for Premiere Pro and After Effects?" This is a question that any editor or content creator has to go through every few years as technology changes. Dave Helmly is the Head of Strategic Development for Professional Video - Broadcast at Adobe, and gets asked this question almost daily by broadcast IT departments, filmmakers, and YouTubers. Before laying out the answers about the right system for you, Dave lays out the additional questions that you need to ask first.
When it was first announced at the Sundance Film Festival in January 2020, the new Productions toolset for Adobe Premiere Pro looked like a dream come true for filmmakers and other visual storytellers who have been looking for next-generation collaboration, including cloud-enabled and remote-friendly workflows. Now that Productions is available starting April 14, Productions is revealed to be every bit as valuable for individual creators who want better organizational tools, greater security, and the ability to share assets including media files across projects with cross-project referencing.
Here's everything you need to know to get complete control over the speed of your footage in Adobe Premiere Pro! Join VFX guru Tobias G for a look at the Rate Stretch Tool, Premiere's Speed/Duration settings, Time Remapping, and more!
Want to give your video that elusive cinematic look? Visual effects guru Tobias Gleissenberger will show you the secrets of the Lumetri Scopes and Lumetri Color panels in Adobe Premiere Pro and After Effects that make it super easy to properly correct & grade your footage.
Editor, VFX artist, post-house owner, and plug-in developer Simon Ubsdell shows you how to edit faster and more easily using the very useful but not often known-about Overlay edit function in Premiere Pro. This Quick Tip tutorial also offers tips on grouping.
Want to learn how to add music and sound effects to your videos using Adobe Premiere Pro? Tobias Gleissenberger of Surfaced Studio will teach you all you need to know about adding music and sound effects to your projects, creating and using submixes, working with audio keyframes, and much more.
Join Tobias Gleissenberger for an energetic look at the top ten keyboard shortcuts Adobe Premiere Pro. These essential tips will greatly improve your efficiency and help you optimise your editing workflow!