Want to give your video that elusive cinematic look? Visual effects guru Tobias Gleissenberger will show you the secrets of the Lumetri Scopes and Lumetri Color panels in Adobe Premiere Pro and After Effects that make it super easy to properly correct & grade your footage.
Tobias Gleissenberger from Melbourne, Australia got hooked onto film making and visual effects with the rise of YouTube. After watching way too many videos from Freddie Wong, Final Cut King and Video Copilot, he realised that creating impressive VFX was now well within the reach of the indie filmmaker.
Unable to find videos that were both educational AND entertaining, he started to create his own style of 'edutainment' tutorials online. He enjoys sharing his enthusiasm and passion for filmmaking and visual effects with anyone who is willing to put up with his 'special' type of humour.
Editor, VFX artist, post-house owner, and plug-in developer Simon Ubsdell shows you how to edit faster and more easily using the very useful but not often known-about Overlay edit function in Premiere Pro. This Quick Tip tutorial also offers tips on grouping.
Color correction is essential to making every video look its best, and Adobe Premiere Pro has a lot of great tools built in that are both powerful and easy to use. Most important, they can help bridge the gap between color displayed on the monitor you're using, and the devices your viewers will be using. Video editing and VFX whiz Tobias Gleissenberger of Surfaced Studios will walk you through the waveform monitor, the RGB parade, and vectorscopes built into Premiere Pro, as well as helping you understand how they work together.
Want to learn how to add music and sound effects to your videos using Adobe Premiere Pro? Tobias Gleissenberger of Surfaced Studio will teach you all you need to know about adding music and sound effects to your projects, creating and using submixes, working with audio keyframes, and much more.
Join Tobias Gleissenberger for an energetic look at the top ten keyboard shortcuts Adobe Premiere Pro. These essential tips will greatly improve your efficiency and help you optimise your editing workflow!
With the popularity of HD-DSLRs, many shooters are recording sound separately because of the camera’s limitations with audio -- but putting audio and video together in post can be a chore. Longtime spots ace Bill O'Neil has been dealing with this over the past several years , and has found PluralEyes from Red Giant to be fast, easy, and effective. Take a look to see if PluralEyes will help you, too.
Longtime Creative COW Leader and passionate color grader Walter Biscardi notes that the word "gamechanger" gets thrown around too easily, but for color grading inside an NLE, Adobe Premiere Pro CC's new Lumetri Color Tool, "gamechanger" is the only word that will do.
Comedian and actor Kevin Pollak talks about directing and editing his documentary "Misery Loves Comedy", a film that explores the darker side of comedians. After three software lessons from editor (and renowned VFX supervisor) Rob Legato and ten months at the console, Pollak has some new insight about the cross-over between stand-up comedy and editing.
The Premiere Clip app is a great way to get started in shooting, editing and sharing your own videos, and today Adobe is encouraging everyone to sink their claws into a cat video of their own for National Cat Day.
David Fincher's "Gone Girl" is the latest in a series of critically acclaimed films from the director, but it's the first studio feature edited with Adobe Premiere Pro, with a complex post production workflow that includes 6K acquisition and over 200 visual effects completed in house with the help of Dynamic Link and After Effects.