LIBRARY: Tutorials Reviews Interviews Editorials Features Business Authors RSS Feed

Final Cut Pro: Saturation Curves in Color

COW Library : Apple Color Tutorials : Richard Harrington : Final Cut Pro: Saturation Curves in Color
CreativeCOW presents Final Cut Pro: Saturation Curves in Color -- Apple Color Tutorial


RHED Pixel
Washington District of Columbia USA
CreativeCOW.net. All rights reserved.


In this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman create the Pleasantville effect in Apple Color. Using the secondary curves, specifically the saturation curve, to isolate just the yellow in a taxi cab everything else in the video clip can then be desaturated to create this popular effect.



Play Video Tutorial


Comments

Re: Final Cut Pro: Saturation Curves in Color
by yvette aiello
Thank you. Love always having more insight to color in final cut pro


Related Articles / Tutorials:
Apple Color
Euphonix MC Color Control Panel

Euphonix MC Color Control Panel

In this article Walter Biscardi, Jr. tries out the new MC Color controller from Euphonix.

Review
Walter Biscardi
Apple Color
Tangent Wave Control Panel Review

Tangent Wave Control Panel Review

In this article, Walter Biscardi, Jr. takes an in depth look at the new Tangent Wave Control Panel.

Review
Walter Biscardi
Apple Color
Final Cut Pro: Tracking Vignettes

Final Cut Pro: Tracking Vignettes
  Play Video
In this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman teaches how to use tracking to have vignettes follow a person around the screen to simulate a spotlight effect.

Tutorial, Video Tutorial
Richard Harrington
Apple Color
Custom Shapes in Color - Final Cut HelpCustom Shapes in Color - Final Cut Help
  Play Video
In this Apple Color tutorial Richard Harrington and guest Robbie Carman will use user defined shapes to form vinettes to perform a secondary color correction. Learn about where primary and secondary color correction really occurs in Apple Color and other tips and tricks.

Tutorial, Video Tutorial
Richard Harrington
Apple Color
One Team. Three Network Shows. Every Week.

One Team. Three Network Shows. Every Week.

Creative Cow Contributing Editor Zed Saeed has helped create pioneering Final Cut Pro workflows for major feature films and episodic TV production. This year, he and the team at DigitalFilm Tree faced their biggest challenge yet: posting 3 major shows, for 3 different networks, every week -- with the same small team that used to do just one. How do they do it? World-class workflow management.

Feature
Zed Saeed
Apple Color
Apple Color: Building Vignettes in the ColorFX RoomApple Color: Building Vignettes in the ColorFX Room
  Play Video
Apple Color offers a variety of tools for custom effects, each with different features. Answering a commonly asked question, broadcast editor and Creative Cow leader Walter Biscardi shows you how to take advantage Colors node-based compositing to create a vignette in the ColorFX room.

Tutorial, Video Tutorial
Walter Biscardi
Apple Color
Apple Color: Auto Balance FeatureApple Color: Auto Balance Feature
  Play Video
In this short Apple Color video tutorial, Walter Biscardi demonstrates the auto balance feature in color. This is a basic level tutorial.

Tutorial, Video Tutorial
Walter Biscardi
Apple Color
Should you use Final Cut Pro or Color?Should you use Final Cut Pro or Color?
  Play Video
Should you use Final Cut Pro or Color? In this short video tutorial, Walter Biscardi demonstrates some of the differences and why you might use one program over the other. This is a basic level tutorial.

Tutorial, Video Tutorial
Walter Biscardi
Apple Color
Apple Color: First Time You LaunchApple Color: First Time You Launch
  Play Video
In this Apple Color video tutorial, Walter Biscardi demonstrates everything you need to know the first time you launch Apple Color. This is a basic level tutorial.

Tutorial, Video Tutorial
Walter Biscardi
Recent Articles / Tutorials:
Art of the Edit
TV Workflow Supervisor Kylee Peña: The Benefits of Pressure

TV Workflow Supervisor Kylee Peña: The Benefits of Pressure

TV workflow supervisor Kylee Peña (Jane the Virgin, Colony) visits Adobe's "Make It" talk show to chat with host Jason Levine about the evolution of motion picture workflows, from the days of film and tape to our modern digital world of crazy-high shooting ratios and constantly evolving technology. She also expounds on the upside to creative constraints and tight deadlines. And don’t miss the lightning round!!!

Feature, People / Interview
Cow News
MORE
© 2017 CreativeCOW.net All Rights Reserved
[TOP]