Final Cut Pro: Saturation Curves in Color
: Apple Color Tutorials
: Richard Harrington
: Final Cut Pro: Saturation Curves in Color
In this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman create the Pleasantville effect in Apple Color. Using the secondary curves, specifically the saturation curve, to isolate just the yellow in a taxi cab everything else in the video clip can then be desaturated to create this popular effect.
|Related Articles / Tutorials:|
|Custom Shapes in Color - Final Cut Help|
In this Apple Color tutorial Richard Harrington and guest Robbie Carman will use user defined shapes to form vinettes to perform a secondary color correction. Learn about where primary and secondary color correction really occurs in Apple Color and other tips and tricks.
Tutorial, Video Tutorial
One Team. Three Network Shows. Every Week.
Creative Cow Contributing Editor Zed Saeed has helped create pioneering Final Cut Pro workflows for major feature films and episodic TV production. This year, he and the team at DigitalFilm Tree faced their biggest challenge yet: posting 3 major shows, for 3 different networks, every week -- with the same small team that used to do just one. How do they do it? World-class workflow management.
|Apple Color: Building Vignettes in the ColorFX Room|
Apple Color offers a variety of tools for custom effects, each with different features. Answering a commonly asked question, broadcast editor and Creative Cow leader Walter Biscardi shows you how to take advantage Colors node-based compositing to create a vignette in the ColorFX room.
Tutorial, Video Tutorial
|Recent Articles / Tutorials:|
Art of the Edit
Living The American Dream: Editing Sharknado 5
Ana Florit is your typical Los Angeles-based film editor: among other things, she grew up in the French Alps, moved to Paris, directed a one-hour movie, moved to Hollywood, and has served as the lead editor on the 2nd, 3rd, and now, the latest in the pop-culture phenomenon Sharknado franchise, Sharknado 5: Global Swarming. You know, your usual run-the-the-mill American Dream story. In Ana’s case, the journey also includes a stint at Video Symphony, a Saturn Award nomination, and playing a major role in moving independent production powerhouse The Asylum fully from FCP7 to Premiere Pro. Here, Ana talks with Creative COW Associate Editor Kylee Peña about workflow, VFX, and some of the secrets of Sharknado's success. (Spoiler alert: they're not comedies.)