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Today's Top Tutorials

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AVID
Avid: Third Party Integration and CollaborationAvid: Third Party Integration and Collaboration

Avid announced updates to its line of products that focus on third party integration and collaboration, including a new Interplay MAM, ISIS 1000 shared storage and Avid Artist I/O device with third party support, and a free version of Media Composer.

Editorial, Feature
Kylee Wall
NAB Show
HP: New Mobile Workstation, 4K Dreamcolor, Faster ZTurbo

HP unveiled a thin new full performance mobile workstation, newer faster versions of the ZTurbo drive, and updated 4K Dreamcolor displays at the 2015 NAB Show

Feature
Kylee Wall
Apple FCPX Techniques
Apple FCPX 10.2 First Look: Worth the Wait!Apple FCPX 10.2 First Look: Worth the Wait!

After the usual rabid anticipation, Apple released FCPX 10.2 with a wide range of new features that should excite any pro: new and improved keyframable masks, Library level Smart Collections, improved keyframing performance, 4-Up Scope viewer, the ability to save effects applied to clips.

Feature
Charlie Austin
Adobe Premiere Pro
The 'Default Scale to Frame Size' Preference OptionThe 'Default Scale to Frame Size' Preference Option

The 'Default Scale to Frame Size' preference can cause some confusion as it is not always obvious how it works, and how it affects footage in your project. In this brief Premiere Pro tutorial, Andrew Devis explains what effect the preference has on your footage and why things may not always seem to act in the way you think they should when this preference is or isn't selected.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Changing Audio From Stereo to Dual MonoChanging Audio From Stereo to Dual Mono

Sometimes when you record you use different microphones on each audio channel of your camera. But, when you get into Premiere Pro, you find that you have one stereo channel and not two mono channels and so you can't edit them as you would like! So how can you change a single stereo channel into two mono channels? In this quick tip tutorial, Andrew Devis demonstrates how to make that change into two mono channels or even two 5.1 channels, as well as how to change a mono track into a stereo track and how to use the preferences to make it automatic if you have lots of clips changing from one thing to another.Changing

Tutorial, Video Tutorial
Andrew Devis
NAB Show
Signiant Takes 'Flight' with New Enterprise AdditionsSigniant Takes 'Flight' with New Enterprise Additions

Signiant's Flight and Media Shuttle services are continuing to rapidly grow, with major facilities adopting the service in global workflows. New enterprise features make it easier for large companies to bring Signiant inside their facilities.

Feature
Kylee Wall
Fitness in Post
Editing Yourself: An Agency Editor Tells Her Fitness StoryEditing Yourself: An Agency Editor Tells Her Fitness Story

When agency editor Katie Toomey found herself in a rut physically and mentally, she knew she had to make some changes to her life to be successful in the long term. With determination and support, she spent five years changing her lifestyle, incorporating more activity and better eating habits her busy post production schedule, losing 80 pounds in the process.

Feature
Kylee Wall
Adobe Premiere Pro
Spicing up your Titles in Premiere ProSpicing up your Titles in Premiere Pro

In this video tutorial Andrew Devis teaches how to format your text, add shapes and generally make your titles more interesting in Premiere Pro.

Tutorial, Video Tutorial
Andrew Devis
Adobe After Effects Expressions
After Effects Expressions SimplifiedAfter Effects Expressions Simplified

In this After Effects tutorial from The Creative COW Magazine, see through the confusion of After Effects Expressions with just a few simple steps.

Tutorial
Andrew Kramer
Adobe Premiere Pro basics
Premiere Pro Techniques: 110 Preset & Custom Lumetri LooksPremiere Pro Techniques: 110 Preset & Custom Lumetri Looks

In this tutorial, Andrew Devis goes through a new option that will be coming with the next release of Adobe Premiere Pro called Lumetri Looks - which gives you the option to apply .Look files created in Adobe SpeedGrade directly to your footage in Premiere Pro. While this option at first glance seems to only offer the ability to apply presets already created, there is also a way in which you can create your own grades in SpeedGrade, save them as .Look files and then apply those custom grades to your footage or to an adjustment layer in Premiere Pro CS_Next. In this tutorial, Andrew shows the new option and how it may be used with SpeedGrade CS_Next to create, save and apply your own custom looks.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Project Panel: Preferences & Bin StructuresProject Panel: Preferences & Bin Structures

In this Adobe Premiere Pro video tutorial Andrew Devis looks at some of the preferences that affect items in your project panel and show you some of the issues with preferences and imported footage. Andrew also will show how to create a bin (or folder) structure that works for you projects and some of the options to open and use bins to speed up the process of adding items to the right bin quickly!

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Color Correction 1: Brightness & ContrastColor Correction 1: Brightness & Contrast

The temptation is always to choose the easiest tool in the box when sometimes another tool will do an much better job! In this Premiere Pro tutorial Andrew Devis will show you how to avoid using the dreaded brightness & contrast tool and damaging your shot in the process! Andrew will show you the correct tool to choose so that the full dynamic range is preserved and your shot looks great when you need to brighten it or change the contrast.

Tutorial, Video Tutorial
Andrew Devis
Cinematography
The Truth About 2K, 4K and The Future of PixelsThe Truth About 2K, 4K and The Future of Pixels

John Galt, Panavision Senior Vice President of Advanced Digital Imaging, led the team that created the Genesis camera, was responsible for the F900 "Star Wars" camera, and continues to play a leading role in guiding future digital cinema technologies. In this wide-ranging, no-holds barred conversation from 2009, John cuts through what he calls the intentional obfuscation of "marketing pixels," and explores the range of high resolution and high frame rate options that are becoming available to filmmakers.

Editorial, Feature, People / Interview
John Galt
Adobe After Effects
Creating & Using Masks in After EffectsCreating & Using Masks in After Effects

This tutorial was made as a direct request from a former user of Final Cut Pro who wanted to know how to mask in an efficient way in After Effects. Andrew demonstrates the tools to quickly create masks in After Effects along with the keyboard short cuts needed to make the process quick and efficient. Then, Andrew shows how to take the masks that have been created and use them on other layers so that only the masked areas are selected by using the exact same information as produced with the original mask. Note, this technique also respects any animation that may have been applied to the original mask while leaving the ability to change the mask's size, opacity and feathering as needed.

Tutorial, Video Tutorial
Andrew Devis
Apple FCPX Techniques
Don't Fight the Magnetic Timeline!Don't Fight the Magnetic Timeline!

One of the biggest "issues" people coming from other NLE's still seem to have with FCP X is how the Timeline works. Magnetism! No Tracks! Weird Snorkel Things! Storylines?! It's Crazytown! If you fall into this category, we have two suggestions for you. 1) Read this article by Creative COW's Charlie Austin. 2) Don't fight the timeline! Even experienced X-ers are going to have fun with this one.

Editorial, Feature, People / Interview
Charlie Austin
Adobe After Effects basics
Morphing In After EffectsMorphing In After Effects

Morphing is a distinctive effect that is best known from the movie Terminator 2 as well as the Michael Jackson music video Black and White. In this tutorial, Chris Zwar demonstrates simple morphs with the Reshape filter in Adobe After Effects 5.5 -- which is a Production Bundle only effect found under the Distort menu.

Tutorial
Chris Zwar
Adobe Premiere Pro
Pan & Zoom + Corner Pin in Premiere ProPan & Zoom + Corner Pin in Premiere Pro

In this Adobe Premiere Pro tutorial, Andrew Devis shows you how to pan and zoom in Premiere Pro like a professional, with proper key-frame interpolation so that everything is smooth. He will also show how to use the corner pin effect to put a separate image on to the footage you pan and zoom so that it remains really high quality even when zoomed in really close.

Tutorial, Video Tutorial
Andrew Devis
Web Design
Full Page Overlay WindowFull Page Overlay Window

In this tutorial you will learn how to create a full page pop-up window that overlays an existing html page. This technique is used often for displaying a video, movie file, picture, or form when a user clicks on an element in a web page.

Tutorial
Abraham Chaffin
Adobe Photoshop
Designing a Website in PhotoshopDesigning a Website in Photoshop

This Adobe Photoshop tutorial will show how to use Photoshop to design a website that will be exported as HTML and image slices. The web page can be brought into an HTML editor program such as Adobe Dreamweaver to be modified. This is an Adobe Photoshop web design tutorial showing how to design, create and save a web page with Photoshop.

Tutorial
Abraham Chaffin
Adobe Premiere Pro
Balancing Audio Levels for Multiple ClipsBalancing Audio Levels for Multiple Clips

You have lots of clips in your timeline which are all different volumes. How do you quickly match the volume of all the clips so that they are all matched? This quick tutorial will show you the tricks to know in Premiere Pro and Soundbooth to get the job done!

Tutorial, Video Tutorial
Andrew Devis
NAB Show
Blackmagic Unveils Tiny Cameras and Big Sensor UpgradesBlackmagic Unveils Tiny Cameras and Big Sensor Upgrades

Blackmagic has unveiled a variety of new camera and broadcast products, including "micro" version of their popular cameras for remote control or all day use, a new version of Resolve, and sensor upgrades to the URSA cinema camera.

Editorial, Feature
Kylee Wall
Adobe After Effects basics
AE Basics 53: Motion Tracking Part 1AE Basics 53: Motion Tracking Part 1

AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 53: In this tutorial, Andrew Devis starts to demonstrate how to use the point tracker in Adobe After Effects. Andrew shows how to set up the tracker and talks through some of the considerations that need to be taken into account to help get as good a track as possible.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Rolling Titles in Adobe Premiere ProRolling Titles in Adobe Premiere Pro

There are some special tricks that once you know will make your scrolling credits easy to make and look really professional. In this tutorial I show the tricks and hints for rolling credits.

Tutorial, Video Tutorial
Andrew Devis
Adobe After Effects
Create a Waving Flag with After EffectsCreate a Waving Flag with After Effects

In this video tutorial, Rob Mize teaches how to use After Effects to create and customize your own flag designs, then animate them using displacement maps... all without the use of third party plug-ins.

Tutorial, Video Tutorial
Rob Mize
Adobe After Effects
Shape Layer Tip #3: Trim PathsShape Layer Tip #3: Trim Paths

In this video tutorial, Creative Cow leader Aharon Rabinowitz shows you how to use shape layers to easily create that Old-School look where a red dashed line animates over a map to indicate travel destinations.

Tutorial, Video Tutorial
Aharon Rabinowitz
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