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NAB Show
The Introvert's Guide to the NAB Show, by Kylee Peña

The Introvert's Guide to the NAB Show, by Kylee Peña

If you're like most people in video production, you're a bit of an introvert, which can make trade shows a challenge. Shyness is real, and social anxiety is its own thing to be managed carefully, but are you selling yourself short before you give yourself a chance to achieve your goals? Creative COW Managing Editor Kylee Peña offers practical steps to help even the shyest creatives make the most of NAB.

Editorial, Feature, People / Interview
Kylee Peña
Adobe After Effects
Remove People from Moving Video in After Effects with Mocha

Remove People from Moving Video in After Effects with Mocha

Learn how to remove a person from a moving video using the Remove module of the Mocha Pro plug-in for Adobe After Effects! In one of his most epic tutorial's yet, Surfaced Studio's Tobias Gleissenberger then adds a bonus Beam Up effect using some of the great filters from the Boris Continuum and Sapphire collections.

Tutorial
Tobias Gleissenberger
RED Camera
Mercedes-Benz and Friends Make 360-Degree Stadium Halo Board

Mercedes-Benz and Friends Make 360-Degree Stadium Halo Board

A visit to the Atlanta Falcon games at the Mercedes-Benz Stadium this past football season provided an unexpected treat: the world’s largest 360-degree cylindrical LED video screen at a sports venue. At 58-feet tall, the screen, dubbed the “Halo Board” because it surrounds the inner stadium, can display 20K resolution and gives a new meaning to the term “immersive video.” The campaign was made possible through a partnership between creative companies The-Artery, The Astronauts Guild, and VR Playhouse, along with the latest technologies from RED Digital Cinema and Radiant Images.


Debra Kaufman
Adobe Creative Cloud
Creating Dunkirk VR: Ingenuity, Accessibility & Adobe Tools

Creating Dunkirk VR: Ingenuity, Accessibility & Adobe Tools

Academy Award-nominated director Christopher Nolan has referred to his film Dunkirk in IMAX as “virtual reality without the goggles,” so when it came time to build Save Every Breath: The Dunkirk VR Experience, the team at Practical Magic knew that the stakes were higher than usual. Creative COW Associate Editor Kylee Peña speaks with Practical Magic's Matt Lewis and Adobe Director of Immersive Chris Bobotis about the challenge of creating a tie-in worthy of a supremely immersive Academy Award-nominated Best Picture, the future of user interfaces, the role of community in storytelling, and the new ways that young creators are driving technology.

Feature, People / Interview
Kylee Peña
The Cinematography of Altered Carbon

The Cinematography of Altered Carbon

Today we explore the cinematography of Altered Carbon with Directors of Photography Martin Ahlgren and Neville Kidd.


Ben Consoli
Business & Marketing
A Vision For Stock Video Success: Daniel Hurst, VIA Films

A Vision For Stock Video Success: Daniel Hurst, VIA Films

You’ve definitely seen Daniel Hurst’s work. An early mover in high frame rate and aerial shooting for stock footage using cameras including Phantom Flex 4K and RED Weapon 8K, he’s sold over 200,000 clips through his company VIA Films. His career has been driven by trying to create shots he hasn't seen before, even if it means building a new set of skills from scratch. Daniel still sees opportunities for himself and anyone else who wants to start or grow their business in the ever-more competitive field of stock video, and offers practical advice on how you too can succeed.


Daniel Hurst
Cinematography
How Kubrick Achieved the Cinematography of Barry Lyndon

How Kubrick Achieved the Cinematography of Barry Lyndon

Stanley Kubrick’s Barry Lyndon is often lauded as one of the greatest achievements in the history of cinematography. And in a decade or even a year with some of the toughest competition imaginable, Barry Lyndon always seems to stick out just a little bit more. What sets the cinematography of Barry Lyndon apart from other movies? And how was it done? Let's explore the story...

Tutorial, Feature
Tyler Knudsen
Know Your Film Editing History, Part 1

Know Your Film Editing History, Part 1

Knowing about the history of film editing can help you understand how best to use these tools today, as well as point to where film editing might go in the future. Join feature film editor Sven Pape, host of "This Guy Edits", for part 1 of his fast-paced, example-packed conversation with Los Angeles-based filmmaker and film teacher Tyler Danna.

Tutorial, Feature
Sven Pape
Adobe After Effects
Basic Clone Effect Interaction - After Effects Tutorial

Basic Clone Effect Interaction - After Effects Tutorial

Want to take your CLONE EFFECT to the next level? Want to know how to make your clones INTERACT? Tobias Gleissenberger shows you how.

Tutorial
Tobias Gleissenberger
Preparing to Edit the PyeongChang Winter Games, Pt 2

Preparing to Edit the PyeongChang Winter Games, Pt 2

Growing up, Kylee Peña says that she was always glued to the Summer or Winter Olympics. And as a young and ambitious video nerd, she wondered what went into the incredible number of visual stories being told. Between pre-cut packages and live footage and montages put together with moments that had happened seconds ago, she couldn’t fathom what went into the teams who created this media. But for the next few weeks, her friend Mike Api is in PyeongChang, South Korea, where he’s working as a freelance editor on the Olympics for NBC. Having been through the Olympics editorial experience before ??" the Summer Games in Rio two years ago ??" he knows he has a lot of interesting stories to tell us while he’s working.

Editorial, Feature, People / Interview
Kylee Pena
Preparing to Edit the PyeongChang Winter Games, Pt 1

Preparing to Edit the PyeongChang Winter Games, Pt 1

Growing up, Kylee Peña says that she was always glued to the Summer or Winter Olympics. And as a young and ambitious video nerd, she wondered what went into the incredible number of visual stories being told. Between pre-cut packages and live footage and montages put together with moments that had happened seconds ago, she couldn’t fathom what went into the teams who created this media. But for the next few weeks, her friend Mike Api is in PyeongChang, South Korea, where he’s working as a freelance editor on the Olympics for NBC. Having been through the Olympics editorial experience before ??" the Summer Games in Rio two years ago ??" he knows he has a lot of interesting stories to tell us while he’s working.

Editorial, Feature, People / Interview
Kylee Peña
Audio Professionals
2018 MPSE Award Winner John Fasal on His Passion for Sound

2018 MPSE Award Winner John Fasal on His Passion for Sound

On February 18th, the Motion Picture Sound Editors will present John Paul Fasal with its annual Career Achievement award at the 65th MPSE Golden Reel Awards. Fasal has worked in sound for more than 30 years as a sound designer and field recordist. His many credits span features, television and games, including such titles as Top Gun, Master and Commander: The Far Side of the World, Interstellar, The Dark Knight, American Sniper and this year’s box office hits Dunkirk and Coco. Fasal recently spoke with the MPSE about his career and the art of sound.

Editorial, Feature, People / Interview
Creative COW
Art of the Edit
What Picasso Can Teach Us About Filmmaking

What Picasso Can Teach Us About Filmmaking

Feature film editor Sven Pape takes a unique, entertaining look at Pablo Picasso's approach to art, and offers specific examples from a variety of movies, as well as Picasso's own advice. As Sven puts it, success requires action. Make a film. Fail. Then fail harder. Of course, Picasso and Sven have great advice for succeeding too! You'll get a kick out of this one.

Tutorial, Feature
Sven Pape
Cinematography
Robert McLachlan: Cinematographer for Game of Thrones

Robert McLachlan: Cinematographer for Game of Thrones

Robert McLachlan is the cinematographer of Game of Thrones, Westworld and Ray Donovan, and he joins commercial director and Go Creative Show host Ben Consoli to share behind the scenes stories from some of his most iconic scenes including The Red Wedding and The Loot Train Battle.

Feature, People / Interview
Ben Consoli
Art of the Edit
Always Be Editing: Sculptors & Bricklayers Revisited

Always Be Editing: Sculptors & Bricklayers Revisited

Do you edit like a sculptor, or like a bricklayer? It seems a simple enough question, but as longtime editor, post house owner, and VFX software developer Simon Ubsdell shows, the implications for how this affects the way you edit can be profound. His advice, regardless of where you land on the spectrum? Always be editing.


Simon Ubsdell
Audio Professionals
Hearing The Handmaid's Tale: Jane Tattersall's Sound Career

Hearing The Handmaid's Tale: Jane Tattersall's Sound Career

With Emmy, BAFTA, Motion Picture Sound Editors Golden Reel, Canadian Screen, and Directors Guild of Canada Awards among many more, Jane Tattersall shares insights into a career in sound editing entering its fourth decade with two young women just beginning their own careers in the field. Their conversation begins with Jane's work on the Hulu hit series, The Handmaid's Tale.

Feature, People / Interview
Kylee Peña
Art of the Edit
TV Workflow Supervisor Kylee Peña: The Benefits of Pressure

TV Workflow Supervisor Kylee Peña: The Benefits of Pressure

TV workflow supervisor Kylee Peña (Jane the Virgin, Colony) visits Adobe's "Make It" talk show to chat with host Jason Levine about the evolution of motion picture workflows, from the days of film and tape to our modern digital world of crazy-high shooting ratios and constantly evolving technology. She also expounds on the upside to creative constraints and tight deadlines. And don’t miss the lightning round!!!

Feature, People / Interview
Cow News
Art of the Edit
The Science of Editing: Look Closer -- The Mind of a Film

The Science of Editing: Look Closer -- The Mind of a Film

When you ask an editor what they DO in the edit suite, the answer is often something like, "Well, it's intuitive." To become better editors, though, we need to be more specific. Editor, author, and professor Dr. Karen Pearlman breaks down the process into five specific steps that editors must take in order to turn a mass of material into something coherent. You can learn to hone the specific skills of observation and self-awareness that distinguish editors from other observers, and make unexpected connections that move stories in compelling new directions. Sven Pape of "This Guy Edits" presents his conversation with Karen in the form of a powerful video essay that you will find illuminating and inspiring, and will be able to start using right away.

Tutorial, Feature, People / Interview
Sven Pape
Art of the Edit
Living The American Dream: Editing Sharknado 5

Living The American Dream: Editing Sharknado 5

Ana Florit is your typical Los Angeles-based film editor: among other things, she grew up in the French Alps, moved to Paris, directed a one-hour movie, moved to Hollywood, and has served as the lead editor on the 2nd, 3rd, and now, the latest in the pop-culture phenomenon Sharknado franchise, Sharknado 5: Global Swarming. You know, your usual run-the-the-mill American Dream story. In Ana’s case, the journey also includes a stint at Video Symphony, a Saturn Award nomination, and playing a major role in moving independent production powerhouse The Asylum fully from FCP7 to Premiere Pro. Here, Ana talks with Creative COW Associate Editor Kylee Peña about workflow, VFX, and some of the secrets of Sharknado's success. (Spoiler alert: they're not comedies.)


Kylee Peña
Adobe Creative Cloud
Motion Graphics Templates in Adobe Stock! Everybody Sing!

Motion Graphics Templates in Adobe Stock! Everybody Sing!

The recent addition of Motion Graphics templates to Adobe Stock in the Creative Cloud offers immediate access to over 1000 templates for title screens, lower thirds, and transitions, with more to follow, created by some of the world’s leading motion graphics artists and mograph pioneers Digital Juice. Motion Graphics templates inside Adobe Stock also offer a new avenue for Creative Cloud artists to monetize their work, by offering their own motion graphics templates for sale. This is a multi-faceted story that dives deep into multiple parts of a rapidly expanding Creative Cloud ecosystem that doesn’t handily lend itself to brief soundbites. It does, however, lend itself to song. Everybody sing along!

Feature
COW News
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