Creative COW SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US :: FAQ
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
LIBRARY:TutorialsVideo TutorialsReviewsInterviewsEditorialsFeaturesBusinessAuthorsRSS Feed
Creative COW RSS Feed

Creative COW Interviews

COW Library : Interviews
TV & Movie Appreciation
Method Studios builds a giant world for JUPITER ASCENDING

Method Studios builds a giant world for JUPITER ASCENDING

Jupiter Ascending is the latest sci-fi epic from Lana and Andy Wachowski, the visionaries whose hallmark is creating compelling worlds that span vast reaches of time and space. We spoke to Simon Carr, the VFX supervisor for Method, about creating many of the key components in Jupiter Ascending's world, and what their experience has taught them about building their own future.

Editorial, Feature, People / Interview
Tim Wilson
Crowdfunding
Kickstarter Success? Fall In Love With Your Idea!​

Kickstarter Success? Fall In Love With Your Idea!​

You may know the highly regarded CTRL+Console app that enables your iPad to work as a control surface for Adobe Premiere Pro, Apple Final Cut Pro 7 and X, and others. Developer Jeff Chow isn't a software guy, but a creative professional who found he could build a gestural interface more quickly than he could master an NLE. Equally impressive: the funding for turning his idea into a product came from a Kickstarter campaign that exceeded its goals. Here, Jeff offers powerful, proven tips for crowdfunding success that will help you in your own campaigns.

Editorial, Feature, People / Interview
Jeff Chow
Art of the Edit
Fitness in Post Revisits Sexism in Post

Fitness in Post Revisits Sexism in Post

"Sexism in Post" by Kylee Wall, one of our most-talked about recent stories, will lead to an NAB 2015 panel, and here, a podcast interview by Zack Arnold for Fitness in Post.

Editorial, Feature, People / Interview
Zack Arnold
Adobe Premiere Pro
Misery Loves Comedy: Comedian Kevin Pollak Cuts His Docu

Misery Loves Comedy: Comedian Kevin Pollak Cuts His Docu

Comedian and actor Kevin Pollak talks about directing and editing his documentary "Misery Loves Comedy", a film that explores the darker side of comedians. After three software lessons from editor (and renowned VFX supervisor) Rob Legato and ten months at the console, Pollak has some new insight about the cross-over between stand-up comedy and editing.

Editorial, Feature, People / Interview
Kylee Wall
Cinematography
Cinematographer-in-Residence: Mandy Walker ASC at UCLA

Cinematographer-in-Residence: Mandy Walker ASC at UCLA

Cinematographer Mandy Walker joins UCLA School of Theater, Film and Television as a Kodak Cinematographer in Residence, teaching the next generation of film students what it means to be a successful director of photography.

Editorial, Feature, People / Interview
Kylee Wall
DaVinci Resolve
Exodus: Gods and Kings -- Grading Ridley Scott's 3D Epic

Exodus: Gods and Kings -- Grading Ridley Scott's 3D Epic

Director Ridley Scott's latest epic 'Exodus: Gods and Kings' takes a gritty approach to a biblical story, and colorist Stephen Nakamura helped expand the realistic look by working closely with Scott and DP Dariusz Wolski ASC, and by grading the film in DaVinci Resolve 11 using new tools to help push the 3D grade while preserving highlights.

Editorial, Feature, People / Interview
Kylee Wall
AVID
The Art of Being Industrious: Dody Dorn ACE on Cutting Fury

The Art of Being Industrious: Dody Dorn ACE on Cutting Fury

Oscar-nominated film editor Dody Dorn is best known for her work on films like 'Memento' and 'End of Watch', with her latest film 'Fury' involving 16 Avids across two continents. Working her way up from switchboard operator, Dody brings decades of experience to the edit, with a personal advocacy for taking career risks and accepting any opportunity.

Editorial, Feature, People / Interview
Kylee Wall
Art of the Edit
Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri's shift from editing corporate training videos and independent films to crafting TV movies for SyFy and Lifetime was no accident: hard work and a positive attitude were everything as he found himself cutting films and designing workflows for major networks.

Editorial, Feature, People / Interview
Kylee Wall
Boris FX
Boris FX Acquires Imagineer, Building VFX Development Dynamo

Boris FX Acquires Imagineer, Building VFX Development Dynamo

Boris FX, makers of VFX plug-ins and integrated workflow solutions including Boris Continuum Complete, have signed an agreement to acquire Imagineer Systems, makers of mocha Pro. The two will combine for a tremendous reach in the editing, motion graphics, and VFX communities, and have already begun work on joint projects and technologies.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
Editor William Goldenberg on Crafting The Imitation Game

Editor William Goldenberg on Crafting The Imitation Game

Oscar-winning film editor William Goldenberg has cut his fair share of tension, including Zero Dark Thirty and Argo. On The Imitation Game, he crafts the story of Alan Turing's race to crack the Engima code, sharing his creative approach to constructing a scene and working with high-level directors.

Editorial, Feature, People / Interview
Kylee Wall
Art of the Edit
Arson Dogs: Editing a Web Series

Arson Dogs: Editing a Web Series

One of the most complicated projects yet undertaken by Creative COW Contributing Editor Kylee Wall: an unscripted web series called Arson Dogs, which featured massive multi-clips, 8 dog handlers, 3 trainers, and a whole lot of very enthusiastic dogs. Adding to the complexity: because it was for the web, Kylee had to come up with her own structure and pacing for the show itself, as well as the individual episodes, and still turn it around in a very tight timeframe.

Editorial, Feature, People / Interview
Kylee Wall
AVID
Avid Video Mixdowns as DaVinci Resolve Sources

Avid Video Mixdowns as DaVinci Resolve Sources

People have been asking advice from television online editor and frequent Creative COW contributor Scott Freeman on what to do when an Avid video mixdown is going to be used as a source for DaVinci Resolve.Here are his thoughts on how to get in on the fun of linking metadata to essence.

Editorial, Feature, People / Interview
Scott Freeman
Broadcasting
The Drive to Create: The Drive: PAC-12 Football

The Drive to Create: The Drive: PAC-12 Football

The 25-year career of 16-time Emmy winner Jim Jorden began with NFL Films, and included 7 years creating programs for NASCAR before returning to football. Along the way, he has led the production of 69 new series on 20 networks, winning Emmys for his work as a cameraman, an editor, and an executive producer. He brings every bit of that experience to bear on "The Drive: PAC-12 Football," now in its second season. It's the first show to cover an entire season, week by week, combining the classically cinematic approach Jim took to his work for NFL Films, and the all-access approach he pioneered with his work on Hard Knocks. You won't want to miss this remarkable look at full-contact TV production.

Editorial, Feature, People / Interview
Tim Wilson
Indie Film & Documentary
Indie Tips for 4K With Little or No Budget

Indie Tips for 4K With Little or No Budget

4K isn't just part of some theoretical future. 4K production is here now, and there are some very affordable approaches for low- and no-budget indie filmmakers. Veteran producer and professional limit-pusher Al Caudullo put together a piece on the heritage of Angkor, Cambodia, and for us, has put together the list of the tools he actually used for this amazing project that are quite likely well within your reach. Even the photos that accompany this story have a lot to offer!

Editorial, Feature, People / Interview
Al Caudullo
Indie Film & Documentary
Thinking Differently to Create Successful Indie Distribution

Thinking Differently to Create Successful Indie Distribution

With the accessibility offered by ever more affordable tools, it has never been easier to make an Indie feature. This essay by President and Co-founder of the Digital Cinema Society, James Mathers, discusses the distribution of an indie feature and how the filmmakers brought "Why We Ride" to life.

Editorial, Feature, People / Interview
James Mathers
Apple FCPX Techniques
Don't Fight the Magnetic Timeline!

Don't Fight the Magnetic Timeline!

One of the biggest "issues" people coming from other NLE's still seem to have with FCP X is how the Timeline works. Magnetism! No Tracks! Weird Snorkel Things! Storylines?! It's Crazytown! If you fall into this category, we have two suggestions for you. 1) Read this article by Creative COW's Charlie Austin. 2) Don't fight the timeline! Even experienced X-ers are going to have fun with this one.

Editorial, Feature, People / Interview
Charlie Austin
Adobe After Effects
Sexism in Post: Sometimes It's What You Think, Sometimes Not

Sexism in Post: Sometimes It's What You Think, Sometimes Not

Sexism in video production is making work environments hostile and keeping women away, but the most damaging sexist actions aren't what you think.

Editorial, Feature, People / Interview
Kylee Wall
Adobe After Effects
NetApp Simplifies Hybrid Cloud Management Software

NetApp Simplifies Hybrid Cloud Management Software

Storage and data management company NetApp announced a set of tools to enhance cloud services, including a more efficient operating system with simple tools to manage data on Amazon Cloud web services.

Editorial, Feature, People / Interview
Kylee Wall
Indie Film & Documentary
Thriller in the Heartland: Indie Filmmaker Zack Parker

Thriller in the Heartland: Indie Filmmaker Zack Parker

While some would call family life in the midwest a challenge to making movies, writer/director Zack Parker has made deliberate choices in his career and has some great advice for aspiring filmmakers as his fourth feature, "Proxy", hits Netflix and DVD.

Editorial, Feature, People / Interview
Kylee Wall
Art of the Edit
A Beginner's Guide to Building a Budget 5.1 Editing Suite

A Beginner's Guide to Building a Budget 5.1 Editing Suite

As TV producer Jonathan Bird readied his first 6K feature for the fulldome-theater market, he needed to starting working with 5.1 sound. It turns out that it was trickier than just connecting his computer to a home theater receiver! Here's his trial-and-error progression to success.

Editorial, Feature, People / Interview
Jonathan Bird
Adobe Premiere Pro
Gone Girl: Editing a Hollywood Feature with Adobe Premiere

Gone Girl: Editing a Hollywood Feature with Adobe Premiere

David Fincher's "Gone Girl" is the latest in a series of critically acclaimed films from the director, but it's the first studio feature edited with Adobe Premiere Pro, with a complex post production workflow that includes 6K acquisition and over 200 visual effects completed in house with the help of Dynamic Link and After Effects.

Editorial, Feature, People / Interview
Kylee Wall
Cinematography
Adventures in 6K with Jackson, Wyoming's Brain Farm Cinema

Adventures in 6K with Jackson, Wyoming's Brain Farm Cinema

Staffed with outdoor sport enthusiasts and and fortified with the latest in 6K cameras and post production technology, Wyoming-based Brain Farm Cinema is taking wild leaps into the next level of production capabilities and working through challenges in media and infrastructure along the way.

Editorial, Feature, People / Interview
Kylee Wall
TV & Movie Appreciation
Running the VFX for The Maze Runner

Running the VFX for The Maze Runner

VFX Supervisor Sue Rowe led the team from Method in creating over 500 shots as the exclusive house on The Maze Runner, an action thriller based on the post-apocalyptic dystopia YA series. Creating the ever-shifting maze itself, as well as foul organic-mechanical hybrid monsters known as Grievers, Sue and her team expanded their expertise beyond atmospheres to include Oscar-winning character animators, taking some imaginative turns through the maze of creating a realistic world.

Editorial, Feature, People / Interview
Sue Rowe
DaVinci Resolve
Blackmagic DaVinci Goes up to 11

Blackmagic DaVinci Goes up to 11

Colorist Joseph Owens has been in the heart of postproduction for over 30 years, and has used one form or another of DaVinci Resolve for a large part of that. In his look at the latest release of what he calls the gold standard for color correction, he both covers new features, and considers the possibilities that those features offer.

Review, Editorial, Feature, People / Interview
Joseph Owens
Adobe Creative Cloud
Adobe Streamlines Workflows with Creative Cloud Updates

Adobe Streamlines Workflows with Creative Cloud Updates

Adobe has announced updates to the professional video tools in their Creative Cloud, featuring timesaving enhancements to media and project management, increased support for new codecs and display technologies, and refinements to everyday editorial tasks in response to some long-standing user requests.

Editorial, Feature, People / Interview
Kylee Wall
Authors

Zack Arnold (1)
Charlie Austin (1)
Jonathan Bird (1)
Al Caudullo (1)
Jeff Chow (1)
Scott Freeman (1)
James Mathers (1)
Joseph Owens (1)
Sue Rowe (1)
Kylee Wall (13)
Tim Wilson (3)


Other Tutorials

Adobe After Effects (761)
Adobe After Effects basics (486)
Adobe After Effects Expressions (85)
Adobe After Effects Techniques (204)
Adobe Audition, Soundbooth (42)
Adobe Creative Cloud (43)
Adobe Creative Cloud: The Debate (20)
Adobe Director (21)
Adobe Dreamweaver (36)
Adobe Encore DVD (42)
Adobe Flash (84)
Adobe Illustrator (47)
Adobe InDesign (27)
Adobe Media Encoder (23)
Adobe OnLocation (29)
Adobe Photoshop (245)
Adobe Photoshop basics (72)
Adobe Premiere Pro (369)
Adobe Premiere Pro basics (247)
Adobe SpeedGrade (20)
Adobe ULTRA (24)
AJA io (21)
AJA Ki Pro (21)
AJA Kona - Mac (32)
AJA Kona - PC (22)
Apple - Windows on Mac (10)
Apple Color (29)
Apple DVD Studio Pro (20)
Apple FCPX or Not: The Debate (107)
Apple FCPX Techniques (49)
Apple Final Cut Pro (228)
Apple Final Cut Pro basics (63)
Apple Final Cut Server (11)
Apple Garage Band (9)
Apple iPad (17)
Apple iPhone (18)
Apple iPod (13)
Apple LiveType (9)
Apple Logic (8)
Apple MobileMe (8)
Apple Motion (50)
Apple OS X (20)
Apple Shake (20)
Apple Soundtrack (17)
Apple Xsan (12)
Archiving and Back-Up (26)
ARRI (71)
Art of the Edit (218)
Assimilate Scratch (16)
Audio Professionals (48)
Aurora Video Systems (10)
Autodesk 3ds Max (77)
Autodesk Combustion (46)
Autodesk Smoke (31)
Autodesk Smoke 2013 (17)
Autodesk Toxik (10)
AVID (253)
AVID Editing basics (9)
Blackmagic Cinema Camera (25)
Blackmagic Design (83)
Blender (15)
Boris FX (74)
Broadcast Design (9)
Broadcasting (165)
Business & Marketing (122)
Canon Cameras (38)
Canon EOS DSLR (29)
Cinema 4D (71)
Cinematography (319)
Compression techniques (21)
CoreMelt Plug-ins (15)
Corporate Video (45)
Creative COW Magazine feedback (10)
Creative COW podcasts (9)
DaVinci Basics & Configuration (10)
DaVinci Resolve (42)
Digital Delivery (18)
Digital Photography (15)
DSLR Video (75)
DVD Authoring (19)
Event Videographers (60)
Field Production (23)
Genarts Sapphire (8)
HD High-End (124)
HDV Format (40)
IBC Expo (34)
Indie Film & Documentary (213)
JVC cameras/decks (11)
Leitch dpsVelocity (11)
Letters to the COW Team (46)
Lighting Design Pros (20)
Lightwave (10)
Live & Stage Events (47)
Matrox Video Systems (17)
MAYA (69)
Media 100 (37)
Media 100 844/X (10)
NAB Expo (129)
NEWS: People in the News (11)
Nuke (11)
Panasonic GH Cameras (22)
Panasonic HVX - HPX (P2) (56)
Panasonic VariCam (31)
particle Illusion (16)
Podcasting (11)
RE:Vision Effects (53)
RED Camera (60)
Red Giant plug-ins (8)
SAN - Storage Area Networks (20)
Sony DV (12)
Sony NXCAM (23)
Sony SRW Decks (13)
Sony Vegas (122)
Sony Vegas basics (99)
Sony XDCAM - EX & Related (29)
Sony XDCAM Optical Disc & Related (17)
Stereoscopic 3D (81)
Trapcode (23)
TV & Movie Appreciation (201)
Web Design (24)
Web Streaming - Audio|Video (11)
What Computer Should I Buy? (25)
Windows Hardware & Software (43)
Zaxwerks (21)
Next 25 Interviews >


FORUMSTUTORIALSFEATURESVIDEOSPODCASTSEVENTSSERVICESJOBSNEWSLETTERNEWSBLOGS

Creative COW LinkedIn Group Creative COW Facebook Page Creative COW on Twitter
© 2015 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]