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Art of the Edit
Being an Advertising Editor: The Ins & Outs of Agency Work

Being an Advertising Editor: The Ins & Outs of Agency Work

Katie Toomey takes Creative COW members inside the world of the advertising editor, where being a generalist means you are often not only a video editor, but a designer and audio editor, problem solver, as well as tech support professional. Join Katie as she takes you inside her world.

Editorial, Feature, People / Interview
Katie Toomey
Field Production
“Before I forget: don’t wear any underwear.”

“Before I forget: don’t wear any underwear.”

Before coming to Creative COW, before his lives in product marketing and product management at Avid and Boris FX, Creative COW Editor-in-Chief Tim Wilson ran a video production company. As we also observe the 100th Anniversary of the founding of the US Parks Service, Tim recalls one one especially memorable adventure to Everglades National Park, wherein he found himself quite literally up to his armpits in alligators. He had no idea that this was going to happen when the day began. At the time, he was focused on a brand new fear: getting sliced in half by burning underwear.

Editorial, Feature, People / Interview
Tim Wilson
Art of the Edit
FuseFX & mocha: VFX for Walking Dead, Empire, AHS & More

FuseFX & mocha: VFX for Walking Dead, Empire, AHS & More

The 100+ member team at FuseFX juggles over 30 television episodics a season, while also working on features and commercials. Current credits include: FOX's Empire, ABC's Agents of SHIELD, AMC's The Walking Dead, SyFy's The Magicians, CBS's Zoo, and FX's American Horror Story. Brigitte Bourque, FuseFX's Digital Effects Supervisor and a 20 year industry vet, talks to us about the work that FuseFX does, and how Imagineer Systems mocha fits into their pipeline.

Feature, People / Interview
Imagineer Systems
Art of the Edit
Gravity's Mark Sanger: Cut & Talk with Oscar-Winning Editor

Gravity's Mark Sanger: Cut & Talk with Oscar-Winning Editor

Academy Award-winning editor Mark Sanger stopped his usual activities to talk about working with director Alfonso Cuarón and his amazing work on Gravity, what to cut out of the film, and what to cut out of life with his guiding principle: make yourself invaluable, but never at the expense of others.

Feature, People / Interview
Mark Sanger and Christian Jhonson
Art of the Edit
Ten Ways to Avoid Editor's Block

Ten Ways to Avoid Editor's Block

Just admit it. You're afraid of the empty timeline. Maybe you’re one of the lucky few who can dive right into cutting a new project. Then there are the other 99% of us for whom there’s nothing worse than that moment after you’re prepping, and you have to face it: time to start cutting something. As an editor for high-profile shows including Empire and Burn Notice, Zack Arnold has been there. Here Zack, shares 10 proven tips from his own experience for not just beating editor's block, but completely avoiding it.

Editorial, Feature, People / Interview
Zack Arnold
Art of the Edit
Taking Over the ACE Student Awards Pt 1: Advice From Grads

Taking Over the ACE Student Awards Pt 1: Advice From Grads

For the first time in its history, the American Cinema Editors student awards were swept by students from the University of North Carolina School for the Arts. In part 1 of her look at this program's unprecedented feat, Creative COW Associate Editor Kylee Peña speaks to the students -- Aneesa Mahboob, Chris Dold, and Emily Rayl -- about the first part of their journey as filmmakers, the benefits of formal education, how they see the world from here, as well as their remarkable night at their first (and surely not last) Hollywood awards banquet. Whether you're a student or a seasoned pro, read on to be inspired, challenged, and reminded why we do this.

Editorial, Feature, People / Interview
Kylee Peña
NAB Show
Bob Zelin's NAB 2016 Review: Everything You Own is Obsolete

Bob Zelin's NAB 2016 Review: Everything You Own is Obsolete

Zelin Nation rejoices as the legendary Bob Zelin's legendary NAB wrap-up returns, featuring the unique insights of this industry-leading broadcast engineer into the stories that matter most. You won't find a better overview of shared storage, IO devices, converters, studio cameras, and Thunderbolt 3, because there aren't any. Check it out. Legendary.

Editorial, Feature, People / Interview
Bob Zelin
Audio Professionals
Prince: Musician

Prince: Musician

There are almost too many stories to tell about Prince Rogers Nelson and his sudden passing at age 57. Stories of the dazzling star selling 100 million records, the explosive entertainer, the incendiary guitarist, the prolific composer, and more. Instead, we focus on a story too easily lost in all this: a man who was all about the music, 24 hours a day. Remarkable previously unseen footage of a playful Prince at an Osaka soundcheck in 1990 by Chainsaw Post GM Steve Purcell, who worked with Prince for 6 years, sheds entirely new light on an artist you only thought you knew.

Feature, People / Interview
Tim Wilson
Drones/UAV
Drones/UAVs, Cameras, and Beyond: Douglas Spotted Eagle

Drones/UAVs, Cameras, and Beyond: Douglas Spotted Eagle

When longtime Creative COW leader Douglas Spotted Eagle recently approached us with a suggestion to add a Drones/UAV forum to our extensive cinematography and videography communities, it immediately made perfect sense. And who better than Douglas to host? We also took this opportunity to speak to Douglas about the sweep of his career, from Grammy Award-winning musician and producer, through editing, cameras, training, consulting, to now, as an early adopter and advocate for UAVs.

Feature, People / Interview, Business
Douglas Spotted Eagle
Cinematography
School, Teachers, Italian Neorealism & a Few Soviet Films

School, Teachers, Italian Neorealism & a Few Soviet Films

In this exclusive interview, generously granted to Creative COW by the Gamma and Density Journal, during his lifetime, Vilmos Zsigmond, ASC, sat down with Yuri Neyman, ASC to talk about his life as a cinematographer. We remember the genius.

Editorial, Feature, People / Interview
Yuri Neyman
Cinematography
Vilmos Zsigmond, ASC, 1930 - 2016 - Remembering the Genius

Vilmos Zsigmond, ASC, 1930 - 2016 - Remembering the Genius

Winner of an Academy Award for Best Cinematography for his work on Close Encounters of the Third Kind, the long list of official accolades for Vilmos Zsigmond, ASC doesn't begin to illustrate the impact his work has had on generations of artists around the world. Friend, colleague, and Global Cinematography Institute co-founder Yuri Neyman, ASC shares some of his memories with us.

Editorial, Feature, People / Interview
Yuri Neyman, ASC
Art of the Edit
Editing Star Wars: The Force Awakens

Editing Star Wars: The Force Awakens

On Star Wars: The Force Awakens brings the latest collaboration of Mary Jo Markey, ACE and Maryann Brandon, ACE​ once again collaborated with J.J. Abrams, following their previous successes with him on pictures including Star Trek and Star Trek Into Darkness, Mission Impossible III, Super 8, and the TV series Alias. Here, they tell us about putting together this new instant classic.

Editorial, Feature, People / Interview
Tim Wilson
Apple Final Cut Pro X
Using Apple FCPX for A DocumenTree

Using Apple FCPX for A DocumenTree

After 25 years of working on other people's documentaries, commercials, feature films, filmmaker Michael Angelo's first original project is the inspirational story of the Treeman of Venice Beach, a singular creation of a singular man whose combination of costume, body paint, live foliage, and 10-foot stilts is gently beguiling and deeply inspirational. With over 1000 hours of footage in a crazy number of formats over a period of years, collaboration among a far-flung team of volunteers with varying degrees of expertise (including none at all), A DocumenTree seemed like the ideal project for Michael to jump into Final Cut Pro X. Michael's longtime experience in a variety of disciplines has nevertheless allowed him to come at the issues of media management, metadata, offline-online workflows, and a variety of complex technical issues in some unusual, and, dare we say it, organic ways.

Editorial, Feature, People / Interview
Michael Angelo
Art of the Edit
A Tale of Two Mockingjays: The Hunger Games Epic Finale(s)

A Tale of Two Mockingjays: The Hunger Games Epic Finale(s)

Deciding to adapt the 'Hunger Games' finale, 'Mockingjay', as two films opened up remarkable storytelling possibilities for director Francis Lawrence, and editors Alan Bell ACE and Mark Yoshikawa ACE. We spoke with the editors about the technologies, workflows, and collaborative processes that enabled them to so richly explore the nuances of power, pain, and the lifelong toll that war takes even on the victors.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
Peter Doyle: Supervising Visual Colourist at Technicolor

Peter Doyle: Supervising Visual Colourist at Technicolor

Peter Doyle, Supervising Visual Colourist at Technicolor, shares details of his upward spiraling career. His deep technical knowledge allows for a perfect blend of creativity and productivity in equal measure. Here he talks about his career, his aspirations, and his involvement in productions right from the outset.

Feature, People / Interview
FilmLight
TV & Movie Appreciation
Introducing Ultron: Trixter Builds The Avengers' Biggest Bad

Introducing Ultron: Trixter Builds The Avengers' Biggest Bad

At the heart of Marvel's biggest Avengers movie yet lies their greatest threat yet: Ultron, a self-constructing robot intelligence bent on destroying all of humanity. Munich's boutique-scale Trixter Film was given the critical task of introducing this epic-scale character, which they undertook from concept art through design, mocap, animation, compositing, and output.

Editorial, Feature, People / Interview
Tim Wilson
Color Grading
Colour Grading The BBC's Jonathan Strange & Mr Norrell

Colour Grading The BBC's Jonathan Strange & Mr Norrell

Jonathan Strange & Mr Norrell is a seven-part adaptation of Susanna Clarke's novel set in the Napoleonic Wars, and says Technicolor Montreal's Head Colourist Nico Ilies, a beautifully crafted period fantasy drama with outstanding acting, great cinematography and art direction, beautiful costumes and amazing VFX work -- an absolutely ideal colorist's playground. Working in Baselight, Nico took pictures in a variety of directions for this unusually diverse tale.

Feature, People / Interview
Nico Ilies
Art of the Edit
Positivity: Editor Jesse Averna on Evolving Your Career

Positivity: Editor Jesse Averna on Evolving Your Career

Five-time Emmy-award winning editor Jesse Averna has been a lifelong fan of filmmaking, a love reflected in his ambition to move into directing. Jesse shares insight about evolving his career, including the importance of being a positive force in your post community.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Editors on Editing, Emmys, and Everything Else

Editors on Editing, Emmys, and Everything Else

The Emmy Award-nominated editors of Amazon's Transparent and Lifetime's Project Runway All-Stars (Cate Haight ACE, and Emmy-winner Mary DeChambres, respectively) sit down with Creative COW Associate Editor Kylee Wall for a wide-open conversation on getting started in Hollywood, getting ahead, and, most important, staying sane. Anything you want to know about editing in the real world? You'll find it right here.

Feature, People / Interview
Kylee Peña
TV & Movie Appreciation
Milk's Epic VFX For Jonathan Strange & Mr Norrell

Milk's Epic VFX For Jonathan Strange & Mr Norrell

Jonathan Strange & Mr Norrell, the acclaimed bestselling epic novel of magical realism set 200 years ago, was adapted by the BBC to a 7-episode miniseries that was itself quite epic, with over 1000 effects shots handled by London's Milk VFX. Creative COW's Tim Wilson spoke with Milk CEO Will Cohen about his team's work on the series, starting with his own enthusiasm as a fan of the novel. To use that word once more, it's an epic conversation about adapting novels, carefully managing budgeted creativity, and collaboration. Books, televised cinematic storytelling, VFX, good conversation, and magic: if any of those is your cup of tea, you won't want to miss this.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
FuseFX & Emmy-Nominated Work for American Horror Story

FuseFX & Emmy-Nominated Work for American Horror Story

Burbank-based effects house’s freaky work for hit FX series continues to draw accolades.

Editorial, Feature, People / Interview
FuseFX
TV & Movie Appreciation
Pixels: Going From 8-bits to Epic is No Game

Pixels: Going From 8-bits to Epic is No Game

Classic video game characters like Pac-Man and Donkey Kong sent by aliens to destroy Earth? No worries! Digital Domain and Sony Pictures Imageworks are on the case. It turns out that integrating 8-bit characters into a world recognizable as our own is a lot harder than it looks. It was also a lot of fun for everyone involved, and hearing about it from the two VFX supervisors will be a lot of fun for you too.

Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
VFX from a tropical paradise

VFX from a tropical paradise

In today’s landscape, post-production companies are no longer restricted by geography. Husband and wife VFX team Lindsay and Jamie Hallett have based their business in Maui, while working on some of filmdom's biggest franchises and features: Avengers, Iron Man, X-Men, Ant-Man, American Sniper, and the latest installment of the Divergent seris, Insurgent. Here are some of their insights on remote collaboration. VERY remote.

Editorial, Feature, People / Interview
cineSync VFX
TV & Movie Appreciation
Poldark: Full CG Elements and Dramatic VFX

Poldark: Full CG Elements and Dramatic VFX

VFX is playing an increasingly important role in small screen period drama, and for the vendors has become a more demanding prospect than ever before. You just need to watch an episode of BBC's Poldark to see why. Dark, dramatic and oozing atmosphere, Poldark is top quality British drama indeed, its narrative unravelling across the southern coasts of England across eight eventful episodes. It was the London-based studio Lexhag that brought this new vision to life for the BBC, using a mix of LIDAR scan technology, full-CG ship elements and the organisational capacity of ftrack.

Editorial, Feature, People / Interview
London-based Lexhag
Indie Film & Documentary
Louder Than Words: 7 Years, 14 Cameras, 1 Surprising Story

Louder Than Words: 7 Years, 14 Cameras, 1 Surprising Story

It took 7 years, and 14 cameras with 3 TB of files for cinematographer and editor Saj Adibs to tell the surprising story in his documentary Louder Than Words. The film's first interview was conducted in American Sign Language, and once he saw the transcript, Saj realized he was going to tell a different story than the one he had planned. This is a story about stories, as well as the challenge of managing lots and lots of cameras.

Editorial, Feature, People / Interview
Saj Adibs
Authors

Saj Adibs (1)
Michael Angelo (1)
Zack Arnold (1)
London-based Lexhag (5)
Imagineer Systems (1)
Yuri Neyman, ASC (2)
Mark Sanger and Christian Jhonson (1)
Douglas Spotted Eagle (1)
Katie Toomey (1)
Kylee Peña (3)
Tim Wilson (7)
Bob Zelin (1)


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