3D tunnels in AE using FreeForm Pro: Part 2
Part 2 of the 3D Tunnels in AE using FreeForm Pro describes a second technique for creating a straight tunnel, with more of a tech look, inspired by the movie Tron. Part 3 coming soon.
|Related Articles / Tutorials:|
Adobe After Effects|
3D tunnels in AE using FreeForm Pro: Part 1
Part 1 of this tutorial series on 3D tunnels in AE using FreeForm Pro explores the ability of the new FreeForm Pro plugin to create organic looking 3d tunnels in AE. Whether used for a scifi shot, a medical animated illustration or another fx shot, the tunnels created using FreeForm Pro give you the ability to move around them on the outside and fly inside.
Tutorial, Video Tutorial
ShapeShifter AE - a next generation 3D plugin
Imagine creating a 3D title in AE, checking out a few variations of depth and bevels how long would that take you? Now imagine the client wants to check out 10-15 fonts and about as many animation options, all in 3D, with reflection mapping and, cherry on the cake, maybe, possibly a change of focus along the titles how long would that take? Tudor "Ted" Jelescu tells us that with Shapeshifter AE, all of this and more may be done "on the fly". Read on to find out what else this plugin can do.
Freeform Pro Gener8tor
In this tutorial we'll take a look at the generator functions in Freeform Pro and do things that could never be done in After Effects before. At the end, you can take the finished project file and make totally original in a few clicks. Feel free to ask questions!
Tutorial, Video Tutorial
FreeForm Pro: Setting new standards in After Effects for 3D Compositing & Visual Effects
"FreeForm Pro runs in its own proprietary 3D engine, and it is most definitely 3D," says Tudor "Ted" Jelescu. "FreeForm Pro uses Adaptive Tessellation, true 3D displacement, Reflection Mapping, and Renders Depth Maps for use with other plug-ins, like Trapcode's Particular and Frischluft's 'Lenscare'". Read for more information and Tudor's first-hand experience with this amazing product powered by Mettle.
|Recent Articles / Tutorials:|
Adobe Premiere Pro|
PluralEyes: Fast & Easy Connections for Video & Audio Clips
With the popularity of HD-DSLRs, many shooters are recording sound separately because of the camera’s limitations with audio -- but putting audio and video together in post can be a chore. Longtime spots ace Bill O'Neil has been dealing with this over the past several years , and has found PluralEyes from Red Giant to be fast, easy, and effective. Take a look to see if PluralEyes will help you, too.
Review, Editorial, Feature
Fitness in Post|
Fitness & Editing Hollywood Blockbusters with Alan Bell, ACE
Alan Edward Bell's distinguished list of feature editing credits ranges from cult favorites like The Green Mile and (500) Days of Summer to blockbusters including the final three Hunger Games pictures and The Amazing Spider-man. A member of ACE and AMPAS (and Creative COW of course), he joins Fitness in Post's Zack Arnold for a wide-ranging conversation on editing, exercise, nutrition, finances, and whether this crazy job is worth the pain. Spoiler alert: Yes, but you'll be intrigued to hear Alan's reasons why.
Feature, People / Interview
Apple FCPX or Not: The Debate|
FCPX Magnetic Timeline: Apple's New Paradigm REVISITED
NLE interface design pioneer and longtime editor David Lawrence first wrote about the editing approach of FCPX, including its highly controversial Magnetic Timeline, soon after FCPX's release in the spring of 2011. Time has passed, the editing landscape has changed, and 4 years later, David takes another well-reasoned, hype-free look at the heart of Apple's new paradigm.
Indie Film & Documentary|
Advantageous: Jennifer Phang on Making Way to Sundance
Writer/Director Jennifer Phang's Sundance Jury Award-winning 'Advantageous' provides commentary on class and society that reflects her own experiences in the world through a science fiction story. The collaborative process took Phang from writing to post production in Adobe Premiere, where features like Dynamic Link became essential to finishing the film.
Editorial, Feature, People / Interview