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Indie Film Sound Editing: A This Guy Edits Tutorial

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CreativeCOW presents Indie Film Sound Editing: A This Guy Edits Tutorial -- Art of the Edit Tutorial


Hollywood, CA
© Copyright 2017 This Guy Edits™. All rights reserved.


ACE Award-nominated picture editor Sven Pape ("This Guy Edits") speaks with Sundance Award-winning sound editor Ugo Derouard on The 5 Five Steps of Audio Post Production: Sound Editing, Spotting, Dialog Editing, Sound Design, and Sound Mixing, paying special attention to the specific needs of, and techniques that can work best for, independent filmmakers.






THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt, and James Franco.

Ugo Derouard is a Sound Designer & Supervising Sound Editor and has been successfully working in Hollywood since 2006. Over his career, Ugo has worked with A-List Directors and Music Composers, on Award-winning Films, TV Shows, Commercials and Documentaries since 2002.

Ugo’s work as a Supervising Sound Editor and Sound Designer has been featured many times at the Sundance Film Festival. In 2012 for the film "The End of Love" featuring Mark Webber & Michael Cera, again in the 2014 “Life After Beth” with Aubrey Plaza as well as the 2015 Grand Jury Winner “SMILF” with Frankie Shaw and Thomas Middleditch.

Contact Ugo at http://ugosound.com/

--------------------

Music By:
Andrew Applepie
http://www.andrewapplepie.com






THIS GUY EDITS is by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt and James Franco.

In this series, you can follow along as Sven cuts his latest film for Sundance filmmaker Mark Webber. Flesh & Blood is their third collaboration, and was purchased at SxSW for national theatrical exhibition later in 2017.

Several times a week THIS GUY EDITS (T.G.E.) will post update videos at his YouTube channel, This Guy Edits. You get to see the timeline and the editor's play-by-play-commentary as he cuts scenes. It shows work in progress.



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