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Martin Scorsese, Quentin Tarantino & George Lucas say the editor writes the last draft of the script. So why not bring in the editor sooner, while you are still writing the script?
"Editor's Thinking" is a cognitive skill set you can use to improve your screenplay before you start principal photography of your film.
Onscreen Drafting is the first chapter in our new series "The Science of Editing" by @ThisGuyEdits and Dr. Karen Pearlman, based on her book "Cutting Rhythms - Intuitive Film Editing": http://amzn.to/2cqkz5J
Karen holds a Doctorate of Creative Arts and is currently a lecturer in Screen Production at Macquarie University. She is a former President of the Australian Screen Editors Guild and a three-time nominee for Best Editing at the Australian Screen Editors Guild Annual Awards. Karen is also a full member of the Society for Cognitive Studies of the Moving Image and the Film Critics Circle, Australia.
The onscreen draft is the process of test shooting your story and getting the editor involved early to make it work visually and emotionally, taking advantage of her sense of movement and flow.
THIS GUY EDITS is by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt and James Franco.
In this series, you can follow along as Sven cuts his latest film for Sundance filmmaker Mark Webber. Flesh & Blood is their third collaboration.
Several times a week THIS GUY EDITS (T.G.E.) will post update videos at his YouTube channel, This Guy Edits. You get to see the timeline and the editor's play-by-play-commentary as he cuts scenes. It shows work in progress.
We talk a lot about things like “accessible tools” and the “democratization of video production” -- what has this meant for the emerging talent whose creative development has taken place largely, or even entirely, within this democratized landscape? Mae Manning is one such editor, who taught herself to edit music videos, and caught the eye of a local production company. Several years later and now their Senior Editor, she cuts corporate and industrial training videos, promotional videos, sketch comedy, short films, and everything else that gets thrown her way. Mae’s story is an inspiration for anyone that thinks there is only one path to success in the industry.
Greg Ondera produces, directs, and edits medical video programs specializing in surgical procedures. From his wide ranging experience in the medical sciences and broadcast arts, Greg shows you how to create better surgical broadcasts.
Katie Toomey takes Creative COW members inside the world of the advertising editor, where being a generalist means you are often not only a video editor, but a designer and audio editor, problem solver, as well as tech support professional. Join Katie as she takes you inside her world.
It's happened to you. The first cut sounds noisy, has compression artifacts, actors aren't giving their best performances -- and the director has notes about all this and more. Follow along as Sven Pape from "This Guy Edits" works through some of these very issues on the film he's working on, with tips on how deliver exactly what YOUR director is looking for.
More and more, films that are currently in production are working alongside with their marketing teams to establish a strategy months in advance of its release. That means that there’s more time to explore several options when crafting a trailer, but the workload also becomes heavier, and the stakes become higher. Avid Media Composer editors Christian Jhonson and Patricio Hoter (The Jungle Book, The Last Witch Hunter, Green Room, Titanic 3D, and more) explore this evolving artform.
Accomplished editors tend to point to instinct and experience when it comes to the exact edit point. Here are 5 tips from veteran editor Sven Pape of "This Guy Edits" that may help you get there. Some editors say that great editing is invisible. So is the right frame the one we don't notice?
What if you wouldn't have to stop procrastinating? Sven Pape of "This Guy Edits" demonstrates how to use procrastination to achieve some of your best film editing work. "Why do I procrastinate?" asks Sven, "I give you Aaron Sorkin who has one of the best procrastination quotes: "You call it procrastination I call it thinking.""
The Secret World of Foley is an evocative, wordless insight into one of the cinema’s most magical arts: the creative addition of synchronized sound effects in post known as Foley. This short film is also one of the most beautiful things you've seen in a long time. We highly recommend it to any fans of movies, sound, and the inspiration of watching true artists at work.
The 100+ member team at FuseFX juggles over 30 television episodics a season, while also working on features and commercials. Current credits include: FOX's Empire, ABC's Agents of SHIELD, AMC's The Walking Dead, SyFy's The Magicians, CBS's Zoo, and FX's American Horror Story. Brigitte Bourque, FuseFX's Digital Effects Supervisor and a 20 year industry vet, talks to us about the work that FuseFX does, and how Imagineer Systems mocha fits into their pipeline.
One of the most powerful discoveries in the early days of editing became known as The Kuleshov Effect: the same piece of footage means different things depending on the shots that surround it. It is a mental phenomenon by which the audience derives more meaning from the interaction of two sequential shots than from a single shot in isolation. One hundred years later, Sven Pape of This Guy Edits puts this venerable axiom to the test. Does this fundamental principle of modern editing still hold up? Prepare to be amazed.