LIBRARY: Tutorials Reviews Interviews Editorials Features Business Authors RSS Feed

Recreating a Classic 1950's Science Fiction Show Opening

COW Library : Red Giant plug-ins Tutorials : Chad Perkins : Recreating a Classic 1950's Science Fiction Show Opening
CreativeCOW presents Recreating a Classic 1950's Science Fiction Show Opening -- Red Giant plug-ins Tutorial

In this episode of Red Giant TV, Chad Perkins shows you how he built the various elements he used to re-create of the opening sequence from the classic sci-fi TV series, the Twilight Zone. In the tutorial Chad gives you tons of valuable hints and techniques for use in Adobe After Effects, Photoshop, Illustrator and Maxon Cinema 4D.



Play Video Tutorial
This is part of a Red Giant TV series here at CreativeCOW.net. Red Giant Software products are available as plug-ins for popular video editing and effects applications, including Adobe After Effects®, Adobe Photoshop®, Adobe Premiere Pro®, AVID®, Sony Vegas® and Apple Final Cut Pro®/Motion®.


Comments

Expression with Checkbox control
by Roger Eaton
Chad,

Since the checkbox control returns a 1 or a 0, why not use an expression of thisComp.layer("Null 1").effect("Checkbox Control")("Checkbox")*100 for the opacity. Then, when the checkbox is off, 0*100=0, and on...1*100=100. For the inverse, you could just do 100-thisComp.layer("Null 1").effect("Checkbox Control")("Checkbox")*100, so when the checkbox it off, 100-0*100=100, and on...100-1*100=0.


Recent Articles / Tutorials:
Apple Final Cut Pro X
Apple FCPX: Using Snapshots for Project Versioning

Apple FCPX: Using Snapshots for Project Versioning

Join Bret Williams from BretFX for look at some best practices when incrementing project versions in Apple Final Cut Pro X. Learn when and how to use snapshots, duplicates, and compound clips to quickly, safely and efficiently address project versioning and client changes in a fictional show called Outdoor Explorer. Bret will show you how to create smart collections and use them to organize project versions and snapshots, as well as showing what it means to "reference a new parent clip" to duplicate a compound clip and replace it automatically.


Bret Williams
Apple Motion
Apple Motion 5: Cell Division Tutorial

Apple Motion 5: Cell Division Tutorial

Maybe scientifically accurate, maybe not, but definitely another deep exploration of the secrets of Apple Motion mastery with longtime VFX artist, editor, software developer, and business owner Simon Ubsdell: a cell division animation created entirely within Motion using blurs, blend modes, alpha channels, masks, filters, behaviors, and more.


Simon Ubsdell
Apple Final Cut Pro X
Apple FCPX Drop Zones Demystified

Apple FCPX Drop Zones Demystified

Learn how to use precisely the region or portion of the clip you want in the drop zone, adjust it after the fact by using compound clips, avoid the dreaded freeze frame, synchronize audio, and adjust the pan and scale of the media in the drop zone with on screen controls. Bret Williams of BretFX makes it easy, fast, and precise for everything you want to do, including syncing audio, color correction, and more!


Bret Williams
Art of the Edit
Unearthing Apollo 11 in Large Format: An Interview with Director Todd Douglas Miller

Unearthing Apollo 11 in Large Format: An Interview with Director Todd Douglas Miller

Director-Editor Todd Douglas Miller creates more than just another space documentary with his film Apollo 11. He has helped expand the horizons of what we thought we knew about one of humankind's signature achievements by unearthing nearly 300 reels of previously unseen large-format film, up to 65 and 70mm, digitized with a first-of-its-kind 8K scanner, along with 11,000 hours of previously unheard audio recordings to provide previously only-imagined perspectives on our first mission to the moon. Creative COW's Courtney Lewis reveals how he put it all together with NASA, the National Archives, post house Final Frame, and tools from Adobe.


Courtney Lewis
Apple Motion
Apple Motion 5: EPIC Title Tutorial by Simon Ubsdell

Apple Motion 5: EPIC Title Tutorial by Simon Ubsdell

Join longtime VFX artist, editor, software developer, and business owner Simon Ubsdell for some really useful and interesting techniques for creating a fake 3D title treatment with dramatic depth, texture, reflections, staining and other details that goes way beyond what you can achieve with the 3D Title Tool. Not only that, these techniques work well with any graphic object, for maximum motion graphics flexibility.


Simon Ubsdell
TV & Movie Appreciation
Designing Tarantino's Once Upon A Time in Hollywood

Designing Tarantino's Once Upon A Time in Hollywood

Barbara Ling, production designer for Once Upon a Time in Hollywood, discusses how she was able to turn back time and recreate 1960’s Hollywood. Barbara and Go Creative Show host Ben Consoli discuss how Quentin Tarantino kept the film’s script a secret, how she restored Hollywood to the 1960’s, not using green screen, sourcing vintage props from eBay, filming the real Playboy Mansion, the challenges of filming on Hollywood Boulevard, and much more.


Ben Consoli
Blackmagic Design Announced WHAT?

Blackmagic Design Announced WHAT?

As if this wasn't already the hottest summer on record, Blackmagic Design's Grant Petty rolled out some blazing news across a wide range of the company's product lines in cameras, production hardware, and software.


Creative COW
Apple Motion
Apple Motion 5: Light Art Tutorial

Apple Motion 5: Light Art Tutorial

Discover how to create this moody light art scene with Apple Motion 5! Join longtime VFX artist, editor, software developer, and business owner Simon Ubsdell for a tutorial that also includes number of useful tricks, including how to create an ambient occlusion effect and textured specular highlights.


Simon Ubsdell
Cinematography
The Lion King's Virtual Cinematography: Caleb Deschanel, ASC

The Lion King's Virtual Cinematography: Caleb Deschanel, ASC

Caleb Deschanel, cinematographer for Disney’s live-action The Lion King, shares how they used traditional cinematography to create the life-like virtual film. Caleb and Go Creative Show host, Ben Consoli, discuss modeling cameras and lenses for virtual filmmaking, how Caleb was able to move the sun around in virtual space to get the perfect lighting, using a real drone for the Circle of Life sequence, and more!


Ben Consoli
Adobe After Effects
Adobe After Effects Reverse Stabilization

Adobe After Effects Reverse Stabilization

You're going to be blown away by how you can power up your After Effects workflow with reverse stabilizing your footage! By separating your tracking from your compositing, you can focus on each step, and in addition, overcome the render order complexities when match moving elements and effects on a moving shot.


Roei Tzoref
MORE
© 2019 CreativeCOW.net All Rights Reserved
[TOP]