Everybody likes someone who makes them look good and DVShade has been doing that for years. The innovative and award winning Easy Looks gives every project the chance of looking beautifully graded with minimal effort making even dull and uninteresting subjects intriguing.
Now for a bit of fun.
DVShades latest offering does the same in a whole different way. LiveToon takes a dive into the comic book with the capability to turn your live action footage into convincing cartoons by adding a comprehensive toolbox of parameters to the traditional posterization effect, with stunning results. LiveToon, with the same ease that 'Looks' provided instant cinematic colour grading, transforms footage into our favorite drawn art form, with surprisingly effective results.
Below: Split shot showing LiveToon in action. Left is the clean image and Right is LiveToon's 'Deep Blacks'
All source footage used with the kind permission of Ginger Productions. ©Ginger Production 2010
By dropping the LiveToon filter on to your clip in Final Cut Pro, Final Cut Express, Motion or After Effects you are presented with great looking presets to inspire you and use out-of-the-box. But there is also a comprehensive list of customizable parameters to tune and tinker with the image to better suit your material or create bespoke styles. You can be 'tooning' you films in no time. (Sorry couldn't resist the cheap pun)
Below: One of the effective presets 'Comic Book' is a great one to get you started, note the print dot like texture
Below: Another preset and a favorite of mine 'Graphic Novel', for a more gritty look.
The pleasing number of presets to get you started, cover the bases pretty well. 'Comic Book' gives a convincing well saturated impression of a quality illustrated story magazine, showing printing dots, soft broken edges, deep blacks and rich tones. 'Graphic Novel' presents the footage in the low rent colour pallet you would expect to see in hefty pulp fiction drawn classics, using cheap ink and paper, flat colour fills, heavy handed black block shading and a reduced hue range. The parameters you can manipulate to get what you want from the filter include the essentials for adding and removing colour and detail, 'Saturation' and 'Color Detail' handle these. 'Posterization' is the engine that makes the footage look 'cartoon', while 'Edge Lines' and 'Black Restore' fine-tune the look. But it's the inclusion of the 'Screen' parameter that gives you the choice of halftone 'Dot', 'Line', 'Hatched' or 'Circular' to add the characteristic printed look.
Below: LiveToon's parameters in Final Cut Pro
|Related Articles / Tutorials:|
|Recent Articles / Tutorials:|
Art of the Edit
Living The American Dream: Editing Sharknado 5
Ana Florit is your typical Los Angeles-based film editor: among other things, she grew up in the French Alps, moved to Paris, directed a one-hour movie, moved to Hollywood, and has served as the lead editor on the 2nd, 3rd, and now, the latest in the pop-culture phenomenon Sharknado franchise, Sharknado 5: Global Swarming. You know, your usual run-the-the-mill American Dream story. In Ana’s case, the journey also includes a stint at Video Symphony, a Saturn Award nomination, and playing a major role in moving independent production powerhouse The Asylum fully from FCP7 to Premiere Pro. Here, Ana talks with Creative COW Associate Editor Kylee Peña about workflow, VFX, and some of the secrets of Sharknado's success. (Spoiler alert: they're not comedies.)
Adobe Creative Cloud
Motion Graphics Templates in Adobe Stock! Everybody Sing!
The recent addition of Motion Graphics templates to Adobe Stock in the Creative Cloud offers immediate access to over 1000 templates for title screens, lower thirds, and transitions, with more to follow, created by some of the world’s leading motion graphics artists and mograph pioneers Digital Juice. Motion Graphics templates inside Adobe Stock also offer a new avenue for Creative Cloud artists to monetize their work, by offering their own motion graphics templates for sale. This is a multi-faceted story that dives deep into multiple parts of a rapidly expanding Creative Cloud ecosystem that doesn’t handily lend itself to brief soundbites. It does, however, lend itself to song. Everybody sing along!
Blackmagic Design Fusion
Blackmagic Fusion 9's Most Powerful Tool: The Custom Tool
Meet The Custom Tool, the most powerful and versatile tool in Blackmagic Fusion's entire toolbox ??" which ironically appears to do nothing when you first apply it. That’s because it’s a tool designed for building your own tools from scratch. That may sound daunting, but under the guiding hand of longtime VFX artist, editor, and business owner Simon Ubsdell, it’s engaging, empowering, and just plain fun. If you are new to Fusion and to compositing you'll find plenty of useful information here, including how to work with channels to create complex effects surprisingly simply. Bonus tips on expressions and keying, too!
Blackmagic Fusion 9 Advanced Keying: Fixing Problem Edges
In this advanced keying tutorial for Blackmagic Fusion, longtime VFX artist Simon Ubsdell addresses a common problem: edges too brightly lit, along with light wrap that makes compositing a challenge. Learn how to build custom keyers using Fusion's node-based compositing that solve the problem more quickly and more completely than traditional layer-based approaches.
Art of the Edit
A Newbie Looks at EditFest LA
Thanks to the Blue Collar Post Collective's Professional Development Accessibility Program, Indiana shortform editor Hillary Lewis was able to attend the American Cinema Editor's EditFest LA. Rather than the lion's den she feared, Hillary found unexpected support among people who were more like her than she'd imagined. This rare opportunity provided unique insights into what Hollywood editing is really all about, and what it takes to succeed wherever you are.
Adobe After Effects
Adobe After Effects Energy Ball
In his latest high-energy Adobe After Effects tutorial, VFX guru Tobias Gleissenberger of Surfaced Studio combines a variety of effects to create the pulsating energy ball, composited with motion tracking, optical flares, and more.
Robert McLachlan: Cinematographer for Game of Thrones
Robert McLachlan is the cinematographer of Game of Thrones, Westworld and Ray Donovan, and he joins commercial director and Go Creative Show host Ben Consoli to share behind the scenes stories from some of his most iconic scenes including The Red Wedding and The Loot Train Battle.
Feature, People / Interview