LIBRARY: Tutorials Reviews Interviews Editorials Features Business Authors RSS Feed

Boombox Sonic Wave Effect

CreativeCOW presents Boombox Sonic Wave Effect -- Genarts Sapphire Tutorial


GenArts
Cambridge Massachusetts USA
CreativeCOW.net. All rights reserved.


Learn to make the most requested effect shot in the GenArts Demo Reel. In this tutorial, Todd Prives will take you through the steps to create a series of sonic waves emitting from a boombox using Sapphire plug-ins and Adobe After Effects as seen in the GenArts Demo Reel.



Play Video Tutorial


Comments

Re: Boombox Sonic Wave Effect
by olawale ogbonlowo
Thanks for this tutorial. I had been wondering and attempting to do this since I first saw it on the Genarts page. You made that task a whole lot easier.

Olawale

http://www.4sightpictures.com/blog
Awesome
by Ken Walton
Todd,

Thanks a ton for this Sapphire tutorial - it's going to prove extremely helpful in the future. One question though: is there a reason copying and pasting the tracking data keyframes to the effect elements is preferred (or necessary) rather than using an expression to link them?

Thanks again,

Ken
Great tut
by Ra-ey Saleh
Todd,
Great display of how to use multiple Sapphire effects to create something you wouldn't expect.
Even gave me - a non-AE user - loads of ideas.
Thanks for posting!

Ra-ey


Related Articles / Tutorials:
Genarts Sapphire
Sapphire Hidden Tricks

Sapphire Hidden Tricks

In this tutorial, Ra-ey Saleh will reveal how to use Sapphire effects to fix 3 everyday technical issues: wide-angle lens distortion; aperture-pulls; and flickering GFX. These are undocumented hidden tricks and will work on all Sapphire platforms (Avid, AvidDS, After Effects, FCP, Autodesk, Shake and Nuke).

Tutorial
Ra-ey Saleh
Genarts Sapphire
Peter Wiggins looks at Sapphire Plug-ins from GenArts

Peter Wiggins looks at Sapphire Plug-ins from GenArts

Peter Wiggins takes a thorough look at the new Sapphire plug-ins from GenArts. One thing is for sure, you will have seen many examples in film and television already as Sapphire is used on a daily basis by large film effects and post production houses. Many compositors and editors swear by them, myself included! I've been using Sapphire with Shake for over a year now, and every job has used at least one plug-in. Now, they're available for Final Cut Pro, Combustion and After Effects.

Review, Tutorial
Peter Wiggins
Recent Articles / Tutorials:
AJA Video Systems
AJA Video Systems Celebrates 25 Years of Professional Video Systems

AJA Video Systems Celebrates 25 Years of Professional Video Systems

John Abt started AJA Video Systems with his wife Darlene in 1993 to develop simple digital parallel to serial and serial to parallel converters. Many of AJA’s products at their core continue to bridge connectivity and simplify pro video workflows through video up, down, cross format conversion. A great read that you will find at Film and Digital Times.

Editorial, Feature, People / Interview, Business
Film and Digital Times
TV & Movie Appreciation
VFX Legion Completes Effects for SUPERFLY Remake

VFX Legion Completes Effects for SUPERFLY Remake

Producer Joel Silver and Director X called on VFX Legion to tackle 100+ shots designed to amp up the impact of the raw violence in Sony’s reboot of the iconic ‘70’s film. The reboot of ‘Superfly’ puts a modern, stylish spin on the original 1972 film about a Harlem drug dealer trying to score one last deal before getting out of ‘the game.’ Set in present-day Atlanta, the Mecca of today’s popping music scene, the action is driven by a hip-hop soundtrack curated by Future. The city’s distinctive style is the backdrop for a new generation of affluent, extravagant drug kingpins that takes violence to the extreme.

Editorial, Feature, Project
VFX Legion
VR Filmwork: Immersive Begins to Emerge ... Slowly

VR Filmwork: Immersive Begins to Emerge ... Slowly

Want to see a storage person's heart skip a beat ... or two? Flutter even? Just mention VR and BAM!, they get real excited. Some people think we like 360/VR just because it devours so much storage capacity. Ok that's a good reason but still the good VR stuff is really really good. Not just scare your pants off good but good to experience, enjoy, be immersively entertained, informed.

Editorial, Feature
Andy Marken
Christina Rzewucki: Thor: Ragnarok, Tomb Raider & more

Christina Rzewucki: Thor: Ragnarok, Tomb Raider & more

Christina Rzewucki is a Texture and Look Development Artist at Rising Sun Pictures. A 2016 graduate of the Academy of Interactive Entertainment in Adelaide, she began her career with the game company Monkeystack. Since joining RSP in 2017, she has applied her diverse technical and creative skills to projects including the blockbusters Thor: Ragnarok and Tomb Raider. Next month, she will be teaching the texturing component of ‘Look Development and Lighting,’ a new second year elective course associated with UniSA’s Media Arts degree.

Editorial, Feature, People / Interview
Risingsun Pictures
Cinematography
RBG's DP: Claudia Raschke, Ruth Ginsburg & Canon C300 Mk II

RBG's DP: Claudia Raschke, Ruth Ginsburg & Canon C300 Mk II

In his conversation with Claudia Raschke, the cinematographer of the acclaimed documentary "RBG" featuring Supreme Court Justice and folk hero Ruth Bader Ginsburg, DP Jimmy Matlosz speaks to her about the Canon C300, the challenges of shooting such a high-profile subject, and the influence of dance on her approach to documentary filmmaking. A truly remarkable conversation about multiple remarkable subjects.

Feature, People / Interview
Jimmy Matlosz
Business & Marketing
Media after Millennials: A Teen’s Research on Viewing Habits

Media after Millennials: A Teen’s Research on Viewing Habits

As a fifteen year old high school sophomore, Helen Ludé has her priorities in order: varsity soccer, Snapchat and Instagram, and presenting research on Post-Millennial Media and Cinema Consumption Habits at SMPTE’s Future of Cinema Conference. Spurred on by a dinner conversation with her family (including her father, RealD’s Peter Ludé), Helen conducted a survey of her peers to uncover the viewing habits of her generation, otherwise known as Gen Z. You're going to be surprised by what she found, and deeply impressed (and a little intimidated) by this enterprising young woman.

Feature, People / Interview
Kylee Peña
TV & Movie Appreciation
Star Wars: How Much Is Too Much?

Star Wars: How Much Is Too Much?

When Disney announced that they would be making a new Star Wars movie every year for at least 10 years I was both excited and a bit skeptical. In 2012 when Lucas sold his company to Disney for $4billion, he included his outlines of Episodes VII, VIII and IX. But Disney and Co. decided to discard these stories and start over, also discarding the extended universe of comics and books that millions of SW fans had grown to love. Adding JJ Abrams to the mix was icing on the cake for SW fans who have become critical of SW. But Lawrence Kasdan was the saving grace, who wrote a script for VII that the original actors could get behind. So, how much Star Wars is too much?

Review, Editorial, Feature
Mike Cohen
Art of the Edit
Editing Marvel's Black Panther: Debbie Berman ACE

Editing Marvel's Black Panther: Debbie Berman ACE

This is an epic tale spanning two decades, three countries, 12,000 miles -- and that's just the story of Debbie Berman, ACE, starting in reality TV and indie film in South Africa, making her way to Canada and then the US to edit Marvel's Spider-man: Homecoming and, most recently, Black Panther, already one of the most popular films of all time. In this exclusive interview with Creative COW Managing Editor Kylee Peña, Debbie talks about struggling toward US citizenship, a serendipitous meeting with an ambitious young director, helping to bring representation to the big screen and pride to her home country.

People / Interview
Kylee Peña
MORE
© 2018 CreativeCOW.net All Rights Reserved
[TOP]