: DaVinci Resolve
: Cody Pyper
: Automatically Cut Edited Videos! DaVinci Resolve Scene Cut Detection
Raleigh, North Carolina
CreativeCOW.net. All rights reserved.
Have you ever wanted to have a program automatically make cuts on a finished video? Or did you lose your project file and need to make an edit? Well DaVinci Resolve's Scene Cut Detection will do just that. Join filmmaker Cody Pyper for a closer look!
To learn more about Cody's work, visit CodyPyper.com
|Related Articles / Tutorials:|
Core Post delivers BRASSIC in HDR with DaVinci Resolve
Blackmagic Design announced that UK post facility, Core Post, has expanded its post production capabilities to offer HDR delivery for broadcast and production clients through its existing DaVinci Resolve Studio workflow. The first project to be realized through the new pipeline is Sky One’s comedy drama, Brassic, created by Danny Brocklehurst and This is England’s Joe Gilgun.
DaVinci Resolve Optical Flow
Join filmmaker and After Effects artist Cody Pyper for a closer look at DaVinci Resolve's Optical Flow to create exceptionally smooth slow motion, even on footage shot at normal frame rates. Cody covers the basics of how to use the effect, and shows some practical applications of Optical Flow for a variety of editorial troubleshooting.
Fairlight + Resolve, Part 1: The DAWn of a Resolved Era
Marco Solorio of OneRiver Media gives an introductory overview to the rebirth of the Fairlight digital audio workstation (DAW) that is now part of Blackmagic Design’s powerful DaVinci Resolve post-production system. Is this finally the solution to break away from the Pro Tools stronghold?
Review, Editorial, Feature
Day Three: Editing on DaVinci Resolve 12.5
It's Day Three of Walter Biscardi's REAL WORLD editing on DaVinci Resolve 12.5 and this is going to be the longest blog yet as I want to show you guys a lot of the "little things" that are making editing in Resolve a pleasure. I know there are a lot of questions still out there whether this is really a professional editor. For me it's the small things that separate the applications making life efficient and fun for the the editor.
Day One: Editing on DaVinci Resolve 12.5
Blackmagic Design recently took the wraps off DaVinci Resolve 12.5. Walter Biscardi has been predicting for over a year that Blackmagic would answer many of the questions plaguing editors, and that this would be the year this tool became a full fledged non-linear editing system -- sure enough, it's now a solid editing platform.
Day Two: Editing on DaVinci Resolve 12.5
Somebody asked Walter Biscardi, "why does editing in Resolve interest you?" Well, he states, it is my color grading tool of choice. It's completely free, and by the way, I'm cutting this project using the free version of Resolve. My Studio version sits on another machine. And having all of that extra real estate on the second monitor is a huge bonus.
Exodus: Gods and Kings -- Grading Ridley Scott's 3D Epic
Director Ridley Scott's latest epic 'Exodus: Gods and Kings' takes a gritty approach to a biblical story, and colorist Stephen Nakamura helped expand the realistic look by working closely with Scott and DP Dariusz Wolski ASC, and by grading the film in DaVinci Resolve 11 using new tools to help push the 3D grade while preserving highlights.
Editorial, Feature, People / Interview
Blackmagic DaVinci Goes up to 11
Colorist Joseph Owens has been in the heart of postproduction for over 30 years, and has used one form or another of DaVinci Resolve for a large part of that. In his look at the latest release of what he calls the gold standard for color correction, he both covers new features, and considers the possibilities that those features offer.
Review, Editorial, Feature, People / Interview