How To Put Yourself In Any Movie, Part 2: Greenscreen
: Cody Pyper
: How To Put Yourself In Any Movie, Part 2: Greenscreen
Raleigh, North Carolina
CreativeCOW.net. All rights reserved.
In part two of his series on inserting yourself into any movie, filmmaker and effects artist Cody Pyper covers how to set up lighting to match shots from Hollywood movies, and how to set your camera to the best settings for shooting green screen.
Don't miss Part 1 of Cody's series, How To Put Yourself In Any Movie, Part 1: Photoshop
To learn more about Cody's work, visit CodyPyper.com
|Related Articles / Tutorials:|
The Invisible Man Cinematography, with Stefan Duscio, ACS: Go Creative Show
Cinematographer Stefan Duscio, ACS and Go Creative Show host Ben Consoli discuss the technical issues behind filming an invisible character in Leigh Whannell's The Invisible Man, using a robotic camera for VFX shots and the value of unmotivated camera movement. They also discuss why Stefan still uses a light meter, filming with the Alexa Mini LF and how he prepared for an IMAX release.
The Lion King's Virtual Cinematography: Caleb Deschanel, ASC
Caleb Deschanel, cinematographer for Disney’s live-action The Lion King, shares how they used traditional cinematography to create the life-like virtual film. Caleb and Go Creative Show host, Ben Consoli, discuss modeling cameras and lenses for virtual filmmaking, how Caleb was able to move the sun around in virtual space to get the perfect lighting, using a real drone for the Circle of Life sequence, and more!
Shooting RED 8K for Danny Boyle's Yesterday
The magical romantic comedy Yesterday reunites cinematographer Christopher Ross BSC with director Danny Boyle to tell the story of a singer-songwriter who wakes up to discover that he's the only one in the world who remembers The Beatles. Christopher selected the RED HELIUM S35 8K sensor (with as many as 17 cameras rolling simultaneously in a single scene!) to capture a variety of looks as the story takes viewers from East Anglia to Los Angeles. With 10-15TB of footage coming in every day, this is also a workflow story, featuring DIT Thomas Patrick and the team at Mission Digital for dailies, and Goldcrest Post for online, VFX, conform, and grade.
Spider-Man Far From Home Cinematographer Matthew Lloyd
Matthew Lloyd, cinematographer for Spider-Man: Far From Home, takes us behind the scenes of the film and shares techniques for lighting and shooting massive visual effects scenes. Matthew and Go Creative Show host Ben Consoli, discuss working in Marvel’s Cinematic Universe, using pre-vis to prep for shots with VFX, creating Spider-Man’s holographic world, plus Matt’s camera and lens choice, his experience with commercial and fashion filmmaking, audience questions and so much more!
DJI Osmo Action Camera In-Depth: Taking on GoPro
The DJI Osmo Action is DJI's first GoPro-like action camera. It shoots crisp 4K video at 60 FPS, and super slow motion at 240 FPS at 1080p, also with support for HDR and terrific RockSteady image stabilization. Especially interesting: TWO LCD screens to make it easy to see what you're shooting from every angle. VFX guru and filmmaker, Surfaced Studio's Tobias G puts the Osmo Action through its paces and tells all about what he likes and doesn't, with lots of sample footage for you to judge for yourself!
Stuart Dryburgh: DP for Men In Black International
Stuart Dryburgh, cinematographer for Men In Black International, joins Go Creative Show host, Ben Consoli, to discuss creating the look for the film. Stuart talks about the challenges of working in an established franchise, filming in NYC in the snow, why Stuart prefers Arri Alexa cameras, his lighting and lens choices for the film, shooting action scenes, and more!
Capturing ProRes RAW
Apple ProRes RAW has lots of buzz, and can offer some great opportunities in both shooting and post, once you know how to capture it. Director Steve Pierce and DP Igor Kropotov explain why they love it, how to capture it on set, and what tools you can use.
Small HD FOCUS 7 4K Monitor Hands On
Here's a first look at the SmallHD FOCUS 7, a 7-inch, 4K monitor that packs significant production value in a moderate price. The monitor includes Small HD’s OS3 software, which gives users access to features such as pinch-to-zoom, waveform monitors, focus pulling, 3D LUTs, and more, in a build that's lightweight, durable, and retains mobility.
GoPro HERO7 First Look
The new GoPro HERO7 can do WHAT? Join Steven John Irby, co-owner and director of Street Dreams Magazine, for a look at the most advanced GoPro yet: HyperSmooth Stabilization, TimeWarp Video, live streaming, voice control, waterproof, and much more.
Five Cinematic Drone Shots For You To Master
If you tend to put your drone up in the air and then struggle with what to do next, or if you just randomly shoot around filling up your memory card, then this tutorial is for you. Here are 5 cinematic drone shots that, with a little practice, will take your aerial cinematography to the next level.