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DaVinci Resolve
Fairlight + Resolve, Part 1: The DAWn of a Resolved Era

Fairlight + Resolve, Part 1: The DAWn of a Resolved Era

Marco Solorio of OneRiver Media gives an introductory overview to the rebirth of the Fairlight digital audio workstation (DAW) that is now part of Blackmagic Design’s powerful DaVinci Resolve post-production system. Is this finally the solution to break away from the Pro Tools stronghold?

Review, Editorial, Feature
Marco Solorio
NAB Show
Bob Zelin's NAB Show, Take 2017

Bob Zelin's NAB Show, Take 2017

Longtime broadcast engineer, facilities designer, and workflow consultant Bob Zelin has been attending the NAB Show for years, and his legendary write-ups have gone to unparalleled lengths to bring you hidden gems from every corner of the floor. Bob is taking a slightly different approach this time, as he views the specifics through the lens of trends that have been emerging for quite some time, now bearing fruit in 2017. Sit back and enjoy another real-world, hype-free, anything-but-objective ride through the industry's biggest week of the year.

Feature
Bob Zelin
RED Camera
Guardians of the Galaxy Vol 2: Behind the Scenes with RED

Guardians of the Galaxy Vol 2: Behind the Scenes with RED

Anticipation for Guardians of the Galaxy Vol. 2 was already heated up when director James Gunn announced that it was to be the first feature film captured with the RED WEAPON camera using an 8K RED DRAGON VV sensor. In this marvelous behind the scenes featurette courtesy RED Digital Cinema, James discusses the decision to use the RED WEAPON, and how it played out with director of photography Henry Braham, BSC. Both of them found the combination of the massive sensor and small form factor incredibly compelling, providing them the technology to capture the epic scale of the action, in a package small enough to allow them to get exceptionally close to the scenes of genuine intimacy that are this series' secret weapon. (See what we did there?)

Editorial, Feature
Tim Wilson
Art of the Edit
The Science of Editing: Look Closer -- The Mind of a Film

The Science of Editing: Look Closer -- The Mind of a Film

When you ask an editor what they DO in the edit suite, the answer is often something like, "Well, it's intuitive." To become better editors, though, we need to be more specific. Editor, author, and professor Dr. Karen Pearlman breaks down the process into five specific steps that editors must take in order to turn a mass of material into something coherent. You can learn to hone the specific skills of observation and self-awareness that distinguish editors from other observers, and make unexpected connections that move stories in compelling new directions. Sven Pape of "This Guy Edits" presents his conversation with Karen in the form of a powerful video essay that you will find illuminating and inspiring, and will be able to start using right away.

Tutorial, Feature, People / Interview
Sven Pape
Adobe After Effects
Adobe After Effects April 2017 New Features

Adobe After Effects April 2017 New Features

The April 2017 release of Adobe After Effects (version 14.2) is packed with new features, and Tobias Gleissenberger of Surfaced Studio is here to show you the latest and greatest. Highlights include the Essential Graphics panel and Motion Graphics templates (with Adobe Premiere Pro integration), the addition of Lumetri Scopes and Color Correction effects, new effects organization, the Camera Shake Deblur filter and more.

Tutorial
Tobias Gleissenberger
The Evolution of Immersive Media

The Evolution of Immersive Media

Immersive media is not new. Emerging technologies, such as VR and AR as we currently know them, are simply part of an evolutionary path making media more immersive. Many commentators and industry professionals became cynical after the short life-cycle of Stereoscopic 3D, and are hesitant to embrace VR, calling it another fad. International award-winning engineer, editor, colorist, VFX artist, stereoscopic 3D artist, and Head of Operations at Auckland's Department of Post, Katie Hinsen sees it differently. These technologies are simply steps within a much wider ecosystem, says Katie, where it's the combination of failures and successes that lead us towards what immersive media is to become.

Editorial, Feature
Katie Hinsen
The Cinematography of Get Out: Toby Oliver, ASC

The Cinematography of Get Out: Toby Oliver, ASC

Toby Oliver, ASC is the award winning cinematographer behind the lens of Jordan Peel's debut film Get Out. “Get Out” has received high praise from critics (99% Fresh rating at Rotten Tomatoes) and moviegoers around the world for its story, acting, and cinematography. Toby shares all his lighting and lensing techniques that gave Get Out its uniquely horrifying look. He and Go Creative Show host Ben Consoli discuss the blending of horror and comedy, why Toby choose to shoot with zoom lenses, the challenges of a limited budget, and so much more.

Feature, People / Interview
Ben Consoli
Blackmagic Design Fusion
Blackmagic Design Fusion Expressions & Macros Made Easy

Blackmagic Design Fusion Expressions & Macros Made Easy

In this two-part guide to some of Blackmagic Design Fusion's most powerful compositing and effects features, visual effects veteran Simon Ubsdell offers an easy-to-follow introduction to using basic expressions and creating macros in Fusion -- with some very useful tips for After Effects users along the way. In Part 1, you'll create a chromatic aberration effect with these techniques, and in Part 2, you'll work with bounce/spring, orbit and "look at" expressions. No matter what your level of experience (or inexperience!) with After Effects or Fusion, you're in for quite a ride!

Tutorial
Simon Ubsdell
Panasonic at NAB Show 2017

Panasonic at NAB Show 2017

Panasonic’s booth at NAB is going to packed with the range of goodness that showgoers have come to expect, including the Cinema VariCam Experience, a look at the control room of the future, cloud-based news production, transparent and AR displays, and much more that we’ll be reporting throughout the week. Just before the show officially opened, Panasonic offered a preview of some of what’s in store for their customers, at the show and beyond, starting with a new camera system for live broadcast of 360-degree uncompressed 4K/30.


Creative COW
DJI Introduces Ronin 2, A More Powerful, Versatile and Intelligent Stabilizer For Film And Video Professionals

DJI Introduces Ronin 2, A More Powerful, Versatile and Intelligent Stabilizer For Film And Video Professionals

DJI, the world’s leader in creative camera technology, today introduced Ronin 2, the three-axis camera stabilizer redesigned to give filmmakers the freedom to capture any scene they can imagine. Based on DJI’s transformative gimbal technology, Ronin 2 has more power and torque to carry larger cameras, is more versatile to be used in every situation, and has more intelligent features to allow for unprecedented camera moves that help realize every creative vision.


Creative COW
HP Announces DreamColor Cinema 4K 31" and 24" Displays, Secure Mobile Workstations

HP Announces DreamColor Cinema 4K 31" and 24" Displays, Secure Mobile Workstations

Today at NAB, HP Inc. announced true Cinema 4K displays, arming color professionals with new features, like color-critical accuracy and automatic calibration, to produce the films and animations of tomorrow: the new HP DreamColor Z31x Studio and HP D


Creative COW
Blackmagic Design Announces DaVinci Resolve 14

Blackmagic Design Announces DaVinci Resolve 14

Blackmagic Design today announced DaVinci Resolve 14, the biggest release in the history of the product, and an update. New features include up to 10 times performance improvement, a whole new audio post production suite with Fairlight audio built into DaVinci Resolve, and multi user collaboration tools that let multiple people edit, color and mix audio from multiple systems, all in the same project at the same time. What this means is that DaVinci Resolve 14 is like 3 high end applications in one. Customers get professional editing, color correction and the new Fairlight audio tools, with a new reduced price of $299.


Creative COW
AJA Ki Pro Ultra Plus: 4-Channel HD Recording, with 4K Apple ProRes/Avid DNxHD Support

AJA Ki Pro Ultra Plus: 4-Channel HD Recording, with 4K Apple ProRes/Avid DNxHD Support

AJA Ki Pro Ultra Plus is a Multi-Channel Apple ProRes recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode a 4K/UltraHD/2K/HD Apple ProRes® or Avid DNxHD® MXF recorder and player supporting the latest connectivity including 3G-SDI, Fiber and HDMI 2.0, as well as large raster high frame rate workflows, including 4K 60p.


Creative COW
NAB Show
The Introvert's Guide to the NAB Show, by Kylee Peña

The Introvert's Guide to the NAB Show, by Kylee Peña

If you're like most people in video production, you're a bit of an introvert, and that makes trade shows a complicated matter. Shyness is real, and social anxiety is its own thing to be managed carefully, but are you selling yourself short before you give yourself a chance to warm up? Creative COW Contributing Editor Kylee Peña offers practical steps to help you have the best NAB Show you possibly can.

Editorial, Feature, People / Interview
Kylee Peña
Audio Professionals
Prince: Musician

Prince: Musician

One year after the sudden passing of Prince Rogers Nelson at age 57, we wanted to revisit a wonderful story too easily lost in all the tragic stories that have emerged since then: this was a man who was all about the music, 24 hours a day. Remarkable previously unseen footage of a playful Prince at an Osaka soundcheck in 1990 by Senior Vice President of Post for Chainsaw / SIM Group Steve Purcell, who worked with Prince for 6 years, sheds entirely new light on an artist you only thought you knew.

Feature, People / Interview
Tim Wilson
Award-Winning BMI Composer Laura Karpman Talks About Bridging the Gap for Women in Music

Award-Winning BMI Composer Laura Karpman Talks About Bridging the Gap for Women in Music

When little girls think of what they’d like to be when they grow up, they can add “renowned composer” to the list, thanks in part to the work, both musical and influential, of BMI composer Laura Karpman. Musically, the four-time Emmy and GRAMMY


Creative COW
NAB Show
NAB Show Guide to Thriving (instead of just surviving)

NAB Show Guide to Thriving (instead of just surviving)

Creative COW Contributing Editor Kylee Peña is here to take you beyond comfy shoes and protein bars, as she reveals the secrets of not just getting through a brutal week, but actually thriving in what might just be a pivotal experience for your career, and maybe even some friendships.

Editorial, Feature
Kylee Peña
Netflix to move production back to California

Netflix to move production back to California

While many productions chase tax credits and use them to help underwrite production costs, Netflix has decided that in some cases the savings do not outweigh the costs and so it will be moving as much of its production as possible, back to California.


Creative COW
PLOTAGRAPH PRO: A Powerful Tool For Animating Still Images

PLOTAGRAPH PRO: A Powerful Tool For Animating Still Images

The COW was just introduced to one of the coolest new creative tools we've seen in a long time, PLOTAGRAPH PRO, which powerfully animates still images. Imagine animating your still images to become full high resolution video, all the way up to 4K. In this video tutorial, Blake Rudis is your guide.

Review, Tutorial
Blake Rudis
Blackmagic Design's Cameras and Resolve Press Conference

Blackmagic Design's Cameras and Resolve Press Conference

How's THIS for another way that Blackmagic is changing the game? World class headline news, direct to you, no waiting in line at NAB. Following last month's press conference on BMD's broadcast products, CEO Grant Petty walks us through new control su


Creative COW
Cinematography
Beautiful 8K Timelapse of Norway's Four Seasons

Beautiful 8K Timelapse of Norway's Four Seasons

One year of planning, one year of shooting, and four months of post-production is a lot of time to spend on a single timelapse, but photographer Morten Rustad‘s creation SEASONS of NORWAY captured this 8K masterpiece by travelling a total of 20,000


Morten Rustad
Adobe After Effects
Adobe After Effects Advanced Title Tutorial

Adobe After Effects Advanced Title Tutorial

Learn how to create complex title animations in Adobe After Effects! In my last tutorial I covered how to create, customise and animate simple titles in Adobe Premiere Pro: https://www.youtube.com/watch?v=6xQtq... In this tutorial we will take things one step further and create titles that are too complex to create with Premiere alone. We will be working with and customising presets, creating character by character animations and we will look at the power of custom Text Animators. Want to learn more about how to animate text? Check out the Adobe help page: https://helpx.adobe.com/after-effects...

Tutorial
Tobias Gleissenberger
Art of the Edit
Film Editing: Should You Edit Scenes to Music?

Film Editing: Should You Edit Scenes to Music?

Music can elevate the emotion of a film scene. As a film editor, should you first cut to music or focus on dialog and visuals alone? In this tutorial, This Guy Edits shares his point of view by example with a rough cut using some temp music by Max Elto.

Tutorial
Sven Pape
Oliver Peters interviews editor Tom Cross of La La Land

Oliver Peters interviews editor Tom Cross of La La Land

The ambitious opening sequence of La La Land was done with just three cuts, according to the film's editor, Tom Cross. Oliver Peters brings you the story of this and many other aspects of editing this remarkable film.

Editorial, Feature, People / Interview
Creative COW
Videoguys Top 10 Products of 2016

Videoguys Top 10 Products of 2016

As we look back at 2016, we reflect on a year that involved media consumption -- and more specifically LIVE media consumption. Increased bandwidth, improved cameras on mobile phones, and easy access to YouTube LIVE...

Editorial, Feature
Creative COW
Immersive Gaming: Razer's Project Ariana Fills the Room

Immersive Gaming: Razer's Project Ariana Fills the Room

Razer's Project Ariana earned the company its seventh straight Best of Show award at CES 2017 and broke the record for consecutive wins. Fully immersive gaming is sure to be huge in the days ahead.


Creative COW
Production Designer Hannah Beachler on the Go Creative Show

Production Designer Hannah Beachler on the Go Creative Show

Film and broadcast production designer Hannah Beachler talks with Go Creative Show host Ben Consoli about her work on Creed, Moonlight, and the upcoming Black Panther. Hannah Beachler is a prolific production designer with an affinity for realistic design that emphasizes emotional drama. Over the past few years, Hannah’s designed some of the hottest films like, Miles Ahead, Creed, Moonlight, Beyonce’s Lemonade, and the much anticipated upcoming film Black Panther. Hannah and I discuss the role of a production designer, how she collaborates with the camera department, working with director Ryan Coogler and how she finds inspiration for each of her films.

Feature, People / Interview
Ben Consoli
The Other Side of GoPro's November 30, 2016 Announcement

The Other Side of GoPro's November 30, 2016 Announcement

When GoPro announced on November 30, 2016 that they would be cutting 200 full-time jobs, closing the entertainment division, and that their president would be leaving the company, the internet came alive with those who were predicting the company's demise. But there really is another side to the story and as is often the case, the loudest voices are not always the ones with the real story. In this article, Creative COW's co-founder, Ronald Lindeboom, looks at GoPro's announcement and gives his thoughts from his point of view. As Lindeboom concludes at the end of the story, "That GoPro stumbled is not surprising to me, what is surprising is that they had such a remarkable unbroken string of success until 2016."

Editorial, Feature, Business
Ronald Lindeboom
NVIDIA GPUs Speed Nickelodeon’s Animation Workflow on Albert

NVIDIA GPUs Speed Nickelodeon’s Animation Workflow on Albert

Premieres Friday, December 9, at 7:00 p.m. (ET/PT) -- Albert is Nickelodeon’s first original animated TV movie, telling the story of a tiny Douglas fir tree named Albert who loves Christmas and dreams of being the Empire City Christmas tree.

Feature, Project
Gail Laguna
Letters to the COW Team
Creative COW's Brand New News Dept. Features and Functions

Creative COW's Brand New News Dept. Features and Functions

Creative COW's co-founders have been quietly at work cleaning up and rebuilding the Creative COW News section. While they've been at work, they've been adding new features and functions that will make the news department much more useful in the days ahead. If it's been a while since you've visited the news section, visit it soon but read this short introduction to what it is and how things are working. We hope these new changes make your research and keeping on top of industry news much more productive.

Editorial, Feature, Business
Ronald Lindeboom
Business & Marketing
12 Things I Know About Business at 55 That I Wish I'd Known at 25

12 Things I Know About Business at 55 That I Wish I'd Known at 25

12 Things I Know About Business at 55 That I Wish Id Known at 25 appeared in Creative COW Magazine and was one of our most popular articles. It is a true timeless classic in which COW leader, contributing editor, and Senior Business Adviser to Creative COW, Nick Griffin shares wisdom he's learned the hard way in over 30 years in business. His experience will help you to avoid mistakes, manage clients, and prepare yourself to achieve your greatest success.

Editorial, Feature, Business
Nick Griffin
RED Camera
Don Burgess aligns with Light Iron and Panavision for ALLIED

Don Burgess aligns with Light Iron and Panavision for ALLIED

Don Burgess, ASC trusts Light Iron. His last seven films can attest, so Burgess chose Light Iron to support him again with digital dailies and post finishing services on Allied. Directed by Robert Zemeckis and starring Brad Pitt and Marion Cotillard, the World War II-set film sees an intelligence officer's romance with a French Resistance fighter tested when high command thinks a double agent might be in play.

Editorial, Feature, People / Interview, Business, Project
COW News
Autodesk Maya
ZERO VFX: The Magic You Won't See In The Magnificent Seven

ZERO VFX: The Magic You Won't See In The Magnificent Seven

ZERO VFX takes Creative COW readers inside the invisible effects used to create the powerful vistas and settings used in The Magnificent Seven. But the real magic is in what you don't see.

Editorial, Feature, People / Interview, Project
ZERO VFX
Art of the Edit
More Than One Path to Success: Senior Editor Mae Manning

More Than One Path to Success: Senior Editor Mae Manning

We talk a lot about things like “accessible tools” and the “democratization of video production” -- what has this meant for the emerging talent whose creative development has taken place largely, or even entirely, within this democratized landscape? Mae Manning is one such editor, who taught herself to edit music videos, and caught the eye of a local production company. Several years later and now their Senior Editor, she cuts corporate and industrial training videos, promotional videos, sketch comedy, short films, and everything else that gets thrown her way. Mae’s story is an inspiration for anyone that thinks there is only one path to success in the industry.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
How To Create Better Live Surgical Broadcasts

How To Create Better Live Surgical Broadcasts

Greg Ondera produces, directs, and edits medical video programs specializing in surgical procedures. From his wide ranging experience in the medical sciences and broadcast arts, Greg shows you how to create better surgical broadcasts.

Editorial, Tutorial, Feature, Business
Greg Ondera
Cinematography




Join Go Creative Show host, Ben Consoli and his special guest, David Klein, ASC, cinematographer of Homeland and True Blood. David is here to talk all about it all. His love of realism has defined a generation of filmmaking and he continues to execute it flawlessly with his work on Homeland. David talks with us about all his gear and lighting choices, shooting hand-held effectively and how the best film education is to simply shoot something.

Feature, People / Interview
Ben Consoli
NAB Show
NAB Show New York 2016: Growing, Yet Still Intimate

NAB Show New York 2016: Growing, Yet Still Intimate

Calling April's NAB Show "overwhelming" is an understatement. The expo that fills the rapidly expanding Las Vegas Convention Center every April topped 103,000 attendees and 1700+ exhibitors in 2 million square feet of exhibit space. The Big Apple's edition of the NAB Show is more bite sized: taking place this week at the Javitz Convention Center, 7000 visitors will be able to engage with 300 exhibitors, along with a variety of new opportunities for in-depth workshops on cutting-edge technologies. Here's a preview of the week's festivities.


COW News
Art of the Edit
Being an Advertising Editor: The Ins & Outs of Agency Work

Being an Advertising Editor: The Ins & Outs of Agency Work

Katie Toomey takes Creative COW members inside the world of the advertising editor, where being a generalist means you are often not only a video editor, but a designer and audio editor, problem solver, as well as tech support professional. Join Katie as she takes you inside her world.

Editorial, Feature, People / Interview
Katie Toomey
Adobe Creative Cloud
Adobe MAX 2016: Breakthroughs in Design and Productivity

Adobe MAX 2016: Breakthroughs in Design and Productivity

You might be excused for thinking that, barely a month since Adobe announced massive updates to their Creative Cloud suite at IBC, there might not be much more to add, except that there’s no way that Adobe would bring 10,000 people to San Diego for the Adobe MAX creativity conference and not have some truly compelling new news. Read on for news of new design tools for app prototyping, photorealistic comping/visualization, the new Adobe Sensei framework of intelligent services built into the entire Creative Cloud Platform, the integration of Reuters video and photography into Adobe Stock’s editorial collection, and, of particular interest to folks working in web video, the introduction of the new Social Publishing Panel within Adobe Premiere Pro.


COW News
Adobe After Effects Expressions
Adobe After Effects Expressions 101

Adobe After Effects Expressions 101

Expressions in Adobe After Effects open up a world of possibilities for your visual effects! Expressions can be daunting when you first get into them, though, as you have to essentially write 'code' - and code can be scary. Join After Effects guru Tobias Gleissenberger of Surfaced Studio for the first in a series covering expressions, from the very basics - all the way through to programming the Matrix!

Tutorial
Tobias Gleissenberger
Microsoft Surface Studio: Does It Out-Mac the Mac?

Microsoft Surface Studio: Does It Out-Mac the Mac?

The day before Apple was set to announce their big news for the year, Microsoft introduced their own big news and for some Mac users -- no, not all but at least some -- it seemed to recall feelings and dreams of old. This is a Microsoft that few saw coming and in their swing for the fences, they have gotten many things right. Will it be enough to plant their flag on the mountain that Apple has long been king of? We'll see.

Review, Editorial, Feature
Ronald Lindeboom
Business & Marketing
How TV Spot Strategies Come Into Being

How TV Spot Strategies Come Into Being

Nick Griffin has worked with a wide range of clients both national and international. He has worked in a wide range of capacities for his clients and he is successful because he knows how to listen and how to function as a part of a team, even when he's the guy with all the responsibility. In this article he shares some of the basics of building a successful strategy from which strong campaigns can be built.


Nick Griffin
Adobe Premiere Pro
Advanced Color Correction in Adobe Premiere Pro

Advanced Color Correction in Adobe Premiere Pro

Color correction is essential to making every video look its best, and Adobe Premiere Pro has a lot of great tools built in that are both powerful and easy to use. Most important, they can help bridge the gap between color displayed on the monitor you're using, and the devices your viewers will be using. Video editing and VFX whiz Tobias Gleissenberger of Surfaced Studios will walk you through the waveform monitor, the RGB parade, and vectorscopes built into Premiere Pro, as well as helping you understand how they work together.


Tobias Gleissenber
Field Production
“Before I forget: don’t wear any underwear.”

“Before I forget: don’t wear any underwear.”

Before coming to Creative COW, before his lives in product marketing and product management at Avid and Boris FX, Creative COW Editor-in-Chief Tim Wilson ran a video production company. As we also observe the 100th Anniversary of the founding of the US Parks Service, Tim recalls one one especially memorable adventure to Everglades National Park, wherein he found himself quite literally up to his armpits in alligators. He had no idea that this was going to happen when the day began. At the time, he was focused on a brand new fear: getting sliced in half by burning underwear.

Editorial, Feature, People / Interview
Tim Wilson
Art of the Edit
The Science of Editing

The Science of Editing

Sven Pape, aka @ThisGuyEdits, joins Dr. Karen Pearlman -- former President of the Australian Screen Editors Guild and a three-time nominee for Best Editing at the Australian Screen Editors Guild Annual Awards -- for a provocative look at "Editor's Thinking," a cognitive skill set that you can use to improve your screenplay before you start principal photography of your film.

Tutorial, Project
Sven Pape
Panasonic Cameras
Shooting MTV's Mary + Jane with Panasonic VariCam 35

Shooting MTV's Mary + Jane with Panasonic VariCam 35

To shoot the ½ hour scripted comedy series for MTV, Mary + Jane, the producers at Television 360 enlisted cinematographer Charles Papert (Crazy Ex-Girlfriend, Key and Peele), who found that Panasonic VariCam is a great fit for moving fast and getting great images when time and resources are scarce.


COW News
Adobe After Effects
Imagineer mocha Pro 5 Plug-In for Adobe: An In Depth Review

Imagineer mocha Pro 5 Plug-In for Adobe: An In Depth Review

Imagineer mocha Pro 5 Plug-in for Adobe brings all the amazing features of the professional version of the mocha Planar Tracker directly into After Effects and Premiere Pro in the form of a plugin. In this in-depth review, After Effects tutorial guru Tobias Gleissenberger of Surfaced Studio will show you what you can do with this new plug-in, and discuss what he likes and doesn't like about the new update.

Tutorial
Tobias Gleissenberger
Apple Final Cut Pro X
Hawaiki Keyer 3.0 Upgrader Tutorial

Hawaiki Keyer 3.0 Upgrader Tutorial

After 25 years as an editor, compositor, and VFX artist, frequent Creative COW poster and tutorial author Simon Ubsdell knows what he needs from a keyer -- and knew he wasn't getting good enough results from FCPX or Motion. Discussions in COW forums led him to create the highly regarded Hawaiki Keyer for Mac users using Apple Final Cut Pro X, Apple Motion, and Adobe After Effects and Premiere Pro on Mac as well. Enthusiasm expressed by COW members for its latest release led us to ask Simon for a tour of the even more advanced Hawaiki Keyer 3.0.

Tutorial
Simon Ubsdell
Cinematography
All Eyes on IBC 2016 for Cameras and Lenses Galore

All Eyes on IBC 2016 for Cameras and Lenses Galore

What’s that you say? An IBC that’s not only relevant, but downright exhilarating? This used to not be news, of course. However, in recent years, IBC has too often become simply an opportunity for European audiences to see products already announced at NAB. In 2016, however, the focus swings sharply to Amsterdam, especially when it comes to cameras and lenses. IBC 2016 is shaping up to be one of the most dramatic trade shows for cinematographers, broadcasters, and videographers in years. Join Creative COW Editor-in-Chief Tim Wilson for a speedy overview of some of the highlights.

Feature
Tim Wilson
Art of the Edit
Film Editing Tutorial: How To Crush The First Notes

Film Editing Tutorial: How To Crush The First Notes

It's happened to you. The first cut sounds noisy, has compression artifacts, actors aren't giving their best performances -- and the director has notes about all this and more. Follow along as Sven Pape from "This Guy Edits" works through some of these very issues on the film he's working on, with tips on how deliver exactly what YOUR director is looking for.

Tutorial
Sven Pape
Adobe After Effects
After Effects 2015.3 - My Favorite Features

After Effects 2015.3 - My Favorite Features

Learn why you should upgrade to After Effects CC 2015.3 - 13.8.1 - a close and detailed look at the latest release of After Effects (August 2016). Roei Tzoref will be focusing on his favorite features that set this release apart from previous versions: Performance, Queue in AME, Lumetri Color new features, and more.

Tutorial
Roei Tzoref
Adobe After Effects
Advanced Masking in Adobe After Effects

Advanced Masking in Adobe After Effects

Some of the coolest stuff you can do inside of Adobe After Effects is only possible once you unlock the power of masks. Join After Effects whiz Tobias Gleissenberger of Surfaced Studio to learn about mask animation and interpolation, using the variable width feathering tool, managing mask modes and ordering, and more.

Tutorial
Tobias Gleissenberger
Art of the Edit
Editing Movie Trailers with Patricio Hoter

Editing Movie Trailers with Patricio Hoter

More and more, films that are currently in production are working alongside with their marketing teams to establish a strategy months in advance of its release. That means that there’s more time to explore several options when crafting a trailer, but the workload also becomes heavier, and the stakes become higher. Avid Media Composer editors Christian Jhonson and Patricio Hoter (The Jungle Book, The Last Witch Hunter, Green Room, Titanic 3D, and more) explore this evolving artform.

Tutorial
Christian Jhonson
Drones/UAV
UAV Filter Frenzy!

UAV Filter Frenzy!

Virtually every sUAV/RTF drone in the air uses the same image processing chip and most have similar lenses. None of them are ideal, and they all operate at very high shutter speeds. None of them allow for shutter speed control, and as a result, it's up to the user to slow the shutter speed. This can only be done through the use of filters, says longtime Creative COW leader and legend Douglas Spotted Eagle of Drones Plus. Join him for a closer look at more beautiful imagery from above.

Feature
Douglas Spotted Eagle
Adobe After Effects
Fixing Common After Effects Problems and Mistakes

Fixing Common After Effects Problems and Mistakes

Got problems using Adobe After Effects? Exported files too large, Expressions not working, mixing shapes and makes, modes/switches, selecting previews for layers vs. comps - Surfaced Studio's Tobias Gleissenberger shows you fast fixes for these and more!

Tutorial
Tobias Gleissenberger
Adobe After Effects
mocha AE Planar Tracker for Absolute Beginners

mocha AE Planar Tracker for Absolute Beginners

Want to learn how to create advanced visual effects? Learn how to use mocha AE to track your shot and add advanced visual effects to live action footage inside Adobe After Effects. mocha can help you track shots that would be hard to track using traditional 2D point or feature trackers because it is a PLANAR TRACKER. A planar tracker uses planes and textures to track as opposed to points or groups of pixels. This allows the tracker to stay on track even if your shot contains motion blur or a very shallow depth of field. mocha AE comes included with Adobe After Effects and is available since CS3 and there is no reason for you not to use this awesome tool to make it easier for you to track your shot, replace screens or rotoscope!

Tutorial
Tobias Gleissenberger
Art of the Edit
5 Tips for Finding the Right Edit Point

5 Tips for Finding the Right Edit Point

Accomplished editors tend to point to instinct and experience when it comes to the exact edit point. Here are 5 tips from veteran editor Sven Pape of "This Guy Edits" that may help you get there. Some editors say that great editing is invisible. So is the right frame the one we don't notice?

Tutorial
Sven Pape
Adobe Premiere Pro
Working with Audio in Adobe Premiere Pro

Working with Audio in Adobe Premiere Pro

Want to learn how to add music and sound effects to your videos using Adobe Premiere Pro? Tobias Gleissenberger of Surfaced Studio will teach you all you need to know about adding music and sound effects to your projects, creating and using submixes, working with audio keyframes, and much more.

Tutorial
Tobias Gleissenberger
Art of the Edit
The Surprising Upside Of Procrastination In Film Editing

The Surprising Upside Of Procrastination In Film Editing

What if you wouldn't have to stop procrastinating? Sven Pape of "This Guy Edits" demonstrates how to use procrastination to achieve some of your best film editing work. "Why do I procrastinate?" asks Sven, "I give you Aaron Sorkin who has one of the best procrastination quotes: "You call it procrastination I call it thinking.""

Tutorial
Sven Pape
Business & Marketing
Seven Ways to Make Your Own Luck in The Film Industry

Seven Ways to Make Your Own Luck in The Film Industry

HBO Director of Workflow, post-house founder, owner of the first two RED cameras, founder and developer of Endcrawl, technologist, futurist, educator, and more: John 'Pliny' Eremic, is regularly asked for career advice in the field of filmmaking. Step One, he says, is to consider a new job. There's much more of course, delivered with Pliny's peerless wit, directness, and insight. Whether you're just starting in the business, or looking to break through to the next level, you won't want to miss this guide to making your own luck.

Feature
John 'Pliny' Eremic
Adobe After Effects
How to Make After Effects Faster with Proxies

How to Make After Effects Faster with Proxies

Learn how to make Adobe After Effects faster by using PROXIES! A proxy is a placeholder that stands in place for a very large video file or image sequence in your project. You can easily create proxies for the large source files that you are using and After Effects will automatically link them to the item in your project panel.

Tutorial
Tobias Gleissenberger
Art of the Edit
The Secret World of Foley, One of Cinema's Most Magical Arts

The Secret World of Foley, One of Cinema's Most Magical Arts

The Secret World of Foley is an evocative, wordless insight into one of the cinema’s most magical arts: the creative addition of synchronized sound effects in post known as Foley. This short film is also one of the most beautiful things you've seen in a long time. We highly recommend it to any fans of movies, sound, and the inspiration of watching true artists at work.

Feature
Tim Wilson
Art of the Edit
FuseFX & mocha: VFX for Walking Dead, Empire, AHS & More

FuseFX & mocha: VFX for Walking Dead, Empire, AHS & More

The 100+ member team at FuseFX juggles over 30 television episodics a season, while also working on features and commercials. Current credits include: FOX's Empire, ABC's Agents of SHIELD, AMC's The Walking Dead, SyFy's The Magicians, CBS's Zoo, and FX's American Horror Story. Brigitte Bourque, FuseFX's Digital Effects Supervisor and a 20 year industry vet, talks to us about the work that FuseFX does, and how Imagineer Systems mocha fits into their pipeline.

Feature, People / Interview
Imagineer Systems
Art of the Edit
Editing: The Kuleshov Effect Put to the Test

Editing: The Kuleshov Effect Put to the Test

One of the most powerful discoveries in the early days of editing became known as The Kuleshov Effect: the same piece of footage means different things depending on the shots that surround it. It is a mental phenomenon by which the audience derives more meaning from the interaction of two sequential shots than from a single shot in isolation. One hundred years later, Sven Pape of This Guy Edits puts this venerable axiom to the test. Does this fundamental principle of modern editing still hold up? Prepare to be amazed.

Tutorial
Sven Pape
Art of the Edit
Game of Thrones: Battle of the Bastards VFX

Game of Thrones: Battle of the Bastards VFX

Deluxe Entertainment Services Group (Deluxe) has shared with us that its Australian animation and visual effects studio Iloura delivered a significant suite of work for the recent "Battle of the Bastards" episode of HBO's tentpole series Game of Thrones. Working on the epic battle sequence for the Season 6, Episode 9 crescendo, Iloura's team of visual artists used a mix of VFX and hand-crafted animation techniques to realize the vision for the bloody showdown. As a bonus, we include HBO's production featurette on staging and shooting Game of Thrones' most epic scene yet.

Feature
Iloura VFX
Drones/UAV
Drone Technology: Revolutionizing Aerial Photography

Drone Technology: Revolutionizing Aerial Photography

We take an artistic, non-technical and historical view of Drones; where they've been and where they're headed.

Editorial, Feature
Liz Pekler
Blackmagic Design Fusion
Advanced Keying in Blackmagic Design Fusion

Advanced Keying in Blackmagic Design Fusion

Following his well-received exploration of the power of customized keying inside Blackmagic Design Fusion, Simon Ubsdell goes even further into his look at the liberation from the inevitable limitations of other people's keyers by building your own inside Fusion. Along the way, you'll learn about Channel Booleans and many other insights that you'll be able to use in all of your Fusion projects.

Tutorial
Simon Ubsdell
Adobe Premiere Pro
Top 10 Adobe Premiere Pro Keyboard Shortcuts

Top 10 Adobe Premiere Pro Keyboard Shortcuts

Join Tobias Gleissenberger for an energetic look at the top ten keyboard shortcuts Adobe Premiere Pro. These essential tips will greatly improve your efficiency and help you optimise your editing workflow!

Tutorial
Tobias Gleissenberger
VR (Virtual Reality)/360º Video
VR Cinematography: Exploring How To Represent People in VR

VR Cinematography: Exploring How To Represent People in VR

Close-up VR imagery from camera-originated material is awesome but tricky, says multimedia and VR pioneer Michael Naimark. The question is, how do you actually DO it? Taking Google's collaboration with Go Pro on the Jump VR 16-camera rig as a starting point, Michael and his team began to map out the specifics of managing point of view inside a 360 degree panorama. It requires a combination of complexity (stitching this many POVs together) and simplicity (panoramic sound helps a lot!) that we're just now beginning to explore. Ready for a wild ride into the future of capturing people in the world of VR cinematography? Start here.

Editorial, Feature
Michael Naimark
Adobe After Effects
Stabilize & Smooth: mocha 5 Plug-in for Adobe & Avid

Stabilize & Smooth: mocha 5 Plug-in for Adobe & Avid

Imagineer Systems and Boris FX product specialist Mary Poplin shows you how to stabilize with the new mocha Pro 5 plug-in inside of Avid Media Composer, Adobe Premiere Pro and After Effects. This tutorial covers artistic stabilization, such as smoothing out camera movements or stabilizing around moving objects, completely locking down shots, and automatically replacing edge fill on planar backgrounds.

Tutorial
Mary Poplin
Adobe Premiere Pro
Adobe Premiere Pro for Absolute Beginners

Adobe Premiere Pro for Absolute Beginners

New to Premiere Pro? In this tutorial, Tobias will show you how to create a video using Adobe Premiere Pro.

Tutorial
Tobias Gleissenberger
Art of the Edit
How To Become A (Wanted) Film Editor

How To Become A (Wanted) Film Editor

What does it take to master the art of film editing? Sven Pape, host of This Guy Edits, shares 7 recommendations that may just turn you into a storyteller in demand. Or more specifically, he says, these are his thoughts on how to become what you love, whether directing, screenwriting, shooting, acting: anything that you have a passion for.

Tutorial
Sven Pape
Adobe After Effects
Adobe After Effects Puppet Tool

Adobe After Effects Puppet Tool

Become a puppet master by learning how to use the Puppet Tool in Adobe After Effects! This intermediate-level tutorial from After Effects guru Tobias will show you how the Puppet Tool allows you to add joints and animations to bring life to any static image!

Tutorial
Tobias Gleissenberger
Art of the Edit
Gravity's Mark Sanger: Cut & Talk with Oscar-Winning Editor

Gravity's Mark Sanger: Cut & Talk with Oscar-Winning Editor

Academy Award-winning editor Mark Sanger stopped his usual activities to talk about working with director Alfonso Cuarón and his amazing work on Gravity, what to cut out of the film, and what to cut out of life with his guiding principle: make yourself invaluable, but never at the expense of others.

Feature, People / Interview
Mark Sanger and Christian Jhonson
Drones/UAV
Breaking The Drone Code: 336, 333, 107 (Part 1)

Breaking The Drone Code: 336, 333, 107 (Part 1)

An understanding of the Drone Code may help clarify the lines the FAA and UAS/UAV/drone owners have drawn in the sand for each other, says Douglas Spotted Eagle, CEO of Drones Plus, Inc. The Drone Code may seem to shift at the whims of legislation, lobbyists, manufacturer organizations, government agencies, and UAS users. It doesn't. Here is Part 1 of your path to distinguish shifting sands vs. the solid underlying large rocks anchored to the earth.

Feature
Douglas Spotted Eagle
Adobe After Effects
How to Spawn A Clone in Adobe After Effects

How to Spawn A Clone in Adobe After Effects

Want to learn how to create a cool clone spawn effect in Adobe After Effects? Follow along with After Effects whiz Tobias from Surfaced Studio in this exciting new visual effects tutorial that combines green screen using Keylight, CC Vector Blur, the Liquefy Effect, CC Particle World, and much more, delivered in Tobias' inimitable style!

Tutorial
Tobias Gleissenberger
Storage
G-Tech G-RACK 12: Fast, Easy, Expandable, A Winner

G-Tech G-RACK 12: Fast, Easy, Expandable, A Winner

Already having a great reputation for standalone RAID arrays, G-Tech makes a bold move into shared storage with the G-Tech G-RACK 12. With 120 TB, expandable to 480 TB, blazing speeds, a built-in server (no separate computer or metadata servers needed!) and incredibly easy set-up and management software, longtime broadcast and facility engineer Bob Zelin says that the G-RACK 12 is a winner. Bob doesn't say that often, so you're going to want to check out all the details -- and because it's Bob, there are a lot of details!

Review
Bob Zelin
Adobe After Effects
Creating A Flame on Your Finger with After Effects

Creating A Flame on Your Finger with After Effects

It is easy to do some motion tracking and attach a basic stock footage element of fire onto your hands, but there is a little bit of work involved if you actually want to make it look good. In this intermediate tutorial by After Effects expert Tobias, you'll see how to use a fire stock footage element to set your thumb on fire! There are lots of useful tricks for null objects, expressions, and more in this tutorial that will help you create all sorts of other cool visual effects -- or set even more things on fire!

Tutorial
Tobias Gleissenberger
Art of the Edit
Taking Over the ACE Student Awards Pt 1: Advice From Grads

Taking Over the ACE Student Awards Pt 1: Advice From Grads

For the first time in its history, the American Cinema Editors student awards were swept by students from the University of North Carolina School for the Arts. In part 1 of her look at this program's unprecedented feat, Creative COW Associate Editor Kylee Peña speaks to the students -- Aneesa Mahboob, Chris Dold, and Emily Rayl -- about the first part of their journey as filmmakers, the benefits of formal education, how they see the world from here, as well as their remarkable night at their first (and surely not last) Hollywood awards banquet. Whether you're a student or a seasoned pro, read on to be inspired, challenged, and reminded why we do this.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Ten Ways to Avoid Editor's Block

Ten Ways to Avoid Editor's Block

Just admit it. You're afraid of the empty timeline. Maybe you’re one of the lucky few who can dive right into cutting a new project. Then there are the other 99% of us for whom there’s nothing worse than that moment after you’re prepping, and you have to face it: time to start cutting something. As an editor for high-profile shows including Empire and Burn Notice, Zack Arnold has been there. Here Zack, shares 10 proven tips from his own experience for not just beating editor's block, but completely avoiding it.

Editorial, Feature, People / Interview
Zack Arnold
Art of the Edit
Taking Over the ACE Awards 2: How to Make Film School Work

Taking Over the ACE Awards 2: How to Make Film School Work

For the first time in its history, the American Cinema Editors student awards were swept by students from a single school: the University of North Carolina School for the Arts. In part 1 of her look at this program's unprecedented feat, Creative COW Associate Editor Kylee Peña spoke to the students. Here in part 2, she speaks to the faculty members -- Julian Semilian, ACE, and Michael Miller, ACE -- helping students balance technique and creativity. Whether you're a student or a seasoned pro, read on to be inspired, challenged, and reminded why we do this.

Editorial, Feature
Kylee Peña
Cinematography
Depth of Field: Gregg Toland, Citizen Kane and Beyond

Depth of Field: Gregg Toland, Citizen Kane and Beyond

Whenever somebody equates "shallow depth of field" and "cinematic look," it's important to remember that the opposite is also sometimes true. Creative COW Editor-in-Chief Tim Wilson celebrates the work of Gregg Toland, ASC, born this week in 1904 -- the first master of extreme depth of field in movies like Citizen Kane and The Grapes of Wrath that forever changed what is possible for humans to do with cameras. This reprise of a classic article from the Creative COW Archives also offers a look at what Toland's approach to cinematic composition can mean for YOUR shooting.

Editorial, Feature
Tim Wilson
Art of the Edit
'Art of Post' Art Show Features Creativity After Delivery

'Art of Post' Art Show Features Creativity After Delivery

The creative folks in post-production often apply their artistic skills beyond their jobs. They sometimes even apply to it to art. This is every bit as true for technical and administrative people who don't have a specific outlet for their artistic impulses on the job. The folks at the bi-coastal visual effects and motion graphics company came up with a fantastic idea: let's put some of the work they've created in galleries. and call it "The Art of Post." Creative COW Associate Editor Kylee Peña responded strongly. "When I saw the Art of Post event featuring art created by post production professionals in Los Angeles and New York, I knew it wasn't just a new idea, it was necessary." Learn more about the remarkable event, enjoy the work of some remarkable artists, and perhaps think more broadly about what it means to be creative.

Editorial, Feature
Kylee Wall
Cinematography
New Trends and Technology at Cine Gear Expo 2016

New Trends and Technology at Cine Gear Expo 2016

Cine Gear Expo 2016 exhibits open Friday June 3 and 4, at Paramount Studios in Hollywood, California with major screenings, filmmaker panel discussions, groundbreaking techniques and new equipment premiers that are sure to influence the filmmaking industry. Catering to the world’s top motion picture, video and new media visual artists, Paramount’s prestigious back lot is the ideal setting for professionals to meet with colleagues and nearly 300 top equipment vendors to see live demos and get their hands on the latest gear. Take a look at how this year's hottest trends are shaping up.

Feature
Susan Lewis
Apple FCPX Debates
FCPX Workflow: One Smart Collection To Rule Them All

FCPX Workflow: One Smart Collection To Rule Them All

The first key to workflow wizardry is to exploit an application's strengths. In exploring the nuances of FCPX, famed workflow wizard Simon Ubsdell opens up some of the secrets around one of its most uniquely powerful, but sorely underused tools: Smart Collections. This isn't about replacing your existing project management (although it can). It's about leveraging some of the ridiculously awesome power of the Smart Collection to make your work flow far more easily than you might have imagined.

Tutorial
Simon Ubsdell
Art of the Edit
Metadata & The Future of Filmmaking

Metadata & The Future of Filmmaking

Dave Stump, ASC has worked as a DP, effects cinematographer and VFX supervisor on dozens of films including Quantum of Solace, X-men The Bourne Identity, Star Trek: First Contact, Batman Forever and many more. He chairs the ASC subcommittees on Cameras, and Metadata, and in 2000, was part of a team that received a Technical Achievement Award from the Academy of Motion Picture Arts and Sciences, for hand-development of advanced camera data capture systems. Although this interview was first published in 2008, we've found that the ideas explored here are becoming more relevant by the day. Join Creative COW Editor-in-Chief Tim Wilson and COW Leader and camera expert Gary Adcock for this compelling look at the future of filmmaking.

Feature
Dave Stump, ASC
Art of the Edit
Creative Studio leads Pink Through the Looking Glass

Creative Studio leads Pink Through the Looking Glass

The Creative Studio's Director of CG Steve Parish led the VFX team, who first worked to bring together eighteen passes of a continuous seventy second shot as Pink moves across the chessboard in a fully CG generated environment. Meyers and Sarsfield had worked carefully to capture the motion controlled camera move, ensuring that there were no intersections between the characters, but the VFX team had a lot of clean up on the chessboard to create a clean plate before adding reflections and shadows to the floor in order to sell through the separate passes of Pink's game pieces interacting in the scene.

Editorial, Feature
COW News
Art of the Edit
Adventures in File Transfer: Crawford's Transformed Workflow

Adventures in File Transfer: Crawford's Transformed Workflow

The boom in Georgia location production has led to new opportunities for Atlanta's Crawford Media Services to provide everything from dailies to finishing, all the way through archiving. The trick is that while, locations are local, the productions and client operating bases may be across the country, or even on other continents. As media bloomed to over 200TB daily, FTP was no longer an option. To the rescue rode Signiant Media Shuttle.

Feature
COW News
Art of the Edit
What Comes After Landing that Big Editing Job?

What Comes After Landing that Big Editing Job?

Sitting in on a meeting of The Editors' Lounge can be informative to say the least, and advance your career with wise words and not only been-there-done-that-information, but a real melting pot of new information and strategy. Join in for point-by-point discussion of what to do next after landing your big editing job.

Editorial, Feature
The Editors' Lounge
Adobe After Effects
Turning After Effects CC Particle World Into a 3D Galaxy

Turning After Effects CC Particle World Into a 3D Galaxy

Want to create an epic space scene with only the tools built into Adobe After Effects? Starting with After Effects' native CC Particle World, Graham Quince shows how to create a spectacular 3D spiral galaxy using null objects, 3D layers, and expressions to define where CC Particle World adds particles in (After Effects) space.

Tutorial
Graham Quince
Color Grading
Baselight Ka-booms in Belfast

Baselight Ka-booms in Belfast

Belfast, in Northern Ireland, doesn't have a great history in post-production. But Ka-boom, which started in 2010 as an audio facility, the specialisation of co-founder Will McConnell, quickly grew to fill the void in a city which is now rapidly becoming a major production centre.

Editorial, Feature
FilmLight
NAB Show
NAB NLEs 2016: The Revolution? No Revolutions!

NAB NLEs 2016: The Revolution? No Revolutions!

While the emphasis on "revolutionary" product releases at the annual NAB Show makes for splashy demos, they can sometimes get in the way of what customers really want: improvements to the product that they already have, just making them work better. Lo and behold, that's what we got in 2016! Rock-solid releases long on increased performance, stability, and interoperability. Useful releases? THAT's revolutionary! Join Creative COW's Tim Wilson for a closer look at NLE software in particular, and the ways in which developers are delivering on the promise of truly meaningful releases.

Editorial, Feature
Tim Wilson
DaVinci Resolve
Day Three: Editing on DaVinci Resolve 12.5

Day Three: Editing on DaVinci Resolve 12.5

It's Day Three of Walter Biscardi's REAL WORLD editing on DaVinci Resolve 12.5 and this is going to be the longest blog yet as I want to show you guys a lot of the "little things" that are making editing in Resolve a pleasure. I know there are a lot of questions still out there whether this is really a professional editor. For me it's the small things that separate the applications making life efficient and fun for the the editor.

Editorial, Feature
Walter Biscardi
NAB Show
Bob Zelin's NAB 2016 Review: Everything You Own is Obsolete

Bob Zelin's NAB 2016 Review: Everything You Own is Obsolete

Zelin Nation rejoices as the legendary Bob Zelin's legendary NAB wrap-up returns, featuring the unique insights of this industry-leading broadcast engineer into the stories that matter most. You won't find a better overview of shared storage, IO devices, converters, studio cameras, and Thunderbolt 3, because there aren't any. Check it out. Legendary.

Editorial, Feature, People / Interview
Bob Zelin
TV & Movie Appreciation
Favreau, Technicolor & MPC Make The Jungle Book Come Alive

Favreau, Technicolor & MPC Make The Jungle Book Come Alive

Todd McCarthy, veteran film critic and historian, in his review of director Jon Favreau's new, stunning adaptation of Rudyard Kipling's The Jungle Book declared, "...the visual effects team led by Robert Legato and (MPC's) Adam Valdez has both created sumptuous settings that look as lifelike as any CGI ever presented in a studio feature and integrated both humans and animal characters in them in seamless ways."

Editorial, Feature
Jon Favreau
NAB Show
Kylee Peña's NAB 2016 Review: It's The Little Things

Kylee Peña's NAB 2016 Review: It's The Little Things

This was not an exciting year for the National Association of Broadcasters conference in Las Vegas, says Creative COW Associate Editor Kylee Peña, but that doesn't mean it wasn't important. The “exciting” stuff isn’t what affects post production workflow the most, at least not immediately. Kylee notes that we may not even know NAB 2016's most important announcements for a few more years. After all, it might have been a long time after the introduction of 4K or even HD at NABs past before those mattered to YOU. So as important as NAB is, that's why it's important not to lose sight of the things that matter the other 51 weeks of the year.

Editorial, Feature
Kylee Peña
DaVinci Resolve
Day One: Editing on DaVinci Resolve 12.5

Day One: Editing on DaVinci Resolve 12.5

Blackmagic Design recently took the wraps off DaVinci Resolve 12.5. Walter Biscardi has been predicting for over a year that Blackmagic would answer many of the questions plaguing editors, and that this would be the year this tool became a full fledged non-linear editing system -- sure enough, it's now a solid editing platform.

Feature
Walter Biscardi
DaVinci Resolve
Day Two: Editing on DaVinci Resolve 12.5

Day Two: Editing on DaVinci Resolve 12.5

Somebody asked Walter Biscardi, "why does editing in Resolve interest you?" Well, he states, it is my color grading tool of choice. It's completely free, and by the way, I'm cutting this project using the free version of Resolve. My Studio version sits on another machine. And having all of that extra real estate on the second monitor is a huge bonus.

Editorial, Feature
Walter Biscardi
TV & Movie Appreciation
VFX Legion | Hardcore Henry breakdown reel

VFX Legion | Hardcore Henry breakdown reel

Remote post-production and visual effects studio VFX Legion has released its breakdown reel for the incendiary Hardcore Henry. The reel reveals the work that went into the first-person perspective action film, from augmenting violence to stitching shots together into one continuous sequence.

Editorial, Feature
COW News
Art of the Edit
FuseFX Applies Military Muscle to FX's Tyrant

FuseFX Applies Military Muscle to FX's Tyrant

VFX Supervisor Ted Rae and team are applying their artistry to "Tyrant," a jihadist war drama and one of the best programs on television today.

Editorial, Feature
COW News
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