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Art of the Edit
How To Become A (Wanted) Film Editor

How To Become A (Wanted) Film Editor

What does it take to master the art of film editing? Sven Pape, host of This Guy Edits, shares 7 recommendations that may just turn you into a storyteller in demand. Or more specifically, he says, these are his thoughts on how to become what you love, whether directing, screenwriting, shooting, acting: anything that you have a passion for.

Tutorial
Sven Pape
Adobe After Effects
Adobe After Effects Puppet Tool

Adobe After Effects Puppet Tool

Become a puppet master by learning how to use the Puppet Tool in Adobe After Effects! This intermediate-level tutorial from After Effects guru Tobias will show you how the Puppet Tool allows you to add joints and animations to bring life to any static image!

Tutorial
Tobias Gleissenberger
Adobe After Effects
Common After Effects Problems and Mistakes

Common After Effects Problems and Mistakes

Got problems using Adobe After Effects? In this video, Tobias Gleissenberger will discuss some of the common problems and mistakes with Adobe After effects and how to fix them!

Tutorial
Tobias Gleissenberger
Art of the Edit
Gravity's Mark Sanger: Cut & Talk with Oscar-Winning Editor

Gravity's Mark Sanger: Cut & Talk with Oscar-Winning Editor

Academy Award-winning editor Mark Sanger stopped his usual activities to talk about working with director Alfonso Cuarón and his amazing work on Gravity, what to cut out of the film, and what to cut out of life with his guiding principle: make yourself invaluable, but never at the expense of others.

Feature, People / Interview
Mark Sanger and Christian Jhonson
Drones/UAV
Breaking The Drone Code: 336, 333, 107 (Part 1)

Breaking The Drone Code: 336, 333, 107 (Part 1)

An understanding of the Drone Code may help clarify the lines the FAA and UAS/UAV/drone owners have drawn in the sand for each other, says Douglas Spotted Eagle, CEO of Drones Plus, Inc. The Drone Code may seem to shift at the whims of legislation, lobbyists, manufacturer organizations, government agencies, and UAS users. It doesn't. Here is Part 1 of your path to distinguish shifting sands vs. the solid underlying large rocks anchored to the earth.

Feature
Douglas Spotted Eagle
Adobe After Effects
How to Spawn A Clone in Adobe After Effects

How to Spawn A Clone in Adobe After Effects

Want to learn how to create a cool clone spawn effect in Adobe After Effects? Follow along with After Effects whiz Tobias from Surfaced Studio in this exciting new visual effects tutorial that combines green screen using Keylight, CC Vector Blur, the Liquefy Effect, CC Particle World, and much more, delivered in Tobias' inimitable style!

Tutorial
Tobias Gleissenberger
Storage
G-Tech G-RACK 12: Fast, Easy, Expandable, A Winner

G-Tech G-RACK 12: Fast, Easy, Expandable, A Winner

Already having a great reputation for standalone RAID arrays, G-Tech makes a bold move into shared storage with the G-Tech G-RACK 12. With 120 TB, expandable to 480 TB, blazing speeds, a built-in server (no separate computer or metadata servers needed!) and incredibly easy set-up and management software, longtime broadcast and facility engineer Bob Zelin says that the G-RACK 12 is a winner. Bob doesn't say that often, so you're going to want to check out all the details -- and because it's Bob, there are a lot of details!

Review
Bob Zelin
Adobe After Effects
Creating A Flame on Your Finger with After Effects

Creating A Flame on Your Finger with After Effects

It is easy to do some motion tracking and attach a basic stock footage element of fire onto your hands, but there is a little bit of work involved if you actually want to make it look good. In this intermediate tutorial by After Effects expert Tobias, you'll see how to use a fire stock footage element to set your thumb on fire! There are lots of useful tricks for null objects, expressions, and more in this tutorial that will help you create all sorts of other cool visual effects -- or set even more things on fire!

Tutorial
Tobias Gleissenberger
Art of the Edit
Taking Over the ACE Student Awards Pt 1: Advice From Grads

Taking Over the ACE Student Awards Pt 1: Advice From Grads

For the first time in its history, the American Cinema Editors student awards were swept by students from the University of North Carolina School for the Arts. In part 1 of her look at this program's unprecedented feat, Creative COW Associate Editor Kylee Peña speaks to the students -- Aneesa Mahboob, Chris Dold, and Emily Rayl -- about the first part of their journey as filmmakers, the benefits of formal education, how they see the world from here, as well as their remarkable night at their first (and surely not last) Hollywood awards banquet. Whether you're a student or a seasoned pro, read on to be inspired, challenged, and reminded why we do this.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Ten Ways to Avoid Editor's Block

Ten Ways to Avoid Editor's Block

Just admit it. You're afraid of the empty timeline. Maybe you’re one of the lucky few who can dive right into cutting a new project. Then there are the other 99% of us for whom there’s nothing worse than that moment after you’re prepping, and you have to face it: time to start cutting something. As an editor for high-profile shows including Empire and Burn Notice, Zack Arnold has been there. Here Zack, shares 10 proven tips from his own experience for not just beating editor's block, but completely avoiding it.

Editorial, Feature, People / Interview
Zack Arnold
Art of the Edit
Taking Over the ACE Awards 2: How to Make Film School Work

Taking Over the ACE Awards 2: How to Make Film School Work

For the first time in its history, the American Cinema Editors student awards were swept by students from a single school: the University of North Carolina School for the Arts. In part 1 of her look at this program's unprecedented feat, Creative COW Associate Editor Kylee Peña spoke to the students. Here in part 2, she speaks to the faculty members -- Julian Semilian, ACE, and Michael Miller, ACE -- helping students balance technique and creativity. Whether you're a student or a seasoned pro, read on to be inspired, challenged, and reminded why we do this.

Editorial, Feature
Kylee Peña
Cinematography
Depth of Field: Gregg Toland, Citizen Kane and Beyond

Depth of Field: Gregg Toland, Citizen Kane and Beyond

Whenever somebody equates "shallow depth of field" and "cinematic look," it's important to remember that the opposite is also sometimes true. Creative COW Editor-in-Chief Tim Wilson celebrates the work of Gregg Toland, ASC, born this week in 1904 -- the first master of extreme depth of field in movies like Citizen Kane and The Grapes of Wrath that forever changed what is possible for humans to do with cameras. This reprise of a classic article from the Creative COW Archives also offers a look at what Toland's approach to cinematic composition can mean for YOUR shooting.

Editorial, Feature
Tim Wilson
Art of the Edit
'Art of Post' Art Show Features Creativity After Delivery

'Art of Post' Art Show Features Creativity After Delivery

The creative folks in post-production often apply their artistic skills beyond their jobs. They sometimes even apply to it to art. This is every bit as true for technical and administrative people who don't have a specific outlet for their artistic impulses on the job. The folks at the bi-coastal visual effects and motion graphics company came up with a fantastic idea: let's put some of the work they've created in galleries. and call it "The Art of Post." Creative COW Associate Editor Kylee Peña responded strongly. "When I saw the Art of Post event featuring art created by post production professionals in Los Angeles and New York, I knew it wasn't just a new idea, it was necessary." Learn more about the remarkable event, enjoy the work of some remarkable artists, and perhaps think more broadly about what it means to be creative.

Editorial, Feature
Kylee Wall
Cinematography
New Trends and Technology at Cine Gear Expo 2016

New Trends and Technology at Cine Gear Expo 2016

Cine Gear Expo 2016 exhibits open Friday June 3 and 4, at Paramount Studios in Hollywood, California with major screenings, filmmaker panel discussions, groundbreaking techniques and new equipment premiers that are sure to influence the filmmaking industry. Catering to the world’s top motion picture, video and new media visual artists, Paramount’s prestigious back lot is the ideal setting for professionals to meet with colleagues and nearly 300 top equipment vendors to see live demos and get their hands on the latest gear. Take a look at how this year's hottest trends are shaping up.

Feature
Susan Lewis
Art of the Edit
Metadata & The Future of Filmmaking

Metadata & The Future of Filmmaking

Dave Stump, ASC has worked as a DP, effects cinematographer and VFX supervisor on dozens of films including Quantum of Solace, X-men The Bourne Identity, Star Trek: First Contact, Batman Forever and many more. He chairs the ASC subcommittees on Cameras, and Metadata, and in 2000, was part of a team that received a Technical Achievement Award from the Academy of Motion Picture Arts and Sciences, for hand-development of advanced camera data capture systems. Although this interview was first published in 2008, we've found that the ideas explored here are becoming more relevant by the day. Join Creative COW Editor-in-Chief Tim Wilson and COW Leader and camera expert Gary Adcock for this compelling look at the future of filmmaking.

Feature
Dave Stump, ASC
Apple FCPX Debates
FCPX Workflow: One Smart Collection To Rule Them All

FCPX Workflow: One Smart Collection To Rule Them All

The first key to workflow wizardry is to exploit an application's strengths. In exploring the nuances of FCPX, famed workflow wizard Simon Ubsdell opens up some of the secrets around one of its most uniquely powerful, but sorely underused tools: Smart Collections. This isn't about replacing your existing project management (although it can). It's about leveraging some of the ridiculously awesome power of the Smart Collection to make your work flow far more easily than you might have imagined.

Tutorial
Simon Ubsdell
Art of the Edit
Creative Studio leads Pink Through the Looking Glass

Creative Studio leads Pink Through the Looking Glass

The Creative Studio's Director of CG Steve Parish led the VFX team, who first worked to bring together eighteen passes of a continuous seventy second shot as Pink moves across the chessboard in a fully CG generated environment. Meyers and Sarsfield had worked carefully to capture the motion controlled camera move, ensuring that there were no intersections between the characters, but the VFX team had a lot of clean up on the chessboard to create a clean plate before adding reflections and shadows to the floor in order to sell through the separate passes of Pink's game pieces interacting in the scene.

Editorial, Feature
COW News
Art of the Edit
Adventures in File Transfer: Crawford's Transformed Workflow

Adventures in File Transfer: Crawford's Transformed Workflow

The boom in Georgia location production has led to new opportunities for Atlanta's Crawford Media Services to provide everything from dailies to finishing, all the way through archiving. The trick is that while, locations are local, the productions and client operating bases may be across the country, or even on other continents. As media bloomed to over 200TB daily, FTP was no longer an option. To the rescue rode Signiant Media Shuttle.

Feature
COW News
Art of the Edit
What Comes After Landing that Big Editing Job?

What Comes After Landing that Big Editing Job?

Sitting in on a meeting of The Editors' Lounge can be informative to say the least, and advance your career with wise words and not only been-there-done-that-information, but a real melting pot of new information and strategy. Join in for point-by-point discussion of what to do next after landing your big editing job.

Editorial, Feature
The Editors' Lounge
Adobe After Effects
Turning After Effects CC Particle World Into a 3D Galaxy

Turning After Effects CC Particle World Into a 3D Galaxy

Want to create an epic space scene with only the tools built into Adobe After Effects? Starting with After Effects' native CC Particle World, Graham Quince shows how to create a spectacular 3D spiral galaxy using null objects, 3D layers, and expressions to define where CC Particle World adds particles in (After Effects) space.

Tutorial
Graham Quince
Color Grading
Baselight Ka-booms in Belfast

Baselight Ka-booms in Belfast

Belfast, in Northern Ireland, doesn't have a great history in post-production. But Ka-boom, which started in 2010 as an audio facility, the specialisation of co-founder Will McConnell, quickly grew to fill the void in a city which is now rapidly becoming a major production centre.

Editorial, Feature
FilmLight
NAB Show
NAB NLEs 2016: The Revolution? No Revolutions!

NAB NLEs 2016: The Revolution? No Revolutions!

While the emphasis on "revolutionary" product releases at the annual NAB Show makes for splashy demos, they can sometimes get in the way of what customers really want: improvements to the product that they already have, just making them work better. Lo and behold, that's what we got in 2016! Rock-solid releases long on increased performance, stability, and interoperability. Useful releases? THAT's revolutionary! Join Creative COW's Tim Wilson for a closer look at NLE software in particular, and the ways in which developers are delivering on the promise of truly meaningful releases.

Editorial, Feature
Tim Wilson
DaVinci Resolve
Day Three: Editing on DaVinci Resolve 12.5

Day Three: Editing on DaVinci Resolve 12.5

It's Day Three of Walter Biscardi's REAL WORLD editing on DaVinci Resolve 12.5 and this is going to be the longest blog yet as I want to show you guys a lot of the "little things" that are making editing in Resolve a pleasure. I know there are a lot of questions still out there whether this is really a professional editor. For me it's the small things that separate the applications making life efficient and fun for the the editor.

Editorial, Feature
Walter Biscardi
TV & Movie Appreciation
Favreau, Technicolor & MPC Make The Jungle Book Come Alive

Favreau, Technicolor & MPC Make The Jungle Book Come Alive

Todd McCarthy, veteran film critic and historian, in his review of director Jon Favreau's new, stunning adaptation of Rudyard Kipling's The Jungle Book declared, "...the visual effects team led by Robert Legato and (MPC's) Adam Valdez has both created sumptuous settings that look as lifelike as any CGI ever presented in a studio feature and integrated both humans and animal characters in them in seamless ways."

Editorial, Feature
Jon Favreau
NAB Show
Bob Zelin's NAB 2016 Review: Everything You Own is Obsolete

Bob Zelin's NAB 2016 Review: Everything You Own is Obsolete

Zelin Nation rejoices as the legendary Bob Zelin's legendary NAB wrap-up returns, featuring the unique insights of this industry-leading broadcast engineer into the stories that matter most. You won't find a better overview of shared storage, IO devices, converters, studio cameras, and Thunderbolt 3, because there aren't any. Check it out. Legendary.

Editorial, Feature, People / Interview
Bob Zelin
NAB Show
Kylee Peña's NAB 2016 Review: It's The Little Things

Kylee Peña's NAB 2016 Review: It's The Little Things

This was not an exciting year for the National Association of Broadcasters conference in Las Vegas, says Creative COW Associate Editor Kylee Peña, but that doesn't mean it wasn't important. The “exciting” stuff isn’t what affects post production workflow the most, at least not immediately. Kylee notes that we may not even know NAB 2016's most important announcements for a few more years. After all, it might have been a long time after the introduction of 4K or even HD at NABs past before those mattered to YOU. So as important as NAB is, that's why it's important not to lose sight of the things that matter the other 51 weeks of the year.

Editorial, Feature
Kylee Peña
DaVinci Resolve
Day Two: Editing on DaVinci Resolve 12.5

Day Two: Editing on DaVinci Resolve 12.5

Somebody asked Walter Biscardi, "why does editing in Resolve interest you?" Well, he states, it is my color grading tool of choice. It's completely free, and by the way, I'm cutting this project using the free version of Resolve. My Studio version sits on another machine. And having all of that extra real estate on the second monitor is a huge bonus.

Editorial, Feature
Walter Biscardi
DaVinci Resolve
Day One: Editing on DaVinci Resolve 12.5

Day One: Editing on DaVinci Resolve 12.5

Blackmagic Design recently took the wraps off DaVinci Resolve 12.5. Walter Biscardi has been predicting for over a year that Blackmagic would answer many of the questions plaguing editors, and that this would be the year this tool became a full fledged non-linear editing system -- sure enough, it's now a solid editing platform.

Feature
Walter Biscardi
TV & Movie Appreciation
VFX Legion | Hardcore Henry breakdown reel

VFX Legion | Hardcore Henry breakdown reel

Remote post-production and visual effects studio VFX Legion has released its breakdown reel for the incendiary Hardcore Henry. The reel reveals the work that went into the first-person perspective action film, from augmenting violence to stitching shots together into one continuous sequence.

Editorial, Feature
COW News
Audio Professionals
Prince: Musician

Prince: Musician

There are almost too many stories to tell about Prince Rogers Nelson and his sudden passing at age 57. Stories of the dazzling star selling 100 million records, the explosive entertainer, the incendiary guitarist, the prolific composer, and more. Instead, we focus on a story too easily lost in all this: a man who was all about the music, 24 hours a day. Remarkable previously unseen footage of a playful Prince at an Osaka soundcheck in 1990 by Chainsaw Post GM Steve Purcell, who worked with Prince for 6 years, sheds entirely new light on an artist you only thought you knew.

Feature, People / Interview
Tim Wilson
Art of the Edit
FuseFX Applies Military Muscle to FX's Tyrant

FuseFX Applies Military Muscle to FX's Tyrant

VFX Supervisor Ted Rae and team are applying their artistry to "Tyrant," a jihadist war drama and one of the best programs on television today.

Editorial, Feature
COW News
NAB Show
Creative COW NAB Show 2016 News: Wednesday Edition

Creative COW NAB Show 2016 News: Wednesday Edition

Welcome to Wednesday's edition of the the industry's most comprehensive coverage of the 2016 NAB Show. Some of the companies with especially wide-ranging presentations including AJA, ARRI, and Blackmagic Design, with the latest news from hundreds of other companies in cameras and support gear, storage, archiving, broadcast, 4K, and much much more.


COW News
NAB Show
Creative COW 2016 NAB Show News: Tuesday Edition, April 19

Creative COW 2016 NAB Show News: Tuesday Edition, April 19

Welcome to Tuesday's edition of the the industry's most comprehensive coverage of the 2016 NAB Show. Some of the companies with especially wide-ranging presentations including AJA, ARRI, and Blackmagic Design, with the latest news from hundreds of other companies in cameras and support gear, storage, archiving, broadcast, 4K, and much much more.


Cow News
Business & Marketing
Creative COW Turns 15! A Celebration of Being Uncool

Creative COW Turns 15! A Celebration of Being Uncool

15 years is a long time on the internet! Travel back with us to the days before YouTube, social media, digital cinema, smartphones, iPods and all the rest, back to the founding of Creative COW by Ronald & Kathlyn Lindeboom in April 2001. Join us for an insider's look at the earliest days of the professional digital video revolution, all the way through the events that have shaped the world's largest community of media professionals, right here at Creative COW.

Editorial, Feature
Tim Wilson
Art of the Edit
The Women in Post PR List: No More #AllMalePanels

The Women in Post PR List: No More #AllMalePanels

Did you know the #allmalepanel is such a common phenomenon that a UN organization is urging its employees (and 8,500 member organizations like Coca-Cola and Cisco) to stop participating in them? As we enter NAB 2016, Kylee Peña is looking at balancing the scales with more women on the panels.

Editorial, Feature
Kylee Peña
SAN - Storage Area Networks
Navigating the Land Mine of Centralized Media Storage

Navigating the Land Mine of Centralized Media Storage

Storage and media asset management are probably the biggest category you will find on the NAB floor in the South Hall of the Las Vegas Convention Centre. Dennis Kutchera guides you with past experience how to Navigate the Land Mine of Centralized Media Storage in the Post-Production Storage Wars.

Editorial, Feature
Dennis Kutchera
Drones/UAV
Drones/UAVs, Cameras, and Beyond: Douglas Spotted Eagle

Drones/UAVs, Cameras, and Beyond: Douglas Spotted Eagle

When longtime Creative COW leader Douglas Spotted Eagle recently approached us with a suggestion to add a Drones/UAV forum to our extensive cinematography and videography communities, it immediately made perfect sense. And who better than Douglas to host? We also took this opportunity to speak to Douglas about the sweep of his career, from Grammy Award-winning musician and producer, through editing, cameras, training, consulting, to now, as an early adopter and advocate for UAVs.

Feature, People / Interview, Business
Douglas Spotted Eagle
Drones/UAV
Drone Rules Suck...and Why You Want Them

Drone Rules Suck...and Why You Want Them

Rules! Why do we need so many rules for drones? Pilot, skydiver, and drone operator Douglas Spotted Eagle agrees, “Some of the UAV/drone rules and laws are not only unreasonable but downright ineffective,” but when you look more closely from a pilot’s eye view, they start to make much more sense. Starting with this principle: common sense isn’t all that common!

Editorial, Feature
Douglas Spotted Eagle
Indie Film & Documentary
Tuskegee Airmen 75th Anniversary: A Documentary Revisited

Tuskegee Airmen 75th Anniversary: A Documentary Revisited

When Denton Adkinson and Bryan Williams told us the story of their documentary, In Their Own Words: The Tuskegee Airmen, back in 2011, we were amazed. It was one of the most popular stories we published that year, not just because of the inspiring subject matter, but for the remarkable way it came together as a project, and in post. In the years since then, the film has taken on a life of its own, including national DVD distribution, becoming part of high school curricula, NFL celebrations, museum presentations, and more. Now in 2016, to celebrate the 75th anniversary of the Tuskegee Airmen, their film will be presented as a live event on over 200 screens across the US. To get there, though, Denton and Bryan had to update their SD original for the big screen, add a surround mix, and prep it for digital distribution. This is a story of faith, fortitude, upres, ProRes, and the power of positive phone calls that you won't want to miss.

Feature
Denton Adkinson
Apple Final Cut Pro X
FCPX: Trailer Editing Workflow with Charlie Austin

FCPX: Trailer Editing Workflow with Charlie Austin

Creative COW stalwart, FCPX whiz, and longtime trailer editing expert Charlie Austin recently joined the folks at FCPWORKS and their FCP EXCHANGE workshop series for a deep dive into managing this particularly intensive form of editing with the newest Apple editing offering. Charlie comes at it with both a wit and precision that you won't want to miss.

Tutorial
Charlie Austin
TV & Movie Appreciation
Renaissance Masters Go 3D with Nuke

Renaissance Masters Go 3D with Nuke

VFX legend Steve Wright helped Italy's Sky 3D tackle an epic project, as Italian all-3D television station set out to present the city of Florence and the masterpieces of Renaissance art housed in the Uffizi Gallery in a spectacular stereoscopic 3D movie shown in 60 countries around the world. While the majority of the film was shot stereoscopically, Steve's challenge was to use Nuke to present some of the world's most precious artworks fully dimensionalized. Here's how he pulled it off.

Editorial, Feature
Steve Wright
Boris FX
Boris Continuum Complete 10: A Winner For Every Creative

Boris Continuum Complete 10: A Winner For Every Creative

Walter Biscardi has been a Boris FX customer since 1995, and he calls Continuum Complete 10 a winner that belongs in every post creative's toolbox. With filters that nobody else has, customizable presets galore, multiple host support for one price, the watershed Title Studio, and the integrated power of mocha's Academy Award-winning tracking built into every filter, forget the cliche of Continuum Complete being a Swiss army knife, says Walter. Now, it's more like a cannon! Join Walter for some of the details on why you need this amazing package yourself.

Review, Editorial
Walter Biscardi
Blackmagic Design Fusion
Blackmagic Design Fusion: Building Your Own Keyer

Blackmagic Design Fusion: Building Your Own Keyer

In his latest tutorial for Blackmagic Design Fusion, Simon Ubsdell points out that you can of course simply use Fusion's built-in keyer, and quickly get a good result, but here he shows how combining visual effects nodes to build your own keyer helps you understand the processes to refine trouble keys. Even if you'd prefer not to build your own, you will gain practical insights into channel operations and other techniques to help you unlock Fusion's unique visual effects power.

Tutorial
Simon Ubsdell
Apple FCPX Debates
Apple FCPX and the Making Of Whiskey Tango Foxtrot

Apple FCPX and the Making Of Whiskey Tango Foxtrot

Rather than a story about editing software, this is a story about Apple Final Cut Pro X from a filmmaker’s perspective: specifically, how keeping as much VFX and audio temp work as possible inside FCPX during production helped allow Glenn Ficarra and John Requa to open up new options and saved weeks of production time in the making of Whiskey Tango Foxtrot, the new wartime comedy starring Tina Fey.

Editorial, Feature
Tim Wilson
Cinematography
School, Teachers, Italian Neorealism & a Few Soviet Films

School, Teachers, Italian Neorealism & a Few Soviet Films

In this exclusive interview, generously granted to Creative COW by the Gamma and Density Journal, during his lifetime, Vilmos Zsigmond, ASC, sat down with Yuri Neyman, ASC to talk about his life as a cinematographer. We remember the genius.

Editorial, Feature, People / Interview
Yuri Neyman
TV & Movie Appreciation
The Sisterhood of the X-Files Fandom

The Sisterhood of the X-Files Fandom

As the first show to create a rabid, real-time internet fandom, devotion to "The X-Files" has been growing in intensity with each year since the original series finale, with a fanbase that is clever, thoughtful, and largely female. Not that there's any shortage of male X-Philes, but there's a generation of women who was inspired to technical careers by the Gillian Anderson's Dana Scully. Kylee Peña is among them, and additionally very specifically inspired by the production values of "The X-Files" to build a career in the technology of TV storytelling in particular. Here's Kylee's look at what it has meant to be a female fan of the art, technology, and empowerment of "The X-Files" in the 21st century.

Editorial, Feature
Kylee Peña
Blackmagic Design
Blackmagic Design Teranex Mini: 4K Monitoring & So Much More

Blackmagic Design Teranex Mini: 4K Monitoring & So Much More

When Blackmagic asked broadcast engineer, systems designer, and all-around straight shooter Bob Zelin to take a look at the new Teranex Mini line, he told them no. Converter stories are too boring. Just one problem, though: his clients couldn't see pictures out of their SDI gear going into HDMI inputs of consumer 4K TVs. BMD promised that one of the Minis would do the trick, and it did -- but Bob was pleasantly surprised to find even more than he was looking for! Find out why he calls the Teranex Mini lineup a no-brainer, and what it might be able to do for you. Read more...

Editorial, Feature
Bob Zelin
Art of the Edit
Checksums, Speed, and Acceptable Risk

Checksums, Speed, and Acceptable Risk

Do you hang out under a tree during a lightning storm? Do you perform a checksum every time you copy important files from one place to another? If you don't have an equally strong opinion about both these questions, it's time to learn about checksums: how they work, how much you can trust them, and how this technical task can save a creative person from certain doom.

Editorial, Feature
Kylee Peña
Cinematography
Vilmos Zsigmond, ASC, 1930 - 2016 - Remembering the Genius

Vilmos Zsigmond, ASC, 1930 - 2016 - Remembering the Genius

Winner of an Academy Award for Best Cinematography for his work on Close Encounters of the Third Kind, the long list of official accolades for Vilmos Zsigmond, ASC doesn't begin to illustrate the impact his work has had on generations of artists around the world. Friend, colleague, and Global Cinematography Institute co-founder Yuri Neyman, ASC shares some of his memories with us.

Editorial, Feature, People / Interview
Yuri Neyman, ASC
Art of the Edit
Editing Star Wars: The Force Awakens

Editing Star Wars: The Force Awakens

On Star Wars: The Force Awakens brings the latest collaboration of Mary Jo Markey, ACE and Maryann Brandon, ACE​ once again collaborated with J.J. Abrams, following their previous successes with him on pictures including Star Trek and Star Trek Into Darkness, Mission Impossible III, Super 8, and the TV series Alias. Here, they tell us about putting together this new instant classic.

Editorial, Feature, People / Interview
Tim Wilson
Apple Final Cut Pro X
Using Apple FCPX for A DocumenTree

Using Apple FCPX for A DocumenTree

After 25 years of working on other people's documentaries, commercials, feature films, filmmaker Michael Angelo's first original project is the inspirational story of the Treeman of Venice Beach, a singular creation of a singular man whose combination of costume, body paint, live foliage, and 10-foot stilts is gently beguiling and deeply inspirational. With over 1000 hours of footage in a crazy number of formats over a period of years, collaboration among a far-flung team of volunteers with varying degrees of expertise (including none at all), A DocumenTree seemed like the ideal project for Michael to jump into Final Cut Pro X. Michael's longtime experience in a variety of disciplines has nevertheless allowed him to come at the issues of media management, metadata, offline-online workflows, and a variety of complex technical issues in some unusual, and, dare we say it, organic ways.

Editorial, Feature, People / Interview
Michael Angelo
Blackmagic Design Fusion
Blackmagic Design Fusion 8 Intro Tutorial: Fusion Reactor

Blackmagic Design Fusion 8 Intro Tutorial: Fusion Reactor

Blackmagic Design Fusion has long been known as an incredibly powerful node-based 3D compositing and VFX environment, responsible for some of the most indelible cinematic imagery of our time. Tokyo Productions Creative Director Simon Ubsdell has been a Fusion fan and user for years, and here provides a dramatic introduction to Fusion's interface and toolset, as well as a closer look at the motion graphics prowess in Fusion that you may not have been expecting!

Tutorial
Simon Ubsdell
Art of the Edit
A Tale of Two Mockingjays: The Hunger Games Epic Finale(s)

A Tale of Two Mockingjays: The Hunger Games Epic Finale(s)

Deciding to adapt the 'Hunger Games' finale, 'Mockingjay', as two films opened up remarkable storytelling possibilities for director Francis Lawrence, and editors Alan Bell ACE and Mark Yoshikawa ACE. We spoke with the editors about the technologies, workflows, and collaborative processes that enabled them to so richly explore the nuances of power, pain, and the lifelong toll that war takes even on the victors.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
Peter Doyle: Supervising Visual Colourist at Technicolor

Peter Doyle: Supervising Visual Colourist at Technicolor

Peter Doyle, Supervising Visual Colourist at Technicolor, shares details of his upward spiraling career. His deep technical knowledge allows for a perfect blend of creativity and productivity in equal measure. Here he talks about his career, his aspirations, and his involvement in productions right from the outset.

Feature, People / Interview
FilmLight
TV & Movie Appreciation
Introducing Ultron: Trixter Builds The Avengers' Biggest Bad

Introducing Ultron: Trixter Builds The Avengers' Biggest Bad

At the heart of Marvel's biggest Avengers movie yet lies their greatest threat yet: Ultron, a self-constructing robot intelligence bent on destroying all of humanity. Munich's boutique-scale Trixter Film was given the critical task of introducing this epic-scale character, which they undertook from concept art through design, mocap, animation, compositing, and output.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
The Walk: Largest Use of Cloud Computing in Film History

The Walk: Largest Use of Cloud Computing in Film History

Award-winning VFX Company Joins UPP and Rodeo FX to Recapture the Legendary Walk Between the World Trade Center Towers. Lead VFX vendor Atomic Fiction needed a more efficient way to do the compute-intensive, and traditionally very expensive, processes of rendering. The company used their cloud-based software Conductor, which allows artists to offload the processing from their own computers and send it to the cloud. By the end of the project, Atomic Fiction had completed 9.1 million hours of processing in the cloud, which equates to over a millennium of processing time!

Editorial, Feature
Shaina Ostroff
SAN - Storage Area Networks
Affordable, Easy LTO Archiving

Affordable, Easy LTO Archiving

It's a simple idea: your stuff is precious, but there's too much of it to easily store. The world of LTO seems expensive and confusing, and straight talk is hard to come by. Well, it happens that Creative COW's Bob Zelin is the master of straight talk, and has had to learn a lot about archiving to help his clients meet their needs. Here's what Bob has found as he looks at the latest and greatest technology and projects for affordable, easy LTO archiving.

Editorial, Feature
Bob Zelin
Art of the Edit
Tomorrowland -- Building a World Beyond with cineSync

Tomorrowland -- Building a World Beyond with cineSync

Earlier this year, Disney brought another of its theme park attractions to the silver screen in Brad Bird's Tomorrowland - a VFX-fuelled adventure that whisks viewers across time, space and alternate dimensions. Computer graphics facility Whiskytree was brought on to the project to create the gleaming cityscape of Tomorrowland itself.

Feature
Whiskytree
Adobe After Effects
3D Dance Show in After Effects

3D Dance Show in After Effects

When Ari Grunzeweig needed to create a dynamic promo, he turned to a remarkable combination of keyed footage, particles, and the dynamic 3D compositing and cameras in Adobe After Effects to build a virtual world exploding with dance and light. Take a look to see how to build your own 3D world in After Effects.

Tutorial, Feature
Ari Grunzeweig
Color Grading
Colour Grading The BBC's Jonathan Strange & Mr Norrell

Colour Grading The BBC's Jonathan Strange & Mr Norrell

Jonathan Strange & Mr Norrell is a seven-part adaptation of Susanna Clarke's novel set in the Napoleonic Wars, and says Technicolor Montreal's Head Colourist Nico Ilies, a beautifully crafted period fantasy drama with outstanding acting, great cinematography and art direction, beautiful costumes and amazing VFX work -- an absolutely ideal colorist's playground. Working in Baselight, Nico took pictures in a variety of directions for this unusually diverse tale.

Feature, People / Interview
Nico Ilies
Art of the Edit
How Are You? No, really. Creativity & Mental Health

How Are You? No, really. Creativity & Mental Health

In an industry where mental health is hard to come by, Creative COW Associate Editor Kylee Peña reminds us how important it is to ask ourselves, and our peers, "How are you? No, really. How ARE you?" Kylee also offers some suggestions for helping ourselves be honest with the answers, as we also move toward a future that allows us to be more creative, more productive, AND more sane.

Editorial, Feature
Kylee Peña
Art of the Edit
Positivity: Editor Jesse Averna on Evolving Your Career

Positivity: Editor Jesse Averna on Evolving Your Career

Five-time Emmy-award winning editor Jesse Averna has been a lifelong fan of filmmaking, a love reflected in his ambition to move into directing. Jesse shares insight about evolving his career, including the importance of being a positive force in your post community.

Editorial, Feature, People / Interview
Kylee Peña
Adobe After Effects
Perfect Chroma Keys from Bad Green Screens in After Effects

Perfect Chroma Keys from Bad Green Screens in After Effects

High-quality green screen footage is a luxury that many of us will never have. Your quest for perfect chroma keys from awful green screen footage is nearing its happy conclusion as Bracer Jack shows you exactly how to achieve success using only the tools built into Adobe After Effects.

Tutorial
Bracer Jack
Apple Motion
Apple Motion 5: Crystal Spheres

Apple Motion 5: Crystal Spheres

Apple Motion 5 has many powerful compositing and graphics features, but its 3D feature set is, alas, limited. (For those keeping score, it's only 2.5D). Simon Ubsdell applies his his VFX and motion graphics expertise to cleverly working around those limitations by exploiting the best of Motion's behaviors, filters, lights, cameras, blend modes, refractions, and more -- along with everything you'll need to customize the effect to your liking, and to deepen your own Motion skills.

Tutorial
Simon Ubsdell
Art of the Edit
Editors on Editing, Emmys, and Everything Else

Editors on Editing, Emmys, and Everything Else

The Emmy Award-nominated editors of Amazon's Transparent and Lifetime's Project Runway All-Stars (Cate Haight ACE, and Emmy-winner Mary DeChambres, respectively) sit down with Creative COW Associate Editor Kylee Wall for a wide-open conversation on getting started in Hollywood, getting ahead, and, most important, staying sane. Anything you want to know about editing in the real world? You'll find it right here.

Feature, People / Interview
Kylee Peña
Indie Film & Documentary
Six Benefits of Microbudget Filmmaking - And How To Succeed!

Six Benefits of Microbudget Filmmaking - And How To Succeed!

Microscopic budgets present limitations, but can also create opportunities. Gex Williams and Brian Crone produced Ctrl+Alt+Dance for $12,000, and it made $50,000 on its first night -- which included showings on every inhabited continent, has followings in nearly every major city, translated into 9 different languages by its fans. Want to know how to achieve that kind of global engagement? Look no further than the Six Benefits of Microbudget Filmmaking.

Feature
Gex Williams
TV & Movie Appreciation
Milk's Epic VFX For Jonathan Strange & Mr Norrell

Milk's Epic VFX For Jonathan Strange & Mr Norrell

Jonathan Strange & Mr Norrell, the acclaimed bestselling epic novel of magical realism set 200 years ago, was adapted by the BBC to a 7-episode miniseries that was itself quite epic, with over 1000 effects shots handled by London's Milk VFX. Creative COW's Tim Wilson spoke with Milk CEO Will Cohen about his team's work on the series, starting with his own enthusiasm as a fan of the novel. To use that word once more, it's an epic conversation about adapting novels, carefully managing budgeted creativity, and collaboration. Books, televised cinematic storytelling, VFX, good conversation, and magic: if any of those is your cup of tea, you won't want to miss this.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
FuseFX & Emmy-Nominated Work for American Horror Story

FuseFX & Emmy-Nominated Work for American Horror Story

Burbank-based effects house’s freaky work for hit FX series continues to draw accolades.

Editorial, Feature, People / Interview
FuseFX
TV & Movie Appreciation
Pixels: Going From 8-bits to Epic is No Game

Pixels: Going From 8-bits to Epic is No Game

Classic video game characters like Pac-Man and Donkey Kong sent by aliens to destroy Earth? No worries! Digital Domain and Sony Pictures Imageworks are on the case. It turns out that integrating 8-bit characters into a world recognizable as our own is a lot harder than it looks. It was also a lot of fun for everyone involved, and hearing about it from the two VFX supervisors will be a lot of fun for you too.

Feature, People / Interview
Tim Wilson
Apple Motion
Apple Motion 5: Science Fiction-Style Glitchy Interference

Apple Motion 5: Science Fiction-Style Glitchy Interference

You've seen the effect: video noise and glitchy interference, now a staple of contemporary sci-fi visuals. Simon Ubsdell shows you how to build it yourself inside Apple Motion 5, with no plug-ins or third-party software!

Tutorial
Simon Ubsdell
Adobe After Effects
Introducing Rotoscoping With mocha for Adobe After Effects

Introducing Rotoscoping With mocha for Adobe After Effects

Imagineer's mocha is Academy Award-winning technology for rotoscoping and motion tracking that's ideal for use with Adobe After Effects. Visual effects artist and editor Ruan Lotter shows some of the keys to unlocking this exceptionally powerful tool.

Tutorial
Ruan Lotter
Apple Motion
Apple Motion 5 Volumetric Fog Tutorial

Apple Motion 5 Volumetric Fog Tutorial

Building on his popular "Volumetric Lighting" tutorial, Simon Ubsdell raises the game once more with this Apple Motion 5 tutorial that adds lights, fog, and text into a true 3D environment. As usual, it's packed with extra tips and tricks to help turn every Motion artist into an expert.

Tutorial
Simon Ubsdell
TV & Movie Appreciation
VFX from a tropical paradise

VFX from a tropical paradise

In today’s landscape, post-production companies are no longer restricted by geography. Husband and wife VFX team Lindsay and Jamie Hallett have based their business in Maui, while working on some of filmdom's biggest franchises and features: Avengers, Iron Man, X-Men, Ant-Man, American Sniper, and the latest installment of the Divergent seris, Insurgent. Here are some of their insights on remote collaboration. VERY remote.

Editorial, Feature, People / Interview
cineSync VFX
Apple FCPX Techniques
Managing FCPX Media Labs for Maximum Sanity & Minimum Chaos

Managing FCPX Media Labs for Maximum Sanity & Minimum Chaos

Managing a shared storage environment for Apple FCPX is one thing. Now add 100+ students who are still learning the rules, and the challenges skyrocket. Fortunately, Andrew Gash's experience at Lakeland Florida's Kathleen High School has given him some great ideas for you that promise to make things as foolproof as possible, maximizing sanity and minimizing chaos. Even if your shared editing environment is in a post house or broadcast environment rather than a school, Andrew's advice is well worth heeding!

Editorial, Feature
Andrew Gash
TV & Movie Appreciation
Poldark: Full CG Elements and Dramatic VFX

Poldark: Full CG Elements and Dramatic VFX

VFX is playing an increasingly important role in small screen period drama, and for the vendors has become a more demanding prospect than ever before. You just need to watch an episode of BBC's Poldark to see why. Dark, dramatic and oozing atmosphere, Poldark is top quality British drama indeed, its narrative unravelling across the southern coasts of England across eight eventful episodes. It was the London-based studio Lexhag that brought this new vision to life for the BBC, using a mix of LIDAR scan technology, full-CG ship elements and the organisational capacity of ftrack.

Editorial, Feature, People / Interview
London-based Lexhag
Apple FCPX or Not: The Debate
Hawaiki Keyer 2.0: A Tutorial Introduction

Hawaiki Keyer 2.0: A Tutorial Introduction

After 25 years as an editor, compositor, and VFX artist, frequent Creative COW poster and tutorial author Simon Ubsdell knows what he needs from a keyer -- and knew he wasn't getting good enough results from FCPX or Motion. Discussions in COW forums led him to create the highly regarded Hawaiki Keyer. Enthusiasm expressed by COW members for its latest release led us to ask Simon for a tour. If you're keying on a Mac, you're going to want to check this out.

Tutorial
Simon Ubsdell
TV & Movie Appreciation
Dragons reborn: cineSync and Game of Thrones

Dragons reborn: cineSync and Game of Thrones

Transporting George R.R. Martin’s fertile imagination from the page to the screen is no easy task, especially when that means creating three fully-grown CG fire-breathers. Thankfully one of the shows dragon wranglers, Pixomondo, has been on the show since Season 2, and with cineSync on its side, there's no challenge it can't tackle. We're very glad to have special guests Pixomondo join the Creative COW Library to tell us the tale.

Editorial, Feature
Pixomondo
Indie Film & Documentary
Louder Than Words: 7 Years, 14 Cameras, 1 Surprising Story

Louder Than Words: 7 Years, 14 Cameras, 1 Surprising Story

It took 7 years, and 14 cameras with 3 TB of files for cinematographer and editor Saj Adibs to tell the surprising story in his documentary Louder Than Words. The film's first interview was conducted in American Sign Language, and once he saw the transcript, Saj realized he was going to tell a different story than the one he had planned. This is a story about stories, as well as the challenge of managing lots and lots of cameras.

Editorial, Feature, People / Interview
Saj Adibs
Cinematography
Stepping into the Surgeon's Eyes

Stepping into the Surgeon's Eyes

Take advantage of years worth of Greg Ondera's surgical cinematography experience for cleaner, tighter shots and a better outcome.

Feature
Greg Ondera
AVID
3 Columns for Flawless Conform. Every File. Every Time.

3 Columns for Flawless Conform. Every File. Every Time.

Avid editor and workflow consultant Scott Freeman sometimes has to conform thousands of clips in a single project. Get one of them wrong, and the whole thing falls apart. Follow along as he shows you the three metadata fields to keep an eye on for flawless Avid-Resolve roundtripping. Every file. Every time.

Tutorial
Scott Freeman
TV & Movie Appreciation
Orson Welles' Brief, Passionate Love Affair with Betacam

Orson Welles' Brief, Passionate Love Affair with Betacam

A video production pioneer who shot with the first Sony Betacam camera and set up the first Betacam to 1-inch edit suite, Frank Beacham also worked with Orson Welles on Welles’ final project before passing away in 1985. Welles was exceptionally engaged with the most technical aspects of the cutting edge technology that was just beginning to emerge, including a passionate belief in the possibilities that Betacam could offer. This is a truly astounding tale of creativity at the crossroads, and an intimate look inside the mind and work of one of the 20th century’s most influential storytellers.

Feature
Frank Beacham
Business & Marketing
7 Customer Service Rules for Better Post Production

7 Customer Service Rules for Better Post Production

Dealing with people is industry-agnostic, but in an industry as competitive as ours, repeat business is everything -- and your clients are more likely to return to you if your customer service skills are great. Here are some customer service tips that are especially helpful for post production.

Feature
Kylee Peña
Apple Motion
Apple Motion 5 Light Streaks Tutorial

Apple Motion 5 Light Streaks Tutorial

Apple Motion is capable of sophisticated motion graphics. The trick is unlocking its power. Join editor and motion graphics expert Simon Ubsdell to explore the possibilities opened up by a creative variation on the very powerful particle systems built into Motion 5, apply modes, parenting, behaviors, 3D space, and more.

Tutorial
Simon Ubsdell
Blackmagic Design
Building a Broadcast Studio with Blackmagic Design

Building a Broadcast Studio with Blackmagic Design

Master facility designer Bob Zelin has been building studios for his clients based around the offerings from Blackmagic Design, and he's here to tell you: this is for real. The pieces are here now, and they fit together beautifully -- and he's got even more clients lined up for Blackmagic-centered studios. Read on as Bob helps you put together a plan to build your own.

Feature
Bob Zelin
Adobe Premiere Pro
PluralEyes: Fast & Easy Connections for Video & Audio Clips

PluralEyes: Fast & Easy Connections for Video & Audio Clips

With the popularity of HD-DSLRs, many shooters are recording sound separately because of the camera’s limitations with audio -- but putting audio and video together in post can be a chore. Longtime spots ace Bill O'Neil has been dealing with this over the past several years , and has found PluralEyes from Red Giant to be fast, easy, and effective. Take a look to see if PluralEyes will help you, too.

Review, Editorial, Feature
Bill O'Neil
Tiffen DFX Filters
Tiffen DFX 4.0 OFX in DaVinci Resolve 11

Tiffen DFX 4.0 OFX in DaVinci Resolve 11

Founding COW member Dennis Kutchera reviews Tiffen's DVX 4.0. He finds more choices, better choices, and a faster workflow.

Review, Editorial, Feature
Dennis Kutchera
Fitness in Post
Fitness & Editing Hollywood Blockbusters with Alan Bell, ACE

Fitness & Editing Hollywood Blockbusters with Alan Bell, ACE

Alan Edward Bell's distinguished list of feature editing credits ranges from cult favorites like The Green Mile and (500) Days of Summer to blockbusters including the final three Hunger Games pictures and The Amazing Spider-man. A member of ACE and AMPAS (and Creative COW of course), he joins Fitness in Post's Zack Arnold for a wide-ranging conversation on editing, exercise, nutrition, finances, and whether this crazy job is worth the pain. Spoiler alert: Yes, but you'll be intrigued to hear Alan's reasons why.

Feature, People / Interview
Alan E. Bell
Apple Final Cut Pro X Debates & Beyond
FCPX Magnetic Timeline: Apple's New Paradigm REVISITED

FCPX Magnetic Timeline: Apple's New Paradigm REVISITED

NLE interface design pioneer and longtime editor David Lawrence first wrote about the editing approach of FCPX, including its highly controversial Magnetic Timeline, soon after FCPX's release in the spring of 2011. Time has passed, the editing landscape has changed, and 4 years later, David takes another well-reasoned, hype-free look at the heart of Apple's new paradigm.

Editorial, Feature
David Lawrence
Indie Film & Documentary
Advantageous: Jennifer Phang on Making Way to Sundance

Advantageous: Jennifer Phang on Making Way to Sundance

Writer/Director Jennifer Phang's Sundance Jury Award-winning 'Advantageous' provides commentary on class and society that reflects her own experiences in the world through a science fiction story. The collaborative process took Phang from writing to post production in Adobe Premiere, where features like Dynamic Link became essential to finishing the film.

Editorial, Feature, People / Interview
Kylee Peña
NAB Show
NAB 2015: Working Together on Collaborative Competition

NAB 2015: Working Together on Collaborative Competition

At NAB 2015, Creative COW Contributing Editor Kylee Wall says that the show's biggest story is companies now competing with each other to provide the most compelling collaborative platforms. The winner? Customers. Here's Kylee's look at the details of how it's all coming together.

Feature, People / Interview, Business
Kylee Peña
Broadcasting
NAB 2015, ZELINIZED: HD IS OVER

NAB 2015, ZELINIZED: HD IS OVER

Bob Zelin applies decades of engineering and facility design experience to finding products from the 2015 NAB Show that will make a real-world difference for you on a daily basis. Here's Bob's take on everything from thumb drives to 40GigE.

Editorial, Feature, People / Interview
Bob Zelin
Art of the Edit
Finding Your First Job (Or Your Next One)

Finding Your First Job (Or Your Next One)

It's something we're all asked all the time: how do I get the first real job in the industry? It's almost always a question coming out of a young, wide-eyed, innocent looking baby deer of a human being who is graduating from university very soon and for the first time realizes that they're going to have crushing student debt AND no actual plan to get from here to Oscar-worthy filmmaker.

Feature, People / Interview
Kylee Peña
Cinematography
Panasonic Makes 4K Handheld with AG-DVX200 Camcorder

Panasonic Makes 4K Handheld with AG-DVX200 Camcorder

Panasonic has announced a new large sensor 4K handheld camcorder with the same filmic quality of the VariCam, which also saw updates at this year's NAB Show.

Editorial, Feature, People / Interview
Kylee Peña
ARRI
ARRI Puts ALEXA in a Mini Package

ARRI Puts ALEXA in a Mini Package

Introducing a new camera to its popular ALEXA family, ARRI announced the ALEXA SXT and the ALEXA Mini, a small form factor ALEXA camera for specialized shots where third party cameras have been used before.

Editorial, Feature, People / Interview
Kylee Peña
NAB Show
AJA Focuses on 4K and Lets you #TryCION

AJA Focuses on 4K and Lets you #TryCION

AJA announced 4K-focused updates to its family of mini converters, as well as updates to the 4K/UHD CION camera and new loan program that will put the camera in the hands of filmmakers across North America for free this summer.

Feature
Kylee Peña
Apple FCPX Techniques
Apple FCPX 10.2 First Look: Worth the Wait!

Apple FCPX 10.2 First Look: Worth the Wait!

After the usual rabid anticipation, Apple released FCPX 10.2 with a wide range of new features that should excite any pro: new and improved keyframable masks, Library level Smart Collections, improved keyframing performance, 4-Up Scope viewer, the ability to save effects applied to clips.

Feature
Charlie Austin
NAB Show
Signiant Takes 'Flight' with New Enterprise Additions

Signiant Takes 'Flight' with New Enterprise Additions

Signiant's Flight and Media Shuttle services are continuing to rapidly grow, with major facilities adopting the service in global workflows. New enterprise features make it easier for large companies to bring Signiant inside their facilities.

Feature
Kylee Peña
Art of the Edit
Editing Yourself: An Agency Editor Tells Her Fitness Story

Editing Yourself: An Agency Editor Tells Her Fitness Story

When agency editor Katie Toomey found herself in a rut physically and mentally, she knew she had to make some changes to her life to be successful in the long term. With determination and support, she spent five years changing her lifestyle, incorporating more activity and better eating habits her busy post production schedule, losing 80 pounds in the process.

Feature
Kylee Peña
NAB Show
HP: New Mobile Workstation, 4K Dreamcolor, Faster  ZTurbo

HP: New Mobile Workstation, 4K Dreamcolor, Faster ZTurbo

HP unveiled a thin new full performance mobile workstation, newer faster versions of the ZTurbo drive, and updated 4K Dreamcolor displays at the 2015 NAB Show

Feature
Kylee Peña
NAB Show
Blackmagic Unveils Tiny Cameras and Big Sensor Upgrades

Blackmagic Unveils Tiny Cameras and Big Sensor Upgrades

Blackmagic has unveiled a variety of new camera and broadcast products, including "micro" version of their popular cameras for remote control or all day use, a new version of Resolve, and sensor upgrades to the URSA cinema camera.

Editorial, Feature
Kylee Peña
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