RED Digital Cinema Tutorials : Creative COW Creative COW Library of RED Digital Cinema, tips, and strategies. en-us Sat, 23 Feb 2019 14:00:00 GMT PHP Script RED TECH: Black Shade Calibration: When, Why, and How Learn how (as well as why and when) to run a Black Shade Calibration on your RED Digital Cinema camera to ensure clean and consistent pixel sensitivity across your entire image. Tue, 12 Feb 2019 04:20:27 GMT MEGAN: Award-winning Viral Fan Short Tests 8K RED Workflow Along with the elite Delta Force team, the title character in the viral short film MEGAN investigates a mysterious attack in downtown Los Angeles after deep-sea drilling has unleashed the unknown. Achieving viral status online and film festival wins around the world, the 7-minute short is the latest Mon, 14 Jan 2019 20:54:59 GMT VFX LEGION: FX ON SCANDAL & HOW TO GET AWAY WITH MURDER Shot in LA and set in D.C. and Philly, Scandal & How To Get Away With Murder’s stories unfold in virtual environments that seamlessly blend with live-action footage, defying the viewer’s eye. Here Is some of how it is done using Shotgun, Redshift, The Foundry’s NUKE, Media Shuttle, et al. Wed, 21 Mar 2018 00:56:53 GMT Mercedes-Benz and Friends Make 360-Degree Stadium Halo Board A visit to the Atlanta Falcon games at the Mercedes-Benz Stadium this past football season provided an unexpected treat: the world’s largest 360-degree cylindrical LED video screen at a sports venue. At 58-feet tall, the screen, dubbed the “Halo Board” because it surrounds the inner stadium, c Mon, 12 Mar 2018 17:35:40 GMT A Vision For Stock Video Success: Daniel Hurst, VIA Films You’ve definitely seen Daniel Hurst’s work. An early mover in high frame rate and aerial shooting for stock footage using cameras including Phantom Flex 4K and RED Weapon 8K, he’s sold over 200,000 clips through his company VIA Films. His career has been driven by trying to create shots he has Mon, 19 Feb 2018 10:52:41 GMT RED IPP2: Real-World Looks At An Image Processing Revolution Science is one thing, the real world is another, and yet beautiful things can happen when the two interact with each other. Our conversation begins with RED Digital Cinema's Graeme Nattress explaining the ways that RED's customers are shaping the company's new approaches to color science, as reflect Wed, 09 Aug 2017 04:41:47 GMT Guardians of the Galaxy Vol 2: Behind the Scenes with RED Anticipation for Guardians of the Galaxy Vol. 2 was already heated up when director James Gunn announced that it was to be the first feature film captured with the RED WEAPON camera using an 8K RED DRAGON VV sensor. In this marvelous behind the scenes featurette courtesy RED Digital Cinema, James di Sat, 06 May 2017 00:40:33 GMT Don Burgess aligns with Light Iron and Panavision for ALLIED Don Burgess, ASC trusts Light Iron. His last seven films can attest, so Burgess chose Light Iron to support him again with digital dailies and post finishing services on Allied. Directed by Robert Zemeckis and starring Brad Pitt and Marion Cotillard, the World War II-set film sees an intelligence of Wed, 23 Nov 2016 19:42:21 GMT Reproducing Rainbows: Color in the Digital Environment As digital photography and cinematography reach further into the digital media landscape, and your captured images can be viewed on a vast range of media, the need for standardizing color has become more invaluable than ever. Imagine trying to get a consistent hue of green or blue or teal across mul Mon, 17 Jan 2011 09:32:02 GMT Exposing the RED MX David Battistella looks at the RED camera, an offering from a company that have now delivered over 7000 cameras to customers worldwide. David examines exposure techniques for the MX sensor and gives us an upgraded review and updated vision of the best exposure practices. Read on for the details of t Wed, 02 Jun 2010 18:23:02 GMT Exposing the RED: Perfect Exposure, Every Time Director DP, REDtrepreneur, early adopter and obsessed student of the RED camera system David Battistella takes a closer look at how to hit the sweet spot on the RED sensor. David shows how understanding REDs inner workings will help you expose your scene just right, every time. Tue, 16 Sep 2008 07:00:00 GMT Under the Gun with RED One Dylan Reeve and a small team of New Zealand filmmakers had 48 hours to get their assignment, write a script, direct, shoot and post their film, then hand in the finished show...oh yeah, and refine their RED shooting and editing skills under the gun while trying to beat out 230 other teams! Sound wil Tue, 08 Jul 2008 07:00:00 GMT Shooting with RED: Testing, testing... CreativeCOW leader Gary Adcock's experience shooting both film and HD gives him a unique perspective as he takes you along for thorough testing with the new RED camera. In part 1 of this series, he focuses on the camera's benefits and shortcomings of the camera itself, as well as some of the challen Mon, 10 Mar 2008 07:00:00 GMT RED: Early Workflow Findings In this real world video production RED Camera review from The Creative COW Magazine, Aaron Zander discusses how The Brooks Institute students put RED ONE through the paces of a student production. Here are their findings. Mon, 11 Feb 2008 20:15:26 GMT Dress for Success with RED Not all production with the RED camera is Hollywood-scale. Craig Meadows is in a smaller market, doing mostly local and regional spots. Even though he's only had his RED for a short time, he tells you here about how it works, its workflow, and how it's already making a big difference for his clients Thu, 31 Jan 2008 08:00:00 GMT Seeing RED in Montreal: A Creative COW Real Time Report None of the RED cameras have yet made their way into an owner's hands in Montreal, so Mathieu Marano helped arrange an introduction for the Final Cut Montreal user group. In this Creative COW Real Time Report, he shares the details of that meeting, as well as his first experiences with RED post-prod Sun, 20 Jan 2008 08:00:00 GMT