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Awards and Nominations

COW Library : Awards and Nominations
Honoring award-winning and nominated films and filmmakers, VFX artists, cinematographers, sound artists, animators, directors, writers, and more.
 
Immersive Gaming: Razer's Project Ariana Fills the Room

Immersive Gaming: Razer's Project Ariana Fills the Room

Razer's Project Ariana earned the company its seventh straight Best of Show award at CES 2017 and broke the record for consecutive wins. Fully immersive gaming is sure to be huge in the days ahead.


Creative COW
Art of the Edit
The Secret World of Foley, One of Cinema's Most Magical Arts

The Secret World of Foley, One of Cinema's Most Magical Arts

The Secret World of Foley is an evocative, wordless insight into one of the cinema’s most magical arts: the creative addition of synchronized sound effects in post known as Foley. This short film is also one of the most beautiful things you've seen in a long time. We highly recommend it to any fans of movies, sound, and the inspiration of watching true artists at work.

Feature
Tim Wilson
Art of the Edit
Gravity's Mark Sanger: Cut & Talk with Oscar-Winning Editor

Gravity's Mark Sanger: Cut & Talk with Oscar-Winning Editor

Academy Award-winning editor Mark Sanger stopped his usual activities to talk about working with director Alfonso Cuarón and his amazing work on Gravity, what to cut out of the film, and what to cut out of life with his guiding principle: make yourself invaluable, but never at the expense of others.

Feature, People / Interview
Mark Sanger and Christian Jhonson
Cinematography
Vilmos Zsigmond, ASC, 1930 - 2016 - Remembering the Genius

Vilmos Zsigmond, ASC, 1930 - 2016 - Remembering the Genius

Winner of an Academy Award for Best Cinematography for his work on Close Encounters of the Third Kind, the long list of official accolades for Vilmos Zsigmond, ASC doesn't begin to illustrate the impact his work has had on generations of artists around the world. Friend, colleague, and Global Cinematography Institute co-founder Yuri Neyman, ASC shares some of his memories with us.

Editorial, Feature, People / Interview
Yuri Neyman, ASC
Art of the Edit
Cutting Grand Budapest Hotel:Oscar-Nom Editor Barney Pilling

Cutting Grand Budapest Hotel:Oscar-Nom Editor Barney Pilling

Oscar-nominated editor Barney Pilling discusses balancing a distinct visual style, using driving performances, and managing visual effects on Wes Anderson's Grand Budapest Hotel.

Editorial, Feature, People / Interview
Kylee Peña
TV & Movie Appreciation
FotoKem Restores The 1965 Classic, The Sound of Music

FotoKem Restores The 1965 Classic, The Sound of Music

Restoring a beloved classic requires even more finesse than usual. Fortunately, today's tools offer more power than ever, along with more finesse, to enable the film experts at FotoKem to create a truly celebratory release of 1965's The Sound of Music.

Editorial, Feature, People / Interview
Tim Wilson
Broadcasting
The Drive to Create: The Drive: PAC-12 Football

The Drive to Create: The Drive: PAC-12 Football

The 25-year career of 16-time Emmy winner Jim Jorden began with NFL Films, and included 7 years creating programs for NASCAR before returning to football. Along the way, he has led the production of 69 new series on 20 networks, winning Emmys for his work as a cameraman, an editor, and an executive producer. He brings every bit of that experience to bear on "The Drive: PAC-12 Football," now in its second season. It's the first show to cover an entire season, week by week, combining the classically cinematic approach Jim took to his work for NFL Films, and the all-access approach he pioneered with his work on Hard Knocks. You won't want to miss this remarkable look at full-contact TV production.

Editorial, Feature, People / Interview
Tim Wilson
Adobe After Effects
Zero VFX: Why Some Effects Are Better Unseen

Zero VFX: Why Some Effects Are Better Unseen

Kyle Andal and Gerard Andal, lead compositors at Zero VFX, bring invisible post-production magic to several films - including 2014 Academy Award-winning "American Hustle," in which the team helped transform 2013 Boston to 1978 New York - and also several commercial shots with mocha Pro.

Editorial, Feature, People / Interview
Imagineer Systems
TV & Movie Appreciation
The Five OTHER Peter O'Toole Movies That Thou Must See

The Five OTHER Peter O'Toole Movies That Thou Must See

Peter O'Toole (August 2, 1932 - December 14, 2013) is most remembered for his supernova performance in Lawrence of Arabia, but in fact some of his most highly-regarded, even Oscar-nominated, performances are all but forgotten in the praise of that one. Here are five more movies to set the record straight: there was nobody else like Peter O'Toole, and there won't be again.

Editorial, Feature
Tim Wilson
TV & Movie Appreciation
Making Maleficent Fly

Making Maleficent Fly

Maleficent's Oscar-nominated Visual Effects Supervisor Carey Villegas speaks to us about his work creating the world of the iconic Disney villain, coordinating multiple effects houses on every one of over 1500 shots, and the challenges of creating realistic effects.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
Remembering Peter O'Toole

Remembering Peter O'Toole

Having seen "Lawrence of Arabia" as a wide-eyed child, Debra Kaufman had no idea that one day she would interview the star with the flowing white robes and piercing blue eyes. Here, she recalls her interview with Peter O'Toole for The Hollywood Reporter and what makes him an actor whose movies will endure.

Editorial, Feature
Debra Kaufman
TV & Movie Appreciation
Behind the Lens: Kramer Morgenthau, ASC on Sleepy Hollow

Behind the Lens: Kramer Morgenthau, ASC on Sleepy Hollow

Kramer Morgenthau, ASC has shot over 60 films, including Thor: The Dark World. He has been nominated for 5 Primetime Emmys for his television work, and won an ASC Award for his work on HBO's Game of Thrones. He also shot the pilot for the Fox hit Sleepy Hollow, which gave us an opportunity to talk to him about his work, his influences and his philosophy of lighting and camera moves.

Editorial, Feature, People / Interview
Debra Kaufman
TV & Movie Appreciation
Prime Focus Brings The Last Emperor into 3D

Prime Focus Brings The Last Emperor into 3D

Rumors had buzzed for two years that director Bernardo Bertolucci was interested in converting his masterpiece The Last Emperor to 3D. That became a reality when the 3D version debuted at the Cannes Film Festival. The sensitive job of handling the conversion went to Prime Focus in London, which dedicated hundreds of rotoscope artists, proprietary tools and artistic intention to uphold the intention of the original version. The verdict? Bertolucci called it "beautiful and magical."

Editorial, Feature, People / Interview
Debra Kaufman
TV & Movie Appreciation
John Dykstra, ASC: VFX Then and Now

John Dykstra, ASC: VFX Then and Now

Creative COW had the great pleasure of speaking to visual effects pioneer John Dykstra, who received his first Academy Award for his work on Star Wars, and, the same year, won an Academy Scientific and Engineering Award for the Dykstraflex motion-control camera that made so many of Star Wars' effects possible. Join us as he shares behind the scenes on Star Wars, speaks about his transition from an artist to a VFX supervisor, and gives us his thoughts on the state of VFX today.

Editorial, Feature, People / Interview
John Dykstra, ASC
Audio Professionals
Remembering Ray Dolby: A Life of Invention

Remembering Ray Dolby: A Life of Invention

Ray Dolby gave his talents and his name to the most significant advances in audio recording, for both the professional film/TV/music industries and consumer products. On the occasion of his death, at age 80, Creative COW tells the story of his life, his engineering achievements and the impact he has had on the creative people in our industry.

Editorial, Feature, People / Interview
Debra Kaufman
TV & Movie Appreciation
The Wizard of Oz: A Hollywood Jewel Now in 3D and IMAX

The Wizard of Oz: A Hollywood Jewel Now in 3D and IMAX

The Wizard of Oz debuted in 3D and IMAX on September 20 for just one week, and it was a treat not to be missed. For almost a year, a Prime Focus team in Los Angeles and Mumbai carefully rotoscoped and composited each scene to create a respectful, eye-opening 3D version of this iconic movie. The result reveals all the beautiful artistry and craft that went into this much-loved classic.

Editorial, Feature, People / Interview
Debra Kaufman
TV & Movie Appreciation
Behind the Lens: Rachel Morrison Receives Kodak Vision Award

Behind the Lens: Rachel Morrison Receives Kodak Vision Award

Cinematographer Rachel Morrison, who photographed the Sundance Grand Jury Prize and Audience Award winner Fruitvale Station, was presented with the Kodak Vision Award at the 2013 Women In Film (WIF) Crystal + Lucy Awards in Los Angeles on June 12. The award is given annually to a female filmmaker with outstanding achievements in cinematography who also collaborates with and assists women in the entertainment industry. Fruitvale Station, directed by Ryan Coogler, tells the story of the 22-year-old Oscar Grant, who is killed by a Bay Area Rapid Transit (BART) policeman on the Fruitvale Station platform.

Editorial, Feature, People / Interview
Rachel Morrison
TV & Movie Appreciation
Restoring Richard III: VistaVision to 4K

Restoring Richard III: VistaVision to 4K

When The Film Foundation decided to restore Richard III, the non-profit film preservation organization approached Grover Crisp, Sony Pictures Executive Vice President, Asset Management, Film Restoration & Digital Mastering, Sony Pictures Entertainment. The job was to return the film as close as possible to its original version, which involved restoring over 100 shots. Cineric in New York dug up the missing trims and provided the 4K wet-gate scan, and Crisp brought in MTI Film for much of the restoration, including creating missing frames. Sony Pictures' DI and restoration facility Colorworks finished the job with a careful DI, and the film -- which has been released on BluRay by Criterion -- is expected to have a theatrical release through Janus Films.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Behind the Lens: Game of Thrones with Anette Haellmigk

Behind the Lens: Game of Thrones with Anette Haellmigk

Cinematographer Anette Haellmigk shot two episodes of Season 3's Game of Thrones, the HBO blockbuster that returns on March 31. A native of Germany, Haellmigk was the 2012 winner of Kodak's Vision Award from Women in Film Crystal + Lucy Awards. A pioneering woman cinematographer, Anette's resume includes Das Boot, Robocop, Starship Troopers, Total Recall, The West Wing and many more. Haellmigk speaks to Creative COW about her path as a pioneering female cinematographer and her work on Game of Thrones.

Editorial, Feature, People / Interview
Anette Haellmigk
TV & Movie Appreciation
VFX Crossroads: Causes & Effects Of An Industry Crisis

VFX Crossroads: Causes & Effects Of An Industry Crisis

The VFX industry is in a crisis. As Life of Pi won the Oscar for Best Visual Effects, the venerable facility that created those effects - Rhythm & Hues - declared bankruptcy, and they're hardly the first to close their doors due to financial problems. Debra Kaufman pulls from her 25 years of experience covering the industry to take a close look at how the creators of some of cinema's indelible images are falling prey to dysfunctional business models. Their deep historical roots have also led to visual effects becoming one of the least-profitable areas of film and TV production. How did we get here?

Editorial, Feature
Debra Kaufman
Indie Film & Documentary
Mondays at Racine Documents Beauty Salon for Cancer Fighters

Mondays at Racine Documents Beauty Salon for Cancer Fighters

Filmmaker Cynthia Wade - who previously won an Academy Award for Documentary Short Subject for Freeheld - has recently finished Mondays at Racine, a moving piece about two sisters who open up their beauty salon every Monday to cater to breast cancer patients undergoing chemotherapy. Focusing on two characters, the film delves deeply into the emotional lives of the women and how the salon, Racine, serves as a place of nurturing and companionship.

Feature, People / Interview
Debra Kaufman
Cinematography
Claudio Miranda, ASC Makes New Rules for Shooting Life of Pi

Claudio Miranda, ASC Makes New Rules for Shooting Life of Pi

When director Ang Lee brought on cinematographer Claudio Miranda, ASC to shoot Life of Pi, the two were faced with a multi-pronged challenge. For Lee, the movie was to be his first shot digitally as well as his first 3D stereoscopic film, and he relied on Miranda, who had experience in both. But Miranda had other challenges, including shooting the movie's extensive water scenes as well as a key character -- the tiger -- who wasn't there. In this article, Miranda explains how he made it all work, to create what is arguably the year's most gorgeous movie.

Feature, People / Interview
Claudio Miranda, ASC
Cinematography
NO Relies On 1980s Cameras To Tell A Historic Tale

NO Relies On 1980s Cameras To Tell A Historic Tale

Nominated for an Oscar for Best Foreign Language Film after having played Cannes, the Toronto International Film Festival and the Telluride Film Festival, NO is a gripping film about the peaceful overthrow of Chilean strong man General Augusto Pinochet. To make it more intriguing, the filmmakers opted to shoot with Ikegami cameras from 1983, to match existing footage from the era. It's not a decision they took lightly, and their calculations paid off.

Feature, People / Interview
Debra Kaufman
Cinematography
Behind the Lens: Anna Karenina's Seamus McGarvey ASC, BSC

Behind the Lens: Anna Karenina's Seamus McGarvey ASC, BSC

Seamus McGarvey, ASC, BSC talks to Creative COW about his Oscar-nominated cinematography on Anna Karenina.

Feature, People / Interview
Seamus McGarvey, ASC, BSC
Audio Professionals
The Art of Foley: John Roesch Honored by MPSE

The Art of Foley: John Roesch Honored by MPSE

John Roesch is one of the most accomplished Foley artists in the motion picture industry, with contributions to more than 400 films in a three decade-spanning career. He is the recipient of two MPSE Golden Reel Awards (The Dark Knight, The Matrix) alongside more than a dozen nominations. He has worked on 16 films that have won Academy Awards for Best Sound or Best Sound Editing. John Roesch spoke to Creative COW about the art of Foley and his extensive experience in creating sound effects.

Editorial, Feature, People / Interview
John Roesch
TV & Movie Appreciation
Bill Taylor, ASC Commended with the John A. Bonner Medal

Bill Taylor, ASC Commended with the John A. Bonner Medal

VFX pioneer Bill Taylor, ASC has been voted to receive the John A. Bonner Medal of Commendation by the Board of Governors of the Academy of Motion Picture Arts and Sciences, which was presented at the 2013 Scientific and Technical Awards. Inspired by Ray Harryhausen and some of the greatest icons of effects history, Bill has achieved feats of his own. We had the opportunity to speak with him about his luminary career.

Feature, People / Interview
Bill Taylor, ASC
Stereoscopic 3D
Tim Squyres Edits Life of Pi

Tim Squyres Edits Life of Pi

Tim Squyres, who was nominated for an Academy Award for his work on Life of Pi, got hooked on film when he took an introductory film course at Cornell University in upstate New York. Squyres talks to Creative COW about the challenges of editing Ang Lee's first digitally shot feature film, which was also a stereoscopic 3D release.

Feature, People / Interview
Tim Squyres
Art of the Edit
Unique VFX Challenges for Live One-take Shooting on Les Miz

Unique VFX Challenges for Live One-take Shooting on Les Miz

Les Misérables, based on Victor Hugo's novel of crime and redemption in 19th Century France, has been a huge hit in theatres. Though it's gained acclaim for director Tom Hooper's technique of one-take shots of actors singing the songs, digital visual effects have provided many key elements. Les Miz represents a unique combination of in-camera effects, 2D and 3D compositing, adding elements, removing elements -- and not a single green screen shot.

Editorial, Feature
Debra Kaufman
Digital Delivery
Zero Dark Thirty’s Pipeline Partners Digilab and Codex

Zero Dark Thirty’s Pipeline Partners Digilab and Codex

London-based workflow provider Digilab and manufacturer Codex teamed up to create a rock-solid pipeline for Zero Dark Thirty, which shot in rugged conditions on location in India and Jordan. Digilab's James Eggleton and Codex's Marc Dando describe how they created a custom pipeline to meet the production's needs.

Editorial, Feature
Debra Kaufman
Cinematography
Skyfall: Dailies & DI from London to California

Skyfall: Dailies & DI from London to California

To ensure color consistency from dailies to DI for Skyfall, Company 3 London and EFILM collaborated to create an integrated pipeline, newly branded EC3. Skyfall cinematographer Roger Deakins, ASC, BSC was able to enjoy dailies graded by his long-time CO3 Santa Monica colorist working out of London, and the two facilities coordinated color science and calibration for an overall consistent look throughout the process.

Feature
Debra Kaufman
Cinematography
Hitchcock: Behind the Lens with Jeff Cronenweth, ASC

Hitchcock: Behind the Lens with Jeff Cronenweth, ASC

Psycho still retains its shock value, and the new movie Hitchcock, directed by Sacha Gervasi (Anvil!) and starring Anthony Hopkins as the iconic filmmaker and Helen Mirren as his wife Alma Reville, makes it quite plain how this horror-suspense film became an icon. Set during the filming of Psycho, Hitchcock features the artistry of cinematographer Jeff Cronenweth, ASC, who references the mid-century era with a Technicolor-inflected look and captures an intimate view of Hitchcock’s personal life.

Feature, People / Interview
Jeff Cronenweth, ASC
Art of the Edit
Argo's Invisible Effects Create 1970s Tehran

Argo's Invisible Effects Create 1970s Tehran

Argo tells the recently declassified true story of six Americans who escaped the 1979 takeover of the US Embassy in Tehran -- by pretending to be filmmakers! With Argo's filmmakers unable to shoot in Iran, audiences travel there through the "invisible effects" created by Method Los Angeles, whose teams provided compelling illusions that serve as the perfect backdrop for this tale of life and death sleight of hand.

Feature
Debra Kaufman
Cinematography
Where Digital Meets Stop-Motion in ParaNorman

Where Digital Meets Stop-Motion in ParaNorman

The stereo 3D stop-motion animated feature ParaNorman from Laika puts the emphasis on handcrafted puppets and details. But digital plays an important, behind-the-scenes role, not just in painting out rigs but in creating ghosts, dramatic, witch-filled skies, crowds and set extensions. Laika's visual effects supervisor Brian Van't Hul, compositing supervisor Steve Emerson and CG/look dev supervisor Andrew Nawrot talk about the creation and integration of the digital with the real in ParaNorman. (Potential minor spoilers in the article)

Editorial
Debra Kaufman
Art of the Edit
Luma Pictures' Prometheus Holograph

Luma Pictures' Prometheus Holograph

Holograms are de rigeur in a sci-fi movie, but in Prometheus, Charlie Holloway steps through one to hand a rose to Elizabeth Shaw, Luma Pictures handled this unique fluid effect as well as placing computer graphics in Shaw's handheld computer.

Feature
Debra Kaufman
Art of the Edit
Luma Pictures Takes On The Avengers

Luma Pictures Takes On The Avengers

Luma Pictures took on another Marvel superhero production - The Avengers. Luma completed nearly 200 shots, focusing on creating the interior of the Helicarrier by digitally extending and enhancing a practical set. The company also reprised its role in creating Thor's supernatural armor.

Feature
Debra Kaufman
Cinematography
VFX Soup: Ken Ralston, Jay Redd, VFX for Men in Black 3

VFX Soup: Ken Ralston, Jay Redd, VFX for Men in Black 3

Just in time for the theater release of Men in Black 3, Creative COW had the opportunity to speak with Visual Effects Supervisors, Jay Redd, and five-time Academy Award winner and vfx pioneer Ken Ralston about their adventures with aliens and the Men in Black.

Feature
Debra Kaufman
Indie Film & Documentary
Behind the Lens: Marshall Curry & If a Tree Falls

Behind the Lens: Marshall Curry & If a Tree Falls

Marshall Curry is most interested in a subject when reality cuts against his expectations. That's exactly what happened as this talented Emmy & Oscar-nominated director, producer, writer delved deeply into a story about the Earth Liberation Front in "If a Tree Falls," which is nominated for an Oscar for Best Documentary on Sunday.

Feature, People / Interview
Debra Kaufman
Indie Film & Documentary
Running the Sahara

Running the Sahara

Running 4300 miles across the world's largest desert sounds impossible. But once Academy Award-winning director James Moll heard that three guys were going to try, he knew he had to hear - and tell - their story. In this Creative COW expanded interview, James talks about the incredible journey of both the runners and the filmmakers, while also offering insights into filmmaking, storytelling, and the frame.

Feature
James Moll
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