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Editing and Editors

COW Library : Editing and Editors
Feature articles on the subject of editing.
 
Art of the Edit
Always Be Editing: Sculptors & Bricklayers Revisited

Always Be Editing: Sculptors & Bricklayers Revisited

Do you edit like a sculptor, or like a bricklayer? It seems a simple enough question, but as longtime editor, post house owner, and VFX software developer Simon Ubsdell shows, the implications for how this affects the way you edit can be profound. His advice, regardless of where you land on the spectrum? Always be editing.


Simon Ubsdell
Art of the Edit
TV Workflow Supervisor Kylee Peña: The Benefits of Pressure

TV Workflow Supervisor Kylee Peña: The Benefits of Pressure

TV workflow supervisor Kylee Peña (Jane the Virgin, Colony) visits Adobe's "Make It" talk show to chat with host Jason Levine about the evolution of motion picture workflows, from the days of film and tape to our modern digital world of crazy-high shooting ratios and constantly evolving technology. She also expounds on the upside to creative constraints and tight deadlines. And don’t miss the lightning round!!!

Feature, People / Interview
Cow News
Cinematography
Beautiful 8K Timelapse of Norway's Four Seasons

Beautiful 8K Timelapse of Norway's Four Seasons

One year of planning, one year of shooting, and four months of post-production is a lot of time to spend on a single timelapse, but photographer Morten Rustad‘s creation SEASONS of NORWAY captured this 8K masterpiece by travelling a total of 20,000


Morten Rustad
Art of the Edit
Film Editing: Should You Edit Scenes to Music?

Film Editing: Should You Edit Scenes to Music?

Music can elevate the emotion of a film scene. As a film editor, should you first cut to music or focus on dialog and visuals alone? In this tutorial, This Guy Edits shares his point of view by example with a rough cut using some temp music by Max Elto.

Tutorial
Sven Pape
Oliver Peters interviews editor Tom Cross of La La Land

Oliver Peters interviews editor Tom Cross of La La Land

The ambitious opening sequence of La La Land was done with just three cuts, according to the film's editor, Tom Cross. Oliver Peters brings you the story of this and many other aspects of editing this remarkable film.

Editorial, Feature, People / Interview
Creative COW
Videoguys Top 10 Products of 2016

Videoguys Top 10 Products of 2016

As we look back at 2016, we reflect on a year that involved media consumption -- and more specifically LIVE media consumption. Increased bandwidth, improved cameras on mobile phones, and easy access to YouTube LIVE...

Editorial, Feature
Creative COW
RED Camera
Don Burgess aligns with Light Iron and Panavision for ALLIED

Don Burgess aligns with Light Iron and Panavision for ALLIED

Don Burgess, ASC trusts Light Iron. His last seven films can attest, so Burgess chose Light Iron to support him again with digital dailies and post finishing services on Allied. Directed by Robert Zemeckis and starring Brad Pitt and Marion Cotillard, the World War II-set film sees an intelligence officer's romance with a French Resistance fighter tested when high command thinks a double agent might be in play.

Editorial, Feature, People / Interview, Business, Project
COW News
Art of the Edit
Being an Advertising Editor: The Ins & Outs of Agency Work

Being an Advertising Editor: The Ins & Outs of Agency Work

Katie Toomey takes Creative COW members inside the world of the advertising editor, where being a generalist means you are often not only a video editor, but a designer and audio editor, problem solver, as well as tech support professional. Join Katie as she takes you inside her world.

Editorial, Feature, People / Interview
Katie Toomey
Art of the Edit
The Science of Editing

The Science of Editing

Sven Pape, aka @ThisGuyEdits, joins Dr. Karen Pearlman -- former President of the Australian Screen Editors Guild and a three-time nominee for Best Editing at the Australian Screen Editors Guild Annual Awards -- for a provocative look at "Editor's Thinking," a cognitive skill set that you can use to improve your screenplay before you start principal photography of your film.

Tutorial, Project
Sven Pape
Art of the Edit
Gravity's Mark Sanger: Cut & Talk with Oscar-Winning Editor

Gravity's Mark Sanger: Cut & Talk with Oscar-Winning Editor

Academy Award-winning editor Mark Sanger stopped his usual activities to talk about working with director Alfonso Cuarón and his amazing work on Gravity, what to cut out of the film, and what to cut out of life with his guiding principle: make yourself invaluable, but never at the expense of others.

Feature, People / Interview
Mark Sanger and Christian Jhonson
Art of the Edit
Ten Ways to Avoid Editor's Block

Ten Ways to Avoid Editor's Block

Just admit it. You're afraid of the empty timeline. Maybe you’re one of the lucky few who can dive right into cutting a new project. Then there are the other 99% of us for whom there’s nothing worse than that moment after you’re prepping, and you have to face it: time to start cutting something. As an editor for high-profile shows including Empire and Burn Notice, Zack Arnold has been there. Here Zack, shares 10 proven tips from his own experience for not just beating editor's block, but completely avoiding it.

Editorial, Feature, People / Interview
Zack Arnold
Art of the Edit
'Art of Post' Art Show Features Creativity After Delivery

'Art of Post' Art Show Features Creativity After Delivery

The creative folks in post-production often apply their artistic skills beyond their jobs. They sometimes even apply to it to art. This is every bit as true for technical and administrative people who don't have a specific outlet for their artistic impulses on the job. The folks at the bi-coastal visual effects and motion graphics company came up with a fantastic idea: let's put some of the work they've created in galleries. and call it "The Art of Post." Creative COW Associate Editor Kylee Peña responded strongly. "When I saw the Art of Post event featuring art created by post production professionals in Los Angeles and New York, I knew it wasn't just a new idea, it was necessary." Learn more about the remarkable event, enjoy the work of some remarkable artists, and perhaps think more broadly about what it means to be creative.

Editorial, Feature
Kylee Wall
Art of the Edit
Metadata & The Future of Filmmaking

Metadata & The Future of Filmmaking

Dave Stump, ASC has worked as a DP, effects cinematographer and VFX supervisor on dozens of films including Quantum of Solace, X-men The Bourne Identity, Star Trek: First Contact, Batman Forever and many more. He chairs the ASC subcommittees on Cameras, and Metadata, and in 2000, was part of a team that received a Technical Achievement Award from the Academy of Motion Picture Arts and Sciences, for hand-development of advanced camera data capture systems. Although this interview was first published in 2008, we've found that the ideas explored here are becoming more relevant by the day. Join Creative COW Editor-in-Chief Tim Wilson and COW Leader and camera expert Gary Adcock for this compelling look at the future of filmmaking.

Feature
Dave Stump, ASC
Art of the Edit
What Comes After Landing that Big Editing Job?

What Comes After Landing that Big Editing Job?

Sitting in on a meeting of The Editors' Lounge can be informative to say the least, and advance your career with wise words and not only been-there-done-that-information, but a real melting pot of new information and strategy. Join in for point-by-point discussion of what to do next after landing your big editing job.

Editorial, Feature
The Editors' Lounge
NAB Show
NAB NLEs 2016: The Revolution? No Revolutions!

NAB NLEs 2016: The Revolution? No Revolutions!

While the emphasis on "revolutionary" product releases at the annual NAB Show makes for splashy demos, they can sometimes get in the way of what customers really want: improvements to the product that they already have, just making them work better. Lo and behold, that's what we got in 2016! Rock-solid releases long on increased performance, stability, and interoperability. Useful releases? THAT's revolutionary! Join Creative COW's Tim Wilson for a closer look at NLE software in particular, and the ways in which developers are delivering on the promise of truly meaningful releases.

Editorial, Feature
Tim Wilson
Art of the Edit
The Women in Post PR List: No More #AllMalePanels

The Women in Post PR List: No More #AllMalePanels

Did you know the #allmalepanel is such a common phenomenon that a UN organization is urging its employees (and 8,500 member organizations like Coca-Cola and Cisco) to stop participating in them? As we enter NAB 2016, Kylee Peña is looking at balancing the scales with more women on the panels.

Editorial, Feature
Kylee Peña
Apple FCPX Debates
Apple FCPX and the Making Of Whiskey Tango Foxtrot

Apple FCPX and the Making Of Whiskey Tango Foxtrot

Rather than a story about editing software, this is a story about Apple Final Cut Pro X from a filmmaker’s perspective: specifically, how keeping as much VFX and audio temp work as possible inside FCPX during production helped allow Glenn Ficarra and John Requa to open up new options and saved weeks of production time in the making of Whiskey Tango Foxtrot, the new wartime comedy starring Tina Fey.

Editorial, Feature
Tim Wilson
Blackmagic Design
Blackmagic Design Teranex Mini: 4K Monitoring & So Much More

Blackmagic Design Teranex Mini: 4K Monitoring & So Much More

When Blackmagic asked broadcast engineer, systems designer, and all-around straight shooter Bob Zelin to take a look at the new Teranex Mini line, he told them no. Converter stories are too boring. Just one problem, though: his clients couldn't see pictures out of their SDI gear going into HDMI inputs of consumer 4K TVs. BMD promised that one of the Minis would do the trick, and it did -- but Bob was pleasantly surprised to find even more than he was looking for! Find out why he calls the Teranex Mini lineup a no-brainer, and what it might be able to do for you. Read more...

Editorial, Feature
Bob Zelin
Art of the Edit
Checksums, Speed, and Acceptable Risk

Checksums, Speed, and Acceptable Risk

Do you hang out under a tree during a lightning storm? Do you perform a checksum every time you copy important files from one place to another? If you don't have an equally strong opinion about both these questions, it's time to learn about checksums: how they work, how much you can trust them, and how this technical task can save a creative person from certain doom.

Editorial, Feature
Kylee Peña
Art of the Edit
Editing Star Wars: The Force Awakens

Editing Star Wars: The Force Awakens

On Star Wars: The Force Awakens brings the latest collaboration of Mary Jo Markey, ACE and Maryann Brandon, ACE​ once again collaborated with J.J. Abrams, following their previous successes with him on pictures including Star Trek and Star Trek Into Darkness, Mission Impossible III, Super 8, and the TV series Alias. Here, they tell us about putting together this new instant classic.

Editorial, Feature, People / Interview
Tim Wilson
Art of the Edit
A Tale of Two Mockingjays: The Hunger Games Epic Finale(s)

A Tale of Two Mockingjays: The Hunger Games Epic Finale(s)

Deciding to adapt the 'Hunger Games' finale, 'Mockingjay', as two films opened up remarkable storytelling possibilities for director Francis Lawrence, and editors Alan Bell ACE and Mark Yoshikawa ACE. We spoke with the editors about the technologies, workflows, and collaborative processes that enabled them to so richly explore the nuances of power, pain, and the lifelong toll that war takes even on the victors.

Editorial, Feature, People / Interview
Tim Wilson
Art of the Edit
How Are You? No, really. Creativity & Mental Health

How Are You? No, really. Creativity & Mental Health

In an industry where mental health is hard to come by, Creative COW Associate Editor Kylee Peña reminds us how important it is to ask ourselves, and our peers, "How are you? No, really. How ARE you?" Kylee also offers some suggestions for helping ourselves be honest with the answers, as we also move toward a future that allows us to be more creative, more productive, AND more sane.

Editorial, Feature
Kylee Peña
Art of the Edit
Positivity: Editor Jesse Averna on Evolving Your Career

Positivity: Editor Jesse Averna on Evolving Your Career

Five-time Emmy-award winning editor Jesse Averna has been a lifelong fan of filmmaking, a love reflected in his ambition to move into directing. Jesse shares insight about evolving his career, including the importance of being a positive force in your post community.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Editors on Editing, Emmys, and Everything Else

Editors on Editing, Emmys, and Everything Else

The Emmy Award-nominated editors of Amazon's Transparent and Lifetime's Project Runway All-Stars (Cate Haight ACE, and Emmy-winner Mary DeChambres, respectively) sit down with Creative COW Associate Editor Kylee Wall for a wide-open conversation on getting started in Hollywood, getting ahead, and, most important, staying sane. Anything you want to know about editing in the real world? You'll find it right here.

Feature, People / Interview
Kylee Peña
Fitness in Post
Fitness & Editing Hollywood Blockbusters with Alan Bell, ACE

Fitness & Editing Hollywood Blockbusters with Alan Bell, ACE

Alan Edward Bell's distinguished list of feature editing credits ranges from cult favorites like The Green Mile and (500) Days of Summer to blockbusters including the final three Hunger Games pictures and The Amazing Spider-man. A member of ACE and AMPAS (and Creative COW of course), he joins Fitness in Post's Zack Arnold for a wide-ranging conversation on editing, exercise, nutrition, finances, and whether this crazy job is worth the pain. Spoiler alert: Yes, but you'll be intrigued to hear Alan's reasons why.

Feature, People / Interview
Alan E. Bell
Art of the Edit
Finding Your First Job (Or Your Next One)

Finding Your First Job (Or Your Next One)

It's something we're all asked all the time: how do I get the first real job in the industry? It's almost always a question coming out of a young, wide-eyed, innocent looking baby deer of a human being who is graduating from university very soon and for the first time realizes that they're going to have crushing student debt AND no actual plan to get from here to Oscar-worthy filmmaker.

Feature, People / Interview
Kylee Peña
Art of the Edit
Editing Yourself: An Agency Editor Tells Her Fitness Story

Editing Yourself: An Agency Editor Tells Her Fitness Story

When agency editor Katie Toomey found herself in a rut physically and mentally, she knew she had to make some changes to her life to be successful in the long term. With determination and support, she spent five years changing her lifestyle, incorporating more activity and better eating habits her busy post production schedule, losing 80 pounds in the process.

Feature
Kylee Peña
Art of the Edit
Cutting Grand Budapest Hotel:Oscar-Nom Editor Barney Pilling

Cutting Grand Budapest Hotel:Oscar-Nom Editor Barney Pilling

Oscar-nominated editor Barney Pilling discusses balancing a distinct visual style, using driving performances, and managing visual effects on Wes Anderson's Grand Budapest Hotel.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Fitness in Post Revisits Sexism in Post

Fitness in Post Revisits Sexism in Post

"Sexism in Post" by Kylee Wall, one of our most-talked about recent stories, will lead to an NAB 2015 panel, and here, a podcast interview by Zack Arnold for Fitness in Post.

Editorial, Feature, People / Interview
Zack Arnold
Adobe Premiere Pro
Misery Loves Comedy: Comedian Kevin Pollak Cuts His Docu

Misery Loves Comedy: Comedian Kevin Pollak Cuts His Docu

Comedian and actor Kevin Pollak talks about directing and editing his documentary "Misery Loves Comedy", a film that explores the darker side of comedians. After three software lessons from editor (and renowned VFX supervisor) Rob Legato and ten months at the console, Pollak has some new insight about the cross-over between stand-up comedy and editing.

Editorial, Feature, People / Interview
Kylee Peña
DaVinci Resolve
Exodus: Gods and Kings -- Grading Ridley Scott's 3D Epic

Exodus: Gods and Kings -- Grading Ridley Scott's 3D Epic

Director Ridley Scott's latest epic 'Exodus: Gods and Kings' takes a gritty approach to a biblical story, and colorist Stephen Nakamura helped expand the realistic look by working closely with Scott and DP Dariusz Wolski ASC, and by grading the film in DaVinci Resolve 11 using new tools to help push the 3D grade while preserving highlights.

Editorial, Feature, People / Interview
Kylee Peña
Avid Media Composer
The Art of Being Industrious: Dody Dorn ACE on Cutting Fury

The Art of Being Industrious: Dody Dorn ACE on Cutting Fury

Oscar-nominated film editor Dody Dorn is best known for her work on films like 'Memento' and 'End of Watch', with her latest film 'Fury' involving 16 Avids across two continents. Working her way up from switchboard operator, Dody brings decades of experience to the edit, with a personal advocacy for taking career risks and accepting any opportunity.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Unbroken: Editing Angelina Jolie's War Drama

Unbroken: Editing Angelina Jolie's War Drama

Editors William Goldenberg and Tim Squyres discuss the process of co-editing Unbroken, the Angelina Jolie directed war drama, including constructing challenging sequences, working with an actor-director, and knowing when a scene feels right.


Kylee Peña
Art of the Edit
Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri's shift from editing corporate training videos and independent films to crafting TV movies for SyFy and Lifetime was no accident: hard work and a positive attitude were everything as he found himself cutting films and designing workflows for major networks.

Editorial, Feature, People / Interview
Kylee Peña
TV & Movie Appreciation
Editor William Goldenberg on Crafting The Imitation Game

Editor William Goldenberg on Crafting The Imitation Game

Oscar-winning film editor William Goldenberg has cut his fair share of tension, including Zero Dark Thirty and Argo. On The Imitation Game, he crafts the story of Alan Turing's race to crack the Engima code, sharing his creative approach to constructing a scene and working with high-level directors.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Arson Dogs: Editing a Web Series

Arson Dogs: Editing a Web Series

One of the most complicated projects yet undertaken by Creative COW Contributing Editor Kylee Wall: an unscripted web series called Arson Dogs, which featured massive multi-clips, 8 dog handlers, 3 trainers, and a whole lot of very enthusiastic dogs. Adding to the complexity: because it was for the web, Kylee had to come up with her own structure and pacing for the show itself, as well as the individual episodes, and still turn it around in a very tight timeframe.

Editorial, Feature, People / Interview
Kylee Peña
Broadcasting
The Drive to Create: The Drive: PAC-12 Football

The Drive to Create: The Drive: PAC-12 Football

The 25-year career of 16-time Emmy winner Jim Jorden began with NFL Films, and included 7 years creating programs for NASCAR before returning to football. Along the way, he has led the production of 69 new series on 20 networks, winning Emmys for his work as a cameraman, an editor, and an executive producer. He brings every bit of that experience to bear on "The Drive: PAC-12 Football," now in its second season. It's the first show to cover an entire season, week by week, combining the classically cinematic approach Jim took to his work for NFL Films, and the all-access approach he pioneered with his work on Hard Knocks. You won't want to miss this remarkable look at full-contact TV production.

Editorial, Feature, People / Interview
Tim Wilson
Adobe Premiere Pro
Gone Girl: Editing a Hollywood Feature with Adobe Premiere

Gone Girl: Editing a Hollywood Feature with Adobe Premiere

David Fincher's "Gone Girl" is the latest in a series of critically acclaimed films from the director, but it's the first studio feature edited with Adobe Premiere Pro, with a complex post production workflow that includes 6K acquisition and over 200 visual effects completed in house with the help of Dynamic Link and After Effects.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Saturday Night Live's Film Unit: Making TV Fast

Saturday Night Live's Film Unit: Making TV Fast

Saturday Night Live's film unit produces a pre-taped segment for every live show, with nearly all of production and post happening within a 48 hour period. Director of Photography Alex Buono and editor Adam Epstein rely heavily on communication, improvisational filmmaking skills and the flexibility of their toolset -- including Adobe Creative Cloud -- to hit their deadlines and bring film spots to air each Saturday night.

Editorial, Feature, People / Interview
Kylee Peña
DaVinci Resolve
The Many Colors of A Modern Family

The Many Colors of A Modern Family

Sometimes it might seem that colorists are all about stylized treatments and extreme color correction, but Aidan Stanford's work on season five of Modern Family is all about maintaining realism and hiding all the tricks in the background. Making the jump from film color timing into digital hasn't been easy, but Aidan has found a way to utilize his film skills in the digital world, turning around episodes in a day using his favorite tools in DaVinci Resolve.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Distributing Creativity: The Growth of Cloud-based Workflows

Distributing Creativity: The Growth of Cloud-based Workflows

The cloud can mean a lot of things, and in some cases, it can mean nearly nothing. This can make it hard to even know what we're talking about. The "real" parts are getting more real all the time, though, for everything from collaboration to computation. Creative COW Contributing Editor Kylee Wall has been looking into the ways that the cloud in its many meanings is already transforming TV & film production today, and she has some ideas about where things might be going from here.

Editorial, Feature, People / Interview
Kylee Peña
TV & Movie Appreciation
Stereo 3D Post Perfection for Russian War Epic Stalingrad

Stereo 3D Post Perfection for Russian War Epic Stalingrad

The film Stalingrad is an epic look at the battle that turned the tide of World War II, and already the highest-grossing film in Russian history. It is also the first Russian film to be shot and produced for IMAX 3D, which posed some new challenges for the filmmakers, specially in post. Stalingrad opens Feb. 28 for an exclusive engagement in IMAX 3D theaters, and here's your chance to take a closer look at its making.

Editorial, Feature
Tim Wilson
Art of the Edit
Story Stuff Is Story Stuff

Story Stuff Is Story Stuff

Insights for becoming a better writer easily make the transition to the editing world. Kylee Wall gleans from the masters - Vonnegut, Elmore Leonard, Palahniuk - and highlights simple ways to finesse your storytelling abilities.

Editorial, Feature
Kylee Peña
Business & Marketing
Women In Post Join Forces

Women In Post Join Forces

Women in Post is a new HPA (Hollywood Post Alliance) committee formed by and for a decidedly minority group in the world of film/TV high technology. After three meetings -- two of them successful round table discussions, featuring accomplished women in the industry -- the group is expanding its plans to offer networking, mentoring and camaraderie and more.

Editorial, Feature, People / Interview
Debra Kaufman
Art of the Edit
Covert Affairs and Suits with Online Editor Scott Freeman

Covert Affairs and Suits with Online Editor Scott Freeman

Scott Freeman figured out how to use Blackmagic Design's DaVinci Resolve in an innovative way to dramatically speed up media matching in the online editing process for USA Network's dramas, "Suits" and "Covert Affairs." He describes how he round-trips between the Avid Symphony and the DaVinci Resolve and why he wants every other online editor to learn his trick.

Editorial, Feature, People / Interview
Scott Freeman
Art of the Edit
Workflow: Industry Pros Face the Challenges

Workflow: Industry Pros Face the Challenges

With the rise of 4K, the film/TV industry faces a new set of challenges in acquisition, post production, distribution, media management and storage. Many executives remember all too well how the often-painful adoption of HD created upheavals in the production and post chain, and now, only a few years later, the ante is being upped to 4K.

Editorial, Feature, People / Interview
Debra Kaufman
TV & Movie Appreciation
Sony Imageworks Takes Us On The Yellow Brick Road to OZ

Sony Imageworks Takes Us On The Yellow Brick Road to OZ

Sony Imageworks provided over 1,100 digital visual effects shots to Oz the Great and Powerful, a movie which explains how a small time magician became the great Wizard of Oz. Featured are two all-digital characters, the 18-inch China Girl and Finley, the wise-cracking monkey with wings, as well as a host of other digital creatures from river fairies to flying baboons. In addition, Imageworks provided environments from the Kansas Circus to Emerald City and effects work that include the magic of evil and good witches and Oz himself.

Feature, People / Interview
Debra Kaufman
TV & Movie Appreciation
These Amazing Shadows: An Editor's Journey

These Amazing Shadows: An Editor's Journey

An editor's journey through the films that made America (or, how I stopped worrying and learned to love the B-Roll). These Amazing Shadows, an 88-minute documentary, tells the history and importance of the National Film Registry and cameos some of history's most treasured films as it reveals how early films shaped and revealed a changing nation and why we most need to preserve them for posterity.

Feature, People / Interview
Doug Blush
Art of the Edit
Building a Modern Professional Editing Room

Building a Modern Professional Editing Room

In this Creative COW magazine article Bob Zelin discusses what it takes to build a professional, modern, nonlinear editing machine room. Bob covers storage, monitors, scopes, audio mixers, routing, power, cables and more.

Tutorial, Feature
Bob Zelin
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