LIBRARY: Tutorials Reviews Interviews Editorials Features Business Authors RSS Feed

Previz and Storyboarding

COW Library : Previz and Storyboarding
Ansel Adams states, "You don't take a photograph, you make it." This couldn't be more true for the cinematic world - or any other endeavour in which you bring your imagination into creation. Previsualization is the cost-efficient, time-saving, sanity-insulating way of scoping out the terrain for your future projects.

Creative COW's Previsualization and Storyboarding series includes feature film conceptual artist Gare Cline's clear-cut tutorial sessions on Previs. Mr. Cline specializes in optically accurate, pre-visualization storyboards for business plans and motion picture productions. His clients include JuiceBox Skateboards, Arenas, Sony Pictures and The China Film Studio.

In addition to Mr. Cline's great articles, you will find other contributors who have lent their expertise and ideas to COW members.
 
Production Designer Hannah Beachler on the Go Creative Show

Production Designer Hannah Beachler on the Go Creative Show

Film and broadcast production designer Hannah Beachler talks with Go Creative Show host Ben Consoli about her work on Creed, Moonlight, and the upcoming Black Panther. Hannah Beachler is a prolific production designer with an affinity for realistic design that emphasizes emotional drama. Over the past few years, Hannah’s designed some of the hottest films like, Miles Ahead, Creed, Moonlight, Beyonce’s Lemonade, and the much anticipated upcoming film Black Panther. Hannah and I discuss the role of a production designer, how she collaborates with the camera department, working with director Ryan Coogler and how she finds inspiration for each of her films.

Feature, People / Interview
Ben Consoli
Autodesk Maya
ZERO VFX: The Magic You Won't See In The Magnificent Seven

ZERO VFX: The Magic You Won't See In The Magnificent Seven

ZERO VFX takes Creative COW readers inside the invisible effects used to create the powerful vistas and settings used in The Magnificent Seven. But the real magic is in what you don't see.

Editorial, Feature, People / Interview, Project
ZERO VFX
Cinematography
Paperless Film Production Apps: Going Green for Leprechaun

Paperless Film Production Apps: Going Green for Leprechaun

The digital revolution was supposed to save us all from endless streams of paper but instead has spawned an even deeper addiction to the printed page. Here's how one filmmaker decided to take the road-less-cluttered and literally enter the ring of paperless production for Lionsgate and World Wrestling Entertainment.

Editorial, Feature, People / Interview
Zach Lipovsky
TV & Movie Appreciation
Storytelling, VFX and the Emotional Medium of Movies

Storytelling, VFX and the Emotional Medium of Movies

It wasn't the effects and it wasn't the cast that made 1933's King Kong the enduring classic that it is (though Fay Wray got a clear shot at immortality). It was the story. The story of a big lug with a soft spot a mile wide. Here's why young filmmakers should sit at Kong's feet.

Editorial, Feature, People / Interview
Stephen Menick
Cinematography
Storyboarding FX's The Bridge

Storyboarding FX's The Bridge

FX Networks' latest TV series, The Bridge, pairs a Mexican and American detective as they try to capture a serial killer operating on both sides of the U.S./Mexico border. Producer Patrick Markey turned to Famous Frames to provide storyboard artists to help visualize many of the TV series' complex action sequences.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
PREVISUALIZATION Part FOUR: When to Use Previs

PREVISUALIZATION Part FOUR: When to Use Previs

In this fourth chapter of Gare Cline's tutorial series on Previsualization, we focus on when is the best time to hire a previsualization artist. We begin by looking at the various stages of filmmaking and then concluding with making the decision as when is the best time to hire a previs artist.

Editorial, Feature
Gare Cline
Cinematography
PREVISUALIZATION Part THREE: How Previs Works

PREVISUALIZATION Part THREE: How Previs Works

In this chapter of Gare Cline's series on previsualization, the art form for conceptualizing a project, we focus on how the process of previsualization works. We begin by finding the look for the picture, and then proceed through blocking, coverage and finally end with determining the time and cost expenditure.

Editorial, Feature
Gare Cline
Cinematography
PREVISUALIZATION Part TWO: Why Previs?

PREVISUALIZATION Part TWO: Why Previs?

In part two of Gare Cline's ongoing series on Previsualization, readers are transported to examples of cinematic genius such as George Lucas and Alfred Hitchcock to truly understand the compelling reasons as to why previs is crucial to conceptualizing and demonstrating your storyline.

Editorial, Feature
Gare Cline
Cinematography
PREVISUALIZATION Part ONE: What is Previs?

PREVISUALIZATION Part ONE: What is Previs?

Previs. You may or may not have heard of it. If you have, you may have heard conflicting or more often muddled definitions. Many assumptions have developed around this often misunderstood word. Join Gare Cline, Previsualization Storyboard Artist, in this series of articles as he defines what previs is and isn't, what it can do for you, why you should use it, and how it works.

Editorial, Feature
Gare Cline
Adobe Photoshop
Photoshop for Video: Cleaning Up Storyboards

Photoshop for Video: Cleaning Up Storyboards
  Play Video
In this Photoshop tutorial, Richard Harrington works on cleaning up storyboards inside of Adobe Photoshop by using a levels adjustment, a gentle gaussian blur, a simple frame and some color. Storyboards are used all the time in film, video and broadcast to plan out scenes and give a client an idea of the plan.

Tutorial, Video Tutorial
Richard Harrington
Adobe Photoshop
Photoshop for Video: Making Storyboards

Photoshop for Video: Making Storyboards
  Play Video
In this Photoshop tutorial, Richard Harrington looks at a simple production technique of using storyboards for previsualization. Storyboards allow you to tell the story before you shoot a single frame of video. Richard shows you how to take storyboards to the next level by bringing in the quick sketches into Adobe Photoshop and quickly cleaning them up a bit for a more professional look.

Tutorial, Video Tutorial
Richard Harrington
© 2017 CreativeCOW.net All Rights Reserved
[TOP]