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Cinematography

COW Library : Cinematography
Cinematography

In this series, Creative COW goes "Behind the Lens," unveiling the people, the principles, the equipment, and the magic used to create those stunning, heart-stopping scenes in our favorite movies and television shows. We'll look at major films like "Citizen Kane" and the work of pioneering cinematographer Gregg Toland ASC, while exploring the work of other award winning cinematographers like Vilmos Zsigmond ASC. We'll also enter the world of major television series, including NBC's 'Community,' HBO's 'Game of Thrones,' and AMC's 'The Walking Dead'; and so much more. We invite you to join us as we go Behind the Lens...
 
RED Camera
RED IPP2: Real-World Looks At An Image Processing Revolution

RED IPP2: Real-World Looks At An Image Processing Revolution

Science is one thing, the real world is another, and yet beautiful things can happen when the two interact with each other. Our conversation begins with RED Digital Cinema's Graeme Nattress explaining the ways that RED's customers are shaping the company's new approaches to color science, as reflected in RED's new image processing pipeline, IPP2. From there, filmmakers Chris McKechnie and David Battistella get specific about how RED IPP2 has revolutionized their RED workflows, both in the field and in post. No hype here. Just the facts, plus some very pretty pictures, and, okay, more than a little bit of excitement in the lab, in the field, and in the edit suite.

Feature
Christine Bunish
The Cinematography of Get Out: Toby Oliver, ASC

The Cinematography of Get Out: Toby Oliver, ASC

Toby Oliver, ASC is the award winning cinematographer behind the lens of Jordan Peel's debut film Get Out. “Get Out” has received high praise from critics (99% Fresh rating at Rotten Tomatoes) and moviegoers around the world for its story, acting, and cinematography. Toby shares all his lighting and lensing techniques that gave Get Out its uniquely horrifying look. He and Go Creative Show host Ben Consoli discuss the blending of horror and comedy, why Toby choose to shoot with zoom lenses, the challenges of a limited budget, and so much more.

Feature, People / Interview
Ben Consoli
Cinematography
Beautiful 8K Timelapse of Norway's Four Seasons

Beautiful 8K Timelapse of Norway's Four Seasons

One year of planning, one year of shooting, and four months of post-production is a lot of time to spend on a single timelapse, but photographer Morten Rustad‘s creation SEASONS of NORWAY captured this 8K masterpiece by travelling a total of 20,000


Morten Rustad
The Other Side of GoPro's November 30, 2016 Announcement

The Other Side of GoPro's November 30, 2016 Announcement

When GoPro announced on November 30, 2016 that they would be cutting 200 full-time jobs, closing the entertainment division, and that their president would be leaving the company, the internet came alive with those who were predicting the company's demise. But there really is another side to the story and as is often the case, the loudest voices are not always the ones with the real story. In this article, Creative COW's co-founder, Ronald Lindeboom, looks at GoPro's announcement and gives his thoughts from his point of view. As Lindeboom concludes at the end of the story, "That GoPro stumbled is not surprising to me, what is surprising is that they had such a remarkable unbroken string of success until 2016."

Editorial, Feature, Business
Ronald Lindeboom
RED Camera
Don Burgess aligns with Light Iron and Panavision for ALLIED

Don Burgess aligns with Light Iron and Panavision for ALLIED

Don Burgess, ASC trusts Light Iron. His last seven films can attest, so Burgess chose Light Iron to support him again with digital dailies and post finishing services on Allied. Directed by Robert Zemeckis and starring Brad Pitt and Marion Cotillard, the World War II-set film sees an intelligence officer's romance with a French Resistance fighter tested when high command thinks a double agent might be in play.

Editorial, Feature, People / Interview, Business, Project
COW News
Cinematography




Join Go Creative Show host, Ben Consoli and his special guest, David Klein, ASC, cinematographer of Homeland and True Blood. David is here to talk all about it all. His love of realism has defined a generation of filmmaking and he continues to execute it flawlessly with his work on Homeland. David talks with us about all his gear and lighting choices, shooting hand-held effectively and how the best film education is to simply shoot something.

Feature, People / Interview
Ben Consoli
Panasonic Cameras
Shooting MTV's Mary + Jane with Panasonic VariCam 35

Shooting MTV's Mary + Jane with Panasonic VariCam 35

To shoot the ½ hour scripted comedy series for MTV, Mary + Jane, the producers at Television 360 enlisted cinematographer Charles Papert (Crazy Ex-Girlfriend, Key and Peele), who found that Panasonic VariCam is a great fit for moving fast and getting great images when time and resources are scarce.


COW News
Cinematography
All Eyes on IBC 2016 for Cameras and Lenses Galore

All Eyes on IBC 2016 for Cameras and Lenses Galore

What’s that you say? An IBC that’s not only relevant, but downright exhilarating? This used to not be news, of course. However, in recent years, IBC has too often become simply an opportunity for European audiences to see products already announced at NAB. In 2016, however, the focus swings sharply to Amsterdam, especially when it comes to cameras and lenses. IBC 2016 is shaping up to be one of the most dramatic trade shows for cinematographers, broadcasters, and videographers in years. Join Creative COW Editor-in-Chief Tim Wilson for a speedy overview of some of the highlights.

Feature
Tim Wilson
Drones/UAV
UAV Filter Frenzy!

UAV Filter Frenzy!

Virtually every sUAV/RTF drone in the air uses the same image processing chip and most have similar lenses. None of them are ideal, and they all operate at very high shutter speeds. None of them allow for shutter speed control, and as a result, it's up to the user to slow the shutter speed. This can only be done through the use of filters, says longtime Creative COW leader and legend Douglas Spotted Eagle of Drones Plus. Join him for a closer look at more beautiful imagery from above.

Feature
Douglas Spotted Eagle
Drones/UAV
Drone Technology: Revolutionizing Aerial Photography

Drone Technology: Revolutionizing Aerial Photography

We take an artistic, non-technical and historical view of Drones; where they've been and where they're headed.

Editorial, Feature
Liz Pekler
VR (Virtual Reality)/360º Video
VR Cinematography: Exploring How To Represent People in VR

VR Cinematography: Exploring How To Represent People in VR

Close-up VR imagery from camera-originated material is awesome but tricky, says multimedia and VR pioneer Michael Naimark. The question is, how do you actually DO it? Taking Google's collaboration with Go Pro on the Jump VR 16-camera rig as a starting point, Michael and his team began to map out the specifics of managing point of view inside a 360 degree panorama. It requires a combination of complexity (stitching this many POVs together) and simplicity (panoramic sound helps a lot!) that we're just now beginning to explore. Ready for a wild ride into the future of capturing people in the world of VR cinematography? Start here.

Editorial, Feature
Michael Naimark
Drones/UAV
Breaking The Drone Code: 336, 333, 107 (Part 1)

Breaking The Drone Code: 336, 333, 107 (Part 1)

An understanding of the Drone Code may help clarify the lines the FAA and UAS/UAV/drone owners have drawn in the sand for each other, says Douglas Spotted Eagle, CEO of Drones Plus, Inc. The Drone Code may seem to shift at the whims of legislation, lobbyists, manufacturer organizations, government agencies, and UAS users. It doesn't. Here is Part 1 of your path to distinguish shifting sands vs. the solid underlying large rocks anchored to the earth.

Feature
Douglas Spotted Eagle
Art of the Edit
Taking Over the ACE Awards 2: How to Make Film School Work

Taking Over the ACE Awards 2: How to Make Film School Work

For the first time in its history, the American Cinema Editors student awards were swept by students from a single school: the University of North Carolina School for the Arts. In part 1 of her look at this program's unprecedented feat, Creative COW Associate Editor Kylee Peña spoke to the students. Here in part 2, she speaks to the faculty members -- Julian Semilian, ACE, and Michael Miller, ACE -- helping students balance technique and creativity. Whether you're a student or a seasoned pro, read on to be inspired, challenged, and reminded why we do this.

Editorial, Feature
Kylee Peña
Cinematography
Depth of Field: Gregg Toland, Citizen Kane and Beyond

Depth of Field: Gregg Toland, Citizen Kane and Beyond

Whenever somebody equates "shallow depth of field" and "cinematic look," it's important to remember that the opposite is also sometimes true. Creative COW Editor-in-Chief Tim Wilson celebrates the work of Gregg Toland, ASC, born this week in 1904 -- the first master of extreme depth of field in movies like Citizen Kane and The Grapes of Wrath that forever changed what is possible for humans to do with cameras. This reprise of a classic article from the Creative COW Archives also offers a look at what Toland's approach to cinematic composition can mean for YOUR shooting.

Editorial, Feature
Tim Wilson
Cinematography
New Trends and Technology at Cine Gear Expo 2016

New Trends and Technology at Cine Gear Expo 2016

Cine Gear Expo 2016 exhibits open Friday June 3 and 4, at Paramount Studios in Hollywood, California with major screenings, filmmaker panel discussions, groundbreaking techniques and new equipment premiers that are sure to influence the filmmaking industry. Catering to the world’s top motion picture, video and new media visual artists, Paramount’s prestigious back lot is the ideal setting for professionals to meet with colleagues and nearly 300 top equipment vendors to see live demos and get their hands on the latest gear. Take a look at how this year's hottest trends are shaping up.

Feature
Susan Lewis
Art of the Edit
Metadata & The Future of Filmmaking

Metadata & The Future of Filmmaking

Dave Stump, ASC has worked as a DP, effects cinematographer and VFX supervisor on dozens of films including Quantum of Solace, X-men The Bourne Identity, Star Trek: First Contact, Batman Forever and many more. He chairs the ASC subcommittees on Cameras, and Metadata, and in 2000, was part of a team that received a Technical Achievement Award from the Academy of Motion Picture Arts and Sciences, for hand-development of advanced camera data capture systems. Although this interview was first published in 2008, we've found that the ideas explored here are becoming more relevant by the day. Join Creative COW Editor-in-Chief Tim Wilson and COW Leader and camera expert Gary Adcock for this compelling look at the future of filmmaking.

Feature
Dave Stump, ASC
Cinematography
School, Teachers, Italian Neorealism & a Few Soviet Films

School, Teachers, Italian Neorealism & a Few Soviet Films

In this exclusive interview, generously granted to Creative COW by the Gamma and Density Journal, during his lifetime, Vilmos Zsigmond, ASC, sat down with Yuri Neyman, ASC to talk about his life as a cinematographer. We remember the genius.

Editorial, Feature, People / Interview
Yuri Neyman
Cinematography
Vilmos Zsigmond, ASC, 1930 - 2016 - Remembering the Genius

Vilmos Zsigmond, ASC, 1930 - 2016 - Remembering the Genius

Winner of an Academy Award for Best Cinematography for his work on Close Encounters of the Third Kind, the long list of official accolades for Vilmos Zsigmond, ASC doesn't begin to illustrate the impact his work has had on generations of artists around the world. Friend, colleague, and Global Cinematography Institute co-founder Yuri Neyman, ASC shares some of his memories with us.

Editorial, Feature, People / Interview
Yuri Neyman, ASC
Six Benefits of Microbudget Filmmaking - And How To Succeed!

Six Benefits of Microbudget Filmmaking - And How To Succeed!

Microscopic budgets present limitations, but can also create opportunities. Gex Williams and Brian Crone produced Ctrl+Alt+Dance for $12,000, and it made $50,000 on its first night -- which included showings on every inhabited continent, has followings in nearly every major city, translated into 9 different languages by its fans. Want to know how to achieve that kind of global engagement? Look no further than the Six Benefits of Microbudget Filmmaking.

Feature
Gex Williams
TV & Movie Appreciation
Orson Welles' Brief, Passionate Love Affair with Betacam

Orson Welles' Brief, Passionate Love Affair with Betacam

A video production pioneer who shot with the first Sony Betacam camera and set up the first Betacam to 1-inch edit suite, Frank Beacham also worked with Orson Welles on Welles’ final project before passing away in 1985. Welles was exceptionally engaged with the most technical aspects of the cutting edge technology that was just beginning to emerge, including a passionate belief in the possibilities that Betacam could offer. This is a truly astounding tale of creativity at the crossroads, and an intimate look inside the mind and work of one of the 20th century’s most influential storytellers.

Feature
Frank Beacham
Indie Film & Documentary
Advantageous: Jennifer Phang on Making Way to Sundance

Advantageous: Jennifer Phang on Making Way to Sundance

Writer/Director Jennifer Phang's Sundance Jury Award-winning 'Advantageous' provides commentary on class and society that reflects her own experiences in the world through a science fiction story. The collaborative process took Phang from writing to post production in Adobe Premiere, where features like Dynamic Link became essential to finishing the film.

Editorial, Feature, People / Interview
Kylee Peña
Cinematography
Cinematographer-in-Residence: Mandy Walker ASC at UCLA

Cinematographer-in-Residence: Mandy Walker ASC at UCLA

Cinematographer Mandy Walker joins UCLA School of Theater, Film and Television as a Kodak Cinematographer in Residence, teaching the next generation of film students what it means to be a successful director of photography.

Editorial, Feature, People / Interview
Kylee Peña
Broadcasting
The Drive to Create: The Drive: PAC-12 Football

The Drive to Create: The Drive: PAC-12 Football

The 25-year career of 16-time Emmy winner Jim Jorden began with NFL Films, and included 7 years creating programs for NASCAR before returning to football. Along the way, he has led the production of 69 new series on 20 networks, winning Emmys for his work as a cameraman, an editor, and an executive producer. He brings every bit of that experience to bear on "The Drive: PAC-12 Football," now in its second season. It's the first show to cover an entire season, week by week, combining the classically cinematic approach Jim took to his work for NFL Films, and the all-access approach he pioneered with his work on Hard Knocks. You won't want to miss this remarkable look at full-contact TV production.

Editorial, Feature, People / Interview
Tim Wilson
Indie Film & Documentary
Thinking Differently to Create Successful Indie Distribution

Thinking Differently to Create Successful Indie Distribution

With the accessibility offered by ever more affordable tools, it has never been easier to make an Indie feature. This essay by President and Co-founder of the Digital Cinema Society, James Mathers, discusses the distribution of an indie feature and how the filmmakers brought "Why We Ride" to life.

Editorial, Feature, People / Interview
James Mathers
Indie Film & Documentary
Thriller in the Heartland: Indie Filmmaker Zack Parker

Thriller in the Heartland: Indie Filmmaker Zack Parker

While some would call family life in the midwest a challenge to making movies, writer/director Zack Parker has made deliberate choices in his career and has some great advice for aspiring filmmakers as his fourth feature, "Proxy", hits Netflix and DVD.

Editorial, Feature, People / Interview
Kylee Peña
Canon Cameras
Homeland: Behind the Scenes with Canon Glass/David Klein ASC

Homeland: Behind the Scenes with Canon Glass/David Klein ASC

David Klein, ASC, who is nominated for a 2014 Best Cinematography Emmy® Award for his work on Homeland, first AC Dominik Mainl, and B camera operator Bob Newcomb break down what's in their tool kit: an ARRI Alexa mounted with Canon Cinema Zoom Lenses, a RED Epic, a Canon Cinema EOS 1D C, and a Canon EOS 5D Mark III.

Editorial, Feature, People / Interview
Stefani Rice
Cinematography
The NASA IMAX Project with Cinematographer James Neihouse

The NASA IMAX Project with Cinematographer James Neihouse

James Neihouse, the large format cinematographer renowned for his work on projects from shuttle launches to volcanic eruptions, and newly-minted Academy member, finds himself working around the globe, literally, shooting the IMAX 3D film, Earth 2.0 (working title) co-produced by Walt Disney Pictures and NASA. In this feature, Neihouse reflects on experiences working with astronauts, race cars, and rocket launches, and how important choosing the best equipment is in extreme production.

Feature, People / Interview
Creative COW
Art of the Edit
Saturday Night Live's Film Unit: Making TV Fast

Saturday Night Live's Film Unit: Making TV Fast

Saturday Night Live's film unit produces a pre-taped segment for every live show, with nearly all of production and post happening within a 48 hour period. Director of Photography Alex Buono and editor Adam Epstein rely heavily on communication, improvisational filmmaking skills and the flexibility of their toolset -- including Adobe Creative Cloud -- to hit their deadlines and bring film spots to air each Saturday night.

Editorial, Feature, People / Interview
Kylee Peña
Cinematography
Rodney Charters, ASC, CSC Brings Blackmagic to Dallas

Rodney Charters, ASC, CSC Brings Blackmagic to Dallas

Rodney Charters, ASC, CSC is probably best known for his work as cinematographer on the groundbreaking international hit 24. The most recent of his many jobs since then is TNT's Dallas, where he has shot 36 episodes so far, and directed three. Creative COW Contributing Editor Debra Kaufman spoke to Rodney about his work on both sides of the lens, including his use of the Blackmagic Design Pocket Cinema Camera to complement the production's ARRI Alexas.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
The Last Film Lab?

The Last Film Lab?

Sure, some of the biggest movies are still being shot on film, but in a world where film cameras haven't been in production for years, where only one company still makes motion picture film, and by the end of the year, there may be no more film prints for theatrical distribution, it's no wonder that the number of businesses who can sustain themselves by processing film has plummeted. In this latest dispatch from the film BUSINESS, Creative COW Contributing Editor Debra Kaufman finds industry leaders asking themselves, will 2014 be the year we see the last film lab?

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Technology 2014 | Production, Post & Beyond: Part TWO

Technology 2014 | Production, Post & Beyond: Part TWO

What were the big technology trends in media and entertainment over the past year? What's going to be significant in the coming year? Those are questions that many of us are asking, so we went to some of our savviest Creative COW contributors to ask their opinions of where we've been and where we're going. Here in Part 2, our conrtibutors offer in-depth insights. (See Part 1 for a broader industry overview.)

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Technology 2014 | Production, Post & Beyond: Part ONE

Technology 2014 | Production, Post & Beyond: Part ONE

What were the big technology trends in media and entertainment over the past year? What's going to be significant in the coming year? Those are questions that many of us are asking, so we went to some of our savviest Creative COW contributors to ask their opinions of where we've been and where we're going. Here in Part 1, we offer an overview of their perspectives. (See Part 2 for their additional insights.)

Editorial, Feature, People / Interview
Debra Kaufman
TV & Movie Appreciation
Behind the Lens: Kramer Morgenthau, ASC on Sleepy Hollow

Behind the Lens: Kramer Morgenthau, ASC on Sleepy Hollow

Kramer Morgenthau, ASC has shot over 60 films, including Thor: The Dark World. He has been nominated for 5 Primetime Emmys for his television work, and won an ASC Award for his work on HBO's Game of Thrones. He also shot the pilot for the Fox hit Sleepy Hollow, which gave us an opportunity to talk to him about his work, his influences and his philosophy of lighting and camera moves.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
David Franco, Director of Photography for Boardwalk Empire

David Franco, Director of Photography for Boardwalk Empire

Award-winning cinematographer David Franco sat down with Ben Consoli, host of the Go Creative Show for a revealing interview that covers his entire career and focuses on his breathtaking visual direction for the HBO hit show "Boardwalk Empire".

Feature, People / Interview
Ben Consoli
Cinematography
Behind the Lens: From 7 to 56 UP with George Jesse Turner

Behind the Lens: From 7 to 56 UP with George Jesse Turner

The UP series, directed by Michael Apted, began in 1964 with Seven UP, which interviewed 14 children from diverse backgrounds from all over England. Every seven years, Apted has returned to these same children to ask about the progression of their lives. The result, the UP Series, is according to critic Roger Ebert, "an inspired, almost noble use of the film medium. Apted penetrates to the central mystery of life." Cinematographer George Jesse Turner has shot all the UP Series films since 21 UP in 1977.

Editorial, Feature, People / Interview
George Jesse Turner
Cinematography
Behind the Lens: The Summit with Nick Ryan

Behind the Lens: The Summit with Nick Ryan

In August 2008, eleven climbers died on K2, the Himalayan peak nicknamed the Savage Mountain. In The Summit, filmmaker Nick Ryan delves into the mystery of what actually happened that day, in a masterful collage of footage taken by the climbers, stunning aerial shots of K2, interviews and re-enactments. Take a look behind the lens with Nick Ryan as he relates how he respectfully re-captured those tragic moments.

Editorial, Feature, People / Interview
Nick Ryan
Cinematography
Behind the Lens: C.O.G. & Kyle Patrick Alvarez

Behind the Lens: C.O.G. & Kyle Patrick Alvarez

Based on an autobiographical comedy by acclaimed author and NPR contributor David Sedaris, "C.O.G." focuses on a summer of misadventures and growing up one young man named David [as in David Sedaris] encounters on an apple farm in Oregon. This look behind the lens of "C.O.G." with filmmaker Kyle Patrick Alvarez reveals a captivating story on both sides of the camera.

Editorial, Feature, People / Interview
Kyle Patrick Alvarez
Cinematography
Behind the Lens: Homeland's David Klein, ASC

Behind the Lens: Homeland's David Klein, ASC

David Klein, ASC is currently Director of Photography for two premium cable hit series: Showtime's Homeland, which returns for a third season on September 29, and HBO's True Blood. In this article, Klein speaks to Creative COW about his work on Homeland.

Editorial, Feature, People / Interview
David Klein, ASC
Business & Marketing
Women In Post Join Forces

Women In Post Join Forces

Women in Post is a new HPA (Hollywood Post Alliance) committee formed by and for a decidedly minority group in the world of film/TV high technology. After three meetings -- two of them successful round table discussions, featuring accomplished women in the industry -- the group is expanding its plans to offer networking, mentoring and camaraderie and more.

Editorial, Feature, People / Interview
Debra Kaufman
TV & Movie Appreciation
Inside Elysium with Director Neill Blomkamp

Inside Elysium with Director Neill Blomkamp

Five journalists sat in on a round-table interview with Elysium writer-director Neill Blomkamp a week prior to the film's debut. In this intimate portrait, Neill talks about what inspired the film, how he takes an organic, artistic approach to filmmaking, and how his own history, including being a VFX artist, creates a different kind of drive as a director.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Future of Cinematography: Insights From the Rental Houses

Future of Cinematography: Insights From the Rental Houses

Rental houses, which have existed since the 1920s, have all experienced the evolution from film to video to data. Today, the trends that rental houses experience -- from technology to business practices -- are a lens for understanding what's going on in the bigger ecosystem of the film/TV industry. In Part 2, we look at the ways that rental houses have adapted to thrive in a new digital age.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
The State of Cinematography: Insights From The Rental Houses

The State of Cinematography: Insights From The Rental Houses

Rental houses, which have existed since the 1920s, have all experienced the evolution from film to video to data. Today, the trends that rental houses experience -- from technology to business practices -- are a lens for understanding what's going on in the bigger ecosystem of the film/TV industry. In Part 1, we look at the challenges facing rental houses in today's production environment.

Editorial, Feature, People / Interview
Debra Kaufman
ARRI
Behind the Lens: The Lone Ranger's Bojan Bazelli

Behind the Lens: The Lone Ranger's Bojan Bazelli

Bojan Bazelli, ASC, working with Director Gore Verbinski, designed and executed a unique look for The Lone Ranger. With a nod to the much-filmed Western genre, they made a uniquely contemporary film with a much more desaturated color palette and a grittier look to the classic locations.

Editorial, Feature, People / Interview
Bojan Bazelli, ASC
ARRI
The Lone Ranger: A Contemporary Style for a Classic Genre

The Lone Ranger: A Contemporary Style for a Classic Genre

When cinematographer Bojan Bazelli, ASC decided to shoot The Lone Ranger with 35mm film, he also realized that some of the scenes might best be served with a digital camera. Choosing the ARRI Alexa Studio for the film's anamorphic look and Codex recorders, Bazelli was able to create a filmic look in digital that seamlessly integrated with the 35mm footage.

Editorial, Feature, People / Interview
David Heuring
Cinematography
World War Z: Location Production for the Zombie Apocalypse

World War Z: Location Production for the Zombie Apocalypse

The team that developed virtual cinematography for Avatar went even further for World War Z, creating a much more advanced system for everything from video assist to capturing lens metadata, able to stand up to eight weeks of 14 hour days, in remote locations and extreme conditions around the world.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Iraqi Filmmaking Workshop: Day One London Heathrow

Iraqi Filmmaking Workshop: Day One London Heathrow

In May 2013, award-winning cinematographer Bill Megalos traveled to Iraq to train young Iraqi filmmakers on behalf of a program organized by the Humpty Dumpty Institute. In this first trip, Bill blogs about guiding these filmmakers as they make short dramatic films this year. The focus in May was on their scripts, on story and character development, on working with actors, as well as giving them an overall background in production.

Editorial, Feature, People / Interview
Bill Megalos
Art of the Edit
Workflow: Industry Pros Face the Challenges

Workflow: Industry Pros Face the Challenges

With the rise of 4K, the film/TV industry faces a new set of challenges in acquisition, post production, distribution, media management and storage. Many executives remember all too well how the often-painful adoption of HD created upheavals in the production and post chain, and now, only a few years later, the ante is being upped to 4K.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Behind the Lens: Tom Burstyn Shoots Defiance

Behind the Lens: Tom Burstyn Shoots Defiance

We go behind the lens with Director and Cinematographer Tom Burstyn CSC, FRSA, who is a multi-award winning, Emmy-nominated DP with over 30 years experience. Tom lensed Season One of SyFy's Defiance, currently airing on SyFy in the US and other international outlets and is in the midst of shooting Season Two. He took some time out of his busy schedule to talk with Creative COW about his experiences.

Editorial, Feature, People / Interview
Thomas Burstyn
TV & Movie Appreciation
Behind the Lens: Rachel Morrison Receives Kodak Vision Award

Behind the Lens: Rachel Morrison Receives Kodak Vision Award

Cinematographer Rachel Morrison, who photographed the Sundance Grand Jury Prize and Audience Award winner Fruitvale Station, was presented with the Kodak Vision Award at the 2013 Women In Film (WIF) Crystal + Lucy Awards in Los Angeles on June 12. The award is given annually to a female filmmaker with outstanding achievements in cinematography who also collaborates with and assists women in the entertainment industry. Fruitvale Station, directed by Ryan Coogler, tells the story of the 22-year-old Oscar Grant, who is killed by a Bay Area Rapid Transit (BART) policeman on the Fruitvale Station platform.

Editorial, Feature, People / Interview
Rachel Morrison
Film History & Appreciation
Behind the Lens: Peter Suschitzky & After Earth

Behind the Lens: Peter Suschitzky & After Earth

British cinematographer Peter Suschitzky, BSC, ASC has shot an astonishing number of films that have become iconic: Privilege (the film that inspired George Lucas to ask him to shoot Star Wars), Star Wars Episode 5 - The Empire Strikes Back, The Rocky Horror Picture Show and every David Cronenberg film since Dead Ringers. He got his career start as a child, fascinated by the dark room work of his father, cinematographer Wolfgang Suschitzky, who shot Get Carter among his other credits, and as a very young man shooting documentaries in Latin America. Most recently, Suschitzky was the first to get his hands on Sony's new F65 cameras, to shoot After Earth.

Editorial, Feature, People / Interview
Peter Suschitzky ASC BSC
Cinematography
Behind the Lens: The Kings of Summer with Ross Riege

Behind the Lens: The Kings of Summer with Ross Riege

After Ross Riege completed shooting The Kings of Summer, he moved on to working on a feature-length documentary with director Greg Kohs. During that session, Ross took some time out of his busy schedule to talk with Creative COW about his career path as a young cinematographer and his experiences shooting his first feature film, The Kings of Summer.

Editorial, Feature, People / Interview
Ross Riege
Cinematography
Behind the Lens: Game of Thrones with Anette Haellmigk

Behind the Lens: Game of Thrones with Anette Haellmigk

Cinematographer Anette Haellmigk shot two episodes of Season 3's Game of Thrones, the HBO blockbuster that returns on March 31. A native of Germany, Haellmigk was the 2012 winner of Kodak's Vision Award from Women in Film Crystal + Lucy Awards. A pioneering woman cinematographer, Anette's resume includes Das Boot, Robocop, Starship Troopers, Total Recall, The West Wing and many more. Haellmigk speaks to Creative COW about her path as a pioneering female cinematographer and her work on Game of Thrones.

Editorial, Feature, People / Interview
Anette Haellmigk
Cinematography
The Nouveau French Wave of Cinematography for Television

The Nouveau French Wave of Cinematography for Television

Claudia Kienzle writes on the use of Fujinon Cabrio lenses by DP Bill Sheehy ("Curb Your Enthusiasm"). The article discusses in depth about the new handheld digital cinema shooting style that pairs the lightweight Sony PMW-F3 Super35 HD camera with the new Fujinon PL 19-90 Cabrio (ZK4.7x19) PL mount zoom lens. Sheehy is currently shooting the BET show "Real Husbands of Hollywood" using that Sony camera and Fujinon lens.

Feature
Claudia Kienzle
Cinematography
The Making of 1000 to 1: Lenses & Lighting For The RED Epic

The Making of 1000 to 1: Lenses & Lighting For The RED Epic

Working with Angenieux on new lens solutions for the RED Epic, wrestling freakish gym fluorescent lighting, wrangling national park filming permits: these were just a few of the challenges facing cinematographer and co-producer (and Digital Cinema Society founder) James Mathers in the making of "1000 to 1," an inspirational indie drama to be released later this year. James tells a remarkable tale of the lengths one production went to make their film look much bigger than its budget, with practical advice for filmmakers on every scale.

Editorial, People / Interview
James Mathers
Cinematography
America Is The Movie: WWII Exclusion Zone & Internment Camps

America Is The Movie: WWII Exclusion Zone & Internment Camps

A unilateral action by the US government during World War II resulted in the forcible internment of more than 110,000 people of Japanese ancestry. Two-thirds of those interned were citizens of the United States, and none had ever shown any signs of disloyalty. In February 1942, President Franklin D. Roosevelt authorized the internment with Executive Order 9066, which allowed local military commanders to designate "military areas" as "exclusion zones," from which "any or all persons may be excluded." This power was used to declare that all people of Japanese ancestry were excluded from the entire Pacific coast, including all of California and much of Oregon, Washington and Arizona, except for those in internment camps. Nearly 40 years later, President Carter investigated the "justice" of the internment, and the US slowly began to set reparations and formal apologies into action. We go behind the lens with Stephen for his inspiration in telling this story.

Feature, People / Interview
Stephen Menick
Cinematography
Claudio Miranda, ASC Makes New Rules for Shooting Life of Pi

Claudio Miranda, ASC Makes New Rules for Shooting Life of Pi

When director Ang Lee brought on cinematographer Claudio Miranda, ASC to shoot Life of Pi, the two were faced with a multi-pronged challenge. For Lee, the movie was to be his first shot digitally as well as his first 3D stereoscopic film, and he relied on Miranda, who had experience in both. But Miranda had other challenges, including shooting the movie's extensive water scenes as well as a key character -- the tiger -- who wasn't there. In this article, Miranda explains how he made it all work, to create what is arguably the year's most gorgeous movie.

Feature, People / Interview
Claudio Miranda, ASC
Cinematography
Behind the Lens: Anna Karenina's Seamus McGarvey ASC, BSC

Behind the Lens: Anna Karenina's Seamus McGarvey ASC, BSC

Seamus McGarvey, ASC, BSC talks to Creative COW about his Oscar-nominated cinematography on Anna Karenina.

Feature, People / Interview
Seamus McGarvey, ASC, BSC
Cinematography
KICKSTART THEFT: Filmed on Sony F65

KICKSTART THEFT: Filmed on Sony F65

Cinematographer Vilmos Zsigmond, ASC and director Frederic Goodich, ASC got together to push the new Sony F65 to its limits. The result is Kickstart Theft, a short film based on De Sica's classic The Bicycle Thieves, which was shot in downtown Los Angeles in a range of challenging lighting and shooting conditions.

Editorial, Feature, People / Interview
Debra Kaufman
TV & Movie Appreciation
Bill Taylor, ASC Commended with the John A. Bonner Medal

Bill Taylor, ASC Commended with the John A. Bonner Medal

VFX pioneer Bill Taylor, ASC has been voted to receive the John A. Bonner Medal of Commendation by the Board of Governors of the Academy of Motion Picture Arts and Sciences, which was presented at the 2013 Scientific and Technical Awards. Inspired by Ray Harryhausen and some of the greatest icons of effects history, Bill has achieved feats of his own. We had the opportunity to speak with him about his luminary career.

Feature, People / Interview
Bill Taylor, ASC
Cinematography
Behind the Lens: Michael Slovis, ASC & Breaking Bad

Behind the Lens: Michael Slovis, ASC & Breaking Bad

Michael Slovis, ASC is behind the lens at the enormously popular and critically acclaimed AMC show Breaking Bad where he's shot four seasons and earned three Emmy nominations. Although his early work was in independent film in New York, Slovis has had a long, successful run in episodic TV including work on Fringe, CSI: Crime Scene Investigation, 30 Rock and many others. In one of the most compelling entries yet in our Behind The Lens series, edited by Debra Kaufman, Michael talks about the pleasures of shooting film, his stock choices (which he feels have never been better), why he sticks with prime lenses, and some of the dramatic approaches to visual storytelling that Breaking Bad creator and Executive Director Vince Gilligan has developed for the show.

Editorial, Feature, People / Interview
Michael Slovis, ASC
RED Camera
House of Cards

House of Cards

Netflix is distributing all 13 episodes of its first season House of Cards at once, on streaming platforms. That's not all that makes this new political drama series unique. With David Fincher as an executive producer and director of the first two episodes, you'd expect a digitally-savvy pipeline and you'd be correct. In this story, Fincher's post production supervisor Peter Mavromates and assistant editor Tyler Nelson talk about how FotoKem's newly evolved nextLAB system played a role in streamlining the post pipeline.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
The Camera Is An Eye - Not A Vacuum Or A Gun

The Camera Is An Eye - Not A Vacuum Or A Gun

This article is intended to be a friendly guidepost for all shooters who wish to improve their craft. At the highest level, you, the shooter, are involved in one of the greatest art forms the world has ever known. At the lowest level, you, the shooter, are still involved in one of the greatest art forms the world has ever known. Find out how to channel your "Inner-Welles" and create the majestic poetry we all crave from your art.

Editorial, Feature
David Allison
Jump!

Jump!

NitroCircus: The Movie's stylistic leap in 3D production used RED EPICs shooting 96 fps, for up to 4TB of files a day. They relied on HP workstations to deliver the film on time and on budget.

Editorial, Feature, People / Interview
Russell Lasson
Cinematography
Line of Sight: John Bramblitt's Story

Line of Sight: John Bramblitt's Story

Personal despair is turned into an inspiring vision of beauty and life as John Bramblitt learns to express his talent for painting - without sight. Join Stephen Menick as he relates meeting this remarkable young man and the tools Stephen used to tell John's story.

Feature, People / Interview
Stephen Menick
Cinematography
Hitchcock: Behind the Lens with Jeff Cronenweth, ASC

Hitchcock: Behind the Lens with Jeff Cronenweth, ASC

Psycho still retains its shock value, and the new movie Hitchcock, directed by Sacha Gervasi (Anvil!) and starring Anthony Hopkins as the iconic filmmaker and Helen Mirren as his wife Alma Reville, makes it quite plain how this horror-suspense film became an icon. Set during the filming of Psycho, Hitchcock features the artistry of cinematographer Jeff Cronenweth, ASC, who references the mid-century era with a Technicolor-inflected look and captures an intimate view of Hitchcock’s personal life.

Feature, People / Interview
Jeff Cronenweth, ASC
Cinematography
Firefly: DP David Boyd ASC Recalls Shooting The Cult Classic

Firefly: DP David Boyd ASC Recalls Shooting The Cult Classic

Well before David Boyd A.S.C. shot a single frame of The Walking Dead, Deadwood, or Friday Night Lights, he was the cinematographer for every episode of the short-lived, much-loved series Firefly, from writer-director Joss Whedon. On the 10th anniversary of Firefly, David talks to Creative COW about shooting Firefly, the show's remarkable life since its premature cancellation, and its passionate fans.

Feature, People / Interview
David Boyd, ASC
Stereoscopic 3D
The Making of Flight of the Butterflies in 3D on IMAX

The Making of Flight of the Butterflies in 3D on IMAX

SK Films has released Flight of the Butterflies in 3D, an IMAX/giant screen film that details the true story of the scientist who spent 40 years researching the incredible epic migration of the monarch butterfly. Using, among other technologies, a specialized 3D snorkel camera designed by Peter Parks for close-up photography, the feature film features spectacular real footage of the brilliant monarch butterfly sanctuaries.

Editorial, Feature
Debra Kaufman
Cinematography
Michael Goi, ASC: Shooting TV with the Sony F65

Michael Goi, ASC: Shooting TV with the Sony F65

Sony's F65 camera was brand new when seasoned cinematographer Michael Goi, A.S.C. decided to use it to shoot the pilot of the NBC comedy hit The New Normal. A past president of the American Society of Cinematographers, Michael's other recent projects include Glee and the first two seasons of American Horror Story. Goi speaks to Creative COW about using the F65 as well as his preferred workflow for TV.

Editorial, People / Interview
Michael Goi, ASC
Cinematography
Behind the Lens: David Boyd ASC & The Walking Dead

Behind the Lens: David Boyd ASC & The Walking Dead

David Boyd, ASC has lensed 10 episodes to date of AMC's highly popular 'The Walking Dead,' and also directed the sixth episode of the second season, "Secrets." Creative COW's Debra Kaufman spoke with David about shooting style, lighting and lens choices, and staying out of the way. To celebrate the new season of The Walking Dead, Creative COW Magazine is pleased to reintroduce you to David Boyd, the show's original DP, with unique insights to share on its shooting.

Feature, People / Interview
David Boyd, ASC
DaVinci Resolve
Grading Frankenweenie at Company 3

Grading Frankenweenie at Company 3

Colorist Rob Pizzey just finished the DI for Tim Burton's latest film, Frankenweenie, a 3D stop-motion animated tale of a boy and his deceased dog, brought back to life with the power of science. Creative COW spoke with Company 3 colorist Rob Pizzey in London about the tricks of grading a B&W movie that's also stop-motion and in 3D.

Feature
Debra Kaufman
Cinematography
Taking 3D Shooting To The Limit -- with 3 Cameras!

Taking 3D Shooting To The Limit -- with 3 Cameras!

HD pioneering cinematographer B. Sean Fairburn, SOC is now working on ways to make 3D cinematography possible for all kinds of difficult and dangerous activities, as well as first-person POVs. He speaks to Creative COW about his work to build rigs that are extremely mobile as well as offering different interocular distances for adapting 3D content to a variety of screen sizes.

Feature, People / Interview
Sean Fairburn, SOC
Blackmagic Design
MTV Trials 3D for Video Music Awards

MTV Trials 3D for Video Music Awards

MTV took a step towards 3D broadcasts at its annual Video Music Awards, feeding a 3D signal into the Regal Theatre adjacent to the event's downtown Los Angeles venue. That 3D signal was a real-time 2D-to-3D conversion thanks to Blackmagic Design's new Teranex 3D processor, which was shown at NAB 2012. Priced at $3,995, the Teranex 3D processor provides a 3D exemplified by depth of field and no artifacts. For MTV, the 3D broadcast is yet another step in experimenting with the right technology for the right event.

Feature
Debra Kaufman
Cinematography
Filming a Docu in 2012 London with the Sony PMW-100

Filming a Docu in 2012 London with the Sony PMW-100

Trevor Ward has just returned from London where he was brought on to film a documentary during the games of 2012. The tour involved seventeen interviews, all over London, sometimes in a Cinéma Vérité style. Read the review based on his real-world experience with the new (and very lightweight) Sony PMW-100 camera.

Editorial, Feature
Trevor Ward
Cinematography
Kallisti Media Produces 3D War of Wars

Kallisti Media Produces 3D War of Wars

From Kallisti Media comes "War of Wars," a 3D documentary that combines historic stereographic stills taken during the war with modern day interviews with soldiers who recount their wartime experiences. Using stereographic stills to create motion imagery requires a toolbox of tricks, and Kallisti Media Editor Christian Glawe describes for Creative COW readers the post-production process - which relied heavily on Adobe software - to produce this compelling piece.

Feature
Debra Kaufman
Cinematography
Behind the Lens: Paul Cameron ASC on Total Recall

Behind the Lens: Paul Cameron ASC on Total Recall

Paul Cameron, ASC, just finished work on the remake of Total Recall, directed by Len Wiseman and starring Colin Farrell, Kate Beckinsale and Jessica Biel with Bill Nighy, Bryan Cranston, and John Cho. Cameron was last featured in Creative COW for his work on Henry's Crime. His previous credits include director Michael Mann's Collateral and Tony Scott's Man on Fire.

Feature
Paul Cameron, ASC
Indie Film & Documentary
Behind the Lens: Navajo Teens Struggle Up Heartbreak Hill

Behind the Lens: Navajo Teens Struggle Up Heartbreak Hill

Two young track stars at a rural New Mexico high school are torn between the lure of brighter futures and the ties that bind them to home. Home for these teens, however, is a small town on a Navajo reservation, and in leaving, they must separate from family, tradition, and the land that has been theirs for generations. Erica Scharf's Up Heartbreak Hill is a moving look at a new generation of Americans struggling to be both Native and modern. We take you Behind the Lens.

Feature
Erica Scharf
Indie Film & Documentary
StorageDNA Goes Down Under with DEEPSEA CHALLENGE

StorageDNA Goes Down Under with DEEPSEA CHALLENGE

When director James Cameron took a solo dive to the deepest spot on earth, he turned to Sydney-based Digital Pictures to deliver a range of post production services. In turn, Digital Pictures relied on StorageDNA to help them create a cost-effective LTO-based conform system that handled massive amounts of 4K data.

Feature
Debra Kaufman
Cinematography
In Conversation with USC's Norman Hollyn

In Conversation with USC's Norman Hollyn

Creative COW's Debra Kaufman spends some time with Norman Hollyn, Full Professor at USC's School of Cinematic Arts as he prepares to embark on a two-year term as President of the University Film and Video Association and talks about the intersection of editing and film school.

Feature
Debra Kaufman
TV & Movie Appreciation
Who Shot Rock & Roll - Arclight Productions

Who Shot Rock & Roll - Arclight Productions

Arclight Productions just finished an original documentary short, inspired by and presented at the Annenberg Space for Photography's exhibit Who Shot Rock & Roll. The documentary -- Who Shot Rock & Roll: The Film -- was produced and directed by Steven Kochones and celebrates the collaborations between photographers and recording artists who created some of the most enduring images in rock history.

Feature, People / Interview
Steven Kochones
Stereoscopic 3D
Stereo D Converts Abraham Lincoln: Vampire Hunter to 3D

Stereo D Converts Abraham Lincoln: Vampire Hunter to 3D

If you think that converting a motion picture from 2D to 3D is a post production process, think again. Stereo D just wrapped up the conversion of director Timur Bekmambetov's Abraham Lincoln: Vampire Hunter from 2D to 3D, and the job began before a single frame was shot.

Feature
Debra Kaufman
Cinematography
Stephen Lighthill on Cinematography and the ASC

Stephen Lighthill on Cinematography and the ASC

Stephen Lighthill, newly elected president of the American Society of Cinematographers, speaks to Creative COW about the state of cinematography today, the impact of technology and the role of education in maintaining the art and craft.

Feature, People / Interview
Stephen Lighthill
DaVinci Resolve
Company 3's DI artist Stephen Nakamura on Prometheus

Company 3's DI artist Stephen Nakamura on Prometheus

Stephen Nakamura, one of a handful of artists who helped to pioneer DI color grading, shares his experience on creating the look for Prometheus as envisioned by director Ridley Scott.

Feature
Stephen Nakamura
MAYA
VFX Files: Khaos Digital Helps Bones Tell Its Stories

VFX Files: Khaos Digital Helps Bones Tell Its Stories

A key element in the hit TV show Bones is the images on The Angelatron, an 8-foot screen that shows detailed images proving how the victim died. Khaos Digital's David Watkinson creates all those images for Bones, and specializes in creating content for screens that play back in real-time during production. Creative COW looks at how it's done.

Feature
Debra Kaufman
Cinematography
Global Cinematography Institute at CineGear

Global Cinematography Institute at CineGear

The Global Cinematography Institute, recently founded by Vilmos Zsigmond, ASC and Yuri Neyman, ASC, will hold a presentation on Cinematography in Video Games and Virtual Cinematography at CineGear on Saturday, June 2 at 4 pm. The presentation will include directors from Activision, cinematographers who are recent film school grads and the technical director of Universal Virtual Stage I in addition to Zsigmond and Neyman.

Feature
Debra Kaufman
Art of the Edit
Luma Pictures Takes On The Avengers

Luma Pictures Takes On The Avengers

Luma Pictures took on another Marvel superhero production - The Avengers. Luma completed nearly 200 shots, focusing on creating the interior of the Helicarrier by digitally extending and enhancing a practical set. The company also reprised its role in creating Thor's supernatural armor.

Feature
Debra Kaufman
Cinematography
Behind the Lens: Air Racers 3D: Flying to an IMAX Near You

Behind the Lens: Air Racers 3D: Flying to an IMAX Near You

From the first air race in 1909 to the present day, spectators have been thrilled by the tremendous aerial acrobatics and speed performances that adept pilots and their beloved aircraft are able to achieve. "Air Racers 3D," produced by 3D Entertainment in association with L.A.-based Pretend Entertainment and Stereoscope, is an in-depth exploration of the fastest motor sport on Earth at the annual Reno National Championship Air Races & Air Show, and commemorates this century-old sport in IMAX 3D. The COW had the opportunity to get into the cockpit with the makers of Air Racers 3D.

Feature
Debra Kaufman
Cinematography
Behind the Lens: James Mathers Talks About 'Brake'

Behind the Lens: James Mathers Talks About 'Brake'

Cinematographer James Mathers discusses shooting Brake, an indie thriller starring Stephen Dorff that was directed by Gabe Torres from a script by Timothy Mannion. Nathan West and James Walker produced with their company Walking West Entertainment. The movie opens up theatrically in Los Angeles and New York on March 23.

Feature
James Mathers
Audio Professionals
Technicolor Opens Sound Facility on Paramount Lot

Technicolor Opens Sound Facility on Paramount Lot

These two companies structure a partnership to benefit clients and their own ecosystems by opening gleaming new mixing stages for Technicolor on the Paramount lot.

Feature
Debra Kaufman
Cinematography
Behind the Lens: Martin Ruhe

Behind the Lens: Martin Ruhe

Cinematographer Martin Ruhe was just honored with the ASC Award for Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television for his work on "Page Eight," a contemporary spy film directed and written by David Hare for the BBC. Creative COW had the opportunity to speak with Martin for a look behind the lens of "Page Eight."

Feature, People / Interview
Debra Kaufman
DSLR Video
Plan It Like a Bank Heist

Plan It Like a Bank Heist

A DSLR shoot -- wait, make that two shoots including a couple of Panasonic AF100s -- that is a reminder to both plan for everything, and be ready for anything.

Feature, People / Interview
Stephen Menick
Cinematography
Global Cinematography Institute Launches Classic and Virtual Cinematography Courses

Global Cinematography Institute Launches Classic and Virtual Cinematography Courses

On January 14 at the Beverly Garland Hotel in North Hollywood cinematographers Vilmos Zsigmond, ASC and Yuri Neyman, ASC will unveil plans for an "Expanded Cinematography" program for postgraduate students and filmmakers at their newly established Global Cinematography Institute.

Feature
Debra Kaufman
Stereoscopic 3D
Behind the Lens: Flying Monsters 3D

Behind the Lens: Flying Monsters 3D

Realizing that 3D would be a superb way to portray the prehistoric world of the Pterosaurs -- beautiful flying creatures with 35 foot wingspans -- Anthony Geffen and Sir David Attenborough's maiden voyage into stereoscopy was begun. Step back in time with Creative COW as we look into the making of Flying Monsters 3D.

Feature
Debra Kaufman
Cinematography
Behind the Lens: Steven Fierberg, A.S.C.

Behind the Lens: Steven Fierberg, A.S.C.

Steven Fierberg, A.S.C. is well known for the pilot for the new ABC hit Once Upon a Time, for Entourage, and the movies Love and Other Drugs and Secretary but this A.S.C. cinematographer was the artist behind the lens on many titles, including the pilot of How to Make it in America, A Nightmare on Elm Street 4, and Rage, the groundbreaking Sally Potter-directed cell phone movie. Look behind the lens with Creative COW.

Feature, People / Interview
Debra Kaufman
Cinematography
Emerging Cinematographers Feted by ICG

Emerging Cinematographers Feted by ICG

At the Directors Guild of America, the International Cinematographers Guild (IATSE Local 600) held the 15th Emerging Cinematographer Awards, a gala event to celebrate the work of ten up-and-coming cinematographers, eight of who won awards and two of whom received honorable mention.

Feature
Debra Kaufman
Cinematography
Behind the Lens: Bobby Bukowski, Cinematographer

Behind the Lens: Bobby Bukowski, Cinematographer

Bobby Bukowski offers an inside look at one of the first features shot with ARRI Alexa ProRes, and how the camera completely reshaped the cinematographer's approach to 360-lighting. Bobby also talks about the DP's role as one of the characters on a set where actors don't rehearse, and preparation is the key.

Feature, People / Interview
Debra Kaufman
Cinematography
Behind the Lens: David Moxness, cinematographer

Behind the Lens: David Moxness, cinematographer

Award-winning cinematographer David Moxness, CSC has made a name for himself most recently in his work on FRINGE, a mystery/thriller about an FBI agent who works to solve strange crimes with an institutionalized scientist who works on "the fringe" of accepted science. In addition to FRINGE, whose new season premieres on September 23, Moxness also recently shot the miniseries The Kennedys. Among the series' 10 Emmy nominations is one for Best Cinematography, Moxness' first Emmy nod; Moxness also took home a Gemini Award (the Canadian equivalent of an Emmy) for Best Photography in a Dramatic Program or Series. He previously won the American Society of Cinematographer's award in 2007 for Outstanding Achievement in Cinematography in Episodic TV Series for an episode of Smallville, and has been nominated for numerous Canadian Society of Cinematography Awards and Leo Awards. Debra Kaufman spoke to Moxness about his most recent work.

Feature, People / Interview
Debra Kaufman
Art of the Edit
Behind the Lens: Cowboys & Aliens & Editors

Behind the Lens: Cowboys & Aliens & Editors

Creative COW’s Debra Kaufman had a chance to speak with the editor of Cowboys & Aliens, Dan Lebental, who was also Favreau’s editor on Iron Man and Iron Man 2. Cowboys & Aliens stars Harrison Ford as the iron-fisted Colonel Dolarhyde and Daniel Craig as a stranger with no memory of his past in an event film for summer 2011 that crosses the classic Western with the alien-invasion movie in a blazingly original way.

Feature
Debra Kaufman
Art of the Edit
VFX Soup: Luma Pictures Builds The Destroyer and Thor's VFX

VFX Soup: Luma Pictures Builds The Destroyer and Thor's VFX

Marvel Entertainment's epic adventure Thor has dominated the box office in the last few weeks, with a worldwide gross of $357.6 million. In this cinematic version of the super hero tale, the powerful but arrogant mighty Thor is exiled from the mystical realm of Asgard to live on earth, in punishment for his reckless actions that have reignited an ancient war. Forced to live among humans, Thor's powers are tested when The Destroyer, a monstrous suit of living armor, is sent to earth. In the process, Thor learns how to be a true hero. This fantastical action-adventure was helmed by renowned British actor/director Kenneth Branagh and stars Australian actor Chris Hemsworth as Thor, the ancient Norse god; Tom Hiddleston as Loki, his chaotic brother; Natalie Portman as Jane Foster, Thor's love interest and Anthony Hopkins as Odin, the father of Thor and Loki. In this article in the Creative COW Library, Luma Pictures takes us inside the building of The Destroyer and the Bifrost arrival to earth, the mystical storm that delivers the gods to the other worlds. Let Creative COW's Debra Kaufman take you to the realms of mythology and VFX possibility.

Feature
Debra Kaufman
Cinematography
Behind the Lens: Paul Cameron, ASC

Behind the Lens: Paul Cameron, ASC

"Henry's Crime", described by DP Paul Cameron, ASC as a "fable of sorts...with a folkloric beauty" is the topic as Debra Kaufman interviews Paul Cameron. Facing challenges such as limited budget, a short shooting schedule, difficult lighting and -20 degrees Fahrenheit weather all add to the mystique of a film playing out in a "classics style" storybook effect and elegant cinematography. Join Paul and Debra for a look behind making this fascinating tale come to life.

Feature, People / Interview
Debra Kaufman
Cinematography
Behind the Lens: DP Jo Willems & Limitless

Behind the Lens: DP Jo Willems & Limitless

Join Debra Kaufman as she speaks with Cinematographer Jo Willems to discuss his latest film, Limitless. The premise of the movie imagines a dual reality for character, Eddie Morra - one in which he is broken and luckless, the other, wealthy and charismatic. How does a cinematographer capture the feeling of two vastly different worlds? By shooting both film and digital! Read on for the story "Behind the Lens", as Jo Willems describes to Debra Kaufman just how he achieved the look he envisioned.

Feature, People / Interview, Project
Debra Kaufman
Broadcasting
How to Shoot Footage Your Editor Will Respect

How to Shoot Footage Your Editor Will Respect

When it comes to shooting, David Allison's experience in the editing room has helped him develop parameters that lead to better footage that embodies the sensible values of an efficient shooter.

Editorial, Feature, People / Interview
David Allison
TV & Movie Appreciation
A Storyteller's Journey

A Storyteller's Journey

Where do you go when your first film is nominated for an Academy Award®, your next job is for Steven Spielberg, and just a few years later you earn your first DGA Award nomination while working for David Lynch? For Lesli Linka Glatter, the answer is -- you go anywhere you want to! Just after she won her first DGA Award for Outstanding Directorial Achievement, we spoke to Lesli about directing for both episodic TV and film, visual storytelling, and a journey that began at AFI's Directing Workshop for Women.

Feature, People / Interview
Lesli Linka Glatter
Cinematography
Inside HBOs The Wire

Inside HBOs The Wire

Set in Baltimore, Maryland, The Wire will begin its fifth and final season in January 2008 on HBO. As different from standard TV as it gets, the show has received the highest levels of critical acclaim, being referred to by multiple reviewers as the best show on television. In its last issue of 2006 Time Magazine ranked The Wire first on its list of 10 Best TV Shows. And Finally recognized as the best series on TV. Sorry, Tony (Soprano), was Newsweeks description. Creative COWs Nick Griffin spent time on set earlier this year and interviewed one of the shows Producers. Heres his inside glimpse into The Wire and its production.

Editorial, Feature, People / Interview
Nick Griffin
Cinematography
Don't Miss Your Shot

Don't Miss Your Shot

How making friends with trash cans and other objects can improve your career. In a conversation with highly respected cinematographer Todd McMullen (Casino, The Green Mile), he talks about how to break into Hollywood, and what it takes to be successful once you get there.

Feature, Business
Todd McMullen
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