Adobe Premiere Pro
How to Choose the Right System for Adobe Premiere Pro and After Effects
"What’s the best system for Premiere Pro and After Effects?" This is a question that any editor or content creator has to go through every few years as technology changes. Dave Helmly is the Head of Strategic Development for Professional Video - Broadcast at Adobe, and gets asked this question almost daily by broadcast IT departments, filmmakers, and YouTubers. Before laying out the answers about the right system for you, Dave lays out the additional questions that you need to ask first.
Adobe Creative Cloud
Adobe MAX 2016: Breakthroughs in Design and Productivity
You might be excused for thinking that, barely a month since Adobe announced massive updates to their Creative Cloud suite at IBC, there might not be much more to add, except that there’s no way that Adobe would bring 10,000 people to San Diego for the Adobe MAX creativity conference and not have some truly compelling new news. Read on for news of new design tools for app prototyping, photorealistic comping/visualization, the new Adobe Sensei framework of intelligent services built into the entire Creative Cloud Platform, the integration of Reuters video and photography into Adobe Stock’s editorial collection, and, of particular interest to folks working in web video, the introduction of the new Social Publishing Panel within Adobe Premiere Pro.
Using Adobe Kuler in Your Favorite Apps
Let's face it, not all of us are good at picking contrasting colors, or colors that don't clash, and colors that are not downright ugly mugly. So that's where Kuler comes in, allowing you to, say, based on your corporate logo, a photograph, or a single frame of your movie, provide you with a set of color choices (often called swatches) that can then be applied throughout the project creation process - and across all the applications that you use.
Tutorial, Video Tutorial