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Premiere Pro CS6 Techniques: 51 Color FIVE: Color Cast

Premiere Pro CS6 Techniques: 51 Color FIVE: Color Cast
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In this tutorial, Andrew Devis starts to deal with color problems on a shot by introducing some tools within the fast color corrector - specifically looking at the issue of white balance and color cast.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Advanced Titler & Feathering a Track Matte as a Mask using Adobe Premiere Pro CS5.5

Advanced Titler & Feathering a Track Matte as a Mask using Adobe Premiere Pro CS5.5
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This video tutorial presented by Jon Barrie details some of the uncommon knowledge about the Titler Tools and how to simulate a feathered mask using a Track Matter technique using Adobe Premiere Pro CS 5.5.1.

Tutorial, Video Tutorial
Jon Barrie
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Editing Multi-camera Productions

Premiere Pro Video Adrenaline: Editing Multi-camera Productions
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In this installment of Video Adrenaline for Premiere Pro, Richard Harrington goes over the process of setting up a multi-clip for editing and walks you through the essential steps.

Tutorial, Video Tutorial
Richard Harrington
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Retiming Audio

Premiere Pro Video Adrenaline: Retiming Audio
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In this installment of Video Adrenaline for Premiere Pro, Richard Harrington explores the companion application to Premiere Pro -- Adobe Audition, included in CS5.5.

Tutorial, Video Tutorial
Richard Harrington
Adobe Premiere Pro
Premiere Pro: Matching Cameras & Composit Elements in AE

Premiere Pro: Matching Cameras & Composit Elements in AE
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In this colour correction tutorial, Andrew Devis shows how to use the tools in After Effects both to get excellent colour matching result in After Effects and also to provide information that can be copied into Premiere Pro to more quickly and intuitively achieve better colour matching in Premiere Pro than can easily be achieved with the present set of tool in Premiere Pro (recorded with CS5.5). Andrew shows how to use both the right tool and specific colour channel views to visually match the channels to achieve the best results quickly and effectively. Use this to match footage from different cameras as well as matching elements to be composited into your composition so that they look as if they really belong together.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Customizing Keyboard Shortcuts

Premiere Pro Video Adrenaline: Customizing Keyboard Shortcuts
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In this installment of Video Adrenaline for Premiere Pro, Richard Harrington talks about the powerful features of customizing your keyboard using Premiere Pro CS5.5.

Tutorial, Video Tutorial
Richard Harrington
Adobe Premiere Pro
Premiere Pro: Matching Cameras

Premiere Pro: Matching Cameras
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In this tutorial, Andrew Devis shows one approach to matching footage from different cameras. Sometimes, as editors, we receive footage from our clients that is from different cameras which may not have been set up in the same way. This can lead to a jarring effect when viewing the footage back as you switch between cameras which can distract your audience - a very big foe-par! But, matching cameras can be a difficult and frustrating process. While the solution Andrew demonstrates isn't instantaneous and will require time to master, once mastered, it will enable you to quickly and effectively solve problems to (at the very least) ensure your audience isn't distracted when you switch cameras.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Mastering the Media Browser

Premiere Pro Video Adrenaline: Mastering the Media Browser
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In this installment of Video Adrenaline for Premiere Pro, Richard Harrington explores the Media Browser in PP and talks about features that you might not know exist.

Tutorial, Video Tutorial
Richard Harrington
Adobe Premiere Pro
Finding Clip Instances Inside Sequences Workflow using Adobe Premiere Pro CS5.5

Finding Clip Instances Inside Sequences Workflow using Adobe Premiere Pro CS5.5
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This video tutorial presented by Jon Barrie demonstrates how to go about finding instances of clips (edited clips) in the timeline using Adobe Premiere Pro CS5.5. The process is not limited to CS5.5 and can be achieved using this process across all versions of Adobe Premiere Pro.

Tutorial, Video Tutorial
Jon Barrie
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Roundtripping with Audition

Premiere Pro Video Adrenaline: Roundtripping with Audition
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In this installment of Video Adrenaline for Premiere Pro, Richard Harrington focuses on changes in Adobe CS55 and how it integrates with Audition. It's easy to move back and forth from a PP sequence to edit in Adobe Audition.

Tutorial, Video Tutorial
Richard Harrington
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Mastering Transitions

Premiere Pro Video Adrenaline: Mastering Transitions
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In this installment of Video Adrenaline for Premiere Pro, Richard Harrington shows how to use transitions inside of PP. There are some subtle changes and nuances in CS5.5 that you might want to use.

Tutorial, Video Tutorial
Richard Harrington
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Watch Folders

Premiere Pro Video Adrenaline: Watch Folders
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In this installment of Video Adrenaline for Premiere Pro, Richard Harrington talks about encoding, and the flexibility of using a feature that saw improvement in CS5.5 -- Watch Folders. Take a look at making watch folders drag and drop for Adobe Media Encoder.

Tutorial, Video Tutorial
Richard Harrington
Adobe Premiere Pro
Premiere Pro: Sweetening Audio with Parametric EQ

Premiere Pro: Sweetening Audio with Parametric EQ
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In this advanced Premiere Pro tutorial, Andrew Devis shows how to use the parametric equaliser in Premiere Pro and for CS5.5 in Audition and for CS4/5 in Soundbooth. The parametric eq is a simply and effective way to affect a whole series of frequencies in you audio to quickly and efficiently sweeten (or un-sweeten depending on what you want to do) your audio. However, the work-flow for CS5.5 and above and CS5/4 (and probably CS3) are different and so the tutorial starts with the work-flow for PP/Audition CS5.5 and above and then at 13:30 onwards looks at the work-flow for CS4/5 and Soundbooth including showing how to balance the volume level. Andrew also shows how to apply parametric eq directly in Premiere Pro even though this is a much less efficient way of applying the effect.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro Video Adrenaline: The Warp Stabilizer

Premiere Pro Video Adrenaline: The Warp Stabilizer
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In this installment of Video Adrenaline for Premiere Pro, Richard Harrington delivers the great new feature in AE CS5.5 for image stabilization and ties it seamlessly into PP using Dynamic Link. Take advantage of this new feature to seamlessly exchange files between the two programs.

Tutorial, Video Tutorial
Richard Harrington
Adobe Premiere Pro
Premiere Pro: Capturing & Batch Capturing from miniDV tape

Premiere Pro: Capturing & Batch Capturing from miniDV tape
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In this tutorial for Premiere Pro, Andrew Devis demonstrates how to capture footage from miniDV tape from a camera connected to a computer via a firewire or iLink connection. Andrew covers the options to record straight from the camera, using the in to out button and how to batch capture logged clips.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Ultra Keyer

Premiere Pro Video Adrenaline: Ultra Keyer
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In this installment of Video Adrenaline for Premiere Pro, Richard Harrington explores the vector keyer, which is the Ultra Keyer, an original stand-alone product that Adobe picked up and thoroughly integrated it into Premiere Pro. It particularly shines when you throw heavily compressed material into it. Here's how it works...

Tutorial, Video Tutorial
Richard Harrington
Adobe Premiere Pro
Premiere Pro Video Adrenaline: The Replace Edit Command

Premiere Pro Video Adrenaline: The Replace Edit Command
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In this installment of Video Adrenaline for Premiere Pro, Richard Harrington demonstrates how to use the replace edit command in Premiere Pro so that you can swap out one take for another. In this example, the actor delivers his line a little late, and with low energy. Take the clip in the source monitor, use the current time indicator to create a sync point and automatically create the correct in and out points.

Tutorial, Video Tutorial
Richard Harrington
Adobe Premiere Pro
Applying Audio FX in Adobe Premiere Pro

Applying Audio FX in Adobe Premiere Pro
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Believe it or not, there's a lot more to applying audio FX in Adobe Premiere Pro than at first glance may seem the case. For example, you can apply audio FX both to single clips AND to a whole track - which can save you a great deal of time and effort IF you know how to do it! In this short video tutorial, Andrew Devis demonstrates how to apply audio FX both to clips and to tracks as well as go through some of the basic settings to get you started - including Pre and Post fader options and presets.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Understanding Transform Effects in Premiere Pro: Part 2

Understanding Transform Effects in Premiere Pro: Part 2
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In this follow-on tutorial to understanding transforms in Adobe Premiere Pro, Andrew Devis demonstrates how to animate those transforms to achieve PiPs.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Understanding Transform Effects in Premiere Pro: Part 1

Understanding Transform Effects in Premiere Pro: Part 1
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Transforms are effects that are automatically applied to any asset you place in your timeline. Knowing what your transforms are and how to change them will give you a series of tools to improve your presentation and make a more dynamic product. For example, knowing how to re-scale a picture or change the opacity or position of an item to get better results. In this first tutorial on transforms, Andrew Devis shows how to find your transforms and how to manipulate them both as hot-text and with handles in the program monitor. The second part to this tutorial will show how to animate transforms to get Picture in Picture results.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Understanding Automation Modes in Premiere Pro

Understanding Automation Modes in Premiere Pro
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Automation modes are an important part of the audio work-flow in Premiere Pro, saving a great deal of time and effort fading music over speech and automating the volume levels/changes of each of the tracks to get the best results with the least amount of work. In this in-depth tutorial, Andrew Devis firstly demonstrates the clip-based key-framing approach and then goes on to explain and demonstrate how to use the track-based automation modes, showing the difference between each of the modes and the essential preferences and options available to you. This tutorial should work with all the latest versions of PP including CS3, 4, 5 and 5.5.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Time Repmapping Footage

Premiere Pro Video Adrenaline: Time Repmapping Footage
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In this tutorial for the Premiere Pro Video Adrenaline series, Richard Harrington talks about how to control time inside Premiere Pro. There are many options to change the speed of clips, including the rate stretch tool, time remapping to achieve a variable speed value, and using After Effects own remapping abilities to fine tune your results.

Tutorial, Video Tutorial
Richard Harrington
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Making Lower Thirds

Premiere Pro Video Adrenaline: Making Lower Thirds
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In this tutorial for the Premiere Pro Video Adrenaline series, Richard Harrington explains how to take a stock background and force it to be the duration and the color that you desire for your video project and turn this background into a lower third.

Tutorial, Video Tutorial
Richard Harrington
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Documentary Photo Effects

Premiere Pro Video Adrenaline: Documentary Photo Effects
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In this tutorial for the Premiere Pro Video Adrenaline series, Richard Harrington takes a look at how to integrate still photos into your Premiere Pro timeline to acquire the very popular documentary photo effects style with pans and scans.

Tutorial, Video Tutorial
Richard Harrington
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Techniques to Stylize Footage

Premiere Pro Video Adrenaline: Techniques to Stylize Footage
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In this tutorial for the Premiere Pro Video Adrenaline series, Richard Harrington shows simple techniques to stylize flat or dull footage -- if you have less than perfect source material and want to deliver something more dramatic.

Tutorial, Video Tutorial
Richard Harrington
Series


Authors

Tobias Gleissenberger (2)
Jon Barrie (6)
Andrew Devis (87)
Tobias Gleissenberger (2)
Dan Gordon (1)
Steven Gotz (1)
Richard Harrington (34)
Tim Kolb (1)
Satish Kumar (1)
Timothy Kurkoski (1)
Mary Poplin (1)
Aanarav Sareen (13)
Simon Ubsdell (1)
Mike Velte (1)
Lucas Young (1)


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