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AJA Video Systems
AJA Video Systems Celebrates 25 Years of Professional Video Systems

AJA Video Systems Celebrates 25 Years of Professional Video Systems

John Abt started AJA Video Systems with his wife Darlene in 1993 to develop simple digital parallel to serial and serial to parallel converters. Many of AJA’s products at their core continue to bridge connectivity and simplify pro video workflows through video up, down, cross format conversion. A great read that you will find at Film and Digital Times.

Editorial, Feature, People / Interview, Business
Film and Digital Times
AJA Video Systems
NAB 2013: AJA Video Systems

NAB 2013: AJA Video Systems

AJA Video Systems debuted its Ki Pro Quad solid-state portable video recorder for 4K camera-to-editorial workflows with Apple ProRes and RAW data. The new Ki Pro Quad supports 4:2:2 and 4:4:4 recording at HD and 2K resolution and real-time scaling from 4K/Quad HD to 2K/HD among its many other features. AJA also introduced its Hi5-4K Mini-Converter, which offers a monitoring connection from professional 4K devices to consumer 4K displays, and its Region of Interest Mini-Converter, which enables conversion and real-time scaling of computer DVI-D and HDMI outputs to baseband video over SDI. AJA also came to the show with lots of partnership news from Adobe, Avid and FilmLight as well as Quantel is now using AJA's Corvid Ultra OEM cards to power its Pablo RIO.

Editorial, Feature
Debra Kaufman
AJA Video Systems
IBC 2012: AJA

IBC 2012: AJA

AJA is unveiling several new products at IBC 2012, chief among them the Corvid Ultra, which supports 2K and 4K high-frame rate DI workflows. Corvid Ultra also features the new TruScale arbitrary scaling engine, which allows up and down scaling from web video to 4K. Also of note is a new line of USB3-enabled KiStor drives for Ki Pro and Ki Pro Rack as well as a new KiStor Dock with Thunderbolt and USB3 connectivity.

Editorial, Feature
Debra Kaufman
AJA Video Systems
AJA Ki Pro Mini

AJA Ki Pro Mini

AJA started shipping its first ProRes-based video recorder, the Ki Pro, in the fall of 2009. Recording via HD-SDI in ProRes was impressive, but the Ki Pro was too big and heavy to be useful for much in-the-field work. Now AJA has shrunk the Ki Pro down to a fraction of the original’s size, added some features, taken a few away, and dropped the price in half. Viola, you have the new Ki Pro Mini.

Review
Helmut Kobler
AJA Video Systems
Production of the Canadian Olympics Hall of Fame Gala

Production of the Canadian Olympics Hall of Fame Gala

Mathieu shares his experience with KiPros in this article on the production of the Canadian Olympics Hall of Fame Gala. Thirty-six hours of footage filmed on ten cameras had to be transformed into a two-hour long master including commercial breaks, subtitles and packaging in both official languages... and the show had to be on air 24 hours only after the event took place. Read about the amazing compatibility between Final Cut and KiPro and the steps required to make the impossible possible.

Review, Feature, People / Interview
Mathieu Marano
AJA Video Systems
Up-Converting SD for HD Projects and HD Cross-Conversion Using AJA Kona 3

Up-Converting SD for HD Projects and HD Cross-Conversion Using AJA Kona 3

Need SD upconversion for HD projects, and HD cross-conversion? Broadcast editor and Final Cut Pro community leader Shane Ross recently had a DVCPRO HD project shot with the Panasonic Varicam and HVX-200 at 23.98 that had to be converted to 1080psf 23.98 for delivery on HDCAM. After long research and experience with many FCP-compatible cards, he concluded that the AJA Kona 3 was the way to go. It even handles SD upconversion too, all in real time. Read why he chose this specific card, and how he got the job done.

Tutorial, Feature
Shane Ross
Authors

Film and Digital Times (1)
Debra Kaufman (2)
Helmut Kobler (1)
Mathieu Marano (1)
Shane Ross (1)


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