Creative COWSIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US :: FAQ
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
LIBRARY:TutorialsVideo TutorialsReviewsInterviewsEditorialsFeaturesBusinessAuthorsRSS Feed

ARRI Tutorials

FORUM  •   HOT TODAY   •   LIBRARY HOME   •   SUBSCRIBE
Business & Marketing
Creative COW Turns 15! A Celebration of Being Uncool

Creative COW Turns 15! A Celebration of Being Uncool

15 years is a long time on the internet! Travel back with us to the days before YouTube, social media, digital cinema, smartphones, iPods and all the rest, back to the founding of Creative COW by Ronald & Kathlyn Lindeboom in April 2001. Join us for an insider's look at the earliest days of the professional digital video revolution, all the way through the events that have shaped the world's largest community of media professionals, right here at Creative COW.

Editorial, Feature
Tim Wilson
Indie Film & Documentary
Tuskegee Airmen 75th Anniversary: A Documentary Revisited

Tuskegee Airmen 75th Anniversary: A Documentary Revisited

When Denton Adkinson and Bryan Williams told us the story of their documentary, In Their Own Words: The Tuskegee Airmen, back in 2011, we were amazed. It was one of the most popular stories we published that year, not just because of the inspiring subject matter, but for the remarkable way it came together as a project, and in post. In the years since then, the film has taken on a life of its own, including national DVD distribution, becoming part of high school curricula, NFL celebrations, museum presentations, and more. Now in 2016, to celebrate the 75th anniversary of the Tuskegee Airmen, their film will be presented as a live event on over 200 screens across the US. To get there, though, Denton and Bryan had to update their SD original for the big screen, add a surround mix, and prep it for digital distribution. This is a story of faith, fortitude, upres, ProRes, and the power of positive phone calls that you won't want to miss.

Feature
Denton Adkinson
NAB Show
NAB 2015: Working Together on Collaborative Competition

NAB 2015: Working Together on Collaborative Competition

At NAB 2015, Creative COW Contributing Editor Kylee Wall says that the show's biggest story is companies now competing with each other to provide the most compelling collaborative platforms. The winner? Customers. Here's Kylee's look at the details of how it's all coming together.

Feature, People / Interview, Business
Kylee Peña
ARRI
ARRI Puts ALEXA in a Mini Package

ARRI Puts ALEXA in a Mini Package

Introducing a new camera to its popular ALEXA family, ARRI announced the ALEXA SXT and the ALEXA Mini, a small form factor ALEXA camera for specialized shots where third party cameras have been used before.

Editorial, Feature, People / Interview
Kylee Peña
NAB Show
Tips from an NAB Veteran: Make the Best Use of Your Time

Tips from an NAB Veteran: Make the Best Use of Your Time

"The snow is finally starting to melt," says Creative COW Contributing Editor (and member with nearly 25,000 posts) Walter Biscardi, "so that means it’s time for the annual National Association of Broadcasters convention. I've gone so many times it’s more like a family reunion than a trade show anymore. Here’s my 2015 edition of “Tips From An NAB Veteran To Make The Best Use Of Your Time.”

Editorial, Feature, People / Interview
Walter Biscardi
NAB Show
Open Letter to Companies Exhibiting at the NAB Show

Open Letter to Companies Exhibiting at the NAB Show

"Trade show exhibitors are all competing to be the loudest, shiniest and sexiest," says Creative COW Contributing Editor Kylee Wall. "I'm writing to ask you to consider how your conduct can help make the exhibit hall a more inviting and inclusive experience for everyone."

Editorial, Feature, People / Interview
Kylee Peña
TV & Movie Appreciation
Building The World of Hercules

Building The World of Hercules

Hercules achieved an epic look on a relatively modest budget through careful and clever CG environments. Together, Method Studios and Milk VFX are two of the companies that helped create a full, realistic world for Hercules, from the sky, to the Acropolis, to the sea.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
The Toaster and Tim's Vermeer

The Toaster and Tim's Vermeer

The inventor of the NewTek Video Toaster was certain that he figured out the secret behind the uncanny realism of one of the world's greatest painters, and certain he could use the same methods to duplicate it. Really? Yes, really. Join us for a conversation with NewTek founder Tim Jenison on the unexpected intersection of art, technology, obsession and the Video Toaster in the wonderfully provocative documentary called Tim's Vermeer.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
Making Maleficent Fly

Making Maleficent Fly

Maleficent's Oscar-nominated Visual Effects Supervisor Carey Villegas speaks to us about his work creating the world of the iconic Disney villain, coordinating multiple effects houses on every one of over 1500 shots, and the challenges of creating realistic effects.

Editorial, Feature, People / Interview
Tim Wilson
ARRI
ARRI AMIRA Puts 35mm Sensor in Documentary-Style Package

ARRI AMIRA Puts 35mm Sensor in Documentary-Style Package

Shooters with a need for efficiency and hardiness and a desire for great image quality will want to check out ARRI AMIRA, a new documentary-style camera available in April.

Editorial, Feature
Kylee Peña
Cinematography
Rodney Charters, ASC, CSC Brings Blackmagic to Dallas

Rodney Charters, ASC, CSC Brings Blackmagic to Dallas

Rodney Charters, ASC, CSC is probably best known for his work as cinematographer on the groundbreaking international hit 24. The most recent of his many jobs since then is TNT's Dallas, where he has shot 36 episodes so far, and directed three. Creative COW Contributing Editor Debra Kaufman spoke to Rodney about his work on both sides of the lens, including his use of the Blackmagic Design Pocket Cinema Camera to complement the production's ARRI Alexas.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Technology 2014 | Production, Post & Beyond: Part TWO

Technology 2014 | Production, Post & Beyond: Part TWO

What were the big technology trends in media and entertainment over the past year? What's going to be significant in the coming year? Those are questions that many of us are asking, so we went to some of our savviest Creative COW contributors to ask their opinions of where we've been and where we're going. Here in Part 2, our conrtibutors offer in-depth insights. (See Part 1 for a broader industry overview.)

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Technology 2014 | Production, Post & Beyond: Part ONE

Technology 2014 | Production, Post & Beyond: Part ONE

What were the big technology trends in media and entertainment over the past year? What's going to be significant in the coming year? Those are questions that many of us are asking, so we went to some of our savviest Creative COW contributors to ask their opinions of where we've been and where we're going. Here in Part 1, we offer an overview of their perspectives. (See Part 2 for their additional insights.)

Editorial, Feature, People / Interview
Debra Kaufman
TV & Movie Appreciation
Behind the Lens: Kramer Morgenthau, ASC on Sleepy Hollow

Behind the Lens: Kramer Morgenthau, ASC on Sleepy Hollow

Kramer Morgenthau, ASC has shot over 60 films, including Thor: The Dark World. He has been nominated for 5 Primetime Emmys for his television work, and won an ASC Award for his work on HBO's Game of Thrones. He also shot the pilot for the Fox hit Sleepy Hollow, which gave us an opportunity to talk to him about his work, his influences and his philosophy of lighting and camera moves.

Editorial, Feature, People / Interview
Debra Kaufman
Field Production
“Before I forget: don’t wear any underwear.”

“Before I forget: don’t wear any underwear.”

Before coming to Creative COW, before his lives in product marketing and product management at Avid and Boris FX, Creative COW Editor-in-Chief Tim Wilson ran a video production company. In one especially memorable adventure, he found himself quite literally up to his armpits in alligators. He had no idea that this was going to happen when the day began. At the time, he was focused on a brand new fear: getting sliced in half by burning underwear.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
John Dykstra, ASC: VFX Then and Now

John Dykstra, ASC: VFX Then and Now

Creative COW had the great pleasure of speaking to visual effects pioneer John Dykstra, who received his first Academy Award for his work on Star Wars, and, the same year, won an Academy Scientific and Engineering Award for the Dykstraflex motion-control camera that made so many of Star Wars' effects possible. Join us as he shares behind the scenes on Star Wars, speaks about his transition from an artist to a VFX supervisor, and gives us his thoughts on the state of VFX today.

Editorial, Feature, People / Interview
John Dykstra, ASC
TV & Movie Appreciation
Creating the 3D in Gravity

Creating the 3D in Gravity

Gravity, the highly-acclaimed, intensely emotional space thriller, has been hailed as some of the - if not the VERY - best 3D footage ever seen on the big screen. This has led to some surprise when learning that Gravity was NOT shot in 3D. However, it wasn't entirely converted in post either. It featured an innovative and unique workflow that incorporated 3D conversion during production as well as a complex integration with 3D VFX. In a conversation with Prime Focus World, we find out how they did it.

Editorial, Feature, People / Interview
Debra Kaufman
NEWS: People in the News
Remembering Ray Dolby: A Life of Invention

Remembering Ray Dolby: A Life of Invention

Ray Dolby gave his talents and his name to the most significant advances in audio recording, for both the professional film/TV/music industries and consumer products. On the occasion of his death, at age 80, Creative COW tells the story of his life, his engineering achievements and the impact he has had on the creative people in our industry.

Editorial, Feature, People / Interview
Debra Kaufman
Broadcasting
IBC 2013 Wrap Up

IBC 2013 Wrap Up

Broadcast Engineer Ryan Salazar wraps up his perspective on IBC 2013, the premier annual event for professionals engaged in the creation, management and delivery of entertainment and news content worldwide.

Editorial, Feature, People / Interview
Ryan Salazar
Cinematography
The State of Cinematography: Insights From The Rental Houses

The State of Cinematography: Insights From The Rental Houses

Rental houses, which have existed since the 1920s, have all experienced the evolution from film to video to data. Today, the trends that rental houses experience -- from technology to business practices -- are a lens for understanding what's going on in the bigger ecosystem of the film/TV industry. In Part 1, we look at the challenges facing rental houses in today's production environment.

Editorial, Feature, People / Interview
Debra Kaufman
ARRI
Behind the Lens: The Lone Ranger's Bojan Bazelli

Behind the Lens: The Lone Ranger's Bojan Bazelli

Bojan Bazelli, ASC, working with Director Gore Verbinski, designed and executed a unique look for The Lone Ranger. With a nod to the much-filmed Western genre, they made a uniquely contemporary film with a much more desaturated color palette and a grittier look to the classic locations.

Editorial, Feature, People / Interview
Bojan Bazelli, ASC
ARRI
The Lone Ranger: A Contemporary Style for a Classic Genre

The Lone Ranger: A Contemporary Style for a Classic Genre

When cinematographer Bojan Bazelli, ASC decided to shoot The Lone Ranger with 35mm film, he also realized that some of the scenes might best be served with a digital camera. Choosing the ARRI Alexa Studio for the film's anamorphic look and Codex recorders, Bazelli was able to create a filmic look in digital that seamlessly integrated with the 35mm footage.

Editorial, Feature, People / Interview
David Heuring
Cinematography
World War Z: Location Production for the Zombie Apocalypse

World War Z: Location Production for the Zombie Apocalypse

The team that developed virtual cinematography for Avatar went even further for World War Z, creating a much more advanced system for everything from video assist to capturing lens metadata, able to stand up to eight weeks of 14 hour days, in remote locations and extreme conditions around the world.

Editorial, Feature, People / Interview
Debra Kaufman
TV & Movie Appreciation
VFX Titans Remember Ray Harryhausen

VFX Titans Remember Ray Harryhausen

"When we grieve Ray Harryhausen's passing, we are at least in part grieving perhaps the last living link to the earliest days of movie visual effects," says Creative COW's Debra Kaufman. She spoke to many of today's VFX giants who were inspired by Ray, including Phil Tippett, Richard Edlund, Jeffrey A. Okun and ILM Animation Director Hal Hickel, who says, "Ray Harryhausen's impact on an entire generation (several actually) of filmmakers cannot be overstated, each of them trying again and again to reproduce the wonder they first felt as a child watching Jason fight those skeletons."

Editorial, Feature, People / Interview
Debra Kaufman
MAYA
Iron Man 3: The Trixters Behind Tony Stark's Shiny New Armor

Iron Man 3: The Trixters Behind Tony Stark's Shiny New Armor

Seventy artists from Trixter worked an entire year to create a formidable 208 VFX shots for Marvel's Iron Man 3. Each new episode in the Iron Man saga details a slick new technology created by the ingenious Tony Stark, and the new installment does not disappoint! Combining the hard surface geometry of the Iron Man suit auto-assembly with the flexibility of the human body was one of the challenges that Trixter brought from previs to believable screen reality.

Editorial, Feature, People / Interview
Alessandro Cioffi
Series


Authors

Gary Adcock (6)
Denton Adkinson (1)
David Allison (1)
Bernat Aragones (1)
David Battistella (1)
Walter Biscardi (2)
Steven Bradford (1)
Glenn Collict (1)
Cowdog (1)
Anette Haellmigk (1)
David Heuring (1)
Debra Kaufman (35)
Helmut Kobler (2)
Ron Lindeboom (1)
Robert Longwell (1)
Stephen Nakamura (1)
Robert Primes, ASC (1)
Ryan Salazar (1)
Dave Stump, ASC (1)
Von Thomas (1)
Kylee Peña (4)
Tim Wilson (12)


Other Tutorials

Letters to the COW Team (47)
Creative COW Magazine feedback (11)
Creative COW podcasts (10)
NEWS: People in the News (15)
Adobe After Effects (769)
Adobe After Effects basics (496)
Adobe After Effects Expressions (91)
Adobe After Effects Techniques (213)
Adobe Audition, Soundbooth (46)
Adobe Creative Cloud (50)
Adobe Creative Cloud: The Debate (25)
Adobe Director (25)
Adobe Dreamweaver (41)
Adobe Encore DVD (46)
Adobe Flash (89)
Adobe Illustrator (52)
Adobe InDesign (31)
Adobe Media Encoder (28)
Adobe OnLocation (33)
Adobe Photoshop (251)
Adobe Photoshop basics (78)
Adobe Premiere Pro (379)
Adobe Premiere Pro basics (255)
Adobe SpeedGrade (26)
Adobe ULTRA (28)
AJA io (24)
AJA Ki Pro (22)
AJA Kona - Mac (34)
AJA Kona - PC (24)
Apple - Windows on Mac (14)
Apple Color (33)
Apple DVD Studio Pro (25)
Apple FCPX or Not: The Debate (121)
Apple FCPX Techniques (62)
Apple Final Cut Pro (236)
Apple Final Cut Pro basics (69)
Apple Final Cut Server (16)
Apple Garage Band (13)
Apple iPad (21)
Apple iPhone (21)
Apple iPod (16)
Apple LiveType (12)
Apple Logic (11)
Apple MobileMe (11)
Apple Motion (59)
Apple OS X (23)
Apple Shake (23)
Apple Soundtrack (20)
Apple Xsan (15)
Archiving and Back-Up (30)
ARRI (76)
Art of the Edit (238)
Assimilate Scratch (19)
Audio Professionals (51)
Aurora Video Systems (14)
Autodesk 3ds Max (80)
Autodesk Combustion (50)
Autodesk Smoke (34)
Autodesk Smoke 2013 (17)
Autodesk Toxik (11)
AVID Editing basics (9)
Avid Media Composer / Symphony (264)
Blackmagic Cinema Camera (27)
Blackmagic Design (89)
Blender (16)
Boris FX (76)
Broadcast Design (12)
Broadcasting (174)
Business & Marketing (129)
Canon Cameras (41)
Canon EOS DSLR (31)
Cinema 4D (71)
Cinematography (330)
Compression techniques (22)
CoreMelt Plug-ins (17)
Corporate Video (47)
DaVinci Basics & Configuration (12)
DaVinci Resolve (46)
Digital Delivery (19)
Digital Photography (16)
DSLR Video (77)
DVD Authoring (20)
Event Videographers (65)
Field Production (26)
Freeform Pro (8)
Genarts Sapphire (9)
HD High-End (127)
HDV Format (42)
IBC Expo (35)
Indie Film & Documentary (225)
JVC cameras/decks (12)
Leitch dpsVelocity (12)
Lighting Design Pros (22)
Lightwave (10)
Live & Stage Events (48)
Magic Bullet Suite (8)
Matrox Video Systems (17)
MAYA (71)
Media 100 (40)
Media 100 844/X (11)
NAB Show (145)
Nuke (11)
Panasonic GH Cameras (23)
Panasonic HVX - HPX (P2) (56)
Panasonic VariCam (31)
particle Illusion (17)
Podcasting (12)
RE:Vision Effects (54)
RED Camera (61)
Red Giant plug-ins (8)
SAN - Storage Area Networks (23)
Sony DV (14)
Sony NXCAM (24)
Sony SRW Decks (15)
Sony Vegas (125)
Sony Vegas basics (101)
Sony XDCAM - EX & Related (31)
Sony XDCAM Optical Disc & Related (18)
Stereoscopic 3D (83)
Trapcode (25)
TV & Movie Appreciation (219)
WalterBiscardi.com (8)
Web Design (25)
Web Streaming - Audio|Video (12)
What Computer Should I Buy? (27)
Windows Hardware & Software (44)
Zaxwerks (22)


FORUMSTUTORIALSFEATURESPODCASTSEVENTSSERVICESJOBSNEWSLETTERNEWSBLOGS

Creative COW LinkedIn GroupCreative COW Facebook PageCreative COW on Twitter
© 2016 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]