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Art of the Edit
Taking Over the ACE Student Awards Pt 1: Advice From Grads

Taking Over the ACE Student Awards Pt 1: Advice From Grads

For the first time in its history, the American Cinema Editors student awards were swept by students from the University of North Carolina School for the Arts. In part 1 of her look at this program's unprecedented feat, Creative COW Associate Editor Kylee Peña speaks to the students -- Aneesa Mahboob, Chris Dold, and Emily Rayl -- about the first part of their journey as filmmakers, the benefits of formal education, how they see the world from here, as well as their remarkable night at their first (and surely not last) Hollywood awards banquet. Whether you're a student or a seasoned pro, read on to be inspired, challenged, and reminded why we do this.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Taking Over the ACE Awards 2: How to Make Film School Work

Taking Over the ACE Awards 2: How to Make Film School Work

For the first time in its history, the American Cinema Editors student awards were swept by students from a single school: the University of North Carolina School for the Arts. In part 1 of her look at this program's unprecedented feat, Creative COW Associate Editor Kylee Peña spoke to the students. Here in part 2, she speaks to the faculty members -- Julian Semilian, ACE, and Michael Miller, ACE -- helping students balance technique and creativity. Whether you're a student or a seasoned pro, read on to be inspired, challenged, and reminded why we do this.

Editorial, Feature
Kylee Peña
Art of the Edit
'Art of Post' Art Show Features Creativity After Delivery

'Art of Post' Art Show Features Creativity After Delivery

The creative folks in post-production often apply their artistic skills beyond their jobs. They sometimes even apply to it to art. This is every bit as true for technical and administrative people who don't have a specific outlet for their artistic impulses on the job. The folks at the bi-coastal visual effects and motion graphics company came up with a fantastic idea: let's put some of the work they've created in galleries. and call it "The Art of Post." Creative COW Associate Editor Kylee Peña responded strongly. "When I saw the Art of Post event featuring art created by post production professionals in Los Angeles and New York, I knew it wasn't just a new idea, it was necessary." Learn more about the remarkable event, enjoy the work of some remarkable artists, and perhaps think more broadly about what it means to be creative.

Editorial, Feature
Kylee Wall
Art of the Edit
Metadata & The Future of Filmmaking

Metadata & The Future of Filmmaking

Dave Stump, ASC has worked as a DP, effects cinematographer and VFX supervisor on dozens of films including Quantum of Solace, X-men The Bourne Identity, Star Trek: First Contact, Batman Forever and many more. He chairs the ASC subcommittees on Cameras, and Metadata, and in 2000, was part of a team that received a Technical Achievement Award from the Academy of Motion Picture Arts and Sciences, for hand-development of advanced camera data capture systems. Although this interview was first published in 2008, we've found that the ideas explored here are becoming more relevant by the day. Join Creative COW Editor-in-Chief Tim Wilson and COW Leader and camera expert Gary Adcock for this compelling look at the future of filmmaking.

Feature
Dave Stump, ASC
Art of the Edit
Creative Studio leads Pink Through the Looking Glass

Creative Studio leads Pink Through the Looking Glass

The Creative Studio's Director of CG Steve Parish led the VFX team, who first worked to bring together eighteen passes of a continuous seventy second shot as Pink moves across the chessboard in a fully CG generated environment. Meyers and Sarsfield had worked carefully to capture the motion controlled camera move, ensuring that there were no intersections between the characters, but the VFX team had a lot of clean up on the chessboard to create a clean plate before adding reflections and shadows to the floor in order to sell through the separate passes of Pink's game pieces interacting in the scene.

Editorial, Feature
COW News
Art of the Edit
Adventures in File Transfer: Crawford's Transformed Workflow

Adventures in File Transfer: Crawford's Transformed Workflow

The boom in Georgia location production has led to new opportunities for Atlanta's Crawford Media Services to provide everything from dailies to finishing, all the way through archiving. The trick is that while, locations are local, the productions and client operating bases may be across the country, or even on other continents. As media bloomed to over 200TB daily, FTP was no longer an option. To the rescue rode Signiant Media Shuttle.

Feature
COW News
Art of the Edit
What Comes After Landing that Big Editing Job?

What Comes After Landing that Big Editing Job?

Sitting in on a meeting of The Editors' Lounge can be informative to say the least, and advance your career with wise words and not only been-there-done-that-information, but a real melting pot of new information and strategy. Join in for point-by-point discussion of what to do next after landing your big editing job.

Editorial, Feature
The Editors' Lounge
Color Grading
Baselight Ka-booms in Belfast

Baselight Ka-booms in Belfast

Belfast, in Northern Ireland, doesn't have a great history in post-production. But Ka-boom, which started in 2010 as an audio facility, the specialisation of co-founder Will McConnell, quickly grew to fill the void in a city which is now rapidly becoming a major production centre.

Editorial, Feature
FilmLight
Art of the Edit
FuseFX Applies Military Muscle to FX's Tyrant

FuseFX Applies Military Muscle to FX's Tyrant

VFX Supervisor Ted Rae and team are applying their artistry to "Tyrant," a jihadist war drama and one of the best programs on television today.

Editorial, Feature
COW News
Art of the Edit
The Women in Post PR List: No More #AllMalePanels

The Women in Post PR List: No More #AllMalePanels

Did you know the #allmalepanel is such a common phenomenon that a UN organization is urging its employees (and 8,500 member organizations like Coca-Cola and Cisco) to stop participating in them? As we enter NAB 2016, Kylee Peña is looking at balancing the scales with more women on the panels.

Editorial, Feature
Kylee Peña
Apple FCPX Debates
Apple FCPX and the Making Of Whiskey Tango Foxtrot

Apple FCPX and the Making Of Whiskey Tango Foxtrot

Rather than a story about editing software, this is a story about Apple Final Cut Pro X from a filmmaker’s perspective: specifically, how keeping as much VFX and audio temp work as possible inside FCPX during production helped allow Glenn Ficarra and John Requa to open up new options and saved weeks of production time in the making of Whiskey Tango Foxtrot, the new wartime comedy starring Tina Fey.

Editorial, Feature
Tim Wilson
Art of the Edit
Checksums, Speed, and Acceptable Risk

Checksums, Speed, and Acceptable Risk

Do you hang out under a tree during a lightning storm? Do you perform a checksum every time you copy important files from one place to another? If you don't have an equally strong opinion about both these questions, it's time to learn about checksums: how they work, how much you can trust them, and how this technical task can save a creative person from certain doom.

Editorial, Feature
Kylee Peña
Art of the Edit
Editing Star Wars: The Force Awakens

Editing Star Wars: The Force Awakens

On Star Wars: The Force Awakens brings the latest collaboration of Mary Jo Markey, ACE and Maryann Brandon, ACE​ once again collaborated with J.J. Abrams, following their previous successes with him on pictures including Star Trek and Star Trek Into Darkness, Mission Impossible III, Super 8, and the TV series Alias. Here, they tell us about putting together this new instant classic.

Editorial, Feature, People / Interview
Tim Wilson
Art of the Edit
A Tale of Two Mockingjays: The Hunger Games Epic Finale(s)

A Tale of Two Mockingjays: The Hunger Games Epic Finale(s)

Deciding to adapt the 'Hunger Games' finale, 'Mockingjay', as two films opened up remarkable storytelling possibilities for director Francis Lawrence, and editors Alan Bell ACE and Mark Yoshikawa ACE. We spoke with the editors about the technologies, workflows, and collaborative processes that enabled them to so richly explore the nuances of power, pain, and the lifelong toll that war takes even on the victors.

Editorial, Feature, People / Interview
Tim Wilson
Art of the Edit
Tomorrowland -- Building a World Beyond with cineSync

Tomorrowland -- Building a World Beyond with cineSync

Earlier this year, Disney brought another of its theme park attractions to the silver screen in Brad Bird's Tomorrowland - a VFX-fuelled adventure that whisks viewers across time, space and alternate dimensions. Computer graphics facility Whiskytree was brought on to the project to create the gleaming cityscape of Tomorrowland itself.

Feature
Whiskytree
Art of the Edit
How Are You? No, really. Creativity & Mental Health

How Are You? No, really. Creativity & Mental Health

In an industry where mental health is hard to come by, Creative COW Associate Editor Kylee Peña reminds us how important it is to ask ourselves, and our peers, "How are you? No, really. How ARE you?" Kylee also offers some suggestions for helping ourselves be honest with the answers, as we also move toward a future that allows us to be more creative, more productive, AND more sane.

Editorial, Feature
Kylee Peña
Art of the Edit
Positivity: Editor Jesse Averna on Evolving Your Career

Positivity: Editor Jesse Averna on Evolving Your Career

Five-time Emmy-award winning editor Jesse Averna has been a lifelong fan of filmmaking, a love reflected in his ambition to move into directing. Jesse shares insight about evolving his career, including the importance of being a positive force in your post community.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Editors on Editing, Emmys, and Everything Else

Editors on Editing, Emmys, and Everything Else

The Emmy Award-nominated editors of Amazon's Transparent and Lifetime's Project Runway All-Stars (Cate Haight ACE, and Emmy-winner Mary DeChambres, respectively) sit down with Creative COW Associate Editor Kylee Wall for a wide-open conversation on getting started in Hollywood, getting ahead, and, most important, staying sane. Anything you want to know about editing in the real world? You'll find it right here.

Feature, People / Interview
Kylee Peña
Art of the Edit
Finding Your First Job (Or Your Next One)

Finding Your First Job (Or Your Next One)

It's something we're all asked all the time: how do I get the first real job in the industry? It's almost always a question coming out of a young, wide-eyed, innocent looking baby deer of a human being who is graduating from university very soon and for the first time realizes that they're going to have crushing student debt AND no actual plan to get from here to Oscar-worthy filmmaker.

Feature, People / Interview
Kylee Peña
Art of the Edit
Editing Yourself: An Agency Editor Tells Her Fitness Story

Editing Yourself: An Agency Editor Tells Her Fitness Story

When agency editor Katie Toomey found herself in a rut physically and mentally, she knew she had to make some changes to her life to be successful in the long term. With determination and support, she spent five years changing her lifestyle, incorporating more activity and better eating habits her busy post production schedule, losing 80 pounds in the process.

Feature
Kylee Peña
Art of the Edit
Cutting Grand Budapest Hotel:Oscar-Nom Editor Barney Pilling

Cutting Grand Budapest Hotel:Oscar-Nom Editor Barney Pilling

Oscar-nominated editor Barney Pilling discusses balancing a distinct visual style, using driving performances, and managing visual effects on Wes Anderson's Grand Budapest Hotel.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Fitness in Post Revisits Sexism in Post

Fitness in Post Revisits Sexism in Post

"Sexism in Post" by Kylee Wall, one of our most-talked about recent stories, will lead to an NAB 2015 panel, and here, a podcast interview by Zack Arnold for Fitness in Post.

Editorial, Feature, People / Interview
Zack Arnold
Avid Media Composer
The Art of Being Industrious: Dody Dorn ACE on Cutting Fury

The Art of Being Industrious: Dody Dorn ACE on Cutting Fury

Oscar-nominated film editor Dody Dorn is best known for her work on films like 'Memento' and 'End of Watch', with her latest film 'Fury' involving 16 Avids across two continents. Working her way up from switchboard operator, Dody brings decades of experience to the edit, with a personal advocacy for taking career risks and accepting any opportunity.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Unbroken: Editing Angelina Jolie's War Drama

Unbroken: Editing Angelina Jolie's War Drama

Editors William Goldenberg and Tim Squyres discuss the process of co-editing Unbroken, the Angelina Jolie directed war drama, including constructing challenging sequences, working with an actor-director, and knowing when a scene feels right.


Kylee Peña
Art of the Edit
Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri's shift from editing corporate training videos and independent films to crafting TV movies for SyFy and Lifetime was no accident: hard work and a positive attitude were everything as he found himself cutting films and designing workflows for major networks.

Editorial, Feature, People / Interview
Kylee Peña
Series


Authors

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Dave Anselmi (1)
Zack Arnold (2)
David Biedny (1)
Jonathan Bird (1)
Walter Biscardi (18)
Kevin Blank (1)
Doug Blush (1)
Joseph W. Bourke (1)
Mike Cohen (1)
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Dan Dome (1)
Mike Fink (1)
Nancy Forner, ACE (1)
Scott Freeman (1)
Marisu Fronc (1)
Jeremy Garchow (1)
Richard Harrington (1)
Chris Healer (1)
Jerry Hofmann (1)
Joe Huggins (1)
Imagineer Systems (1)
Christian Jhonson (1)
Jim Kanter (1)
Debra Kaufman (24)
Tim Kolb (1)
Carl Larsen (1)
John Lawrence (1)
Hillary Lewis (1)
Eugen Olsen (1)
Greg Ondera (1)
Sven Pape (11)
Shane Ross (2)
Mark Sanger and Christian Jhonson (1)
Dave Stump, ASC (1)
Mike Sullivan (1)
Katie Toomey (1)
Simon Ubsdell (1)
Kylee Peña (28)
Tim Wilson (11)
Steve Wright (1)
Bob Zelin (1)


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