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Art of the Edit
Finding Your First Job (Or Your Next One)

Finding Your First Job (Or Your Next One)

It's something we're all asked all the time: how do I get the first real job in the industry? It's almost always a question coming out of a young, wide-eyed, innocent looking baby deer of a human being who is graduating from university very soon and for the first time realizes that they're going to have crushing student debt AND no actual plan to get from here to Oscar-worthy filmmaker.

Feature, People / Interview
Kylee Peña
Art of the Edit
Editing Yourself: An Agency Editor Tells Her Fitness Story

Editing Yourself: An Agency Editor Tells Her Fitness Story

When agency editor Katie Toomey found herself in a rut physically and mentally, she knew she had to make some changes to her life to be successful in the long term. With determination and support, she spent five years changing her lifestyle, incorporating more activity and better eating habits her busy post production schedule, losing 80 pounds in the process.

Feature
Kylee Peña
Art of the Edit
Cutting Grand Budapest Hotel:Oscar-Nom Editor Barney Pilling

Cutting Grand Budapest Hotel:Oscar-Nom Editor Barney Pilling

Oscar-nominated editor Barney Pilling discusses balancing a distinct visual style, using driving performances, and managing visual effects on Wes Anderson's Grand Budapest Hotel.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Fitness in Post Revisits Sexism in Post

Fitness in Post Revisits Sexism in Post

"Sexism in Post" by Kylee Wall, one of our most-talked about recent stories, will lead to an NAB 2015 panel, and here, a podcast interview by Zack Arnold for Fitness in Post.

Editorial, Feature, People / Interview
Zack Arnold
Avid Media Composer
The Art of Being Industrious: Dody Dorn ACE on Cutting Fury

The Art of Being Industrious: Dody Dorn ACE on Cutting Fury

Oscar-nominated film editor Dody Dorn is best known for her work on films like 'Memento' and 'End of Watch', with her latest film 'Fury' involving 16 Avids across two continents. Working her way up from switchboard operator, Dody brings decades of experience to the edit, with a personal advocacy for taking career risks and accepting any opportunity.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Unbroken: Editing Angelina Jolie's War Drama

Unbroken: Editing Angelina Jolie's War Drama

Editors William Goldenberg and Tim Squyres discuss the process of co-editing Unbroken, the Angelina Jolie directed war drama, including constructing challenging sequences, working with an actor-director, and knowing when a scene feels right.


Kylee Peña
Art of the Edit
Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri's shift from editing corporate training videos and independent films to crafting TV movies for SyFy and Lifetime was no accident: hard work and a positive attitude were everything as he found himself cutting films and designing workflows for major networks.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Arson Dogs: Editing a Web Series

Arson Dogs: Editing a Web Series

One of the most complicated projects yet undertaken by Creative COW Contributing Editor Kylee Wall: an unscripted web series called Arson Dogs, which featured massive multi-clips, 8 dog handlers, 3 trainers, and a whole lot of very enthusiastic dogs. Adding to the complexity: because it was for the web, Kylee had to come up with her own structure and pacing for the show itself, as well as the individual episodes, and still turn it around in a very tight timeframe.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Sexism in Post: Sometimes It's What You Think, Sometimes Not

Sexism in Post: Sometimes It's What You Think, Sometimes Not

Sexism in video production is making work environments hostile and keeping women away, but the most damaging sexist actions aren't what you think.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
A Beginner's Guide to Building a Budget 5.1 Editing Suite

A Beginner's Guide to Building a Budget 5.1 Editing Suite

As TV producer Jonathan Bird readied his first 6K feature for the fulldome-theater market, he needed to starting working with 5.1 sound. It turns out that it was trickier than just connecting his computer to a home theater receiver! Here's his trial-and-error progression to success.

Editorial, Feature, People / Interview
Jonathan Bird
Art of the Edit
Post Production: Protect Yourself Before You Sign a Contract

Post Production: Protect Yourself Before You Sign a Contract
  Play Video
In this trailer for a Business & Marketing training series at WalterBiscardi.com, Walt tells us what post production pros need to know and ask before taking on that big post project.

Tutorial, Video Tutorial
Walter Biscardi
Art of the Edit
Put Post First: Save Time & Money in Production!

Put Post First: Save Time & Money in Production!
  Play Video
In this trailer for a Business & Marketing training series at WalterBiscardi.com, Walt tells us to Put Post First! Save time and money by starting with post. In the series, you'll learn what producers and content creators need to know to save time, money and create a better end product.

Tutorial, Video Tutorial
Walter Biscardi
Art of the Edit
Quick Tip: Square vs. Anamorphic Pixels

Quick Tip: Square vs. Anamorphic Pixels
  Play Video
In this Post Production Quick Tip: Walter Biscardi Jr. clears up the confusion between square and anamorphic pixels and why he recommends always working in square pixel timelines.

Tutorial, Video Tutorial
Walter Biscardi
Art of the Edit
WalterBiscardi.Com Preview for The Positive Side of Change

WalterBiscardi.Com Preview for The Positive Side of Change
  Play Video
Through humour and anecdotes, Walter Biscardi Jr. shows how to embrace the risk that comes with change - both in business and in life. This clip previews the new series at WalterBiscardi.Com.

Tutorial, Video Tutorial
Walter Biscardi
Art of the Edit
WalterBiscardi.Com Preview for Production Budget Basics

WalterBiscardi.Com Preview for Production Budget Basics
  Play Video
In this production budgeting basics preview for a series on WalterBiscardi.com, Dana Popoff, Producer for "Good Eats" and "Feasting On Asphalt" with Alton Brown for the Food Network, shares what insights she will guide viewers through in this new professional production instructional series.

Tutorial, Video Tutorial
Walter Biscardi
Art of the Edit
House of Cards: Coloring the Game-Changing Netflix Series

House of Cards: Coloring the Game-Changing Netflix Series

Season 2 of the pioneering Netflix series "House of Cards" brought a number of changes, including new Lead Colorist Laura Jans-Fazio. She spoke to us about her approach to this visually distinctive show, her remote collaboration with Executive Producer David Fincher, and her use of the Baselight grading system for fast turnarounds with the show's 5K footage.

Editorial, Feature, People / Interview
Tim Wilson
Art of the Edit
Interlude's Treehouse: Interactive Video Authoring

Interlude's Treehouse: Interactive Video Authoring

"Welcome to a new world of storytelling," invites Treehouse's Interlude, an early player in the world of online authoring and delivery of interactive videos. In this review, Jerry Hofmann finds an impressive and easy-to-use service for creating "smart video" for more engaging content.

Review, Editorial, Tutorial, Feature
Jerry Hofmann
Art of the Edit
Under the Dome with Encore VFX Supervisor Stephan Fleet

Under the Dome with Encore VFX Supervisor Stephan Fleet

Visual effects are at the heart of Under the Dome, a hit CBS drama based on a novel by Stephen King, about a town trapped under an invisible dome that isolates it from the rest of the world. Read how Encore VFX created the dome itself for Season One, and other effects, as well as providing a full range of on-set and post services, all while translating the languages of many different disciplines into a single, unified vision.

Editorial, Feature, People / Interview
Stephan Fleet
Art of the Edit
Saturday Night Live's Film Unit: Making TV Fast

Saturday Night Live's Film Unit: Making TV Fast

Saturday Night Live's film unit produces a pre-taped segment for every live show, with nearly all of production and post happening within a 48 hour period. Director of Photography Alex Buono and editor Adam Epstein rely heavily on communication, improvisational filmmaking skills and the flexibility of their toolset -- including Adobe Creative Cloud -- to hit their deadlines and bring film spots to air each Saturday night.

Editorial, Feature, People / Interview
Kylee Peña
DaVinci Resolve
The Many Colors of A Modern Family

The Many Colors of A Modern Family

Sometimes it might seem that colorists are all about stylized treatments and extreme color correction, but Aidan Stanford's work on season five of Modern Family is all about maintaining realism and hiding all the tricks in the background. Making the jump from film color timing into digital hasn't been easy, but Aidan has found a way to utilize his film skills in the digital world, turning around episodes in a day using his favorite tools in DaVinci Resolve.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
GoPro Workflows for Editing Pros

GoPro Workflows for Editing Pros

GoPro footage is making its way into nearly every broadcast project that editor Shane Ross has been working on. It's even showing up in feature film production, so no matter what you're cutting, you're going to work with GoPro soon, if you're not already. Drawing on his real-world experience figuring this out on broadcast deadlines, Shane offers practical advice for editors using Avid Media Composer, Adobe Premiere Pro CC, and Apple FCPX.

Editorial, Feature, People / Interview
Shane Ross
Art of the Edit
Shane Ross Rebuilds His Bay with Thunderbolt

Shane Ross Rebuilds His Bay with Thunderbolt

Broadcast editor and longtime Creative COW leader Shane Ross was onlining a series for MSNBC on Avid Symphony, and noticed a funny thing: his MacBook Pro was outpacing his Mac Pro tower. Follow his adventures as he uses a variety of new products to rebuild the heart of his suite around Thunderbolt and his MacBook Pro.

Editorial, Feature, People / Interview
Shane Ross
Art of the Edit
Distributing Creativity: The Growth of Cloud-based Workflows

Distributing Creativity: The Growth of Cloud-based Workflows

The cloud can mean a lot of things, and in some cases, it can mean nearly nothing. This can make it hard to even know what we're talking about. The "real" parts are getting more real all the time, though, for everything from collaboration to computation. Creative COW Contributing Editor Kylee Wall has been looking into the ways that the cloud in its many meanings is already transforming TV & film production today, and she has some ideas about where things might be going from here.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
Screenvision & The Show Before The Show

Screenvision & The Show Before The Show

So you get to the movie a little early. Chances are good that you'll be seeing the work of Screenvision, who builds a combination of trailers, interviews, promos and music videos to create a self-contained show. We spoke to Screenvision Creative Supervisor Brian Mason for our own look behind the scenes.

Editorial, Feature, People / Interview
Tim Wilson
Art of the Edit
Post Production: Pixel vs. DPI for Graphics

Post Production: Pixel vs. DPI for Graphics
  Play Video
In this Post Production Quick Tip: Walter explains why pixel size matters over dpi when you create graphics for video.

Tutorial, Video Tutorial
Walter Biscardi
Series


Authors

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Hillary Lewis (1)
Kevin P. McAuliffe (1)
Eugen Olsen (1)
Greg Ondera (1)
Sven Pape (13)
Shane Ross (2)
Yoni Rusnak (1)
Mark Sanger and Christian Jhonson (1)
Dave Stump, ASC (1)
Mike Sullivan (1)
Katie Toomey (1)
Simon Ubsdell (1)
Kylee Peña (30)
Tim Wilson (11)
Steve Wright (1)
Bob Zelin (1)


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