Creative COWSIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US :: FAQ
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
AVID:Avid Editing ForumAvid Editing TutorialsAvid Editing Basics ForumAvid Liquid ForumAvid Liquid TutorialsAvid VideoRAID Forum

Avid Media Composer / Symphony Tutorials

FORUM   •   VIDEO TUTORIALS  •   HOT TODAY   •   LIBRARY HOME   •   SUBSCRIBE
Share on Facebook
Business & Marketing
What Comes After Landing that Big Editing Job?

What Comes After Landing that Big Editing Job?

Sitting in on a meeting of The Editors' Lounge can be informative to say the least, and advance your career with wise words and not only been-there-done-that-information, but a real melting pot of new information and strategy. Join in for point-by-point discussion of what to do next after landing your big editing job.

Editorial, Feature
The Editors' Lounge
Share on Facebook
Business & Marketing
Creative COW Turns 15! A Celebration of Being Uncool

Creative COW Turns 15! A Celebration of Being Uncool

15 years is a long time on the internet! Travel back with us to the days before YouTube, social media, digital cinema, smartphones, iPods and all the rest, back to the founding of Creative COW by Ronald & Kathlyn Lindeboom in April 2001. Join us for an insider's look at the earliest days of the professional digital video revolution, all the way through the events that have shaped the world's largest community of media professionals, right here at Creative COW.

Editorial, Feature
Tim Wilson
Share on Facebook
Boris FX
Boris Continuum Complete 10: A Winner For Every Creative

Boris Continuum Complete 10: A Winner For Every Creative

Walter Biscardi has been a Boris FX customer since 1995, and he calls Continuum Complete 10 a winner that belongs in every post creative's toolbox. With filters that nobody else has, customizable presets galore, multiple host support for one price, the watershed Title Studio, and the integrated power of mocha's Academy Award-winning tracking built into every filter, forget the cliche of Continuum Complete being a Swiss army knife, says Walter. Now, it's more like a cannon! Join Walter for some of the details on why you need this amazing package yourself.

Review, Editorial
Walter Biscardi
Share on Facebook
Art of the Edit
Checksums, Speed, and Acceptable Risk

Checksums, Speed, and Acceptable Risk

Do you hang out under a tree during a lightning storm? Do you perform a checksum every time you copy important files from one place to another? If you don't have an equally strong opinion about both these questions, it's time to learn about checksums: how they work, how much you can trust them, and how this technical task can save a creative person from certain doom.

Editorial, Feature
Kylee Peña
Share on Facebook
Art of the Edit
Editing Star Wars: The Force Awakens

Editing Star Wars: The Force Awakens

On Star Wars: The Force Awakens brings the latest collaboration of Mary Jo Markey, ACE and Maryann Brandon, ACE​ once again collaborated with J.J. Abrams, following their previous successes with him on pictures including Star Trek and Star Trek Into Darkness, Mission Impossible III, Super 8, and the TV series Alias. Here, they tell us about putting together this new instant classic.

Editorial, Feature, People / Interview
Tim Wilson
Share on Facebook
Art of the Edit
A Tale of Two Mockingjays: The Hunger Games Epic Finale(s)

A Tale of Two Mockingjays: The Hunger Games Epic Finale(s)

Deciding to adapt the Hunger Games finale, Mockingjay, as 2 films opened up remarkable storytelling possibilities for director Francis Lawrence, and editors Alan Bell ACE and Mark Yoshikawa ACE. We spoke with the editors about the technologies, workflows, and collaborative processes that enabled them to so richly explore the nuances of power, pain, and the lifelong toll that war takes even on the victors.

Editorial, Feature, People / Interview
Tim Wilson
Share on Facebook
Art of the Edit
Editors on Editing, Emmys, and Everything Else

Editors on Editing, Emmys, and Everything Else

The Emmy Award-nominated editors of Amazon's Transparent and Lifetime's Project Runway All-Stars (Cate Haight ACE, and Emmy-winner Mary DeChambres, respectively) sit down with Creative COW Associate Editor Kylee Wall for a wide-open conversation on getting started in Hollywood, getting ahead, and, most important, staying sane. Anything you want to know about editing in the real world? You'll find it right here.

Feature, People / Interview
Kylee Peña
Share on Facebook
AVID
3 Columns for Flawless Conform. Every File. Every Time.

3 Columns for Flawless Conform. Every File. Every Time.

Avid editor and workflow consultant Scott Freeman sometimes has to conform thousands of clips in a single project. Get one of them wrong, and the whole thing falls apart. Follow along as he shows you the three metadata fields to keep an eye on for flawless Avid-Resolve roundtripping. Every file. Every time.

Tutorial
Scott Freeman
Share on Facebook
Adobe Premiere Pro
PluralEyes: Fast & Easy Connections for Video & Audio Clips

PluralEyes: Fast & Easy Connections for Video & Audio Clips

With the popularity of HD-DSLRs, many shooters are recording sound separately because of the camera’s limitations with audio -- but putting audio and video together in post can be a chore. Longtime spots ace Bill O'Neil has been dealing with this over the past several years , and has found PluralEyes from Red Giant to be fast, easy, and effective. Take a look to see if PluralEyes will help you, too.

Review, Editorial, Feature
Bill O'Neil
Share on Facebook
NAB Show
NAB 2015: Working Together on Collaborative Competition

NAB 2015: Working Together on Collaborative Competition

At NAB 2015, Creative COW Contributing Editor Kylee Wall says that the show's biggest story is companies now competing with each other to provide the most compelling collaborative platforms. The winner? Customers. Here's Kylee's look at the details of how it's all coming together.

Feature, People / Interview, Business
Kylee Peña
Share on Facebook
AVID
Avid: Third Party Integration and Collaboration

Avid: Third Party Integration and Collaboration

Avid announced updates to its line of products that focus on third party integration and collaboration, including a new Interplay MAM, ISIS 1000 shared storage and Avid Artist I/O device with third party support, and a free version of Media Composer.

Editorial, Feature
Kylee Peña
Share on Facebook
Fitness in Post
Fitness in Post: From Couch to Star Wars 10K

Fitness in Post: From Couch to Star Wars 10K

"My name is Adam Bedford, I’m a tv editor, and I just ran my first ever 10k." Adam tell us that it was hard to even get started training, having sprained his ankle running from zombies at Comic-Con. And yet...

Editorial, Feature, People / Interview
Adam Bedford
Share on Facebook
AVID
The Art of Being Industrious: Dody Dorn ACE on Cutting Fury

The Art of Being Industrious: Dody Dorn ACE on Cutting Fury

Oscar-nominated film editor Dody Dorn is best known for her work on films like 'Memento' and 'End of Watch', with her latest film 'Fury' involving 16 Avids across two continents. Working her way up from switchboard operator, Dody brings decades of experience to the edit, with a personal advocacy for taking career risks and accepting any opportunity.

Editorial, Feature, People / Interview
Kylee Peña
Share on Facebook
Art of the Edit
Unbroken: Editing Angelina Jolie's War Drama

Unbroken: Editing Angelina Jolie's War Drama

Editors William Goldenberg and Tim Squyres discuss the process of co-editing Unbroken, the Angelina Jolie directed war drama, including constructing challenging sequences, working with an actor-director, and knowing when a scene feels right.


Kylee Peña
Share on Facebook
Art of the Edit
Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri's shift from editing corporate training videos and independent films to crafting TV movies for SyFy and Lifetime was no accident: hard work and a positive attitude were everything as he found himself cutting films and designing workflows for major networks.

Editorial, Feature, People / Interview
Kylee Peña
Share on Facebook
TV & Movie Appreciation
Editor William Goldenberg on Crafting The Imitation Game

Editor William Goldenberg on Crafting The Imitation Game

Oscar-winning film editor William Goldenberg has cut his fair share of tension, including Zero Dark Thirty and Argo. On The Imitation Game, he crafts the story of Alan Turing's race to crack the Engima code, sharing his creative approach to constructing a scene and working with high-level directors.

Editorial, Feature, People / Interview
Kylee Peña
Share on Facebook
AVID
Avid Video Mixdowns as DaVinci Resolve Sources

Avid Video Mixdowns as DaVinci Resolve Sources

People have been asking advice from television online editor and frequent Creative COW contributor Scott Freeman on what to do when an Avid video mixdown is going to be used as a source for DaVinci Resolve.Here are his thoughts on how to get in on the fun of linking metadata to essence.

Editorial, Feature, People / Interview
Scott Freeman
Share on Facebook
Indie Film & Documentary
Indie Tips for 4K With Little or No Budget

Indie Tips for 4K With Little or No Budget

4K isn't just part of some theoretical future. 4K production is here now, and there are some very affordable approaches for low- and no-budget indie filmmakers. Veteran producer and professional limit-pusher Al Caudullo put together a piece on the heritage of Angkor, Cambodia, and for us, has put together the list of the tools he actually used for this amazing project that are quite likely well within your reach. Even the photos that accompany this story have a lot to offer!

Editorial, Feature, People / Interview
Al Caudullo
Share on Facebook
Adobe After Effects
Sexism in Post: Sometimes It's What You Think, Sometimes Not

Sexism in Post: Sometimes It's What You Think, Sometimes Not

Sexism in video production is making work environments hostile and keeping women away, but the most damaging sexist actions aren't what you think.

Editorial, Feature, People / Interview
Kylee Peña
Share on Facebook
TV & Movie Appreciation
The Marvel of Guardians of the Galaxy

The Marvel of Guardians of the Galaxy

Big companies can't be nimble? Don't tell Sony Pictures Imageworks. They turned around 88 shots for Marvel's instant classic, Guardians of the Galaxy -- plus a complete digital character -- in just two months. VFX Supervisor Pete Travers says it's the fastest they've ever worked on a project like this, and a sterling example of both the creative advantages that come with scale, and the richness of the Marvel multiverse.

Editorial, Feature, People / Interview
Tim Wilson
Share on Facebook
TV & Movie Appreciation
Sink or Swim in Hollywood:Editor William Boodell & Sharknado

Sink or Swim in Hollywood:Editor William Boodell & Sharknado

When editor William (Bill) Boodell came to LA, he didn't expect to ever be associated with a shark tornado -- I mean, who is? And now Sharknado (the first one), is a part of mainstream pop culture even a year later and his best known work to date. If you talk to Bill for five minutes, you'll discover that he's a film connoisseur with a near-concerning catalog of directors, editors, and filmmaking theory in his head, and an up-and-coming editor with a unique post-film path to Hollywood that anyone can learn from.

Editorial, Feature, People / Interview
Kylee Peña
Share on Facebook
TV & Movie Appreciation
Building The World of Hercules

Building The World of Hercules

Hercules achieved an epic look on a relatively modest budget through careful and clever CG environments. Together, Method Studios and Milk VFX are two of the companies that helped create a full, realistic world for Hercules, from the sky, to the Acropolis, to the sea.

Editorial, Feature, People / Interview
Tim Wilson
Share on Facebook
TV & Movie Appreciation
Contemporary Living Network: Fresh Ideas, Fresh Content

Contemporary Living Network: Fresh Ideas, Fresh Content

Longtime Creative COW Contributor, Walter Biscardi, Jr. recently announced the upcoming launch of Contemporary Living Network, a digital network focusing on positive lifestyle edutainment. For him, it's a natural progression from production to creating a new home for all original content. We asked Walter to tell us about CLN and his crowd funding campaign for "Ice Cream Nation," one of the first series to be featured on the new network.

Editorial, Feature, People / Interview
Walter Biscardi
Share on Facebook
Art of the Edit
GoPro Workflows for Editing Pros

GoPro Workflows for Editing Pros

GoPro footage is making its way into nearly every broadcast project that editor Shane Ross has been working on. It's even showing up in feature film production, so no matter what you're cutting, you're going to work with GoPro soon, if you're not already. Drawing on his real-world experience figuring this out on broadcast deadlines, Shane offers practical advice for editors using Avid Media Composer, Adobe Premiere Pro CC, and Apple FCPX.

Editorial, Feature, People / Interview
Shane Ross
Share on Facebook
Art of the Edit
Shane Ross Rebuilds His Bay with Thunderbolt

Shane Ross Rebuilds His Bay with Thunderbolt

Broadcast editor and longtime Creative COW leader Shane Ross was onlining a series for MSNBC on Avid Symphony, and noticed a funny thing: his MacBook Pro was outpacing his Mac Pro tower. Follow his adventures as he uses a variety of new products to rebuild the heart of his suite around Thunderbolt and his MacBook Pro.

Editorial, Feature, People / Interview
Shane Ross
Share on Facebook
Share on Facebook
Series


Authors

Alex Alexzander (5)
Dave Anselmi (1)
David Battistella (1)
Adam Bedford (1)
David Biedny (1)
Walter Biscardi (20)
Al Caudullo (1)
Light Iron (2)
Terence Curren (1)
Dirk de Jong (1)
Rambabu Dhanisetty (1)
Bob Donlon (2)
Paul Ezzy (1)
Scott Freeman (4)
Lori Freitag (2)
Marisu Fronc (1)
Jeremy Garchow (1)
Nick Griffin (2)
Michael Hancock (1)
Jim Harvey (1)
Mark Harvey (1)
Grinner Hester (1)
Jerry Hofmann (1)
Michael Hurwicz (1)
John David Hutton (1)
Patrick Inhofer (2)
David Jahns (1)
Ramy Katrib (1)
Debra Kaufman (28)
Tim Kolb (1)
Dennis Kutchera (7)
John Lafauce Jr. (3)
Ron Lindeboom (7)
Robert Longwell (1)
Josh Mrtin (1)
Kevin P. McAuliffe (106)
Vivek Narayan (1)
Bill O'Neil (1)
Mark Raudonis (1)
Dylan Reeve (2)
Jacob Rosenberg (1)
Shane Ross (3)
Ryan Salazar (2)
Ra-ey Saleh (3)
Aanarav Sareen (1)
Stephen Smith (2)
Marco Solorio (2)
Mike Sullivan (1)
Von Thomas (1)
Kylee Peña (14)
David Roth Weiss (1)
Tim Wilson (12)
Bob Zelin (6)


Other Tutorials

Letters to the COW Team (46)
Creative COW Magazine feedback (10)
Creative COW podcasts (9)
NEWS: People in the News (14)
Adobe After Effects (771)
Adobe After Effects basics (497)
Adobe After Effects Expressions (91)
Adobe After Effects Techniques (214)
Adobe Audition, Soundbooth (46)
Adobe Creative Cloud (51)
Adobe Creative Cloud: The Debate (25)
Adobe Director (25)
Adobe Dreamweaver (41)
Adobe Encore DVD (46)
Adobe Flash (89)
Adobe Illustrator (52)
Adobe InDesign (31)
Adobe Media Encoder (28)
Adobe OnLocation (33)
Adobe Photoshop (251)
Adobe Photoshop basics (78)
Adobe Premiere Pro (380)
Adobe Premiere Pro basics (255)
Adobe SpeedGrade (26)
Adobe ULTRA (28)
AJA io (23)
AJA Ki Pro (21)
AJA Kona - Mac (33)
AJA Kona - PC (23)
Apple - Windows on Mac (14)
Apple Color (33)
Apple DVD Studio Pro (25)
Apple FCPX or Not: The Debate (124)
Apple FCPX Techniques (64)
Apple Final Cut Pro (237)
Apple Final Cut Pro basics (69)
Apple Final Cut Server (16)
Apple Garage Band (13)
Apple iPad (21)
Apple iPhone (21)
Apple iPod (16)
Apple LiveType (12)
Apple Logic (11)
Apple MobileMe (11)
Apple Motion (59)
Apple OS X (23)
Apple Shake (23)
Apple Soundtrack (20)
Apple Xsan (15)
Archiving and Back-Up (30)
ARRI (76)
Art of the Edit (241)
Assimilate Scratch (19)
Audio Professionals (51)
Aurora Video Systems (14)
Autodesk 3ds Max (80)
Autodesk Combustion (50)
Autodesk Smoke (34)
Autodesk Smoke 2013 (17)
Autodesk Toxik (11)
AVID Editing basics (9)
Avid Media Composer / Symphony (265)
Blackmagic Cinema Camera (27)
Blackmagic Design (91)
Blender (16)
Boris FX (76)
Broadcast Design (12)
Broadcasting (174)
Business & Marketing (130)
Canon Cameras (41)
Canon EOS DSLR (31)
Cinema 4D (71)
Cinematography (330)
Compression techniques (22)
CoreMelt Plug-ins (17)
Corporate Video (47)
DaVinci Basics & Configuration (14)
DaVinci Resolve (48)
Digital Delivery (19)
Digital Photography (16)
DSLR Video (77)
DVD Authoring (20)
Event Videographers (65)
Field Production (26)
Freeform Pro (8)
Genarts Sapphire (9)
HD High-End (127)
HDV Format (42)
IBC Expo (35)
Indie Film & Documentary (227)
JVC cameras/decks (12)
Leitch dpsVelocity (12)
Lighting Design Pros (22)
Lightwave (10)
Live & Stage Events (48)
Magic Bullet Suite (8)
Matrox Video Systems (17)
MAYA (71)
Media 100 (40)
Media 100 844/X (11)
NAB Show (149)
Nuke (11)
Panasonic GH Cameras (23)
Panasonic HVX - HPX (P2) (56)
Panasonic VariCam (31)
particle Illusion (17)
Podcasting (12)
RE:Vision Effects (54)
RED Camera (61)
Red Giant plug-ins (8)
SAN - Storage Area Networks (24)
Sony DV (14)
Sony NXCAM (24)
Sony SRW Decks (15)
Sony Vegas (125)
Sony Vegas basics (101)
Sony XDCAM - EX & Related (31)
Sony XDCAM Optical Disc & Related (18)
Stereoscopic 3D (83)
Trapcode (25)
TV & Movie Appreciation (221)
WalterBiscardi.com (8)
Web Design (25)
Web Streaming - Audio|Video (12)
What Computer Should I Buy? (27)
Windows Hardware & Software (44)
Zaxwerks (22)


FORUMSTUTORIALSFEATURESPODCASTSEVENTSSERVICESJOBSNEWSLETTERNEWSBLOGS

Creative COW LinkedIn GroupCreative COW Facebook PageCreative COW on Twitter
Share on Facebook
© 2016 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]