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Cinematography
Robert McLachlan: Cinematographer for Game of Thrones

Robert McLachlan: Cinematographer for Game of Thrones

Robert McLachlan is the cinematographer of Game of Thrones, Westworld and Ray Donovan, and he joins commercial director and Go Creative Show host Ben Consoli to share behind the scenes stories from some of his most iconic scenes including The Red Wedding and The Loot Train Battle.

Feature, People / Interview
Ben Consoli
Cinematography
DJI Mavic Pro In Depth Review - The Best 4K Drone?

DJI Mavic Pro In Depth Review - The Best 4K Drone?

VFX guru Tobias Gleissenberger was so delighted with the DJI Mavic Pro 4K drone that he bought (yes, bought) that he was inspired to take a break from making tutorials to create an in-depth review of this compact, lightweight, consumer drone offering terrific value. No, it's not a platform for your digital cinema camera, but if you're looking for a fast, fun, integrated 4K camera drone packed with features, the Mavic Pro might be for you. This review is delivered Surfaced Studio-style, with wit, high energy, and details you won't find anywhere else.

Review
Tobias Gleissenberger
Panasonic Cameras
The Panasonic EVA1: Questions Answered!

The Panasonic EVA1: Questions Answered!

Anticipation that Panasonic began building for their "mystery camera" at April's NAB Show 2017 was paid off at June's Cine Gear Expo 2017 in Hollywood, as Panasonic finally unveiled their AU-EVA1 cinema camera. Compact, lightweight, equipped with a newly designed 5.7K Super 35 sensor, and positioned between the Panasonic Lumix GH5 4K mirrorless camera and the VariCam LT 4K cinema camera, the AU-EVA1 is tailor-made for handheld shooting, but also well suited for documentaries, commercials, and music videos. Panasonic Cinema Product Manager, Mitch Gross has provided some answers to early questions about the EVA1’s target audience, shooting applications, Dual Native ISO, the 5.7K sensor, and more.


COW News
Cinematography
Beautiful 8K Timelapse of Norway's Four Seasons

Beautiful 8K Timelapse of Norway's Four Seasons

One year of planning, one year of shooting, and four months of post-production is a lot of time to spend on a single timelapse, but photographer Morten Rustad‘s creation SEASONS of NORWAY captured this 8K masterpiece by travelling a total of 20,000


Morten Rustad
Cinematography




Join Go Creative Show host, Ben Consoli and his special guest, David Klein, ASC, cinematographer of Homeland and True Blood. David is here to talk all about it all. His love of realism has defined a generation of filmmaking and he continues to execute it flawlessly with his work on Homeland. David talks with us about all his gear and lighting choices, shooting hand-held effectively and how the best film education is to simply shoot something.

Feature, People / Interview
Ben Consoli
Cinematography
All Eyes on IBC 2016 for Cameras and Lenses Galore

All Eyes on IBC 2016 for Cameras and Lenses Galore

What’s that you say? An IBC that’s not only relevant, but downright exhilarating? This used to not be news, of course. However, in recent years, IBC has too often become simply an opportunity for European audiences to see products already announced at NAB. In 2016, however, the focus swings sharply to Amsterdam, especially when it comes to cameras and lenses. IBC 2016 is shaping up to be one of the most dramatic trade shows for cinematographers, broadcasters, and videographers in years. Join Creative COW Editor-in-Chief Tim Wilson for a speedy overview of some of the highlights.

Feature
Tim Wilson
Drones/UAV
UAV Filter Frenzy!

UAV Filter Frenzy!

Virtually every sUAV/RTF drone in the air uses the same image processing chip and most have similar lenses. None of them are ideal, and they all operate at very high shutter speeds. None of them allow for shutter speed control, and as a result, it's up to the user to slow the shutter speed. This can only be done through the use of filters, says longtime Creative COW leader and legend Douglas Spotted Eagle of Drones Plus. Join him for a closer look at more beautiful imagery from above.

Feature
Douglas Spotted Eagle
Drones/UAV
Breaking The Drone Code: 336, 333, 107 (Part 1)

Breaking The Drone Code: 336, 333, 107 (Part 1)

An understanding of the Drone Code may help clarify the lines the FAA and UAS/UAV/drone owners have drawn in the sand for each other, says Douglas Spotted Eagle, CEO of Drones Plus, Inc. The Drone Code may seem to shift at the whims of legislation, lobbyists, manufacturer organizations, government agencies, and UAS users. It doesn't. Here is Part 1 of your path to distinguish shifting sands vs. the solid underlying large rocks anchored to the earth.

Feature
Douglas Spotted Eagle
Cinematography
Depth of Field: Gregg Toland, Citizen Kane and Beyond

Depth of Field: Gregg Toland, Citizen Kane and Beyond

Whenever somebody equates "shallow depth of field" and "cinematic look," it's important to remember that the opposite is also sometimes true. Creative COW Editor-in-Chief Tim Wilson celebrates the work of Gregg Toland, ASC, born this week in 1904 -- the first master of extreme depth of field in movies like Citizen Kane and The Grapes of Wrath that forever changed what is possible for humans to do with cameras. This reprise of a classic article from the Creative COW Archives also offers a look at what Toland's approach to cinematic composition can mean for YOUR shooting.

Editorial, Feature
Tim Wilson
Cinematography
New Trends and Technology at Cine Gear Expo 2016

New Trends and Technology at Cine Gear Expo 2016

Cine Gear Expo 2016 exhibits open Friday June 3 and 4, at Paramount Studios in Hollywood, California with major screenings, filmmaker panel discussions, groundbreaking techniques and new equipment premiers that are sure to influence the filmmaking industry. Catering to the world’s top motion picture, video and new media visual artists, Paramount’s prestigious back lot is the ideal setting for professionals to meet with colleagues and nearly 300 top equipment vendors to see live demos and get their hands on the latest gear. Take a look at how this year's hottest trends are shaping up.

Feature
Susan Lewis
Art of the Edit
Metadata & The Future of Filmmaking

Metadata & The Future of Filmmaking

Dave Stump, ASC has worked as a DP, effects cinematographer and VFX supervisor on dozens of films including Quantum of Solace, X-men The Bourne Identity, Star Trek: First Contact, Batman Forever and many more. He chairs the ASC subcommittees on Cameras, and Metadata, and in 2000, was part of a team that received a Technical Achievement Award from the Academy of Motion Picture Arts and Sciences, for hand-development of advanced camera data capture systems. Although this interview was first published in 2008, we've found that the ideas explored here are becoming more relevant by the day. Join Creative COW Editor-in-Chief Tim Wilson and COW Leader and camera expert Gary Adcock for this compelling look at the future of filmmaking.

Feature
Dave Stump, ASC
Cinematography
School, Teachers, Italian Neorealism & a Few Soviet Films

School, Teachers, Italian Neorealism & a Few Soviet Films

In this exclusive interview, generously granted to Creative COW by the Gamma and Density Journal, during his lifetime, Vilmos Zsigmond, ASC, sat down with Yuri Neyman, ASC to talk about his life as a cinematographer. We remember the genius.

Editorial, Feature, People / Interview
Yuri Neyman
Cinematography
Vilmos Zsigmond, ASC, 1930 - 2016 - Remembering the Genius

Vilmos Zsigmond, ASC, 1930 - 2016 - Remembering the Genius

Winner of an Academy Award for Best Cinematography for his work on Close Encounters of the Third Kind, the long list of official accolades for Vilmos Zsigmond, ASC doesn't begin to illustrate the impact his work has had on generations of artists around the world. Friend, colleague, and Global Cinematography Institute co-founder Yuri Neyman, ASC shares some of his memories with us.

Editorial, Feature, People / Interview
Yuri Neyman, ASC
Cinematography
Stepping into the Surgeon's Eyes

Stepping into the Surgeon's Eyes

Take advantage of years worth of Greg Ondera's surgical cinematography experience for cleaner, tighter shots and a better outcome.

Feature
Greg Ondera
Cinematography
Panasonic Makes 4K Handheld with AG-DVX200 Camcorder

Panasonic Makes 4K Handheld with AG-DVX200 Camcorder

Panasonic has announced a new large sensor 4K handheld camcorder with the same filmic quality of the VariCam, which also saw updates at this year's NAB Show.

Editorial, Feature, People / Interview
Kylee Peña
Cinematography
Cinematographer-in-Residence: Mandy Walker ASC at UCLA

Cinematographer-in-Residence: Mandy Walker ASC at UCLA

Cinematographer Mandy Walker joins UCLA School of Theater, Film and Television as a Kodak Cinematographer in Residence, teaching the next generation of film students what it means to be a successful director of photography.

Editorial, Feature, People / Interview
Kylee Peña
Cinematography
Adventures in 6K with Jackson, Wyoming's Brain Farm Cinema

Adventures in 6K with Jackson, Wyoming's Brain Farm Cinema

Staffed with outdoor sport enthusiasts and and fortified with the latest in 6K cameras and post production technology, Wyoming-based Brain Farm Cinema is taking wild leaps into the next level of production capabilities and working through challenges in media and infrastructure along the way.

Editorial, Feature, People / Interview
Kylee Peña
Cinematography
The NASA IMAX Project with Cinematographer James Neihouse

The NASA IMAX Project with Cinematographer James Neihouse

James Neihouse, the large format cinematographer renowned for his work on projects from shuttle launches to volcanic eruptions, and newly-minted Academy member, finds himself working around the globe, literally, shooting the IMAX 3D film, Earth 2.0 (working title) co-produced by Walt Disney Pictures and NASA. In this feature, Neihouse reflects on experiences working with astronauts, race cars, and rocket launches, and how important choosing the best equipment is in extreme production.

Feature, People / Interview
Creative COW
Art of the Edit
Saturday Night Live's Film Unit: Making TV Fast

Saturday Night Live's Film Unit: Making TV Fast

Saturday Night Live's film unit produces a pre-taped segment for every live show, with nearly all of production and post happening within a 48 hour period. Director of Photography Alex Buono and editor Adam Epstein rely heavily on communication, improvisational filmmaking skills and the flexibility of their toolset -- including Adobe Creative Cloud -- to hit their deadlines and bring film spots to air each Saturday night.

Editorial, Feature, People / Interview
Kylee Peña
Cinematography
The Ultimate POV Shootout

The Ultimate POV Shootout

Douglas Spotted Eagle has a broad experience base with POV cameras designed for action shots. Rather than choosing one catch-all, must-buy cam, he will provide information about which action-camera is best suited for specific criteria which can be then used to help you make informed purchasing decisions.

Editorial, Feature, People / Interview
Douglas Spotted Eagle
Cinematography
AJA Enters the 4K/UHD Production Camera World with CION

AJA Enters the 4K/UHD Production Camera World with CION

AJA Video Systems has revealed they've been working on their own 4K camera called CION. This ergonomic true 4K professional camera is designed with the shooter in mind and features a ProRes workflow.

Editorial, Feature, People / Interview
Kylee Peña
Cinematography
Rodney Charters, ASC, CSC Brings Blackmagic to Dallas

Rodney Charters, ASC, CSC Brings Blackmagic to Dallas

Rodney Charters, ASC, CSC is probably best known for his work as cinematographer on the groundbreaking international hit 24. The most recent of his many jobs since then is TNT's Dallas, where he has shot 36 episodes so far, and directed three. Creative COW Contributing Editor Debra Kaufman spoke to Rodney about his work on both sides of the lens, including his use of the Blackmagic Design Pocket Cinema Camera to complement the production's ARRI Alexas.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
BlackVue SC500 from Pittasoft

BlackVue SC500 from Pittasoft

Filmmaker Douglas Spotted Eagle takes a look at the new BlackVue Sport SC500 HD action POV camera.

Review, Editorial, Feature
Douglas Spotted Eagle
Cinematography
The Last Film Lab?

The Last Film Lab?

Sure, some of the biggest movies are still being shot on film, but in a world where film cameras haven't been in production for years, where only one company still makes motion picture film, and by the end of the year, there may be no more film prints for theatrical distribution, it's no wonder that the number of businesses who can sustain themselves by processing film has plummeted. In this latest dispatch from the film BUSINESS, Creative COW Contributing Editor Debra Kaufman finds industry leaders asking themselves, will 2014 be the year we see the last film lab?

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
History of the Film Lab

History of the Film Lab

A closer look at the history of film labs shows that business has been getting tougher for quite a while, and offers some insights into the specifics of what's coming soon.

Editorial, Feature, People / Interview
Debra Kaufman
Series


Authors

Gary Adcock (4)
Jim Allen (2)
David Allison (1)
Thomas Burstyn (2)
David Battistella (1)
Walter Biscardi (1)
Thomas Burstyn (1)
Stephen Campbell (1)
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Creative COW (2)
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Rick Gerard (1)
Tobias Gleissenberger (1)
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Anette Haellmigk (1)
Jim Harvey (6)
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David Heuring (1)
Debra Kaufman (79)
Claudia Kienzle (1)
Rob Legato (1)
Susan Lewis (1)
Zach Lipovsky (1)
James Mathers (3)
Todd McMullen (1)
Bill Megalos (4)
Stephen Menick (2)
Yuri Neyman, ASC (3)
Greg Ondera (1)
William Powloski (1)
Robert Primes, ASC (1)
Jonny Revolt (1)
Jacob Rosenberg (2)
Ryan Salazar (1)
Kim Segel (1)
Sam Seig (1)
Mark Smirnoff (1)
Marco Solorio (1)
Douglas Spotted Eagle (4)
Dave Stump, ASC (2)
Todd Terry (1)
Alex Timbs (1)
Arthur Vibert (1)
Kylee Peña (5)
Trevor Ward (1)
Tim Wilson (5)
Matthew Zappile (1)


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