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Cinematography
Tribe of The Wild: New Gear in the Real World, In Action

Tribe of The Wild: New Gear in the Real World, In Action

After collaborating on the 1985 pilot for the highly successful "Power Rangers" franchise, DP and Digital Cinema Society President/Co-Founder James Mathers recently worked on a new pilot with the same producers. This offered him the perfect opportunity to put several new products through their paces on his RED Epic-based 4K production: including greenscreen virtual sets and on-set VFX previz tools, a wide variety of lighting options, the Aja Ki Pro Quad, and much more.

Editorial, Feature, People / Interview
James Mathers
Cinematography
Technology 2014 | Production, Post & Beyond: Part TWO

Technology 2014 | Production, Post & Beyond: Part TWO

What were the big technology trends in media and entertainment over the past year? What's going to be significant in the coming year? Those are questions that many of us are asking, so we went to some of our savviest Creative COW contributors to ask their opinions of where we've been and where we're going. Here in Part 2, our conrtibutors offer in-depth insights. (See Part 1 for a broader industry overview.)

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Technology 2014 | Production, Post & Beyond: Part ONE

Technology 2014 | Production, Post & Beyond: Part ONE

What were the big technology trends in media and entertainment over the past year? What's going to be significant in the coming year? Those are questions that many of us are asking, so we went to some of our savviest Creative COW contributors to ask their opinions of where we've been and where we're going. Here in Part 1, we offer an overview of their perspectives. (See Part 2 for their additional insights.)

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Paperless Film Production Apps: Going Green for Leprechaun

Paperless Film Production Apps: Going Green for Leprechaun

The digital revolution was supposed to save us all from endless streams of paper but instead has spawned an even deeper addiction to the printed page. Here's how one filmmaker decided to take the road-less-cluttered and literally enter the ring of paperless production for Lionsgate and World Wrestling Entertainment.

Editorial, Feature, People / Interview
Zach Lipovsky
Cinematography
David Franco, Director of Photography for Boardwalk Empire

David Franco, Director of Photography for Boardwalk Empire

Award-winning cinematographer David Franco sat down with Ben Consoli, host of the Go Creative Show for a revealing interview that covers his entire career and focuses on his breathtaking visual direction for the HBO hit show "Boardwalk Empire".

Feature, People / Interview
Ben Consoli
Cinematography
Behind the Lens: From 7 to 56 UP with George Jesse Turner

Behind the Lens: From 7 to 56 UP with George Jesse Turner

The UP series, directed by Michael Apted, began in 1964 with Seven UP, which interviewed 14 children from diverse backgrounds from all over England. Every seven years, Apted has returned to these same children to ask about the progression of their lives. The result, the UP Series, is according to critic Roger Ebert, "an inspired, almost noble use of the film medium. Apted penetrates to the central mystery of life." Cinematographer George Jesse Turner has shot all the UP Series films since 21 UP in 1977.

Editorial, Feature, People / Interview
George Jesse Turner
Cinematography
Behind the Lens: The Summit with Nick Ryan

Behind the Lens: The Summit with Nick Ryan

In August 2008, eleven climbers died on K2, the Himalayan peak nicknamed the Savage Mountain. In The Summit, filmmaker Nick Ryan delves into the mystery of what actually happened that day, in a masterful collage of footage taken by the climbers, stunning aerial shots of K2, interviews and re-enactments. Take a look behind the lens with Nick Ryan as he relates how he respectfully re-captured those tragic moments.

Editorial, Feature, People / Interview
Nick Ryan
Cinematography
Behind the Lens: C.O.G. & Kyle Patrick Alvarez

Behind the Lens: C.O.G. & Kyle Patrick Alvarez

Based on an autobiographical comedy by acclaimed author and NPR contributor David Sedaris, "C.O.G." focuses on a summer of misadventures and growing up one young man named David [as in David Sedaris] encounters on an apple farm in Oregon. This look behind the lens of "C.O.G." with filmmaker Kyle Patrick Alvarez reveals a captivating story on both sides of the camera.

Editorial, Feature, People / Interview
Kyle Patrick Alvarez
Cinematography
Behind the Lens: Homeland's David Klein, ASC

Behind the Lens: Homeland's David Klein, ASC

David Klein, ASC is currently Director of Photography for two premium cable hit series: Showtime's Homeland, which returns for a third season on September 29, and HBO's True Blood. In this article, Klein speaks to Creative COW about his work on Homeland.

Editorial, Feature, People / Interview
David Klein, ASC
Cinematography
Storyboarding FX's The Bridge

Storyboarding FX's The Bridge

FX Networks' latest TV series, The Bridge, pairs a Mexican and American detective as they try to capture a serial killer operating on both sides of the U.S./Mexico border. Producer Patrick Markey turned to Famous Frames to provide storyboard artists to help visualize many of the TV series' complex action sequences.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Future of Cinematography: Insights From the Rental Houses

Future of Cinematography: Insights From the Rental Houses

Rental houses, which have existed since the 1920s, have all experienced the evolution from film to video to data. Today, the trends that rental houses experience -- from technology to business practices -- are a lens for understanding what's going on in the bigger ecosystem of the film/TV industry. In Part 2, we look at the ways that rental houses have adapted to thrive in a new digital age.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
The State of Cinematography: Insights From The Rental Houses

The State of Cinematography: Insights From The Rental Houses

Rental houses, which have existed since the 1920s, have all experienced the evolution from film to video to data. Today, the trends that rental houses experience -- from technology to business practices -- are a lens for understanding what's going on in the bigger ecosystem of the film/TV industry. In Part 1, we look at the challenges facing rental houses in today's production environment.

Editorial, Feature, People / Interview
Debra Kaufman
ARRI
Behind the Lens: The Lone Ranger's Bojan Bazelli

Behind the Lens: The Lone Ranger's Bojan Bazelli

Bojan Bazelli, ASC, working with Director Gore Verbinski, designed and executed a unique look for The Lone Ranger. With a nod to the much-filmed Western genre, they made a uniquely contemporary film with a much more desaturated color palette and a grittier look to the classic locations.

Editorial, Feature, People / Interview
Bojan Bazelli, ASC
ARRI
The Lone Ranger: A Contemporary Style for a Classic Genre

The Lone Ranger: A Contemporary Style for a Classic Genre

When cinematographer Bojan Bazelli, ASC decided to shoot The Lone Ranger with 35mm film, he also realized that some of the scenes might best be served with a digital camera. Choosing the ARRI Alexa Studio for the film's anamorphic look and Codex recorders, Bazelli was able to create a filmic look in digital that seamlessly integrated with the 35mm footage.

Editorial, Feature, People / Interview
David Heuring
Cinematography
World War Z: Location Production for the Zombie Apocalypse

World War Z: Location Production for the Zombie Apocalypse

The team that developed virtual cinematography for Avatar went even further for World War Z, creating a much more advanced system for everything from video assist to capturing lens metadata, able to stand up to eight weeks of 14 hour days, in remote locations and extreme conditions around the world.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Iraqi Filmmaking Workshop: Day One London Heathrow

Iraqi Filmmaking Workshop: Day One London Heathrow

In May 2013, award-winning cinematographer Bill Megalos traveled to Iraq to train young Iraqi filmmakers on behalf of a program organized by the Humpty Dumpty Institute. In this first trip, Bill blogs about guiding these filmmakers as they make short dramatic films this year. The focus in May was on their scripts, on story and character development, on working with actors, as well as giving them an overall background in production.

Editorial, Feature, People / Interview
Bill Megalos
Art of the Edit
Workflow: Industry Pros Face the Challenges

Workflow: Industry Pros Face the Challenges

With the rise of 4K, the film/TV industry faces a new set of challenges in acquisition, post production, distribution, media management and storage. Many executives remember all too well how the often-painful adoption of HD created upheavals in the production and post chain, and now, only a few years later, the ante is being upped to 4K.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Behind the Lens: Tom Burstyn Shoots Defiance

Behind the Lens: Tom Burstyn Shoots Defiance

We go behind the lens with Director and Cinematographer Tom Burstyn CSC, FRSA, who is a multi-award winning, Emmy-nominated DP with over 30 years experience. Tom lensed Season One of SyFy's Defiance, currently airing on SyFy in the US and other international outlets and is in the midst of shooting Season Two. He took some time out of his busy schedule to talk with Creative COW about his experiences.

Editorial, Feature, People / Interview
Thomas Burstyn
Cinematography
Douglas Trumbull Pushes HFR Cinema Higher With 3D 4K 120 FPS

Douglas Trumbull Pushes HFR Cinema Higher With 3D 4K 120 FPS

Douglas Trumbull wanted to make UFOTOG, a 10-minute short, to showcase his vision of immersive movie-going: 120 fps at 4K in 3D, on a curved screen. To shoot and present a movie in a never-before-seen format, he turned to JMR Electronics to design and build a server and storage system that could collect, manage, playback and edit the huge amounts of image data generated by 120 fps, 4K and 3D. In this story, we learn how Trumbull created an innovative pipeline and worked with JMR Electronics to come up with a tailored solution to his very demanding production needs.

Editorial, Feature, People / Interview
JMR Electronics Features Douglas Trumbull
TV & Movie Appreciation
Behind the Lens: Rachel Morrison Receives Kodak Vision Award

Behind the Lens: Rachel Morrison Receives Kodak Vision Award

Cinematographer Rachel Morrison, who photographed the Sundance Grand Jury Prize and Audience Award winner Fruitvale Station, was presented with the Kodak Vision Award at the 2013 Women In Film (WIF) Crystal + Lucy Awards in Los Angeles on June 12. The award is given annually to a female filmmaker with outstanding achievements in cinematography who also collaborates with and assists women in the entertainment industry. Fruitvale Station, directed by Ryan Coogler, tells the story of the 22-year-old Oscar Grant, who is killed by a Bay Area Rapid Transit (BART) policeman on the Fruitvale Station platform.

Editorial, Feature, People / Interview
Rachel Morrison
Cinematography
Behind the Lens: The Kings of Summer with Ross Riege

Behind the Lens: The Kings of Summer with Ross Riege

After Ross Riege completed shooting The Kings of Summer, he moved on to working on a feature-length documentary with director Greg Kohs. During that session, Ross took some time out of his busy schedule to talk with Creative COW about his career path as a young cinematographer and his experiences shooting his first feature film, The Kings of Summer.

Editorial, Feature, People / Interview
Ross Riege
Cinematography
PREVISUALIZATION Part FOUR: When to Use Previs

PREVISUALIZATION Part FOUR: When to Use Previs

In this fourth chapter of Gare Cline's tutorial series on Previsualization, we focus on when is the best time to hire a previsualization artist. We begin by looking at the various stages of filmmaking and then concluding with making the decision as when is the best time to hire a previs artist.

Editorial, Feature
Gare Cline
Cinematography
PREVISUALIZATION Part THREE: How Previs Works

PREVISUALIZATION Part THREE: How Previs Works

In this chapter of Gare Cline's series on previsualization, the art form for conceptualizing a project, we focus on how the process of previsualization works. We begin by finding the look for the picture, and then proceed through blocking, coverage and finally end with determining the time and cost expenditure.

Editorial, Feature
Gare Cline
Cinematography
PREVISUALIZATION Part TWO: Why Previs?

PREVISUALIZATION Part TWO: Why Previs?

In part two of Gare Cline's ongoing series on Previsualization, readers are transported to examples of cinematic genius such as George Lucas and Alfred Hitchcock to truly understand the compelling reasons as to why previs is crucial to conceptualizing and demonstrating your storyline.

Editorial, Feature
Gare Cline
Cinematography
PREVISUALIZATION Part ONE: What is Previs?

PREVISUALIZATION Part ONE: What is Previs?

Previs. You may or may not have heard of it. If you have, you may have heard conflicting or more often muddled definitions. Many assumptions have developed around this often misunderstood word. Join Gare Cline, Previsualization Storyboard Artist, in this series of articles as he defines what previs is and isn't, what it can do for you, why you should use it, and how it works.

Editorial, Feature
Gare Cline
Series


Authors

Gary Adcock (4)
Jim Allen (2)
David Allison (1)
Thomas Burstyn (2)
David Battistella (1)
Walter Biscardi (1)
Thomas Burstyn (1)
Stephen Campbell (1)
Paul Carlin (1)
Gare Cline (4)
Ben Consoli (3)
Morten Rustad (1)
Creative COW (2)
John Galt (1)
Rick Gerard (1)
Tobias Gleissenberger (1)
Mike Gondek (1)
Nick Griffin (1)
Anette Haellmigk (1)
Jim Harvey (6)
Grinner Hester (1)
David Heuring (1)
Debra Kaufman (79)
Claudia Kienzle (1)
Rob Legato (1)
Susan Lewis (1)
Zach Lipovsky (1)
James Mathers (3)
Todd McMullen (1)
Bill Megalos (4)
Stephen Menick (2)
Yuri Neyman, ASC (3)
Greg Ondera (1)
William Powloski (1)
Robert Primes, ASC (1)
Jonny Revolt (1)
Jacob Rosenberg (2)
Ryan Salazar (1)
Kim Segel (1)
Sam Seig (1)
Mark Smirnoff (1)
Marco Solorio (1)
Douglas Spotted Eagle (4)
Dave Stump, ASC (2)
Todd Terry (1)
Alex Timbs (1)
Arthur Vibert (1)
Kylee Peña (5)
Trevor Ward (1)
Tim Wilson (5)
Matthew Zappile (1)


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