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Cinematography
Stepping into the Surgeon's Eyes

Stepping into the Surgeon's Eyes

Take advantage of years worth of Greg Ondera's surgical cinematography experience for cleaner, tighter shots and a better outcome.

Feature
Greg Ondera
Cinematography
Panasonic Makes 4K Handheld with AG-DVX200 Camcorder

Panasonic Makes 4K Handheld with AG-DVX200 Camcorder

Panasonic has announced a new large sensor 4K handheld camcorder with the same filmic quality of the VariCam, which also saw updates at this year's NAB Show.

Editorial, Feature, People / Interview
Kylee Peña
Cinematography
Cinematographer-in-Residence: Mandy Walker ASC at UCLA

Cinematographer-in-Residence: Mandy Walker ASC at UCLA

Cinematographer Mandy Walker joins UCLA School of Theater, Film and Television as a Kodak Cinematographer in Residence, teaching the next generation of film students what it means to be a successful director of photography.

Editorial, Feature, People / Interview
Kylee Peña
Cinematography
Adventures in 6K with Jackson, Wyoming's Brain Farm Cinema

Adventures in 6K with Jackson, Wyoming's Brain Farm Cinema

Staffed with outdoor sport enthusiasts and and fortified with the latest in 6K cameras and post production technology, Wyoming-based Brain Farm Cinema is taking wild leaps into the next level of production capabilities and working through challenges in media and infrastructure along the way.

Editorial, Feature, People / Interview
Kylee Peña
Cinematography
The NASA IMAX Project with Cinematographer James Neihouse

The NASA IMAX Project with Cinematographer James Neihouse

James Neihouse, the large format cinematographer renowned for his work on projects from shuttle launches to volcanic eruptions, and newly-minted Academy member, finds himself working around the globe, literally, shooting the IMAX 3D film, Earth 2.0 (working title) co-produced by Walt Disney Pictures and NASA. In this feature, Neihouse reflects on experiences working with astronauts, race cars, and rocket launches, and how important choosing the best equipment is in extreme production.

Feature, People / Interview
Creative COW
Art of the Edit
Saturday Night Live's Film Unit: Making TV Fast

Saturday Night Live's Film Unit: Making TV Fast

Saturday Night Live's film unit produces a pre-taped segment for every live show, with nearly all of production and post happening within a 48 hour period. Director of Photography Alex Buono and editor Adam Epstein rely heavily on communication, improvisational filmmaking skills and the flexibility of their toolset -- including Adobe Creative Cloud -- to hit their deadlines and bring film spots to air each Saturday night.

Editorial, Feature, People / Interview
Kylee Peña
Cinematography
The Ultimate POV Shootout

The Ultimate POV Shootout

Douglas Spotted Eagle has a broad experience base with POV cameras designed for action shots. Rather than choosing one catch-all, must-buy cam, he will provide information about which action-camera is best suited for specific criteria which can be then used to help you make informed purchasing decisions.

Editorial, Feature, People / Interview
Douglas Spotted Eagle
Cinematography
AJA Enters the 4K/UHD Production Camera World with CION

AJA Enters the 4K/UHD Production Camera World with CION

AJA Video Systems has revealed they've been working on their own 4K camera called CION. This ergonomic true 4K professional camera is designed with the shooter in mind and features a ProRes workflow.

Editorial, Feature, People / Interview
Kylee Peña
Cinematography
Rodney Charters, ASC, CSC Brings Blackmagic to Dallas

Rodney Charters, ASC, CSC Brings Blackmagic to Dallas

Rodney Charters, ASC, CSC is probably best known for his work as cinematographer on the groundbreaking international hit 24. The most recent of his many jobs since then is TNT's Dallas, where he has shot 36 episodes so far, and directed three. Creative COW Contributing Editor Debra Kaufman spoke to Rodney about his work on both sides of the lens, including his use of the Blackmagic Design Pocket Cinema Camera to complement the production's ARRI Alexas.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
BlackVue SC500 from Pittasoft

BlackVue SC500 from Pittasoft

Filmmaker Douglas Spotted Eagle takes a look at the new BlackVue Sport SC500 HD action POV camera.

Review, Editorial, Feature
Douglas Spotted Eagle
Cinematography
The Last Film Lab?

The Last Film Lab?

Sure, some of the biggest movies are still being shot on film, but in a world where film cameras haven't been in production for years, where only one company still makes motion picture film, and by the end of the year, there may be no more film prints for theatrical distribution, it's no wonder that the number of businesses who can sustain themselves by processing film has plummeted. In this latest dispatch from the film BUSINESS, Creative COW Contributing Editor Debra Kaufman finds industry leaders asking themselves, will 2014 be the year we see the last film lab?

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
History of the Film Lab

History of the Film Lab

A closer look at the history of film labs shows that business has been getting tougher for quite a while, and offers some insights into the specifics of what's coming soon.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Tribe of The Wild: New Gear in the Real World, In Action

Tribe of The Wild: New Gear in the Real World, In Action

After collaborating on the 1985 pilot for the highly successful "Power Rangers" franchise, DP and Digital Cinema Society President/Co-Founder James Mathers recently worked on a new pilot with the same producers. This offered him the perfect opportunity to put several new products through their paces on his RED Epic-based 4K production: including greenscreen virtual sets and on-set VFX previz tools, a wide variety of lighting options, the Aja Ki Pro Quad, and much more.

Editorial, Feature, People / Interview
James Mathers
Cinematography
Technology 2014 | Production, Post & Beyond: Part TWO

Technology 2014 | Production, Post & Beyond: Part TWO

What were the big technology trends in media and entertainment over the past year? What's going to be significant in the coming year? Those are questions that many of us are asking, so we went to some of our savviest Creative COW contributors to ask their opinions of where we've been and where we're going. Here in Part 2, our conrtibutors offer in-depth insights. (See Part 1 for a broader industry overview.)

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Technology 2014 | Production, Post & Beyond: Part ONE

Technology 2014 | Production, Post & Beyond: Part ONE

What were the big technology trends in media and entertainment over the past year? What's going to be significant in the coming year? Those are questions that many of us are asking, so we went to some of our savviest Creative COW contributors to ask their opinions of where we've been and where we're going. Here in Part 1, we offer an overview of their perspectives. (See Part 2 for their additional insights.)

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Paperless Film Production Apps: Going Green for Leprechaun

Paperless Film Production Apps: Going Green for Leprechaun

The digital revolution was supposed to save us all from endless streams of paper but instead has spawned an even deeper addiction to the printed page. Here's how one filmmaker decided to take the road-less-cluttered and literally enter the ring of paperless production for Lionsgate and World Wrestling Entertainment.

Editorial, Feature, People / Interview
Zach Lipovsky
Cinematography
David Franco, Director of Photography for Boardwalk Empire

David Franco, Director of Photography for Boardwalk Empire

Award-winning cinematographer David Franco sat down with Ben Consoli, host of the Go Creative Show for a revealing interview that covers his entire career and focuses on his breathtaking visual direction for the HBO hit show "Boardwalk Empire".

Feature, People / Interview
Ben Consoli
Cinematography
Behind the Lens: From 7 to 56 UP with George Jesse Turner

Behind the Lens: From 7 to 56 UP with George Jesse Turner

The UP series, directed by Michael Apted, began in 1964 with Seven UP, which interviewed 14 children from diverse backgrounds from all over England. Every seven years, Apted has returned to these same children to ask about the progression of their lives. The result, the UP Series, is according to critic Roger Ebert, "an inspired, almost noble use of the film medium. Apted penetrates to the central mystery of life." Cinematographer George Jesse Turner has shot all the UP Series films since 21 UP in 1977.

Editorial, Feature, People / Interview
George Jesse Turner
Cinematography
Behind the Lens: The Summit with Nick Ryan

Behind the Lens: The Summit with Nick Ryan

In August 2008, eleven climbers died on K2, the Himalayan peak nicknamed the Savage Mountain. In The Summit, filmmaker Nick Ryan delves into the mystery of what actually happened that day, in a masterful collage of footage taken by the climbers, stunning aerial shots of K2, interviews and re-enactments. Take a look behind the lens with Nick Ryan as he relates how he respectfully re-captured those tragic moments.

Editorial, Feature, People / Interview
Nick Ryan
Cinematography
Behind the Lens: C.O.G. & Kyle Patrick Alvarez

Behind the Lens: C.O.G. & Kyle Patrick Alvarez

Based on an autobiographical comedy by acclaimed author and NPR contributor David Sedaris, "C.O.G." focuses on a summer of misadventures and growing up one young man named David [as in David Sedaris] encounters on an apple farm in Oregon. This look behind the lens of "C.O.G." with filmmaker Kyle Patrick Alvarez reveals a captivating story on both sides of the camera.

Editorial, Feature, People / Interview
Kyle Patrick Alvarez
Cinematography
Behind the Lens: Homeland's David Klein, ASC

Behind the Lens: Homeland's David Klein, ASC

David Klein, ASC is currently Director of Photography for two premium cable hit series: Showtime's Homeland, which returns for a third season on September 29, and HBO's True Blood. In this article, Klein speaks to Creative COW about his work on Homeland.

Editorial, Feature, People / Interview
David Klein, ASC
Cinematography
Storyboarding FX's The Bridge

Storyboarding FX's The Bridge

FX Networks' latest TV series, The Bridge, pairs a Mexican and American detective as they try to capture a serial killer operating on both sides of the U.S./Mexico border. Producer Patrick Markey turned to Famous Frames to provide storyboard artists to help visualize many of the TV series' complex action sequences.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Future of Cinematography: Insights From the Rental Houses

Future of Cinematography: Insights From the Rental Houses

Rental houses, which have existed since the 1920s, have all experienced the evolution from film to video to data. Today, the trends that rental houses experience -- from technology to business practices -- are a lens for understanding what's going on in the bigger ecosystem of the film/TV industry. In Part 2, we look at the ways that rental houses have adapted to thrive in a new digital age.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
The State of Cinematography: Insights From The Rental Houses

The State of Cinematography: Insights From The Rental Houses

Rental houses, which have existed since the 1920s, have all experienced the evolution from film to video to data. Today, the trends that rental houses experience -- from technology to business practices -- are a lens for understanding what's going on in the bigger ecosystem of the film/TV industry. In Part 1, we look at the challenges facing rental houses in today's production environment.

Editorial, Feature, People / Interview
Debra Kaufman
ARRI
Behind the Lens: The Lone Ranger's Bojan Bazelli

Behind the Lens: The Lone Ranger's Bojan Bazelli

Bojan Bazelli, ASC, working with Director Gore Verbinski, designed and executed a unique look for The Lone Ranger. With a nod to the much-filmed Western genre, they made a uniquely contemporary film with a much more desaturated color palette and a grittier look to the classic locations.

Editorial, Feature, People / Interview
Bojan Bazelli, ASC
Series


Authors

Debra Kaufman (1)
Tyler Knudsen (1)
Gary Adcock (4)
Jim Allen (2)
David Allison (1)
Thomas Burstyn (2)
David Battistella (1)
Walter Biscardi (1)
Thomas Burstyn (1)
Stephen Campbell (1)
Paul Carlin (1)
Gare Cline (4)
Ben Consoli (4)
Morten Rustad (1)
Creative COW (3)
John Galt (1)
Rick Gerard (1)
Tobias Gleissenberger (2)
Mike Gondek (1)
Nick Griffin (1)
Anette Haellmigk (1)
Jim Harvey (6)
Grinner Hester (1)
David Heuring (1)
Daniel Hurst (1)
Debra Kaufman (79)
Claudia Kienzle (1)
Rob Legato (1)
Susan Lewis (1)
Zach Lipovsky (1)
James Mathers (3)
Jimmy Matlosz (1)
Todd McMullen (1)
Bill Megalos (4)
Stephen Menick (2)
Yuri Neyman, ASC (3)
Greg Ondera (1)
William Powloski (1)
Robert Primes, ASC (1)
Jonny Revolt (1)
Jacob Rosenberg (2)
Ryan Salazar (1)
Kim Segel (1)
Sam Seig (1)
Mark Smirnoff (1)
Marco Solorio (1)
Douglas Spotted Eagle (4)
Dave Stump, ASC (2)
Todd Terry (1)
Alex Timbs (1)
Adorama TV (5)
Arthur Vibert (1)
Kylee Peña (5)
Trevor Ward (1)
Tim Wilson (4)
Matthew Zappile (1)


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