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Cinematography Tutorials

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Cinematography
PREVISUALIZATION Part FOUR: When to Use Previs

PREVISUALIZATION Part FOUR: When to Use Previs

In this fourth chapter of Gare Cline's tutorial series on Previsualization, we focus on when is the best time to hire a previsualization artist. We begin by looking at the various stages of filmmaking and then concluding with making the decision as when is the best time to hire a previs artist.

Editorial, Feature
Gare Cline
Cinematography
PREVISUALIZATION Part THREE: How Previs Works

PREVISUALIZATION Part THREE: How Previs Works

In this chapter of Gare Cline's series on previsualization, the art form for conceptualizing a project, we focus on how the process of previsualization works. We begin by finding the look for the picture, and then proceed through blocking, coverage and finally end with determining the time and cost expenditure.

Editorial, Feature
Gare Cline
Cinematography
PREVISUALIZATION Part TWO: Why Previs?

PREVISUALIZATION Part TWO: Why Previs?

In part two of Gare Cline's ongoing series on Previsualization, readers are transported to examples of cinematic genius such as George Lucas and Alfred Hitchcock to truly understand the compelling reasons as to why previs is crucial to conceptualizing and demonstrating your storyline.

Editorial, Feature
Gare Cline
Cinematography
PREVISUALIZATION Part ONE: What is Previs?

PREVISUALIZATION Part ONE: What is Previs?

Previs. You may or may not have heard of it. If you have, you may have heard conflicting or more often muddled definitions. Many assumptions have developed around this often misunderstood word. Join Gare Cline, Previsualization Storyboard Artist, in this series of articles as he defines what previs is and isn't, what it can do for you, why you should use it, and how it works.

Editorial, Feature
Gare Cline
NAB Expo
NAB 2013: Panasonic

NAB 2013: Panasonic

Panasonic used NAB 2013 to unveil a number of new products and technologies. Chief among them was the third generation VariCam, the first to incorporate Panasonic's new AVC-ULTRA video codec for native 1080/60p operation. The company also unveiled the AJ-PD500, its first P2 HD recorder with native AVC-ULTRA recording and built-in microP2 card slots - and the first to record in full-resolution, 10-bit 1080/60p (in AVC-Intra Class100). Also new from Panasonic was the the BT-4LH310, a 31-inch 4096 x 2160 resolution LCD monitor, an important piece in the move to UltraHD/4K production and post.

Editorial, Feature
Debra Kaufman
Archiving and Back-Up
NAB 2013: Bob Zelin: The Evolution & Revolution

NAB 2013: Bob Zelin: The Evolution & Revolution

Calling Bob Zelin one of the industry's most respected voices of engineering and systems experience is an understatement. (We might also have to add "most feared.") For over 20 years, he has been at the leading edge of building next-generation post houses and broadcast facilities using the latest, greatest, and most affordable new technology. He's also been around long enough to have seen through an awful lot of hype, so when Bob drops the "R" word, it's because he really believes it's revolutionary himself. His coverage of the 2013 NAB Show is once again don't-miss reading.

Editorial, Feature
Bob Zelin
Cinematography
NAB 2013: Anton/Bauer

NAB 2013: Anton/Bauer

Anton/Bauer came to NAB 2013 to celebrate its Scientific and Engineering Award from AMPAS earlier in the year...and to introduce three new products: the Anton/Bauer Gold Spectrum Wireless Series, the result of a collaboration with sister Vitec company Integrated Microwave Technologies; the DIONIC HD battery, aimed at use with some of today's high-end digital cameras; and the PowerCharger 3000 Series of three new chargers.

Editorial, Feature
Debra Kaufman
Canon Cameras
NAB 2013: Canon Demonstrates 4K Workflow, Intros New Cameras

NAB 2013: Canon Demonstrates 4K Workflow, Intros New Cameras

Canon highlighted an end-to-end 4K workflow at NAB 2013, showing a digital intermediate suite and a live 4K broadcast with "Ultra-Zoom" applications. The company also debuted two new, entry-level professionals video cameras, the XA25 and XA20. The cameras feature Canon's first-ever Organic LED (OLED) touch panels, weigh 2.6 pounds and are priced at under $3,000. Canon also announced that it's begun development on a new 35mm prime lens for large-format single-sensor cameras employing Super 35mm, full-frame 35mm, and APS-C size imagers.

Editorial, Feature
Debra Kaufman
NAB Expo
NAB 2013: Day Two With Ryan Salazar

NAB 2013: Day Two With Ryan Salazar

Ryan Salazar fills Day Two of NAB Show with interviews. Ryan spoke with Marc Hamaker, Senior Product Marketing Manager of Creative Finishing at Autodesk, with Vince Pace, co-founder of the Cameron | Pace Group, and stopped by the Panasonic, Canon, GoPro and Camera Corps booths.

Editorial, Feature
Ryan Salazar
Cinematography
Cinematographer's Journey: Rightfooted in Ethiopia April 3rd

Cinematographer's Journey: Rightfooted in Ethiopia April 3rd

April 3rd: Bill Megalos, cinematographer and documentarian, is in Ethiopia with first-time documentary feature director Nick Spark on a mission to "make a film that makes a difference." Raising money on Indiegogo, they're following Jessica Cox, a 29-year old woman without arms who is a black belt in Tae Kwon Do and is licensed to fly planes solo (among her many accomplishments). She is an advocate for the disabled and often spends time in countries where the handicapped are stigmatized. Megalos is keeping a shooting diary for Creative COW readers of their experiences in Ethiopia.

Editorial, Feature, People / Interview
Bill Megalos
Art of the Edit
Sony Launches Media Cloud Service Company

Sony Launches Media Cloud Service Company

Sony Corporation unveiled a new subsidiary - Sony Media Cloud Services - which brings Ci, a new platform and tools to collect, produce, share, manipulate and archive content. This brings Sony not just into the cloud but also into the Software as a Service business model. NBCUniversal is an alpha customer for the Ci MasterSuite tools, which enters beta today.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Cinematographer's Journey: Rightfooted in Ethiopia April 2nd

Cinematographer's Journey: Rightfooted in Ethiopia April 2nd

April 2nd: Bill Megalos, cinematographer and documentarian, is in Ethiopia with first-time documentary feature director Nick Spark on a mission to "make a film that makes a difference." Raising money on Indiegogo, they're following Jessica Cox, a 29-year old woman without arms who is a black belt in Tae Kwon Do and is licensed to fly planes solo (among her many accomplishments). She is an advocate for the disabled and often spends time in countries where the handicapped are stigmatized. Megalos is keeping a shooting diary for Creative COW readers of their experiences in Ethiopia.

Feature, People / Interview
Bill Megalos
Cinematography
Cinematographer's Journey: Rightfooted - Travels to Ethiopia

Cinematographer's Journey: Rightfooted - Travels to Ethiopia

Bill Megalos, cinematographer and documentarian, is in Ethiopia with first-time documentary feature director Nick Spark on a mission to "make a film that makes a difference." Raising money on Indiegogo, they're following Jessica Cox, a 29-year old woman without arms who is a black belt in Tae Kwon Do and is licensed to fly planes solo (among her many accomplishments). She is an advocate for the disabled and often spends time in countries where the handicapped are stigmatized. Megalos is keeping a shooting diary for Creative COW readers of their experiences in Ethiopia. Today's entry covers events from March 28th to April 1st.

Feature, People / Interview
Bill Megalos
Cinematography
Behind the Lens: Game of Thrones with Anette Haellmigk

Behind the Lens: Game of Thrones with Anette Haellmigk

Cinematographer Anette Haellmigk shot two episodes of Season 3's Game of Thrones, the HBO blockbuster that returns on March 31. A native of Germany, Haellmigk was the 2012 winner of Kodak's Vision Award from Women in Film Crystal + Lucy Awards. A pioneering woman cinematographer, Anette's resume includes Das Boot, Robocop, Starship Troopers, Total Recall, The West Wing and many more. Haellmigk speaks to Creative COW about her path as a pioneering female cinematographer and her work on Game of Thrones.

Editorial, Feature, People / Interview
Anette Haellmigk
Film History & Appreciation
Sony Imageworks Takes Us On The Yellow Brick Road to OZ

Sony Imageworks Takes Us On The Yellow Brick Road to OZ

Sony Imageworks provided over 1,100 digital visual effects shots to Oz the Great and Powerful, a movie which explains how a small time magician became the great Wizard of Oz. Featured are two all-digital characters, the 18-inch China Girl and Finley, the wise-cracking monkey with wings, as well as a host of other digital creatures from river fairies to flying baboons. In addition, Imageworks provided environments from the Kansas Circus to Emerald City and effects work that include the magic of evil and good witches and Oz himself.

Feature, People / Interview
Debra Kaufman
Stereoscopic 3D
NVIDIA's GPU Technology Conference M & E Roundup

NVIDIA's GPU Technology Conference M & E Roundup

There was truly something for everyone at NVIDIA GTC, and a surprisingly rich amount of thoughtful presentations for the Media & Entertainment crowd. GTC provided many opportunities to learn the basics and, for the truly nerdy, many opportunities to dig deep. As a mere semi-geek, Debra Kaufman learned a lot and met a lot of interesting people. Read her roundup of new M&E technology thanks to super-fast GPU computing.

Feature, People / Interview
Debra Kaufman
Cinematography
The Nouveau French Wave of Cinematography for Television

The Nouveau French Wave of Cinematography for Television

Claudia Kienzle writes on the use of Fujinon Cabrio lenses by DP Bill Sheehy ("Curb Your Enthusiasm"). The article discusses in depth about the new handheld digital cinema shooting style that pairs the lightweight Sony PMW-F3 Super35 HD camera with the new Fujinon PL 19-90 Cabrio (ZK4.7x19) PL mount zoom lens. Sheehy is currently shooting the BET show "Real Husbands of Hollywood" using that Sony camera and Fujinon lens.

Feature
Claudia Kienzle
NAB Expo
Tips for Attending NAB From A Convention Veteran

Tips for Attending NAB From A Convention Veteran

Walter Biscardi tells us, "Once again, springtime is upon us, so of course, it's time for the annual National Association of Broadcasters convention. Last year y'all seemed to like the before you go tips, so may I present the 2013 edition of 'Tips from an NAB Veteran to make the best use of your time'."

Editorial, Feature
Walter Biscardi
Broadcasting
The Future of Television-HPA Tech Retreat Unites Techy Types

The Future of Television-HPA Tech Retreat Unites Techy Types

A who’s who of the country’s broadcast, film and TV post production industry convened in Indian Wells, California to listen to tech presentations on everything from Ultra HDTV to Mobile DTV and chew over the latest conundrums. Next year’s HPA Tech Retreat will take place Feb. 17 through 21.

Editorial, Feature
Debra Kaufman
Cinematography
The Making of 1000 to 1: Lenses & Lighting For The RED Epic

The Making of 1000 to 1: Lenses & Lighting For The RED Epic

Working with Angenieux on new lens solutions for the RED Epic, wrestling freakish gym fluorescent lighting, wrangling national park filming permits: these were just a few of the challenges facing cinematographer and co-producer (and Digital Cinema Society founder) James Mathers in the making of "1000 to 1," an inspirational indie drama to be released later this year. James tells a remarkable tale of the lengths one production went to make their film look much bigger than its budget, with practical advice for filmmakers on every scale.

Editorial, People / Interview
James Mathers
Cinematography
America Is The Movie: WWII Exclusion Zone & Internment Camps

America Is The Movie: WWII Exclusion Zone & Internment Camps

A unilateral action by the US government during World War II resulted in the forcible internment of more than 110,000 people of Japanese ancestry. Two-thirds of those interned were citizens of the United States, and none had ever shown any signs of disloyalty. In February 1942, President Franklin D. Roosevelt authorized the internment with Executive Order 9066, which allowed local military commanders to designate "military areas" as "exclusion zones," from which "any or all persons may be excluded." This power was used to declare that all people of Japanese ancestry were excluded from the entire Pacific coast, including all of California and much of Oregon, Washington and Arizona, except for those in internment camps. Nearly 40 years later, President Carter investigated the "justice" of the internment, and the US slowly began to set reparations and formal apologies into action. We go behind the lens with Stephen for his inspiration in telling this story.

Feature, People / Interview
Stephen Menick
Indie Film & Documentary
Mondays at Racine Documents Beauty Salon for Cancer Fighters

Mondays at Racine Documents Beauty Salon for Cancer Fighters

Filmmaker Cynthia Wade - who previously won an Academy Award for Documentary Short Subject for Freeheld - has recently finished Mondays at Racine, a moving piece about two sisters who open up their beauty salon every Monday to cater to breast cancer patients undergoing chemotherapy. Focusing on two characters, the film delves deeply into the emotional lives of the women and how the salon, Racine, serves as a place of nurturing and companionship.

Feature, People / Interview
Debra Kaufman
Cinematography
Claudio Miranda, ASC Makes New Rules for Shooting Life of Pi

Claudio Miranda, ASC Makes New Rules for Shooting Life of Pi

When director Ang Lee brought on cinematographer Claudio Miranda, ASC to shoot Life of Pi, the two were faced with a multi-pronged challenge. For Lee, the movie was to be his first shot digitally as well as his first 3D stereoscopic film, and he relied on Miranda, who had experience in both. But Miranda had other challenges, including shooting the movie's extensive water scenes as well as a key character -- the tiger -- who wasn't there. In this article, Miranda explains how he made it all work, to create what is arguably the year's most gorgeous movie.

Feature, People / Interview
Claudio Miranda, ASC
Cinematography
NO Relies On 1980s Cameras To Tell A Historic Tale

NO Relies On 1980s Cameras To Tell A Historic Tale

Nominated for an Oscar for Best Foreign Language Film after having played Cannes, the Toronto International Film Festival and the Telluride Film Festival, NO is a gripping film about the peaceful overthrow of Chilean strong man General Augusto Pinochet. To make it more intriguing, the filmmakers opted to shoot with Ikegami cameras from 1983, to match existing footage from the era. It's not a decision they took lightly, and their calculations paid off.

Feature, People / Interview
Debra Kaufman
Cinematography
Behind the Lens: Anna Karenina's Seamus McGarvey ASC, BSC

Behind the Lens: Anna Karenina's Seamus McGarvey ASC, BSC

Seamus McGarvey, ASC, BSC talks to Creative COW about his Oscar-nominated cinematography on Anna Karenina.

Feature, People / Interview
Seamus McGarvey, ASC, BSC
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