Grading The LEGO Batman Movie: Animal Logic and FilmLight
Following successful collaborations on The Matrix, Legends of the Guardians, and Happy Feet, Sydney's Animal Logic worked with Warner Bros on The LEGO Movie from pitch to proof of concept to post. Animal Logic has gone even further on the latest LEGO animated feature, The LEGO Batman Movie, where they were embedded with the production for over a year. The range of their work pushed every aspect of the Baselight system for editorial, VFX, and HDR not just for post, but for the entire production process.
Baselight Ka-booms in Belfast
Belfast, in Northern Ireland, doesn't have a great history in post-production. But Ka-boom, which started in 2010 as an audio facility, the specialisation of co-founder Will McConnell, quickly grew to fill the void in a city which is now rapidly becoming a major production centre.
Colour Grading The BBC's Jonathan Strange & Mr Norrell
Jonathan Strange & Mr Norrell is a seven-part adaptation of Susanna Clarke's novel set in the Napoleonic Wars, and says Technicolor Montreal's Head Colourist Nico Ilies, a beautifully crafted period fantasy drama with outstanding acting, great cinematography and art direction, beautiful costumes and amazing VFX work -- an absolutely ideal colorist's playground. Working in Baselight, Nico took pictures in a variety of directions for this unusually diverse tale.
Feature, People / Interview
Adobe After Effects
|Color Grading in After Effects: Basic Color Control|
This series is discussing a couple of approaches towards color grading using After Effects 5.5. Barend Onneweer starts out with a rather mathematical approach to match the overal color balance between shots. This procedure can also be put to good use to correct badly white-balanced video.