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DaVinci Resolve Tutorials

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AVID
3 Steps to Perfect, Painless Avid-Resolve Roundtripping

3 Steps to Perfect, Painless Avid-Resolve Roundtripping

Everything that most Avid Media Composer/Symphony and Blackmagic DaVinci Resolve artists need to know about relinking sequences is contained in just three bin columns. Just three. Avid editor and workflow consultant Scott Freeman will show you which three metadata fields to keep an eye on for perfect, painless Avid-Resolve roundtripping.

Tutorial
Scott Freeman
Blackmagic Design
Building a Broadcast Studio with Blackmagic Design

Building a Broadcast Studio with Blackmagic Design

Master facility designer Bob Zelin has been building studios for his clients based around the offerings from Blackmagic Design, and he's here to tell you: this is for real. The pieces are here now, and they fit together beautifully -- and he's got even more clients lined up for Blackmagic-centered studios. Read on as Bob helps you put together a plan to build your own.

Feature
Bob Zelin
Tiffen DFX Filters
Tiffen DFX 4.0 OFX in DaVinci Resolve 11

Tiffen DFX 4.0 OFX in DaVinci Resolve 11

Founding COW member Dennis Kutchera reviews Tiffen's DVX 4.0. He finds more choices, better choices, and a faster workflow.

Review, Editorial, Feature
Dennis Kutchera
DaVinci Resolve
Exodus: Gods and Kings -- Grading Ridley Scott's 3D Epic

Exodus: Gods and Kings -- Grading Ridley Scott's 3D Epic

Director Ridley Scott's latest epic 'Exodus: Gods and Kings' takes a gritty approach to a biblical story, and colorist Stephen Nakamura helped expand the realistic look by working closely with Scott and DP Dariusz Wolski ASC, and by grading the film in DaVinci Resolve 11 using new tools to help push the 3D grade while preserving highlights.

Editorial, Feature, People / Interview
Kylee Wall
Art of the Edit
Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri's shift from editing corporate training videos and independent films to crafting TV movies for SyFy and Lifetime was no accident: hard work and a positive attitude were everything as he found himself cutting films and designing workflows for major networks.

Editorial, Feature, People / Interview
Kylee Wall
Boris FX
Boris FX Acquires Imagineer, Building VFX Development Dynamo

Boris FX Acquires Imagineer, Building VFX Development Dynamo

Boris FX, makers of VFX plug-ins and integrated workflow solutions including Boris Continuum Complete, have signed an agreement to acquire Imagineer Systems, makers of mocha Pro. The two will combine for a tremendous reach in the editing, motion graphics, and VFX communities, and have already begun work on joint projects and technologies.

Editorial, Feature, People / Interview
Tim Wilson
AVID
Avid Video Mixdowns as DaVinci Resolve Sources

Avid Video Mixdowns as DaVinci Resolve Sources

People have been asking advice from television online editor and frequent Creative COW contributor Scott Freeman on what to do when an Avid video mixdown is going to be used as a source for DaVinci Resolve.Here are his thoughts on how to get in on the fun of linking metadata to essence.

Editorial, Feature, People / Interview
Scott Freeman
DaVinci Resolve
Blackmagic DaVinci Goes up to 11

Blackmagic DaVinci Goes up to 11

Colorist Joseph Owens has been in the heart of postproduction for over 30 years, and has used one form or another of DaVinci Resolve for a large part of that. In his look at the latest release of what he calls the gold standard for color correction, he both covers new features, and considers the possibilities that those features offer.

Review, Editorial, Feature, People / Interview
Joseph Owens
TV & Movie Appreciation
Building The World of Hercules

Building The World of Hercules

Hercules achieved an epic look on a relatively modest budget through careful and clever CG environments. Together, Method Studios and Milk VFX are two of the companies that helped create a full, realistic world for Hercules, from the sky, to the Acropolis, to the sea.

Editorial, Feature, People / Interview
Tim Wilson
Blackmagic Cinema Camera
Shooting Trent & Isabella: Blackmagic Firmware & Indie Film

Shooting Trent & Isabella: Blackmagic Firmware & Indie Film

Paul Del Vecchio is a filmmaker with an independent spirit. When he had the chance to beta test Blackmagic's new firmware on the Cinema Camera while serving as director of photography on the indie film "Trent & Isabella," he found that the new debayer process became a huge asset to getting the raw-like images he wanted without the price of storage and processing. Less time and money spent there means more focus on the film's visual style which ranges from spaghetti western to film noir.

Editorial, Feature, People / Interview
Kylee Wall
DaVinci Resolve
The Many Colors of A Modern Family

The Many Colors of A Modern Family

Sometimes it might seem that colorists are all about stylized treatments and extreme color correction, but Aidan Stanford's work on season five of Modern Family is all about maintaining realism and hiding all the tricks in the background. Making the jump from film color timing into digital hasn't been easy, but Aidan has found a way to utilize his film skills in the digital world, turning around episodes in a day using his favorite tools in DaVinci Resolve.

Editorial, Feature, People / Interview
Kylee Wall
AVID
Unbreakable Conform for Avid Symphony & DaVinci Resolve

Unbreakable Conform for Avid Symphony & DaVinci Resolve

There's nothing easy about roundtripping MXF files between Avid Symphony and DaVinci Resolve, especially if you want to keep handles intact. Longtime online editor Scott Freeman has come up with a way to actually make it easy, while automatically taming media management beasts. Best of all, the time savings are stunning: 8 hour conforms can be done in 4, and 40-hour media management marathons can be accomplished in seconds. Here are the steps for that, and so many other things that become possible as a result.

Editorial, Feature
Scott Freeman
Social Media
How Are You Doing? Really...

How Are You Doing? Really...

In an industry where mental health is hard to come by, Kylee Wall reminds us how important it is to ask ourselves, and our peers, "How are you doing?". When's the last time you answered truthfully?

Editorial, Feature
Kylee Wall
Cinematography
Technology 2014 | Production, Post & Beyond: Part ONE

Technology 2014 | Production, Post & Beyond: Part ONE

What were the big technology trends in media and entertainment over the past year? What's going to be significant in the coming year? Those are questions that many of us are asking, so we went to some of our savviest Creative COW contributors to ask their opinions of where we've been and where we're going. Here in Part 1, we offer an overview of their perspectives. (See Part 2 for their additional insights.)

Editorial, Feature, People / Interview
Debra Kaufman
Art of the Edit
Coloring Machete Kills: Natasha Leonnet

Coloring Machete Kills: Natasha Leonnet

Colorist Natasha Leonnet talks about Machete Kills, her sixth collaboration with director Robert Rodriguez, and her pathway to becoming a colorist.

Editorial, Feature, People / Interview
Debra Kaufman
Adobe After Effects
Fans OCCUPY Conan With Self-Produced Parodies

Fans OCCUPY Conan With Self-Produced Parodies

Lead editor Dan Dome and editors Robert Ashe, Jr., Chris Heller and David Grecu all put together OCCUPY Conan, a fan-sourced episode of the popular late night show. It's harder than it sounds, and that's why the Conan Editing Team is now up for an Emmy for Outstanding Multicam Editing for a Comedy Series.

Editorial, Feature, People / Interview
Debra Kaufman
Art of the Edit
Covert Affairs and Suits with Online Editor Scott Freeman

Covert Affairs and Suits with Online Editor Scott Freeman

Scott Freeman figured out how to use Blackmagic Design's DaVinci Resolve in an innovative way to dramatically speed up media matching in the online editing process for USA Network's dramas, "Suits" and "Covert Affairs." He describes how he round-trips between the Avid Symphony and the DaVinci Resolve and why he wants every other online editor to learn his trick.

Editorial, Feature, People / Interview
Scott Freeman
Cinematography
World War Z: Location Production for the Zombie Apocalypse

World War Z: Location Production for the Zombie Apocalypse

The team that developed virtual cinematography for Avatar went even further for World War Z, creating a much more advanced system for everything from video assist to capturing lens metadata, able to stand up to eight weeks of 14 hour days, in remote locations and extreme conditions around the world.

Editorial, Feature, People / Interview
Debra Kaufman
Art of the Edit
Workflow: Industry Pros Face the Challenges

Workflow: Industry Pros Face the Challenges

With the rise of 4K, the film/TV industry faces a new set of challenges in acquisition, post production, distribution, media management and storage. Many executives remember all too well how the often-painful adoption of HD created upheavals in the production and post chain, and now, only a few years later, the ante is being upped to 4K.

Editorial, Feature, People / Interview
Debra Kaufman
What Computer Should I Buy?
Solving the Mystery of Getting Ahead

Solving the Mystery of Getting Ahead

With a BAFTA for audio in hand, Bang Post Production has a new game afoot for picture post in Wales.

Editorial, Feature, People / Interview
Glenn Collict
Cinematography
The Hobbit & The Dawn of High Frame Rate Cinema

The Hobbit & The Dawn of High Frame Rate Cinema

The technology wizards of the film/TV industry have been talking about High Frame Rate cinema for a long time; indeed, Douglas Trumbull's Showscan at 60 fps presaged the current interest over 30 years ago. But it took director Peter Jackson to take the plunge for mainstream cinema, declaring he would shoot The Hobbit in 48 fps to get momentum going. In about a year's time, manufacturers made the gear, theater exhibitors updated their movie theaters, and the studios prepared for one of the most audacious technology debuts that cinema has seen. Creative COW goes behind the scenes to see what it took for you to see The Hobbit in 48 fps.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Jacob Rosenberg Directs Waiting for Lightning

Jacob Rosenberg Directs Waiting for Lightning

Waiting for Lightning is the tragic and triumphant story of legendary skateboarder Danny Way, following him from his chaotic childhood to his early talent with a skateboard through to his many professional successes. With a combination of archival footage, interviews and skateboard action, Waiting for Lightning also takes us on Danny's journey to China to jump the Great Wall on a skateboard.

Feature, People / Interview
Jacob Rosenberg
DaVinci Resolve
Grading Frankenweenie at Company 3

Grading Frankenweenie at Company 3

Colorist Rob Pizzey just finished the DI for Tim Burton's latest film, Frankenweenie, a 3D stop-motion animated tale of a boy and his deceased dog, brought back to life with the power of science. Creative COW spoke with Company 3 colorist Rob Pizzey in London about the tricks of grading a B&W movie that's also stop-motion and in 3D.

Feature
Debra Kaufman
Cinematography
Setting Standards for High Frame Rate Digital Cinema

Setting Standards for High Frame Rate Digital Cinema

Dave Stump, ASC, is a co-chair of the SMPTE Working Group on High Frame Rate Cinema. The upcoming releases of The Hobbit and Avatar 2 have highlighted a number of issues that the entire filmmaking community is going to have deal with, including exhibitors. A winner of an Academy Award for Technical Achievement as well as a cinematographer, Dave speaks from a variety of perspectives as he describes the early days of progress towards standards for High Frame Rate cinema.

Editorial, Feature, People / Interview
Dave Stump, ASC
DaVinci Resolve
Taking a Bite out of Cookie Monster with Resolve 9

Taking a Bite out of Cookie Monster with Resolve 9

When directors Josh and Jason Diamond called Juan Salvo to color and finish “Share it Maybe,” the music video spoof of the pop hit “Call Me Maybe,” Juan knew he had the perfect tool for the job. As part of the private beta for Blackmagic Design’s Resolve 9, he was able to turn the Cookie Monster into the perfect shade of blue and tackle other challenges, with the lightning speed turnaround that the viral video required.

Feature
Juan Salvo
Series


Authors

Glenn Collict (1)
Scott Freeman (4)
Debra Kaufman (12)
Helmut Kobler (1)
Dennis Kutchera (2)
Ron Lindeboom (3)
Stephen Nakamura (1)
Joseph Owens (1)
Grant Petty (4)
Jacob Rosenberg (1)
Juan Salvo (1)
Dave Stump, ASC (1)
Kylee Wall (5)
Tim Wilson (6)
Bob Zelin (2)


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