Creative COWSIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US :: FAQ
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
LIBRARY:TutorialsVideo TutorialsReviewsInterviewsEditorialsFeaturesBusinessAuthorsRSS Feed

Apple FCPX Techniques Tutorials

FORUM   •   VIDEO TUTORIALS  •   HOT TODAY   •   LIBRARY HOME   •   SUBSCRIBE
Business & Marketing
Creative COW Turns 15! A Celebration of Being Uncool

Creative COW Turns 15! A Celebration of Being Uncool

15 years is a long time on the internet! Travel back with us to the days before YouTube, social media, digital cinema, smartphones, iPods and all the rest, back to the founding of Creative COW by Ronald & Kathlyn Lindeboom in April 2001. Join us for an insider's look at the earliest days of the professional digital video revolution, all the way through the events that have shaped the world's largest community of media professionals, right here at Creative COW.

Editorial, Feature
Tim Wilson
Indie Film & Documentary
Tuskegee Airmen 75th Anniversary: A Documentary Revisited

Tuskegee Airmen 75th Anniversary: A Documentary Revisited

When Denton Adkinson and Bryan Williams told us the story of their documentary, In Their Own Words: The Tuskegee Airmen, back in 2011, we were amazed. It was one of the most popular stories we published that year, not just because of the inspiring subject matter, but for the remarkable way it came together as a project, and in post. In the years since then, the film has taken on a life of its own, including national DVD distribution, becoming part of high school curricula, NFL celebrations, museum presentations, and more. Now in 2016, to celebrate the 75th anniversary of the Tuskegee Airmen, their film will be presented as a live event on over 200 screens across the US. To get there, though, Denton and Bryan had to update their SD original for the big screen, add a surround mix, and prep it for digital distribution. This is a story of faith, fortitude, upres, ProRes, and the power of positive phone calls that you won't want to miss.

Feature
Denton Adkinson
Apple FCPX Techniques
FCPX: Trailer Editing Workflow with Charlie Austin

FCPX: Trailer Editing Workflow with Charlie Austin

Creative COW stalwart, FCPX whiz, and longtime trailer editing expert Charlie Austin recently joined the folks at FCPWORKS and their FCP EXCHANGE workshop series for a deep dive into managing this particularly intensive form of editing with the newest Apple editing offering. Charlie comes at it with both a wit and precision that you won't want to miss.

Tutorial
Charlie Austin
Apple FCPX or Not: The Debate
Apple FCPX and the Making Of Whiskey Tango Foxtrot

Apple FCPX and the Making Of Whiskey Tango Foxtrot

Rather than a story about editing software, this is a story about Apple Final Cut Pro X from a filmmaker’s perspective: specifically, how keeping as much VFX and audio temp work as possible inside FCPX during production helped allow Glenn Ficarra and John Requa to open up new options and saved weeks of production time in the making of Whiskey Tango Foxtrot, the new wartime comedy starring Tina Fey.

Editorial, Feature
Tim Wilson
Art of the Edit
Checksums, Speed, and Acceptable Risk

Checksums, Speed, and Acceptable Risk

Do you hang out under a tree during a lightning storm? Do you perform a checksum every time you copy important files from one place to another? If you don't have an equally strong opinion about both these questions, it's time to learn about checksums: how they work, how much you can trust them, and how this technical task can save a creative person from certain doom.

Editorial, Feature
Kylee Peña
Apple FCPX Techniques
Using Apple FCPX for A DocumenTree

Using Apple FCPX for A DocumenTree

After 25 years of working on other people's documentaries, commercials, feature films, filmmaker Michael Angelo's first original project is the inspirational story of the Treeman of Venice Beach, a singular creation of a singular man whose combination of costume, body paint, live foliage, and 10-foot stilts is gently beguiling and deeply inspirational. With over 1000 hours of footage in a crazy number of formats over a period of years, collaboration among a far-flung team of volunteers with varying degrees of expertise (including none at all), A DocumenTree seemed like the ideal project for Michael to jump into Final Cut Pro X. Michael's longtime experience in a variety of disciplines has nevertheless allowed him to come at the issues of media management, metadata, offline-online workflows, and a variety of complex technical issues in some unusual, and, dare we say it, organic ways.

Editorial, Feature, People / Interview
Michael Angelo
Social Media
How Are You? No, really. Creativity & Mental Health

How Are You? No, really. Creativity & Mental Health

In an industry where mental health is hard to come by, Creative COW Associate Editor Kylee Peña reminds us how important it is to ask ourselves, and our peers, "How are you? No, really. How ARE you?" Kylee also offers some suggestions for helping ourselves be honest with the answers, as we also move toward a future that allows us to be more creative, more productive, AND more sane.

Editorial, Feature
Kylee Peña
Apple Motion
Apple Motion 5: Crystal Spheres

Apple Motion 5: Crystal Spheres

Apple Motion 5 has many powerful compositing and graphics features, but its 3D feature set is, alas, limited. (For those keeping score, it's only 2.5D). Simon Ubsdell applies his his VFX and motion graphics expertise to cleverly working around those limitations by exploiting the best of Motion's behaviors, filters, lights, cameras, blend modes, refractions, and more -- along with everything you'll need to customize the effect to your liking, and to deepen your own Motion skills.

Tutorial
Simon Ubsdell
Apple FCPX Techniques
Managing FCPX Media Labs for Maximum Sanity & Minimum Chaos

Managing FCPX Media Labs for Maximum Sanity & Minimum Chaos

Managing a shared storage environment for Apple FCPX is one thing. Now add 100+ students who are still learning the rules, and the challenges skyrocket. Fortunately, Andrew Gash's experience at Lakeland Florida's Kathleen High School has given him some great ideas for you that promise to make things as foolproof as possible, maximizing sanity and minimizing chaos. Even if your shared editing environment is in a post house or broadcast environment rather than a school, Andrew's advice is well worth heeding!

Editorial, Feature
Andrew Gash
Apple FCPX or Not: The Debate
Hawaiki Keyer 2.0: A Tutorial Introduction

Hawaiki Keyer 2.0: A Tutorial Introduction

After 25 years as an editor, compositor, and VFX artist, frequent Creative COW poster and tutorial author Simon Ubsdell knows what he needs from a keyer -- and knew he wasn't getting good enough results from FCPX or Motion. Discussions in COW forums led him to create the highly regarded Hawaiki Keyer. Enthusiasm expressed by COW members for its latest release led us to ask Simon for a tour. If you're keying on a Mac, you're going to want to check this out.

Tutorial
Simon Ubsdell
Adobe Premiere Pro
PluralEyes: Fast & Easy Connections for Video & Audio Clips

PluralEyes: Fast & Easy Connections for Video & Audio Clips

With the popularity of HD-DSLRs, many shooters are recording sound separately because of the camera’s limitations with audio -- but putting audio and video together in post can be a chore. Longtime spots ace Bill O'Neil has been dealing with this over the past several years , and has found PluralEyes from Red Giant to be fast, easy, and effective. Take a look to see if PluralEyes will help you, too.

Review, Editorial, Feature
Bill O'Neil
Apple FCPX Techniques
Apple FCPX 10.2 First Look: Worth the Wait!

Apple FCPX 10.2 First Look: Worth the Wait!

After the usual rabid anticipation, Apple released FCPX 10.2 with a wide range of new features that should excite any pro: new and improved keyframable masks, Library level Smart Collections, improved keyframing performance, 4-Up Scope viewer, the ability to save effects applied to clips.

Feature
Charlie Austin
NAB Show
Tips from an NAB Veteran: Make the Best Use of Your Time

Tips from an NAB Veteran: Make the Best Use of Your Time

"The snow is finally starting to melt," says Creative COW Contributing Editor (and member with nearly 25,000 posts) Walter Biscardi, "so that means it’s time for the annual National Association of Broadcasters convention. I've gone so many times it’s more like a family reunion than a trade show anymore. Here’s my 2015 edition of “Tips From An NAB Veteran To Make The Best Use Of Your Time.”

Editorial, Feature, People / Interview
Walter Biscardi
NAB Show
Open Letter to Companies Exhibiting at the NAB Show

Open Letter to Companies Exhibiting at the NAB Show

"Trade show exhibitors are all competing to be the loudest, shiniest and sexiest," says Creative COW Contributing Editor Kylee Wall. "I'm writing to ask you to consider how your conduct can help make the exhibit hall a more inviting and inclusive experience for everyone."

Editorial, Feature, People / Interview
Kylee Peña
Fitness in Post
Fitness in Post: From Couch to Star Wars 10K

Fitness in Post: From Couch to Star Wars 10K

"My name is Adam Bedford, I’m a tv editor, and I just ran my first ever 10k." Adam tell us that it was hard to even get started training, having sprained his ankle running from zombies at Comic-Con. And yet...

Editorial, Feature, People / Interview
Adam Bedford
Apple Motion
Apple Motion 5: Shockwave

Apple Motion 5: Shockwave

An explosive shockwave. Think you've seen it all before? Not until Simon Ubsdell has shown you how to take advantage of unique tools in Apple Motion 5 to make your own. Simon's experience has been built over 25 years in motion graphics, sound design and mixing, music composition, visual effects and compositing, as well as writing, directing and producing. Follow him as he takes you deep inside keyframes, caustics, camera behaviors, and customizations, as well as sharing real-world tips for finding your way around Motion.

Tutorial
Simon Ubsdell
Art of the Edit
Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri's shift from editing corporate training videos and independent films to crafting TV movies for SyFy and Lifetime was no accident: hard work and a positive attitude were everything as he found himself cutting films and designing workflows for major networks.

Editorial, Feature, People / Interview
Kylee Peña
Apple FCPX Techniques
Don't Fight the Magnetic Timeline!

Don't Fight the Magnetic Timeline!

One of the biggest "issues" people coming from other NLE's still seem to have with FCP X is how the Timeline works. Magnetism! No Tracks! Weird Snorkel Things! Storylines?! It's Crazytown! If you fall into this category, we have two suggestions for you. 1) Read this article by Creative COW's Charlie Austin. 2) Don't fight the timeline! Even experienced X-ers are going to have fun with this one.

Editorial, Feature, People / Interview
Charlie Austin
TV & Movie Appreciation
Sink or Swim in Hollywood:Editor William Boodell & Sharknado

Sink or Swim in Hollywood:Editor William Boodell & Sharknado

When editor William (Bill) Boodell came to LA, he didn't expect to ever be associated with a shark tornado -- I mean, who is? And now Sharknado (the first one), is a part of mainstream pop culture even a year later and his best known work to date. If you talk to Bill for five minutes, you'll discover that he's a film connoisseur with a near-concerning catalog of directors, editors, and filmmaking theory in his head, and an up-and-coming editor with a unique post-film path to Hollywood that anyone can learn from.

Editorial, Feature, People / Interview
Kylee Peña
TV & Movie Appreciation
A Distinctive LOOK For 'The Grand Budapest Hotel'

A Distinctive LOOK For 'The Grand Budapest Hotel'

In his third time working with Wes Anderson, LOOK Effects VFX Supervisor Gabriel Sanchez helped implement the director's singular vision on The Grand Budapest Hotel.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
The Toaster and Tim's Vermeer

The Toaster and Tim's Vermeer

The inventor of the NewTek Video Toaster was certain that he figured out the secret behind the uncanny realism of one of the world's greatest painters, and certain he could use the same methods to duplicate it. Really? Yes, really. Join us for a conversation with NewTek founder Tim Jenison on the unexpected intersection of art, technology, obsession and the Video Toaster in the wonderfully provocative documentary called Tim's Vermeer.

Editorial, Feature, People / Interview
Tim Wilson
Art of the Edit
GoPro Workflows for Editing Pros

GoPro Workflows for Editing Pros

GoPro footage is making its way into nearly every broadcast project that editor Shane Ross has been working on. It's even showing up in feature film production, so no matter what you're cutting, you're going to work with GoPro soon, if you're not already. Drawing on his real-world experience figuring this out on broadcast deadlines, Shane offers practical advice for editors using Avid Media Composer, Adobe Premiere Pro CC, and Apple FCPX.

Editorial, Feature, People / Interview
Shane Ross
Art of the Edit
Shane Ross Rebuilds His Bay with Thunderbolt

Shane Ross Rebuilds His Bay with Thunderbolt

Broadcast editor and longtime Creative COW leader Shane Ross was onlining a series for MSNBC on Avid Symphony, and noticed a funny thing: his MacBook Pro was outpacing his Mac Pro tower. Follow his adventures as he uses a variety of new products to rebuild the heart of his suite around Thunderbolt and his MacBook Pro.

Editorial, Feature, People / Interview
Shane Ross
TV & Movie Appreciation
Making Maleficent Fly

Making Maleficent Fly

Maleficent's Oscar-nominated Visual Effects Supervisor Carey Villegas speaks to us about his work creating the world of the iconic Disney villain, coordinating multiple effects houses on every one of over 1500 shots, and the challenges of creating realistic effects.

Editorial, Feature, People / Interview
Tim Wilson
Art of the Edit
Distributing Creativity: The Growth of Cloud-based Workflows

Distributing Creativity: The Growth of Cloud-based Workflows

The cloud can mean a lot of things, and in some cases, it can mean nearly nothing. This can make it hard to even know what we're talking about. The "real" parts are getting more real all the time, though, for everything from collaboration to computation. Creative COW Contributing Editor Kylee Wall has been looking into the ways that the cloud in its many meanings is already transforming TV & film production today, and she has some ideas about where things might be going from here.

Editorial, Feature, People / Interview
Kylee Peña
Series


Authors

Denton Adkinson (1)
Michael Angelo (1)
Charlie Austin (3)
David Battistella (3)
Adam Bedford (1)
Walter Biscardi (3)
John Davidson (1)
Lori Freitag (1)
Michael Garber (1)
Andrew Gash (1)
Stephen Kanter (1)
Debra Kaufman (6)
Dennis Kutchera (1)
David Lawrence (1)
Sam McGuire (2)
Stephen Nakamura (1)
Andy Neil (11)
Bill O'Neil (1)
T Payton (2)
Shane Ross (2)
Simon Ubsdell (3)
Kylee Peña (7)
David Roth Weiss (1)
Tim Wilson (7)


Other Tutorials

Letters to the COW Team (47)
Creative COW Magazine feedback (11)
Creative COW podcasts (10)
NEWS: People in the News (15)
Adobe After Effects (769)
Adobe After Effects basics (496)
Adobe After Effects Expressions (91)
Adobe After Effects Techniques (213)
Adobe Audition, Soundbooth (46)
Adobe Creative Cloud (50)
Adobe Creative Cloud: The Debate (25)
Adobe Director (25)
Adobe Dreamweaver (41)
Adobe Encore DVD (46)
Adobe Flash (89)
Adobe Illustrator (52)
Adobe InDesign (31)
Adobe Media Encoder (28)
Adobe OnLocation (33)
Adobe Photoshop (251)
Adobe Photoshop basics (78)
Adobe Premiere Pro (379)
Adobe Premiere Pro basics (255)
Adobe SpeedGrade (26)
Adobe ULTRA (28)
AJA io (24)
AJA Ki Pro (22)
AJA Kona - Mac (34)
AJA Kona - PC (24)
Apple - Windows on Mac (14)
Apple Color (33)
Apple DVD Studio Pro (25)
Apple FCPX or Not: The Debate (122)
Apple FCPX Techniques (62)
Apple Final Cut Pro (236)
Apple Final Cut Pro basics (69)
Apple Final Cut Server (16)
Apple Garage Band (13)
Apple iPad (21)
Apple iPhone (21)
Apple iPod (16)
Apple LiveType (12)
Apple Logic (11)
Apple MobileMe (11)
Apple Motion (59)
Apple OS X (23)
Apple Shake (23)
Apple Soundtrack (20)
Apple Xsan (15)
Archiving and Back-Up (30)
ARRI (76)
Art of the Edit (238)
Assimilate Scratch (19)
Audio Professionals (51)
Aurora Video Systems (14)
Autodesk 3ds Max (80)
Autodesk Combustion (50)
Autodesk Smoke (34)
Autodesk Smoke 2013 (17)
Autodesk Toxik (11)
AVID Editing basics (9)
Avid Media Composer / Symphony (264)
Blackmagic Cinema Camera (27)
Blackmagic Design (90)
Blender (16)
Boris FX (76)
Broadcast Design (12)
Broadcasting (174)
Business & Marketing (129)
Canon Cameras (41)
Canon EOS DSLR (31)
Cinema 4D (71)
Cinematography (330)
Compression techniques (22)
CoreMelt Plug-ins (17)
Corporate Video (47)
DaVinci Basics & Configuration (13)
DaVinci Resolve (47)
Digital Delivery (19)
Digital Photography (16)
DSLR Video (77)
DVD Authoring (20)
Event Videographers (65)
Field Production (26)
Freeform Pro (8)
Genarts Sapphire (9)
HD High-End (127)
HDV Format (42)
IBC Expo (35)
Indie Film & Documentary (225)
JVC cameras/decks (12)
Leitch dpsVelocity (12)
Lighting Design Pros (22)
Lightwave (10)
Live & Stage Events (48)
Magic Bullet Suite (8)
Matrox Video Systems (17)
MAYA (71)
Media 100 (40)
Media 100 844/X (11)
NAB Show (146)
Nuke (11)
Panasonic GH Cameras (23)
Panasonic HVX - HPX (P2) (56)
Panasonic VariCam (31)
particle Illusion (17)
Podcasting (12)
RE:Vision Effects (54)
RED Camera (61)
Red Giant plug-ins (8)
SAN - Storage Area Networks (24)
Sony DV (14)
Sony NXCAM (24)
Sony SRW Decks (15)
Sony Vegas (125)
Sony Vegas basics (101)
Sony XDCAM - EX & Related (31)
Sony XDCAM Optical Disc & Related (18)
Stereoscopic 3D (83)
Trapcode (25)
TV & Movie Appreciation (220)
WalterBiscardi.com (8)
Web Design (25)
Web Streaming - Audio|Video (12)
What Computer Should I Buy? (27)
Windows Hardware & Software (44)
Zaxwerks (22)


FORUMSTUTORIALSFEATURESPODCASTSEVENTSSERVICESJOBSNEWSLETTERNEWSBLOGS

Creative COW LinkedIn GroupCreative COW Facebook PageCreative COW on Twitter
© 2016 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]