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TV & Movie Appreciation Tutorials

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TV & Movie Appreciation
Orson Welles' Brief, Passionate Love Affair with Betacam

Orson Welles' Brief, Passionate Love Affair with Betacam

A video production pioneer who shot with the first Sony Betacam camera and set up the first Betacam to 1-inch edit suite, Frank Beacham also worked with Orson Welles on Welles’ final project before passing away in 1985. Welles was exceptionally engaged with the most technical aspects of the cutting edge technology that was just beginning to emerge, including a passionate belief in the possibilities that Betacam could offer. This is a truly astounding tale of creativity at the crossroads, and an intimate look inside the mind and work of one of the 20th century’s most influential storytellers.

Feature
Frank Beacham
TV & Movie Appreciation
FotoKem Restores The 1965 Classic, The Sound of Music

FotoKem Restores The 1965 Classic, The Sound of Music

Restoring a beloved classic requires even more finesse than usual. Fortunately, today's tools offer more power than ever, along with more finesse, to enable the film experts at FotoKem to create a truly celebratory release of 1965's The Sound of Music.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
Method Studios builds a giant world for JUPITER ASCENDING

Method Studios builds a giant world for JUPITER ASCENDING

Jupiter Ascending is the latest sci-fi epic from Lana and Andy Wachowski, the visionaries whose hallmark is creating compelling worlds that span vast reaches of time and space. We spoke to Simon Carr, the VFX supervisor for Method, about creating many of the key components in Jupiter Ascending's world, and what their experience has taught them about building their own future.

Editorial, Feature, People / Interview
Tim Wilson
Cinematography
Cinematographer-in-Residence: Mandy Walker ASC at UCLA

Cinematographer-in-Residence: Mandy Walker ASC at UCLA

Cinematographer Mandy Walker joins UCLA School of Theater, Film and Television as a Kodak Cinematographer in Residence, teaching the next generation of film students what it means to be a successful director of photography.

Editorial, Feature, People / Interview
Kylee Wall
DaVinci Resolve
Exodus: Gods and Kings -- Grading Ridley Scott's 3D Epic

Exodus: Gods and Kings -- Grading Ridley Scott's 3D Epic

Director Ridley Scott's latest epic 'Exodus: Gods and Kings' takes a gritty approach to a biblical story, and colorist Stephen Nakamura helped expand the realistic look by working closely with Scott and DP Dariusz Wolski ASC, and by grading the film in DaVinci Resolve 11 using new tools to help push the 3D grade while preserving highlights.

Editorial, Feature, People / Interview
Kylee Wall
Art of the Edit
Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri Talks Cutting Lifetime TV Movies

Editor Bryan Capri's shift from editing corporate training videos and independent films to crafting TV movies for SyFy and Lifetime was no accident: hard work and a positive attitude were everything as he found himself cutting films and designing workflows for major networks.

Editorial, Feature, People / Interview
Kylee Wall
TV & Movie Appreciation
Editor William Goldenberg on Crafting The Imitation Game

Editor William Goldenberg on Crafting The Imitation Game

Oscar-winning film editor William Goldenberg has cut his fair share of tension, including Zero Dark Thirty and Argo. On The Imitation Game, he crafts the story of Alan Turing's race to crack the Engima code, sharing his creative approach to constructing a scene and working with high-level directors.

Editorial, Feature, People / Interview
Kylee Wall
Adobe Premiere Pro
Gone Girl: Editing a Hollywood Feature with Adobe Premiere

Gone Girl: Editing a Hollywood Feature with Adobe Premiere

David Fincher's "Gone Girl" is the latest in a series of critically acclaimed films from the director, but it's the first studio feature edited with Adobe Premiere Pro, with a complex post production workflow that includes 6K acquisition and over 200 visual effects completed in house with the help of Dynamic Link and After Effects.

Editorial, Feature, People / Interview
Kylee Wall
TV & Movie Appreciation
Running the VFX for The Maze Runner

Running the VFX for The Maze Runner

VFX Supervisor Sue Rowe led the team from Method in creating over 500 shots as the exclusive house on The Maze Runner, an action thriller based on the post-apocalyptic dystopia YA series. Creating the ever-shifting maze itself, as well as foul organic-mechanical hybrid monsters known as Grievers, Sue and her team expanded their expertise beyond atmospheres to include Oscar-winning character animators, taking some imaginative turns through the maze of creating a realistic world.

Editorial, Feature, People / Interview
Sue Rowe
TV & Movie Appreciation
Milk Creates Half-Face Man for Debut of Doctor Who Series 8

Milk Creates Half-Face Man for Debut of Doctor Who Series 8

BAFTA award winning London VFX house Milk created the stunning and beautiful visual effects for the BBC's "Deep Breath", Peter Capaldi's debut episode as Doctor Who, directed by Ben Wheatley for the eighth series of Doctor Who.

Editorial, Feature, People / Interview
Milk VFX
TV & Movie Appreciation
The Giver Blooms with Color from Technicolor PostWorks NY

The Giver Blooms with Color from Technicolor PostWorks NY

The Giver centers on a boy who comes to question the colorless, utopian community he has grown up in after learning about the "real" world from an elderly man. The reawakening of the boy's memories and emotions is reflected in his growing ability to see in color. This gentle transition from b&w to color was handled by Technicolor-PostWorks' boutique finishing facility, The Room, which handled numerous creative and technical challenges in post production.

Editorial, Feature, People / Interview
Technicolor PostWorks
TV & Movie Appreciation
Television VFX:A Different Kind of Beast at Stargate Studios

Television VFX:A Different Kind of Beast at Stargate Studios

Nightmare-spawning VFX, gruesome yet realistic shots for monsters we're glad are on the other side of the television glass, heart-wrenching, but necessarily believable medical drama effects are all but part of a working day at Stargate Studios. Working a television post production schedule is a beast all its own, and here, they tame the beast a bit with some great VFX and some mocha Pro magic...

Editorial, Feature, People / Interview
Imagineer Systems
TV & Movie Appreciation
The Marvel of Guardians of the Galaxy

The Marvel of Guardians of the Galaxy

Big companies can't be nimble? Don't tell Sony Pictures Imageworks. They turned around 88 shots for Marvel's instant classic, Guardians of the Galaxy -- plus a complete digital character -- in just two months. VFX Supervisor Pete Travers says it's the fastest they've ever worked on a project like this, and a sterling example of both the creative advantages that come with scale, and the richness of the Marvel multiverse.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
Sink or Swim in Hollywood:Editor William Boodell & Sharknado

Sink or Swim in Hollywood:Editor William Boodell & Sharknado

When editor William (Bill) Boodell came to LA, he didn't expect to ever be associated with a shark tornado -- I mean, who is? And now Sharknado (the first one), is a part of mainstream pop culture even a year later and his best known work to date. If you talk to Bill for five minutes, you'll discover that he's a film connoisseur with a near-concerning catalog of directors, editors, and filmmaking theory in his head, and an up-and-coming editor with a unique post-film path to Hollywood that anyone can learn from.

Editorial, Feature, People / Interview
Kylee Wall
TV & Movie Appreciation
Building the Storm for Into the Storm

Building the Storm for Into the Storm

If you're going to build the storm for a movie called Into The Storm, you better be on top of your game -- especially if it's an unprecedented mile-wide monster of a tornado. Method Studios created the storm and its aftermath, building on the kinds of things you expect from a tornado, to create some things you've not seen before.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
Building The World of Hercules

Building The World of Hercules

Hercules achieved an epic look on a relatively modest budget through careful and clever CG environments. Together, Method Studios and Milk VFX are two of the companies that helped create a full, realistic world for Hercules, from the sky, to the Acropolis, to the sea.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
The Five OTHER Peter O'Toole Movies That Thou Must See

The Five OTHER Peter O'Toole Movies That Thou Must See

Peter O'Toole (August 2, 1932 - December 14, 2013) is most remembered for his supernova performance in Lawrence of Arabia, but in fact some of his most highly-regarded, even Oscar-nominated, performances are all but forgotten in the praise of that one. Here are five more movies to set the record straight: there was nobody else like Peter O'Toole, and there won't be again.

Editorial, Feature
Tim Wilson
Canon Cameras
Homeland: Behind the Scenes with Canon Glass/David Klein ASC

Homeland: Behind the Scenes with Canon Glass/David Klein ASC

David Klein, ASC, who is nominated for a 2014 Best Cinematography Emmy® Award for his work on Homeland, first AC Dominik Mainl, and B camera operator Bob Newcomb break down what's in their tool kit: an ARRI Alexa mounted with Canon Cinema Zoom Lenses, a RED Epic, a Canon Cinema EOS 1D C, and a Canon EOS 5D Mark III.

Editorial, Feature, People / Interview
Stefani Rice
Blackmagic Cinema Camera
Shooting Trent & Isabella: Blackmagic Firmware & Indie Film

Shooting Trent & Isabella: Blackmagic Firmware & Indie Film

Paul Del Vecchio is a filmmaker with an independent spirit. When he had the chance to beta test Blackmagic's new firmware on the Cinema Camera while serving as director of photography on the indie film "Trent & Isabella," he found that the new debayer process became a huge asset to getting the raw-like images he wanted without the price of storage and processing. Less time and money spent there means more focus on the film's visual style which ranges from spaghetti western to film noir.

Editorial, Feature, People / Interview
Kylee Wall
TV & Movie Appreciation
A Distinctive LOOK For 'The Grand Budapest Hotel'

A Distinctive LOOK For 'The Grand Budapest Hotel'

In his third time working with Wes Anderson, LOOK Effects VFX Supervisor Gabriel Sanchez helped implement the director's singular vision on The Grand Budapest Hotel.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
Contemporary Living Network: Fresh Ideas, Fresh Content

Contemporary Living Network: Fresh Ideas, Fresh Content

Longtime Creative COW Contributor, Walter Biscardi, Jr. recently announced the upcoming launch of Contemporary Living Network, a digital network focusing on positive lifestyle edutainment. For him, it's a natural progression from production to creating a new home for all original content. We asked Walter to tell us about CLN and his crowd funding campaign for "Ice Cream Nation," one of the first series to be featured on the new network.

Editorial, Feature, People / Interview
Walter Biscardi
TV & Movie Appreciation
Milk Explodes All Over London For “24”

Milk Explodes All Over London For “24”

Milk is working with Fox as the lead VFX studio on "24: Live Another Day" -- currently airing on Sky 1 in the UK and around the world -- to create a mix of CG and effects work for the heart-stopping series, as it celebrates its debut year in business.

Editorial, Feature
Creative COW
Art of the Edit
Under the Dome with Encore VFX Supervisor Stephan Fleet

Under the Dome with Encore VFX Supervisor Stephan Fleet

Visual effects are at the heart of Under the Dome, a hit CBS drama based on a novel by Stephen King, about a town trapped under an invisible dome that isolates it from the rest of the world. Read how Encore VFX created the dome itself for Season One, and other effects, as well as providing a full range of on-set and post services, all while translating the languages of many different disciplines into a single, unified vision.

Editorial, Feature, People / Interview
Stephan Fleet
Art of the Edit
Saturday Night Live's Film Unit: Making TV Fast

Saturday Night Live's Film Unit: Making TV Fast

Saturday Night Live's film unit produces a pre-taped segment for every live show, with nearly all of production and post happening within a 48 hour period. Director of Photography Alex Buono and editor Adam Epstein rely heavily on communication, improvisational filmmaking skills and the flexibility of their toolset -- including Adobe Creative Cloud -- to hit their deadlines and bring film spots to air each Saturday night.

Editorial, Feature, People / Interview
Kylee Wall
TV & Movie Appreciation
The Toaster and Tim's Vermeer

The Toaster and Tim's Vermeer

The inventor of the NewTek Video Toaster was certain that he figured out the secret behind the uncanny realism of one of the world's greatest painters, and certain he could use the same methods to duplicate it. Really? Yes, really. Join us for a conversation with NewTek founder Tim Jenison on the unexpected intersection of art, technology, obsession and the Video Toaster in the wonderfully provocative documentary called Tim's Vermeer.

Editorial, Feature, People / Interview
Tim Wilson
Series


Authors

Gary Adcock (1)
Rob Ashe (1)
David Battistella (1)
Frank Beacham (1)
George Bellias (1)
David Biedny (1)
Walter Biscardi (3)
Kevin Blank (1)
Doug Blush (1)
Paul Carlin (1)
Gare Cline (1)
Robbie Coblentz (1)
Mike Cohen (2)
Light Iron (9)
Sarah Mason (1)
Brian Gardner (1)
Lesli Linka Glatter (1)
Randy Goux (1)
Angela Gyetvan (1)
Anette Haellmigk (1)
Chris Heuer (1)
David Heuring (1)
Michael Karagosian (1)
Debra Kaufman (114)
Steven Kochones (1)
Ron Lindeboom (2)
James Mathers (1)
Stephen Menick (1)
Thomas Miller (1)
Yuri Neyman, ASC (1)
Bill O'Neil (1)
William Powloski (1)
Glenn Reitmeier (1)
Jonny Revolt (1)
Jacob Rosenberg (1)
Shane Ross (1)
Sue Rowe (1)
Ryan Salazar (1)
Marco Solorio (1)
Dave Stump, ASC (2)
Kylee Wall (11)
Mic Waugh (1)
David Roth Weiss (5)
Ken Weissman (1)
Tim Wilson (21)
Ray Zone (1)


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